Sin El

1. Ya No Te Vayas

2. Vete Mejor

3. No Puedo Olvidarlo

4. Pareja Ideal

5. Chico Aquel

6. Sin El

7. Si No Te Hubieras Ido

8. Prefiero Ir Sola

9. Dios Bendiga Nuestro Amor

10. Vete con Ella

Sin El,Marisela,I.M. Discos,Latin,Latin Pop,Tropical

Average customer rating:

The best of latin music through Domingo's voice
Classic Latin American tunes beautifully sung and produced,

De Mi Alma Latina

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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De Mi Alma Latina, Vol. 2
100 years of Mariachi
Por Amor
Por Fin Juntos
Placido Domingo: A Love Until The End Of Time

ASIN: B000002SLF
Release Date: 1994-09-13

Tracks:

Aquellos ojos verdes
La flor de la canela - Que nadie sepa mi sufrir - Amarraditos
Nosotros - Contigo - Sin ti
De Mexico a Buenos Aires
Se me olvido otra vez
El Humahuaqueqo - Caballo viejo - Moliendo Cafe
Delirio - Alma llanera
Solamente una vez - Veracruz - Noche de ronda
Manha de carnavaz - Aquarela do Brasil
Sabras que te quiero
Alfonsina y el mar - Gracias a la vida
Lamento Boricano - Vereda Tropical
Como ayer
Perfidia - Frenesi - La ultima noche
Adios
Por Amor - Asi como te buscaba - Yo vendo unos ojos negros

Customer Reviews:

The best of latin music through Domingo's voice.......1999-08-10

This CD goes wherever I go, it is with no doubt, the queen of my collection. Medleys are wonderfully orchestrated and arranged and every song makes you travel anywhere between Mexico and Buenos Aires. Here, Domingo's voice is more like a musical instrument than anything else and each song you'll discover a new instrument. Honestly, I would personally award it six stars.

Classic Latin American tunes beautifully sung and produced,.......1998-12-11

Domingo's love for traditional Latin American music shines throughout this CD. A selection of great "standards", beautifully arranged and recorded by one of the world's great voices. "De Mexico a Buenos Aires," written by Domingo's son is the one original song on the recording and is one of many highlights here. I have listenned to this CD countless times over the past two years and it remains a delight.

Silvestre Revueltas: Centennial Anthology 1899-1999

Average customer rating:

Spirited playing of fine compositions
Magical Compositions Brilliantly Performed
Stokowski's Sensemaya
A Compendium of Revueltas Works
Abstract but deep.

Silvestre Revueltas: Centennial Anthology 1899-1999

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Carlos Chávez: The Complete Symphonies
Music Of Silvestre Revueltas
Musica de Feria - Silvestre Revueltas: The String Quartets / Los Cuartetos de Cuerda - Cuarteto Latinoamericano
Revueltas: Orchestral Music
Latin American Ballets

ASIN: B00000K2F1
Release Date: 1999-09-14

Tracks:

Sensemaya
Redes: Los pescadores, Funeral del nino, Salida a la pesca, Lucha, Regreso de los pescadores con su companero muerto
Itinerarios
Caminos
Homenaje a Federico Garcia Lorca: I. Baile, II. Duelo, III. Son
Danza geometrica
Cuauhnahuac
Sensemaya

Tracks:

Janitizo
Alcancias: I. Allegro
Alcancias: II. Andantino
Alcancias: III. Allegro vivo
El renacuajo paseador
8 x Radio
Toccata (sin fuga)
Planos
La Noche de los Mayas: I. Noche de los mayas
La Noche de los Mayas: II. Noche de jaranas
La Noche de los Mayas: III. Noche de Yucatan
La Noche de los Mayas: IV. Noche de encantamiento
Cinco canciones de ninos y dos canciones profanas: I. Caballito (Antonio de Trueba)
Cinco canciones de ninos y dos canciones profanas: II. Las cinco horas (Anonymous)
Cinco canciones de ninos y dos canciones profanas: III. Cancion tonta (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: IV. El lagarto y la lagarta (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: V. Cancion de cuna (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: VI. Serenata (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: VII. Es verdad (Federico Garcia Lorca)

Customer Reviews:

Spirited playing of fine compositions.......2007-07-07

This Revueltas anthology is very well played by first class orchestras. The selections by Mata and de la Fuente are particularly played with spirit and verve.

Magical Compositions Brilliantly Performed.......2007-05-03

If you enjoy Bartok & Stravinsky, you will adore Revueltas. Among the 15 works are two versions of sensemaya plus Cuauhnahuac and La Noche de los Mayas, all richly evocative of the ancient Mayan culture which underlies that of Mexico - bold tributes to proud traditions not unlike the musical paintings of the Caucasus peoples rendered by Khachaturian. The music of Revueltas deserves much wider performance in the world, but probably will not be often heard due to its technical complexity and the need for specialized native instruments for some of the passages. At least Leopold Stokowski recognized the brilliance of this spectacular work.

Stokowski's Sensemaya.......2005-10-10

Great, great release. One of the reviews here (by "127") said that the Stokowski version of Sensemaya was interesting "historically but not musically" and I just wanted to strongly disagree with that. Leopold Stokowski has the orchestra playing in a different time-signature than the composer wrote! The piece is written mostly in 7 but this performance seems to have put the whole thing into 4 (it's probably more complicated than that but you get the idea) and the resulting performance is even more hectic and bombastic than the other recorded version of Sensemaya on the same CD. I don't know why Stokowski did this, but this performance is the most unique I've heard (of the piece.) Whether or not this is a "good" thing I don't want to get into but the recording is definitely very interesting and worth a listen.

A Compendium of Revueltas Works.......2003-04-09

Unlike many people I think, I've been a fan of Revueltas since I was quite young...I first heard Sensemaya at the age of 12 and was blown away. Unfortunately, for years most of his music was rather hard to find...darn near impossible actually. However, the composer has recently picked up a number of higher profile champions (including Esa Pekka Salonen) and a spate of rereleases during his Centennial a few years ago. Such a rediscover is long overdue!

This current CD is part of the Centennial celebration of Revueltas. It consists of a compilation of orchestral recordings by Eduardo Mata, chamber recordings by David Aetherton and the Jalapa Orquestra Sinfonica under Herrara de la Fuente. The results are quite stunning, with enough material to keep you listening for quite some time!

The first CD contains exclusively orchestral music under the baton of Maestro Mata. This is prime stuff indeed. The CD begins with Revueltas' most renowned piece, Sensemaya, a dense, barbaric orchestral fantasy inspired by a Cuban poem that details a traditional snake-killing ceremony in the Santeria religion. The piece is dominated by short pithy melodic statements which are gradually layered over each other to create greater and greater tension. The result is deeply compelling, Stravinsky's Rite is combined with Varese's Arcana...with native Mexican rhythms and instruments thrown in.

The other works on the album are also extremely compelling. They can be broken down into abstract orchestral works, chamber pieces and music for film. In addition, Revueltas shows two definate sides, one is the convinced modernist, who shows a lot in common with Varese, and even Scriabin. The best work in this vein is the Danza geometrica (and it's chamber version Planos). The other big vein is the "nationalistic" vein, of which Revueltas was a greater exponent than his compatriot Chavez. Many works on this CD, Itinerios, Homage to Garcia Lorca, and others display a sense of wild abandon present in traditional fiestas. And yet, even here, Revueltas is a formalist and modernist, treating his material less as color and more as another structural element.

The other really wonderful work on this disc is La Noche de los Mayas. Culled from a film score, this is beautifully written film music and quite ahead of it's time. It's not hard to imagine these Revueltas strains as an inspiration to Bernard Herrmann, Elmer Bernstein and the like. The work is structured as a large symphony, dominated by a broad, tonal but dissonant theme in the brass. There is a wealth of detail in this work that I come back to over and over.

Much of this material has very little competition. The chamber works have been basically neglected on CD and many of the orchestral works are only available on this disc. Sensemaya has significant competition however. Salonen has done a really wonderful disc of this material, which also includes a great reading of Noche. Bernstein has perhaps the best reading of Sensemaya available on his Latin American Fiesta album (which also includes a wonderful rendition of Chavez' Sinfonia India)But Mata's reading is nearly as good as Bernstein and just as good as Salonen. Overall, for breadth and depth of music covered, this is a superlative disc and the one to get.

Abstract but deep........2003-02-05

I've got this cd when I first heard of this composer. He is the biggest composer that Mexico has had to offer to the classical music scene. Mexico has a variety of notable composers such as Chavez but none of them match Revueltas impact on the scene.

This cd pretty much has all of Revueltas' major works including his most known one: Sensemaya. That piece has been conducted by Bernstein and Stowkowski with the latter being on this disc. There is two performances of Sensemaya which includes the one mentioned above and a new version.

Tracks:

Castles Of Spain: Rumor de copla
Castles Of Spain: Siguenza
Castles Of Spain: Manzanares del real
Castles Of Spain: Romance de los pinos
Castles Of Spain: Turegano
Variations On A Theme Of Mozart
Tonadilla
Suite espanola: Espanoletas
Suite espanola: Rujero y paradetas
Suite espanola: La Minona de Cataluna
Suite espanola: Folias
Suite espanola: Passacalle de la cavalleria de Napoles
Suite espanola: Canarios
Villanesca
Torre bermeja
Estudio sin luz
Remembranza
Suite In D Minor: Preludio
Suite In D Minor: Allegro
Suite In D Minor: Zarabanda
Suite In D Minor: Gabota
Suite In D Minor: Despacio
Suite In D Minor: Giga
Suite catalan: La Filadora
Suite catalan: La Filla del marxant
Suite catalan: La Nit de nadal
Suite catalan: El Noi de la mare

Customer Reviews:

Awesome guitar work.......2007-01-12

Parkening sets the standard for others to compare to. Enjoyable tribute to Segovia. The type of guitar mastery that one can relax to after a hard days work. Enough said.

Have been loving this for over ten years!!.......2003-09-26

I bought this cassette over ten years ago (1992) when I started taking classical guitar lessons. Would listen to it on the way home from work, then had a baby nine years ago and have used it for lullaby music (works like a charm) for afternoon naps and nighttime. Still listen to it in the car when the kids fight and they mellow out instantly.

Finally buying it on CD because I think I wore a spot out on the cassette! I have listened to this masterpiece at least a thousand times and have never, ever tired of this most excellent work of art.

If you are a classical guitar fan, you will absolutely adore every single note played on this album/CD. I promise!! :)

sonic rapture..........2003-06-03

If anyone knows of a better sonically intoxicating cd than this please let me know. Possibly only Julian Bream's unreal 1982 Granados and Albeniz cd would top this one for me. Anyway just thought I would pass this thought along to anyone who may visit here. The tone is absolutely magical on this cd. This is the cd to listen to at night to chill out and get mellow while being enchanted to the max. Peace. I must go on... the tone, the tone. My god the tone.

Not just a tribute.......2001-07-31

Parkening shows how much he learned from Segovia. I have many of these pieces played by the Master. Parkening plays with a similar timbre, simlar dynamics and with a musicality just as deep as Segovia's. IF you like classical guitar you should own this one.

Wonderful, relaxing music.......2001-01-27

This cd will spend much time on my player. It is so lively, yet comforting music to listen to.

Parkening provides wonderful tribute to Segovia with Spanish compositions especially loved by the master, even some of them performed on one his Segovia's guitars.

Tracks:

Ayo visto lo mappamundi
Viva el gran Re Don Fernando
Una sanosa porfia
Improvs on Tres moricas m'enamoran: Tres moricas m'enamoran
B'tayhi-M'sadar
Nunca fue pena mayor
Ay santa Maria
Virgen bendita sin par
El Cervel
En Memoria d'Alixandre
La Alta ('La Spagna')
Pase el agoa, ma julieta
Oy comamos y bebamos
El paso del Mar Rojo
Ah, el novio no quere dinero!
Kyrie: Ayo visto lo mappamundo
Ayo visto lo mappammundi
Improvs on Ayo visto lo mappamundi

Customer Reviews:

incredible CD.......2004-10-25

I've owned this CD for a very long time, yet I still play it often. Soothing and exhilarating at the same time.

one of my favorites.......2003-12-23

I love this music. Very nice window into a fascinating, intriguing period. I even named my hard drive after the girls in the lyrics.

Da Bomb.......2003-04-03

I thought this cd was off the chain yo! i put the bass up and let it ridddde! i like to put this on my table and scratch it, it drives the ladies crazy. WoW this is off the heezy. PEACE!

Ebullient and multi-cultural!.......2002-11-17

A terrific recording by the Waverly Consort! Framed by differing arrangements of the Italian song "Ayo visto lo mappamundi" (I have seen the world map), the selections on this CD take the listener through Italy, Moorish Spain, the court of Ferdinand and Isabella, the harsh reality of the expelled Spanish Jews, and finally to the new world, where the thrill of discovery for the Spaniards was countered by the sorrow of the subjugated and slaughtered natives. The Moorish and Sephardic numbers are full of exotic eastern flair, enhanced by George Mgrdichian's sultry oud playing. Other instruments used include viol, recorder, lute, harp, gemshorn, organetto, citole, vihuela, hurdy-gurdy, saz, vielle, kemence, sacbut, shawm, flute, panpipes, cornamuse, dumbek and claves. The fine instrumentalists are complimented by a sextet of clear-voiced vocalists--two sopranos, countertenor, two tenors and bass, performing both as soloists and together. This richly varied program, arranged and selected by Kay and Michael Jaffee, has something for everyone, and all of it well done! For more music of early Spain, check out also the releases of Hesperion XX, Ensemble Accentus, and the CD "Los Ministriles: Spanish Renaissance Music" by Piffaro, the Renaissance Band.

Stands Alone in My Collection.......2002-05-21

I own hundreds of albums, but nothing else like this one. Of all the albums I own, I particularly want to write about this little-known gem.

The premise of this album is to capture and present the mentality and mood throughout Europe during that time as shown through its music. And it succeeds!

This album is fantastic. I've owned it for years, and yet I still listen to it often. Together with a well written insert that tells the stories behind each piece, and the political backdrop behind each one, it takes you through the sense of wonder, fear and hope, that people felt at a time when the strange new world beyond the European continent was suddenly opening up to them, both foreboding and alluring.

It touches also upon several of the age-of-discovery issues, including religious conflicts with other cultures, the quest for wealth, the joy of expansion and the sorrow of loss. A once-provincial mentality was suddenly being replaced by an awareness of that mysterious "other-ness" out there, and this was being expressed in the music, brought so successfully through in this album.

The opening piece of this album is also its theme: Ayo visto lo mappamundi (I have seen the maps of the world). And this sets the stage for the rest of your voyage.

One favorite example I want to single out is a piece of Andalusian music that was written during (or shortly after) the time when Spain went from Moorish to Christian: in this amazing piece, we hear what at first sounds like Arabic music; after a few times you start to hear the new influence on Arabic music by the Medieval Europeans... and then finally, you realize that what you're hearing is that missing link which will soon become the phenomenon called "Flamenco!" And you'll feel a sense of discovery all your own.

Spanish Legends
Average customer rating:
Spanish Legends

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Segovia, Andrés | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Aire Latino: Latin American Music for Guitar

Reflections of Spain: Spanish Favorites for Guitar

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David Russell Plays Baroque Music

ASIN: B0006SNFSU
Release Date: 2005-01-25

Tracks:

Zapateado
Rondena
El Testament D'Amelia
Canco Del Lladre
La Filadora
Lo Fill Del Rei
Lo Rosinyol
Plany
El Mestre
L'Hereu Riera
La Filla Del Marxant
La Nit De Nadal
Scherzo-Vals
Estudio Sin Luz
Anecdotas 2
Anecdotas 5
Remembranza (Estudio II)
Seguidilla
Impromptu
Triquilandia (Jugando Al Escondite)
El Abejorro
Cancion Amatoria
Festivola (Danza Catalana De Espiritu Popular)
Tango
Tonadilla (Manola De Lavapies)
Guajira

Amazon.com

These 65 minutes of solo guitar playing--handsomely, intimately recorded--are a pleasure to listen to. Russell is a true virtuoso, playing with an ease and assurance which gives the recital the great subtle, variety it should have. He's equally at home with the catchy, playful "Zapateado" by De La Maza that opens the program as he is with Llobet's lyrical, singable, relaxed "El testament d'Amelia." The beautiful, lullaby-like "La filla del Marxant" (also by Llobet) is as smooth as silk, and the four pieces by Andres Segovia have a flavor all their own. The downright odd, but alluringly discordant "El Abejorro" by Pujol will enchant and puzzle you. The program is songlike, dancelike, familiar and new-sounding, and Russell's graceful way with each style is ideal. Every note, every delicate harmonic, is audible and important, but there's never a sense of underlining either a melodic or rhythmic phrase. Russsell lets the music, diverse and fascinating, speak for itself. A must for those who love the classical guitar, especially with a Spanish flavor. --Robert Levine

Spanish Music of Travel and Discovery/ The Waverly Consort

Average customer rating:

Beware! two old CDs reissued with a new name
A reworking of a prior disc - but now with 2 CDs
perfect by candlelight or in the office

Spanish Music of Travel and Discovery/ The Waverly Consort

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Music for the Spanish Kings
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ASIN: B00004TQR2
Release Date: 2000-10-10

Tracks:

Ayo Visto Lo Mappamundi
Viva Gran Re Don Fernando
Una Sanosa Porfia
Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
B'tayhi-M'saddar
Nunca Fue Pena Mayor
Ay Santa Maria
Virgen, Bendita Sin Par
El Cervel
En Memoria D'Alixandre
La Alta ('La Spagna')
Pase El Agoa, Ma Julieta
Oy Comamos Y Bebamos
El Paso Del Mar Rojo
Ah, El Novio No Quere Dinero!
Kyrie: Ayo Visto Lo Mappamundi
Ayo Visto Lo Mappamundi
Improvisations On Ayo Visto Lo Mappamundi

Tracks:

O Virgo Splendens
Stella Splendens In Monte
Laudemus Virginem/Splendens Ceptigera
Los Set Gotxs Recomptarem
Cuncti Simus Concanentes
Polorum Regina
Mariam Matrem Virginem
Imperayritz De La Ciutat Ioyosa
Ad Mortem Festinamus
Ondas Do Mar De Vigo/Mandad' Ei Comigo
Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
Santa Maria, Strela Do Dia
El Buesca Del Padre
Las Hermanas Reina Y Cautiva
El Sueno De La Hija

Customer Reviews:

Beware! two old CDs reissued with a new name.......2006-08-02

I bought this CD with great anticipation because I love Spanish music of this era. To my disappointment, this was not a new recording, but a reissue of two CDs I already own: "1492: Music from the Age of Discovery" and "Traveler." If you don't have these CDs already, this double set is a great bargain. But check your CD rack before buying!

A reworking of a prior disc - but now with 2 CDs.......2006-01-27

I was pleased to see that one of my favorite CDs had not really gone out of print, but was reworked into this title and now with a bonus CD. Even though I own the original "Music from the Age of Discovery 1492", I'll probably buy this disc just for the extras. Very nice mood music, lots of variety, exotic instruments and lovely voices.

perfect by candlelight or in the office.......2000-10-20

i've owned this CD for several years, and never tire of it. weather i'm curled up with a book, or just in the office with headphones on, it's appropriate for any occasion (outside a raucus party). i highly suggest it if you're interested in exotic, mystical, and festive tunes.

Average customer rating:

Tango!: The Spirit of Argentina

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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TANGO FATAL

ASIN: B0006IGP50
Release Date: 2005-01-25

Tracks:

Adios Nonino
El Choclo
Fugata
Por Una Cabeza
La Chica
Milonga Del Angel
Calambre
La Cumparsita
Milonga Sin Palabras
Caminito
Revirado
Oblivion
Fracanapa
Piece En Forme De Habanera
Fear - From 'Five Tango Sensations'

Average customer rating:

Awesome musicality
Fabulous? Yes!!!

The Fabulous Victoria De Los Angeles

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

ASIN: B000002S5G
Release Date: 1994-02-15

Tracks:

Sheherazade: Asie
Sheherazade: La Flute enchantee
Sheherazade: L'Indifferent
Cinq Melodies populaires grecques: Le Reveil de la mariee
Cinq Melodies populaires grecques: La-bas vers l'eglise
Cinq Melodies populaires grecques: Quel galant m'est comparable
Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
Cinq Melodies populaires grecques: Tout gai!
Duex Melodies hebraiques: Kaddisch
Duex Melodies hebraiques: L'Enigme eternelle
L'Invitaiton au voyage
Phidyle
L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
Poeme de l'amour et de la mer: La Fleur des eaux
Poeme de l'amour et de la mer: Interlude
Poeme de l'amour et de la mer: La Mort de l'amour

Tracks:

Cinco Canciones Negras: Cuba dentro de un piano
Cinco Canciones Negras: Punto de habanera
Cinco Canciones Negras: Chevere
Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
Cinco Canciones Negras: Canto negro
Coleccion de canciones amatorias: Llorad corazon
Coleccion de canciones amatorias: Iban al pinar
Cuatro madrigales amatorios: Con que la lavare?
Cuatro madrigales amatorios: Vos me matasteis
Cuatro madrigales amatorios: De donde venis, amore?
Cuatro madrigales amatorios: De los alamos vengo, madre
Cinco canciones playeras espanolas: Rutas
Cinco canciones playeras espanolas: Pregon
Cinco canciones playeras espanolas: Las 12
Cinco canciones playeras espanolas: El pescador sin dinero
Cinco canciones playeras espanolas: Coplilla
Quatre cancons: Canco de grumet
Quatre cancons: Cancon incerta
Quatre cancons: Maig
Quatre cancons: Anacreontica
La Dama d'Arago
El can dels ocells
Canco de Sega
El combat del somni: Damunt de tu nomes les flors
El combat del somni: Aquesta nit un mateix vent
El combat del somni: Jo et presentia com la mar
Triptic de Mossen Cinto: L'Harpa Sagrada
Triptic de Mossen Cinto: Lo violi de Sant Francesh
Triptic de Mossen Cinto: Sant Fransech i la cigala

Tracks:

Chansons de Bilitis: La Flute de Pan
Chansons de Bilitis: La Chevelure
Chansons de Bilitis: Le Tombeau des Naiades
Fetes galantes: En sourdine
Fetes galantes: Fantoches
Fetes galantes: Clair de lune
Noel de enfants qui n'ont plus de maisons
Chants populaires: Chanson espagnole
Chants populaires: Chanson francaise
Chants populaires: Chanson italienne
Chants populaires: Chanson Herbraique
Trois jours de vendange
Le Rossignol des lilas
Tristesse, Op. 6, No. 2
Au bord de l'eau, Op. 8, No. 1
Les Roses d'Ispahan, Op. 39, No. 4
Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
Siete Canciones populares espanolas: El pano murano
Siete Canciones populares espanolas: Sequidilla murciana
Siete Canciones populares espanolas: Asturiana
Siete Canciones populares espanolas: Jota
Siete Canciones populares espanolas: Nana
Siete Canciones populares espanolas: Cancion
Siete Canciones populares espanolas: Polo
Doce canciones gallegas: As florinas dos toxos
Triptico, Op. 45: Farruca
Villancicos: Pastorcito santo
Psyche
Soneto a Cordoba

Tracks:

Proserpina: E dove t'aggiri
Le violette
Joshua: Oh! had I Jubal's lyre
Der Tod und das Madchen, D. 531
Die schone Mullerin, D. 795: No. 2: Wohin?
D. 547: An die Musik
Op. 59, No. 8: Dein blaues Auge
Op. 84, No. 4: Vergebliches Standchen
Op. 27, No. 1: Chanson d'amour
Op. 46, No. 2: Clair de lune
Let Us Wander
Lost Is My Quiet
Schlaf in deiner engen Kammer
Ah! lamenta, oh bella Irene
Irish Songs: Oh! Would I Were But That Sweet Linnet
Irish Songs: He Promised Me At Parting
Irish Songs: They Bid Me Slight My Dermot Dear
Welsh songs: The Dream
Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
Les Fleurs des landes: Le Trebuchet
Moglichkeit
Der Apfel
Schottische Ballade
Pastorale
Pleurs d'or
Sapphische Ode
La Partenza

Amazon.com

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns

Customer Reviews:

Awesome musicality.......2006-07-26

This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.

Fabulous? Yes!!!.......1999-09-13

The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.

I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.

Tracks:

Poema Del Pastor Coya: Con La Chola Y El Changuito
Poema Del Pastor Coya: Quena
Poema Del Pastor Coya: Danzando
Milonga De Dos Hermanos
El Desbande
Pastoral Calchaqui
Ste Argentina: Aire De Chacarera
Ste Argentina: Zamba
Ste Argentina: Malambo
Milonga Sin Palabras
Introduccion Y Allegro
Don Agustin Bardi
Impresiones De La Puna: Quena
Impresiones De La Puna: Cancion
Impresiones De La Puna: Danza
Fuga Y Misterio
Chiquilin De Bachin
Lo Que Vendra

Customer Reviews:

Alison Young: A little Tango.......2001-03-12

Alison Young's recording, "A Little Tango in Her Blood," is a superb set of flute and piano performances of contemporary Argentine music. With rather more than just a little tango in her blood, Ms. Young performs this Argentinean program with Latin character and a silvery tone, and Vicki Seldon is her lively and sensitive collaborator on piano. Composers on this CD include well-known names, especially Ginastera and Piazzolla, and some less-familiar but mostly excellent ones.

The performances are first-class in artistry and technique, while style, character, and mood provide solidly satisfying listening. The flute sound is especially gorgeous, with an lovely low register and stability of tone throughout the entire range, and one simply hears no breathing. Technical challenges abound and are fully met, but one gets a sense of an emphasis on music-making rather than virtuosity; these players are bringing us music rather than merely showing how good they are. Technique and balances are consistently excellent.

Half the bands on the CD are transcriptions by Ms. Young, which would ordinarily induce some reservations for this reviewer. However these are musical, intelligent, and idiomatic transcriptions, and one would be pressed to discern which are original works and which are the transcriptions in this collection. One other fine transcription is by Enrique Granados.

Piazzolla is represented, of course, by several tangos, including a very early one. And one of his last compositions, Milonga sin Palabras, Song without Words, is dedicated to his wife. A fugue, surprisingly, is in the final set of three works of this collection, by Piazzolla, Fuga y Misterio, with much rhythmic character and an unexpectedly Bachian rather than bacchanalian quality though still Latin in quality, arranged by Granados. The brief, lyrical contrasting section is lovely. The final two works are moody and dramatic.

Ginastera's Impresiones de la Puna, in three movements, is an early work, dating from 1934. Arranged by Ms. Young, it has two slow movements, and a lively, rhythmic dance finale. It is fascinating and musically rewarding to hear a Ginastera quite a bit younger than the one we hear for example in his more familiar orchestral Variations Concertantes. It's like seeing early paintings by Mondrian or Picasso-so different from the later works yet with seeds of what is to come.

Some splendid surprises are works by composers new to this reviewer: Angel Lasala's Poema de Pastor Coya, and Horacio Salgán's Suite Argentina and Don Agustín Bardi. Lasala's Poema is in three movements with both a singing quality and rhythmic variety. The latter composer, Salgán, has much personality and character showing through in his music. His Suite Argentina is a recording premiere and it has rhythmic interest, a danced quality, and a strong lyrical sense.

The liner notes, in English and Spanish, are informative with texts of the original works when they are songs. Borges and Ferrer are amiong the poets. I warmly recommend this recording to those interested in fine flute playing, in Argentinean music, and to the general music lover.

Arthur Lewis, violist; Professor emeritus, Illinois State University; Lecturer, Emory University

Fabulous Flute CD - even my plumber liked it!.......2001-03-03

I love this recording! As a fellow flutist, I can appreciate the high level of technical ability and musicianship demonstrated by Ms. Young in "...a little tango in her blood". In addition to her soaring, lyrical sound and impeccable intonation, Ms. Young has a wonderfully intuitive sense of style and feel for the music. I would recommend this recording for all types, from classical music buffs to the casual listener.

Wonderful performances and quite beautiful music.......2001-02-25

I am very impressed by both the music selections and, more importantly, the wonderful performance. Ms. Young plays beautifully and with a true feel for the music. This, combined with an excellent musical rapport with Ms. Selden, gives a real life to these well chosen selections of Argentinian music. I highly reccomend this CD.

Getting Some Tango in Your Blood.......2001-02-22

Alison Young, a flute recitalist of great poise and technical security, dazzling precision and virtuosic flare and the Principle Flute of the Houston Ballet Orchestra, demonstrates her considerable talents in ALISON YOUNG ... A LITTLE TANGO IN HER BLOOD. This work on the Albany Records label takes full advantage of Alison Young's experiences in Argentina as a musician artist-in-residence in 1998, performing and teaching in the regions of Patagonia, La Plata, Buenos Aires and Corrientes. Alison Young recreates the atmosphere of the native music of Argentina in a way that will transport you to South America. Composers highlighted in this work include Astor Piazzolla, Carlos Guastavino, Alberto Ginastera, Angel Lasala, Hector Gallac and Horacio Salgan. A newspaper in Argentina (Rio Negro) reported on "...Alison Young, with a little tango in her blood" and this wonderful collection of flute pieces will surely put a little tango in your blood as well.

A real musical treat by a fine musician.......2001-02-22

A flutist of unusual accomplishment and musicality, Ms. Young's rendition of an Argentine repertoire sounds as if she had been born on the Pampas and brought up in the sophistication of Buenos Aires. The playing is superb, and the music is a treat to listen to, especially because much of it is new to North American ears. In addition, the extensive notes, written by Ms. Young and printed in both English and Spanish, provide a rich scholarly background to the music and are worth the price of the CD by themselves.

Average customer rating:

It's a gem!
Review: Isabel I: Reina de Castilla
Not always historically accurate, but fabulous performances

Isabel I: Reina de Castilla
Hesperion XXI , Daniele Carnovich , Canciero de Montecassino Anonymous , El Cancionero de Colombina Anonymous , Johannes Cornago , Guillaume Dufay , Juan del Encina , Pedro de Escobar , Luys de Narvaez , Pedro de Tordesillas , Francisco de la Torre , Arabic-Andalusian Traditional , Sephardic Traditional , Turkish Traditional , Carlos Verardi , Jordi Savall , Carlos Mena , Andrew Lawrence-King , Begona Olavide , Luca Guglielmi , Pedro Estevan , Arianna Savall , Montserrat Figueras , and Miguel Bernal
Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

Rondos | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
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ASIN: B0006SSNO6
Release Date: 2004-12-14

Tracks:

Exultat Caelum Laudibus (Vesper's Hymn) - La Capella Reial De Catalunya
Marcha Turca - Various Artists
Toccata (CMC 68) - Various Artists
Dinos, Madre Del Donsel (Villancico) (CMC 90) - Various Artists
Je Ne Vis Oncques (CMM 46) - Andrew Lawrence-King
La Spagna: Danza Alta (Instrumental) (CMP 321) - Hesperion XXI
Muy Crueles Bozes Dan (Villancico) (CMC 6) - La Capella Reial De Catalunya
Pavana (Pues Que Jamas Olvidaros) (CMP 30) - Various Artists
Patres Nostri Peccaverunt (Hymn) (CMM 2) - La Capella Reial De Catalunya
Viva El Gran Re Don Fernando (Instrumental) - Various Artists
El Que Rige Y El Regido (Villancico) (CMP 275) - La Capella Reial De Catalunya
Paseabase El Rey Moro (Romance) - Various Artists
Levanta Pascual (Villancico) (CMP 184) - La Capella Reial De Catalunya
Lavava Y Suspirava (Romance) - Montserrat Figueras
Mappamundi - Various Artists
Franceses, Por Que Rrazon? (Villancico) (CMP 424) - La Capella Reial De Catalunya
Sanctus (CMC 47) - Various Artists
Triste Espana Sin Ventura (Romance) (CMP 83) - La Capella Reial De Catalunya
Cancion En Ritmo Quddan De La Nuba Gribt Al Hussein De Marruecos - B. Olavide
Requiem Aeternam (Gradual) - La Capella Reial De Catalunya

Customer Reviews:

It's a gem!.......2006-11-21

Interesting mix of styles at work here. Paseabase El Rey Moro is particularly pleasing. Montserrat lends true feeling to this piece as she sings the part of the Moorish king. Her recitation of the old man's 'Dutch uncling' is unexpected and equally passionate. All this is punctuated by a musical style that never loses its Moorish influence but changes, oh so subtly, into a more 'European' mode. In direct contrast, Begona's performance of Canció en ritmo Quddan de la Nuba Gribt: Al Hussein de Marruecos is equally compelling. The voices are married perfectly to the styles of the music. In short, if you like Iberian music of this period (circa 1492), get the album. You will not be disappointed.

Review: Isabel I: Reina de Castilla.......2005-07-27

This is a meticulously designed and recorded compilation that provides a delightful introduction to music of the late 15th and early 16th centuries . The CD includes both instrumental and vocal compositions that are performed with considerable expertise and verve. The package contains an illustrated booklet that includes an essay on the history of the period and full lyrics but, alas, is rather weak on details regarding the music other than to place it in historical context.

Not always historically accurate, but fabulous performances.......2005-05-23

This recording presents a selection of music from the time of Isabella of Castile (1451-1504), organised to present a hypothetical illustration in sound of the main events of her reign. Connoisseurs will be familiar with a number of these pieces, many from previous Savall recordings (Palacio, Encina, Colombina discs). Alongside the Spanish works (villancicos, romances, sacred music) are examples of Turkish and Sephardic music, and also a Dufay chanson.

As on many other recordings by this ensemble, historical accuracy is secondary to an overall aesthetic result, and it is perhaps not difficult to understand why Savall's approach has ruffled certain musicologists. Where most of the works recorded here would have probably been performed by a small group of musicians (often a cappella), in these performances there is a wide range of instruments used in addition to the voices (including shawm, cornett and sackbuts). Four tracks have 'composed' introductions [tracks 1, 4, 10, 13], whilst Narvaez's romance [track 12] is transformed from a standard example of the genre into a hybridised Hispanic-Moorish lament.

On the other hand, it is equally apparent why this group have been greeted with such unanimous international acclaim. There is, after all, a significant difference between a sound recording and a musicological article - something which is not always as obvious as it should be in some of the more "correct" renditions of this repertory. Furthermore, there are a number of tracks which are definitely plausible [tracks 5, 8, 17, 20], as well as some which frankly do not stretch extant evidence - direct and indirect - too much [tracks 4, 15, 18; a thorough and satisfactory investigation of the political villancicos and romances - tracks 7, 10, 13, 16, 18 - has yet to be undertaken...why and in what contexts would such works be performed only by small forces, given their obvious exaggerated political overtones? Would Ferdinand and Isabella really have heard, for example, Encina's lament to their dead son [18] performed by no more than four singers in the elite isolation of their private chambers...?]

But what undoubtedly sets this recording apart from so many others of this repertory is the phenomenally high standard of these performances - unsurprisingly given the personnel line-up [Begona Olavide, Montserrat Figueras, Carlos Mena, Jean-Pierre Canihac, Markus Tapio, Andrew Lawrence-King...etc]. Given that so many tracks could be singled out to support this observation - not to mention the musicians themselves - it perhaps only remains to be said that this is without doubt one of the most incredible recordings of Cancionero songs available.

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