Love's Deep Ocean

1. Bagishlamani

2. Shushtar Mugamunda Bastachar Mahnelare (Gäl Gäl)

3. Iraq Täsnifi

4. Mugham Qatâr

5. Räng Shushtar [Instrumental]

6. Ey Encanlar

7. Shirvan Shikästese

8. Raqs (Balaban Solo)

9. Füzuli Ghazel

Tracks:

Let's Face The Music And Dance
I Got The Sun In The Morning
How Deep Is The Ocean?
What'll I Do?
Blue Skies
It's A Lovely Day Today
They Say It's Wonderful
Say It Isn't So
Cheek To Cheek
Isn't This A Lovely Day?
Always
The Song Is Ended
I've Got My Love To Keep Me Warm
It Only Happens When I Dance With You
Easter Parade

Amazon.com

After several recordings of American popular music, Te Kanawa has become a very effective crooner, phrasing with heretofore missing panache. The easy, jazzy Riddle-like arrangements are bouncy and appealing. But after 15 selections, the mysterious dissatisfaction of eating Chinese food and feeling hungry an hour later remains. Tunick writes in his program notes that "the waltz ballads ... are poignant and moving, but never stray into sentimentality." But why not? A little mushiness would serve this recording well, and also contribute to a desperately lacking variety of interpretation. Still, the voice is consistently gorgeous; it would just be nice to distinguish the happy songs from the sad. --Barbara Eisner Bayer

Customer Reviews:

Irving Berlin at his best.......2007-06-26

Kiri's glorious voice interprets Irving Berlin masterpieces beautifully with expression and respect for these American favorites.

Get's my vote!.......2004-04-03

OK. Full disclosure: I'm one of those helpless souls who is just madly in love with the sounds that emanate from Dame Kiri Te Kanawa's vocal chords. I suppose there are many artists who can interpret Irving Berlin's songs with more, what's the word, authenticity?

And I've heard many of them, and I love their work.

But Kiri Te Kanawa is different. She was given one of the most beautiful instruments in the history of sound recordings. Thank God the recording companies figured out what they had and put her in front of a microphone early and often.

We have had a rare opportunity to experience a great artist from almost the start of her career clear through to what now must be it's final stages.

I, for one, feel privileged.

Thank you, Dame Kiri. The world is a little better place because of you.

Jazzy and Beautiful.......2002-09-01

This album exemplifies Kiri's amazing, vast dose of talent for musical interpretation. Though I tend to enjoy mostly classical music, this album has opened doors to a wonderful world of classical-jazz, which I find quite beautiful! Perhaps for some, it is an aquired taste...yet I was hooked the moment I heard track one...and have since become quite the "modern Kiri" fan!~Brava once again~

I love it!.......2002-05-14

If you like Irving Berlin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

Gatsby would have loved it, and surely would have invited Kiri to all his parties!

Simply Dreadful.......2001-01-17

Just terrible! Although her voice has mellowed and is quite beautiful, Ms Te Kanawa has absolutely no instinct or feel for this distinctly American music. She's just lost in her own peculiar Kiwi wonderland. She is not aided but what have to be some of the worst arrangements of this music ever recorded.

Tracks:

The Folks Who Live On The Hill
The Best Is Yet To Come
Guess I'll Hang My Tears Out to Dry
By Myself
Spring Will Be A Little Late This Year
Stormy Weather
Laura
On A Clear Day (You Can See Forever)
Love Is Here To Stay
How Deep is The Ocean?
Somewhere
I Won't Send Roses

Amazon.com

If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley

Customer Reviews:

Musical Wit in an Orchestral Setting.......2004-01-04

The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.

A Cabaret Singer Grows Up.......2003-03-14

"Extraordinary how potent cheap music is." -Noel Coward

Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

This cd is about average, it could have been better.......2002-08-18

First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!

I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.

For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.

To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.

I will give this cd a favorable recommendation!

Fabulously Fantastic!.......2002-07-21

Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!

Michael has done it again.......2002-07-12

S'Wonderful, S'Marvelous.

If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.

Tracks:

Top Hat, White Tie and Tails
How Deep Is the Ocean?
It's a Lovely Day/Isn't It a Lovely Day
Blue Skies
Always
They Say It's Wonderful
No Strings
Song Is Ended
Stepping Out With My Baby
Let Yourself Go
Cheek to Cheek/Let's Face the Music and Dance
Marrying for Love/The Girl That I Marry
What'll I Do
Puttin' on the Ritz
Abraham
Change Partners
Heatwave
I've Got My Love to Keep Me Warm
Count Your Blessings
White Christmas

Album Description

Quality music at a great price, this collection features 20 tracks including 'How Deep Is The Ocean', 'No Strings', 'Puttin' On The Ritz' & 'Heatwave'. The Swingles have, unusually, incorporated electric keyboards, horns and drums into their usually acappella approach, resulting in some thoroughly modern interpretations of Berlin's classics. Castle Pulse. 2003.

Customer Reviews:

Doesn't work for me........2006-05-04

I LOVE the Swingle Singers. The first time I heard them sing Bach back in the 60's I was driving a car and I was so blown away that I had to pull off the road. And I LOVE Irving Berlin's music; his message is simple and direct and tuneful. And therein lies the rub. To me, the jazz vocal styles, the contemporary harmonies and the whimsical utterances of the Swingle Singers go together with Irving Berlin's music like oil and water; they just don't mix. The words and melodies are those of Irving Berlin but the end result isn't Irving Berlin. Admittedly this is one man's opinion, and others might take great pleasure in the Swingle Singers' unfailing virtuosity and inventiveness. But if you anticipate the straighforward tunes and emotional directness in Berlin's music, you are apt to be disappointed.

Average customer rating:

With the Israel Philharmonic Orchestra

Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

Israel | Middle East | International | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00009WVRV
Release Date: 2003-07-22

Tracks:

Folks Who Live on the Hill
Best Is Yet to Come
Guess I'll Hang My Tears Out to Dry
By Myself
Spring Will Be a Little Late This Year
Stormy Weather
Laura
On a Clear Day (You Can See Forever)
Love Is Here to Stay
How Deep Is the Ocean?
Somewhere
I Won't Send Roses

Average customer rating:

Historic Ragtime

The Neglected Professor

Manufacturer: Delmark
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

Piano | Blues | Styles | Music

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

Ragtime | Traditional Jazz & Ragtime | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Joplin's Disciple
More Candy
Knockout Drops
American Beauties: The Rags of Joseph Lamb

ASIN: B00004S3A4
Release Date: 2000-04-18

Tracks:

Lily Rag #1
Delmar Blues
When Sambo Goes To France
Delmar Rag (Alternate)
The One I Love
Centennial Rag
The Dream
Dicty's On 7th Avenue
Lingering Blues
Carolina Shout
Five Foot Two
St. Louis Blues
12th Street Rag
Maori
Derby Stomp
Leola (Two-Step)
Lily Rag #2
Brother-In-Law Dan
Delmar Rag
St. Louis Blues (Alt)
When Sambo Goes To France (Alt)
How Deep Is The Ocean
Go Back Where You Stayed Last Night
Tennessee Waltz
Chimes Blues
Lily Rag #3

Customer Reviews:

Historic Ragtime.......2001-03-31

Charles Thompson was a contemporary of Jelly Roll Morton and James P. Johnson, and was one of the leading figues of the second generation of St. Louis ragtime pianists.

This album, made up of live recordings from the early 1960s, finds Thompson in reasonable form, playing some of his best known pieces plus a few standards. His powers had declined a little from his 1948-49 American Music recordings, but he was still able to play in an entertaining fashion. Many of the performances are rather short, but these are historic recordings by a little known but important figue in ragtime.

Tracks:

Overture - The Orchestra
Mrs. Sally Adams - Chorus
Hostess With the Mostes' on the Ball - Dinah Shore
Washington Square Dance - Dinah Shore
Welcome to Lichtenburg - Paul Lukas
Can You Use Any Money Today? - Dinah Shore
Marrying for Love - Paul Lukas, Dinah Shore
Ocarina
It's a Lovely Day Today
Best Thing for You - Dinah Shore
Something to Dance About - Dinah Shore, Chorus
Once Upon a Time Today
They Like Ike - Pat Harrington, Jay Velie
You're Just in Love (I Wonder Why) - Dinah Shore

Customer Reviews:

a fascinating recording.......2003-10-06

Irving Berlin's CALL ME MADAM appeared on Broadway in 1950. His previous musical, 1949's MISS LIBERTY, was an unqualified flop. MISS LIBERTY was his follow-up to 1947's mega hit ANNIE GET YOUR GUN, starring Ethel Merman.

Ethel Merman headlined his original cast of CALL ME MADAM, a bouncy musical which told the story of ebullient Sally Adams, who is dispatched as ambassador to the fictional European province of Lichtenburg. The supporting cast included Paul Lukas, Russell Nype (GOLDILOCKS), and Galina Talva as Princess Maria.

Due to a contractual snafu however, there are two very different recordings of CALL ME MADAM. Ethel Merman was under contract to the Decca label (which had recorded her ANNIE GET YOUR GUN cast album), but the recording of MADAM was to be produced by cast album heavyweight RCA Victor. Decca wouldn't release Merman from her contract, as it was planning it's own CALL ME MADAM release.

Popular vocalist Dinah Shore stepped in and played Sally Adams on the RCA Victor album of CALL ME MADAM, which featured the entire original cast. Decca released a "studio cast" album of MADAM headed by Ethel Merman, aided and abetted by popular crooner Dick Haymes (STATE FAIR) and a backup chorus. Of these two albums, the Dinah Shore version is the more delightful. She wisely doesn't try to emulate Miss Merman but sails through the songs in her own charming style. Russell Nype and Galina Talva are wonderfully-winning in their performances and Paul Lukas is superb.

I strongly suggest that you also purchase the Ethel Merman recording as well as the 1995 Encores! cast starring Tyne Daly. CALL ME MADAM is one of the most delightful of classic Broadway musicals.

A crucial oddity.......2001-02-22

I'm not sure whether it's stranger that this album has languished in the vaults for so long or that it was recorded in the first place. But we should be grateful that it's here, as it's an important recording, a fun score, and a fascinating piece of theatre recording history.

Dinah Shore is by no means an ideal substitute for Ethel Merman (who was under contract to Decca Records and not permitted to appear on the official cast album), make no mistake. But Merman made her own album with her own takes on the big songs, so it's perhaps a good thing that RCA went for a dramatically different take here. Shore sings very attractively here -- she's not a tough broad, but a sweet charmer, but the album still works. The show was, of course, a big hit that had plenty of strengths even though it might be too dated to rework today.

The Merman album was already released on CD once, and will be issued again within the year, but this is still worthwhile for Shore's performance, for the niceties of the show like the other original players, orchestrations and songs that Merman didn't preserve, and for a lengthy appendix of Shore's versions of classic Irving Berlin songs.

No one will ever claim that Call Me Madam changed their life. Shows didn't used to need to elicit that reaction to be considered successful.

Not essential but useful.......2001-02-03

RCA Victor had backed the 1950 musical CALL ME MADAM hoping to get the cast album rights. The star, however, was Ethel Merman and she was under exclusive contract to Decca who planned their own MADAM album. Decca launched the first attack by releasing a 10" Lp with Merman, Dick Haymes and the Gordon Jenkens orchestra and Chorus called "Songs from CALL ME MADAM." RCA responded by recording the full original cast album but signing Dinah Shore to sing the role of Sally Adams. They also re-orchestrated many of the songs and, in a curious move, had Paul Lukas record narration linking the songs. Strangely, they semed to had given up on this approach mid-way as the narration disappears after the first side of the record. Decca's response was to withdraw their 10" Lp and reissue the album on 12" with 5 additional songs (dropping an orchstral medley by the Jenkins orchestra) and placing them in show sequence. Although RCA's album has a more theatrical feel to it, Decca had Merman and therefore created the better selling album. RCA's disc was deleted rather quickly, although briefly reissued in 1977 and now (finally) available on CD... except this isn't an RCA release (!!!!) Is this even released with RCA's permission? I highly doubt it since RCA eventually plans to reissue the remaininder of their show catalogue on CD. Decca's album was reissued on Cd but that disc is now out-of-print. IF you can get both albums and do some creative programming you can combine trcaks and create your own composite original cast album.

Average customer rating:

Historical Time Capsule

The Civil War
Douglas Jimerson
Manufacturer: Amerimusic
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Broadway & Vocalists | Styles | Music
ASIN: B00004SU99
Release Date: 2000-04-18

Tracks:

Tenting on the Old Camp Ground
Wait for the Wagon
Clari: Home, Sweet Home
Oh! Susanna
The Bonnie Blue Flag
Do They Miss Me at Home?
Yellow Rose of Texas
Goober Peas
When Johnny Comes Marching Home
Aura Lee
Marching Through Georgia
Just Before the Battle, Mother
That's What's the Matter
We are Coming Father Abraham
Gentle Annie
I'll be a Sergeant
Dixie
Tramp, Tramp, Tramp "The boys are coming"
For the Dear Old Flag I Die
Battle Hymn of the Republic
The Battle Cry of Freedom
America
The Bonnie Blue Flag
My Maryland
Yellow Rose of Texas
Woodman, Spare that Tree
Juanita
Green Grow the Lilacs
Lorena
Come Where My Love Lies Dreaming
Rock'd in the Cradle of the Deep
How Firm a Foundation
Blue Bell of Scotland
Storming of Monterey
Joys that We've Tasted
Polly Hopkins and Tommy Tompkins
Drummer Boy of Shiloh
Roll, Alabama, Roll
Weeping, Sad and Lonely
Vaccant Chair
Goober Peas
All Quiet Along the Potomac Tonight
Dixie
Oh! Susanna
Massa's in de Cold, Cold Ground
Old Folks at Home
Camptown Races
Beautiful Dreamer
Nelly Bly
Jeannie with the Light Brown Hair
Gentle Annie
Hard Times Come Again No More
Swing Low, Sweet Chariot
Deep River
He's Got the Whole World in His Hands
If You've Only Got a Moustache
Old Dog Tray
The Glendy Burk
My Old Kentucky Home, Good Night
Some Folks
When This Dreadful War Is Ended
Was My Brother In The Battle?
Nothing, But a Plain Old Soldier
Battle Hymn of the Republic
America
Barbara Allen
Skip to my Lou
Kathleen Mavoureen
Adam and Eve's Wedding Song
Old Sister Phoebe
Oh! Susanna
Twenty Years Ago
The Ship on Fire
Silver Bell Waltz
Your Mission
Dixie
Go Down Moses
Nobody Knows the Trouble I've Seen
Free at Last
Martha: Ach, so fromm
Die Zauberflote, K 620: Dies Bildnis ist bezaubernd schon
Faust: Salut! demeure chaste et pure
Faust: Gloire immortelle [Soldiers' Chorus]
Hail, Columbia
We are Coming Father Abraham
Columbia, the Gem of the Ocean
Taps

Customer Reviews:

Historical Time Capsule.......2000-08-12

This is the most comprehensive recording I've found of songs popular during the Civil War period. The performances are a time capsule of Civil War music.

The String Quartet Tribute to Diana Krall

Average customer rating:

This ought to be illegal!!! Can I give out negative stars??
Exellent music

The String Quartet Tribute to Diana Krall

Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Compilations | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Tributes | Pop | Styles | Music
ASIN: B0000CABL3
Release Date: 2003-09-23

Tracks:

Hit That Jive Jack - Barbie Sand
Only Trust Your Heart - Barbie Sand
Let's Fall In love - Louis Allen
Devil May Care - Louis Allen
Is You Is Or Is You Ain't (My Baby) - Barbie Sand
Gee Baby, Ain't I Good To You - Barbie Sand
Detroit Blues - Louis Allen
How Deep Is The Ocean - Louis Allen
This Can't Be Love - Barbie Sand
Peel Me A Grape - Louis Allen
My Love - Louis Allen

Product Description

1. Hit That Jive Jack
2. Only Trust Your Heart
3. Let's Fall In Love
4. Devil May Care
5. Is You Is Or Is You Ain't (My Baby)
6. Gee Baby, Ain't I Good To You
7. Detroit Blues
8. How Deep Is The Ocean
9. This Can't Be Love
10. Peel Me A Grape
11. My Love

Format: CD

Customer Reviews:

This ought to be illegal!!! Can I give out negative stars??.......2004-09-16

I'm a To-The-Core Diana Krall fan. While I knew this album wasn't her playing I thought I'd hear some new interpretations of her stuff. The selections are simply AWFUL; poor musicianship, out of tune, don't swing AT ALL, etc. Of course if you look at what this group has also done, such as "String Quartet Tribute to Nine Inch Nails", you realize these folks are just out to make a buck on other people's art without ANY of their own.

This is one of the worst music purchases I've ever made, (and I've made thousands). It's so bad it's funny but too painful to listen to more than once.

If you get a chance to listen to this bit of drivel, go ahead but under NO circumstances should you pay money for the privilege.

Exellent music.......2003-12-23

This also might have been titled "The String Quartet Plays Standards in Gypsy Swing Style." Although there are no Steppahnne Garapelli's here, and it doesn't come too close to gypsy swing, but it has the flavour of it... it is nice and romantic and swings lightly(however you also need to invest in a Django Reingartd cd or two).

Average customer rating:

Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Easy Listening | Pop | Indie Music | Stores | Music
ASIN: B00007L8X4
Release Date: 2003-02-18

Tracks:

Say It With Music Remember Blue Skies
Top Hat White Tie And Tails How Deep Is The Ocean (How High
This Is The Army Oh How I Hate To Get Up In The Morning Soft
Whatll I Do Always The Song Is Ended (But The Melody Lingers
The Piccolino Cheek To Cheek
White Christmas
The Girl That I Marry Say It Isnt So Mandy
Give Me Your Tired Your Poor God Bless America
Smoke Gets In Your Eyes Yesterdays
Ive Told Every Little Star The Song Is You
The Night Was Made For Love She Didnt Say Yes All The Things
Look For The Silver Lining They Didnt Believe Me Long Ago (A
I Dream Too Much The Jockey On The Carrousel
Why Was I Born The Way You Look Tonight Who
Make Believe Bill
Why Do I Love You You Are Love Ol Man River
Fascinatin Rhythm
Mine
The Man I Love
Embraceable You Soon
I Got Rhythm
Bess Oh Wheres My Bess
S Wonderful
Maybe
Someone To Watch Over Me Oh Lady Be Good
Embraceable You
Strike Up The Band
Begin The Beguine
All Through The Night
I Concentrate On You
I Love You
Night And Day
In The Still Of The Night
Ive Got You Under My Skin
Blow Gabriel Blow
Just One Of Those Things (Bonus Track)
Hallelujah Time On My Hands
Tea For Two
Carioca
Without A Song
More Than You Know
Orchids In The Moonlight
Sometimes Im Happy I Know That You Know
Through The Years Drums In My Heart
Malaguena
La Cumparsita
Mexicana Medley
Yours (Quiereme Mucho)
Siboney
Caminito
Adios
No Taboleiro De Bahiana
The Moon Of Manakoora
Lotus Land
Kashmiri Song
Jamaican Rhumba
Flamingo
Poinciana (Song Of The Tree)
Andalucia
Sweet Leilani (Bonus Track)
Frenesi (Cancion Tropical) (Bonus Track)
Show Boat
South Pacific
Slaughter On Tenth Avenue
An American In Paris
Porgy And Bess

Album Description

The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.

The Columbia Albums of Irving Berlin, Vol. 1-2

Average customer rating:

The Columbia Albums of Irving Berlin, Vol. 1-2

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Easy Listening | Pop | Styles | Music
ASIN: B0000AHEU8
Release Date: 2003-09-02

Tracks:

It's A Lovely Day Today/Blue Skies
Maybe Its Because I Love/I Got Lost
You'd Be Surprised/I'll See You In Cuba
Always/Remember
Shaking The Blues/Play A Simple/Alexander's
Here's No Business/Got The Sun/Girl I Marry
Say It Will Music/Cheek To Cheek
It's A Lovely Day Tomorrow/ Now It Can Be Told
This Year's Kisses/Be Careful! Its My Heart
Lady Of The Evening/ Better Luck Next Time
Steppin' Out With My Baby/ You're Just In Love
Let's Face The Music/Say It Isn't So
How Deep Is The Ocean/I Never Had A Chance
Change Partners/Mandy
You Can't Brush Me/Everybody Step/Waiting At The End
Soft Lights/They Say It's Wonderful
Puttin' On The Ritz/Marie
I've Got My Love To Keep Me/Top Hat
What'll I Do/All Alone
A Pretty Girl/Isn't This A Lovely Day
Lazy/I'm Getting Tired So I Can Sleep
I'm Playing With Fire/Let's Have Another Cup
Heat Wave/Let Yourself Go
The Piccoline/No Strings

Album Description

Full Title - The Columbia Albums Of Irving Berlin Vols. 1 & 2. Composer, conductor, arranger Frank DeVol scored more than fifty movies and is best known as the composer for the theme songs for the TV series 'My Three Sons', 'The Brady Bunch' and 'Family Affair'. In the 1940s DeVol was an arranger for Dinah Shore, Tony Bennett, Rudy Vallee, Vic Damone and Doris Day. Frank DeVol received multiple Emmy Awards and Academy Award nominations for his extensive body of work. Irving Berlin's medleys featured are 'Always/Remember', 'A Pretty Girl/Isn't It A Lovely Day' and 'Say It With Music/Cheek To Cheek'. 24 tracks. Collectables 2003.

Rock Music:

Rock Music

rock music

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