Mamma Maria

Track Listings

 
1. Mamma Maria
2. Sara Perche Ti Amo
3. Che Sara
4. Come Vorrei
5. Se Mi Innamoro
6. Prima Cosa Bella
7. Mi Innamoro Di Te
8. Made In Italy
9. Ciao Ciao
10. Il Megio Di Noi
11. Parla Col Cuore
12. Se Mi Ami
13. Sei La Sola Che Amo
14. Piccolo Amore

Mamma Maria,Ricci E Poveri,Brilliant,World Beat,World Music
The Very Best Of Maria Callas
Average customer rating: 5 out of 5 stars
  • Audio beauty and magnificence, Maria Callas
  • sublime
  • Good "Best Of"
  • The Very Best of Maria Callas
  • Classic Callas
The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Maria Callas, the Voice of the Century
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ASIN: B00005Y1YQ
Release Date: 2002-02-12

Tracks:

  1. Carmen: L'Amour Est Un Oiseau Rebelle
  2. Gianni Schicchi: O Mio Babbino Caro
  3. La Wally: Ebben? Ne Andro Lontana
  4. Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
  5. Tosca: Vissi D'arte, Vissi D'amore
  6. Andrea Chenier: La Mamma Morta
  7. Le Nozze Di Figaro: Porgi Amor
  8. Orphee Et Eurydice: J'ai Perdu Mon Eurydice
  9. Aida: Ritorna Vincitor!
  10. Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
  11. Madama Butterfly: Un Bel Di Vedremo
  12. Norma: Casta Diva
  13. Turandot: Signore, Ascolta!
  14. Louise: Depuis Le Jour
  15. La Boheme: Si. Mi Chiamano Mimi
  16. La Gioconda: Suicidio
  17. La Forza Del Destino: Pace, Pace Mio Dio!

Customer Reviews:

5 out of 5 stars Audio beauty and magnificence, Maria Callas.......2007-03-31

There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.

5 out of 5 stars sublime.......2007-02-14

she is an angel , a voice without parallel , a collection very interesting of arias from different masters.

4 out of 5 stars Good "Best Of".......2007-02-09

Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.

4 out of 5 stars The Very Best of Maria Callas.......2006-08-20

Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.

4 out of 5 stars Classic Callas.......2006-07-11

Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!
Pavarotti: Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Cornucopia of Pavarotti's works
  • Don't...!!!
  • Great Tenor - Poor CD Quality
  • Great Music......Horrible Mastering
  • Surely I am proud to be an Italian-American!!
Pavarotti: Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000042HZ
Release Date: 1997-09-30

Tracks:

  1. Turandot: Nessun dorma
  2. La Boheme: Che gelida manina
  3. La Traviata: Brindisi
  4. Aida: Se quel guerrier io foss ... Celeste Aida
  5. L'Elisir d'Amore: Una furtiva lagrima
  6. Rigoletto: Questa o quella
  7. Martha: M'appari
  8. TOSCA: E lucevan le stelle
  9. Fedora: Amor ti vieta
  10. Pagliaccci: Recitar!... Vesti la guibba
  11. Manon Lescaut: Donna non vidi mai
  12. Rigoletto: La donna e mobile
  13. L'africana: Mi batte il cuor ... O paradiso
  14. Werther: Pourquoi me reveiller
  15. Carmen: La fleur que tu m'avais jetee
  16. Manon Lescaut: Ma se vi talenta ... Tra voi, belle
  17. La Gioconda: Cielo e mar!
  18. TOSCA: Recondita armonia
  19. La Favorita: Spirito gentil
  20. II torvatore: Di quella pira
  21. L'amico Fritz: Suzel, buon di

Tracks:

  1. O sole mio
  2. Torna a Surriento
  3. Orchestra del Teatro Comunale di Bologna: Core 'ngrato
  4. Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
  5. Notte 'e piscatore
  6. O Holy Night (Cantique de Noel)
  7. Panis angelicus
  8. Ave Marie: Ave Maria
  9. Mattinata
  10. La danza
  11. Caro mio ben
  12. Caruso
  13. My Way
  14. Santa Lucia
  15. Tu che m'hai preso il cuor
  16. Mamma
  17. La mai canzone al vento: La mia canzone al vento
  18. Volare
  19. Passione
  20. Granda: Granada

Customer Reviews:

5 out of 5 stars Cornucopia of Pavarotti's works.......2007-03-01

This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."

Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.

Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).

A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.

1 out of 5 stars Don't...!!!.......2005-01-24

To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."

R. J. Rogers

4 out of 5 stars Great Tenor - Poor CD Quality.......2004-10-11

I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.

I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.

The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.

Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.

On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.

3 out of 5 stars Great Music......Horrible Mastering.......2004-07-24

Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.

5 out of 5 stars Surely I am proud to be an Italian-American!!.......2004-06-26

With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!

Oops, I am sorry, Nana.

My Nana has shushed me to "pipe down, little bambino."

I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
The Very Best of Franco Corelli
Average customer rating: 5 out of 5 stars
  • If you love beautiful voices...
  • If you want to know Corelli's art, this is the right CD
  • excellent gift
  • Greatest Tenor of This Century!
  • Ah... Franco :}
The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Franco Corelli: Corelli in Concert

ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

  1. A Te, O Cara
  2. Meco All' Altar Di Venere... Me Protegge, Me Difende
  3. Ah Si, Ben mio...De Quella Pira
  4. Se Quel Guerrier Io Fossi!...Celeste Aida
  5. Pur Ti Riveggo, Mia Dolce Aida
  6. Intanto Amici... Viva Il Vino Spumeggiante
  7. Mamma, Quel Vino E Generoso
  8. Recitar!... Vesti La Giubba
  9. No, Pagliaccio Non Son
  10. Colpito Qui M'avete...Un Di All'azzuro Spazio
  11. Credo A Una Possanza Arcana
  12. Legray!... Andrea Chenier!...Si, Fui Soldato
  13. Come Un Bel Di Di Maggio
  14. Vicino A Te

Tracks:

  1. Donna Non Vidi Mai
  2. Recondita Armonia
  3. E Lucevan Le Stelle
  4. Non Piangere, Liu... Ah! Per L'ultima Volta!
  5. Nessun Dorma
  6. Favorita Del Re!... Spirto Gentil
  7. Cielo E Mar
  8. L'anima Ho Stanca
  9. Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
  10. Ange Adorable
  11. L'amour, L'amour.. Ah! Leve-Toi, Soleil!
  12. O Nuit Divine!
  13. C'est La! Salut! Tombeau!
  14. Fronde Tenere... Ombra Mai Fu
  15. Ave Maria
  16. Domine Deus
  17. Core 'Ngrato
  18. Torna A Surriento

Customer Reviews:

5 out of 5 stars If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

5 out of 5 stars If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

5 out of 5 stars excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

5 out of 5 stars Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

5 out of 5 stars Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.
Maria Callas, the Voice of the Century
Average customer rating: 5 out of 5 stars
  • Beautiful Collection of Songs
  • A Legend in all.....La Callas.
  • Excellent compilation of La Divina's arias
  • Some people have no business reviewing this
  • BELLA BELLA BELLA!
Maria Callas, the Voice of the Century

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Very Best Of Maria Callas
  2. Maria Callas - La Divina
  3. Maria Callas: The Legend
  4. Puccini: Arias
  5. The Most Famous Opera Duets

ASIN: B00000631B
Release Date: 1998-03-17

Tracks:

  1. Norma: Casta Diva (Atto I): Norma
  2. La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
  3. Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
  4. Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
  5. Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
  6. La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
  7. La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
  8. La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
  9. Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
  10. TOSCA: Vissi D'arte (Atto II): tosca
  11. Turandot: In questa reggia (Atto II): Turandot
  12. La Wally: Ebben? ne andro lontana (Atto I): La Wally
  13. Andrea Chenier: La mamma morta (Atto III): Andrea Chenier

Tracks:

  1. Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
  2. Alceste: Divinites du Styx (Acte I)
  3. Dinorah: Ombra leggiera (Atto II) (Shadow Song)
  4. Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
  5. Faust: Les grand seigneurs...Ah! je ris (Acte III)
  6. Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
  7. Samson et Dalila: Printemps qui commence (Acte I)
  8. Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
  9. Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
  10. Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
  11. Carmen: Les tringles des sistre tintaient (Acte II)
  12. Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
  13. Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
  14. Louise: Depuis le jour (Acte III)

Customer Reviews:

5 out of 5 stars Beautiful Collection of Songs.......2006-07-15

I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.

5 out of 5 stars A Legend in all.....La Callas........2005-04-24

I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :

Article Title : 'I am sorry!'

'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D

5 out of 5 stars Excellent compilation of La Divina's arias.......2005-03-21

This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!

Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.

5 out of 5 stars Some people have no business reviewing this.......2005-01-25

My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!

Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!

5 out of 5 stars BELLA BELLA BELLA!.......2004-11-23

THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!
Maria Callas - La Divina
Average customer rating: 4.5 out of 5 stars
  • Wonderful i recommend it
  • Landmark Soprano. An essential work for opera listeners.
  • Terrific introduction to the art of Callas
  • Callas was the greatest
  • Great starter CD
Maria Callas - La Divina
Giacomo Puccini , Vincenzo Bellini , Georges Bizet , Gioachino Rossini , Alfredo Catalani , Camille Saint-Saëns , Giuseppe Verdi , Charles Gounod , Wolfgang Amadeus Mozart , Pietro Mascagni , Amilcare Ponchielli , Tullio Serafin , Georges Prêtre , Nicola Rescigno , Franco Ghione , Antonino Votto , Maria Callas , Alfredo Kraus , Ebe Ticozzi , Giuseppe di Stefano , London Philharmonia Orchestra , Orchestra e Coro del Teatro alla Scala , Orchestre National de la R.D.F. , Conservatory Concert Society Orchestra , and Lisbon Orquesta Sinfonica del Teatro Nacional de San Carlos
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RT6
Release Date: 1993-09-14

Tracks:

  1. Madama Butterfly: Un bel di, vedremo (Atto ll)
  2. Carmen: L'amour est un oiseau rebelle (Habanera) (Acte l)
  3. La Wally: Ebben? ne andro lontana (Atto l)
  4. Il Barbiere di Siviglia: Una voce poco fa (Atto l)
  5. Norma: Casta Diva (Atto l)
  6. Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte ll)
  7. Rigoletto: Caro nome (Atto l)
  8. La Traviata: Sempre libera (Atto l)
  9. Romeo et Juliette: Je veux vivre dans ce reve (Acte l)
  10. La Boheme: Si, mi chiamano Mimi (Atto l)
  11. Don Giovanni: Mi tradi quell'alma ingrata (Atto ll)
  12. Cavalleria Rusticana: Voi lo sapete, o mamma
  13. La Gioconda: Suicidio! (Atto lV)
  14. Gianni Schicchi1: O mio babbino caro
  15. Turandot: In questa reggia (Atto ll)
  16. TOSCA: Vissi d'arte, vissi d'amore (Atto ll)

Amazon.com

If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed. Here you will hear the 18-year-old Butterfly imagining the return of her beloved; the sultry, adult Carmen seducing all around her; the youthful Wally telling her cruel father that she will go off into the cold wilderness rather than give up her boyfriend; the sly Rosina planning to outfox her guardian; the priestess Norma performing a sacred rite; Dalila wrapping Samson around her little finger and more; Gioconda contemplating suicide when all hope is gone; Gilda recalling the name of the boy she's just fallen for; and the icy princess Turandot reliving the rape of her ancestor and swearing that no man will possess her. And you'll believe them all. At times Callas's vocalism is a bit wiry (Juliette sounds stressed, for instance); but, in all, this is like a visit with 16 women, all of them interesting, and all of them great singers! --Robert Levine

Customer Reviews:

5 out of 5 stars Wonderful i recommend it.......2007-08-01

This cd is in my car changer and i play it daily. A wonderful introduction Madame Callas.

5 out of 5 stars Landmark Soprano. An essential work for opera listeners........2007-05-26

Maria Callas may be the only female 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.

5 out of 5 stars Terrific introduction to the art of Callas.......2007-04-24

This album is entitled "Divina," not to be confused with "Divina 2," itself a very nice example of Callas at her best. This CD samples a variety of her roles, indicating the range of her art. A few examples. . . .

"Un bel di" from Puccini's "Madama Butterfly" is very well done. She displays a rich voice and a passionate rendering of this aria. At greater volume, her voice remains under control and attractive sounding (something that does not always occur as her career developed further).

The "Habanera" from Bizet's "Carmen" is normally a mezzo soprano work. However, Callas features a good lower tone, and it works pretty well here. She shows nice breath control, too. The orchestral backing is exceptional.

"Sempre libera," from Verdi's "La Traviata," is a soprano's dream. Here, though, Callas' voice is not as attractive as in other cuts. There is some harshness with higher notes. Alfredo Kraus' singing, by the way, is most attractive. There is some unpleasantness with Callas technique in this work, although there is a nice characterization as well (this is the price you pay for Callas). She shows off some nice runs, but zero in the way of trills (some other sopranos display nice trills in this piece).

Finally, a very well done version of "Si, mi chiamano Mimi" from Puccini's "La Boheme." Sweet sounds at the outset. She seems to capture the character well. Smooth singing, done well.

Thus, a good introduction to the art of Maria Callas. There are cuts here that feature some of the wondrous nature of her work. There are other cuts where one hears some unattractive aspects of her singing and one wonders about her technique. But, in the end, this is a good representation of the work of Callas.

5 out of 5 stars Callas was the greatest.......2007-02-06

It's amazing how the anti-Callas claquers continue to thrive. I'll side with Leonard Bernstein, who labeled Callas "The Bible of Opera," and who described her 1952 performance of La Sonnambula under his baton as "pure electricity." Unfortunately, recordings don't do justice to any artist, given the lack of spontaneity and a full audience, as well as a host of other reasons. Even Callas withheld many recordings from release because she was her own worst critic and they did not meet her high standards. I've been listening to opera for over 30 years and although I can appreciate the artistry of Tebaldi, Sutherland, Sills, Freni, Carteri, Moffo, Price, etc., some of whom had better pure voices, there was none that could match Maria's intensity, passion, range, personality, acting ability and pure emotion. Callas could sing bel canto colaratura but drop down to a near-mezzo voice that included many dramatic roles.

The Callas bashers will always be with us, but thankfully they will always be in the tiny minority. True connossiers of opera know there never has been and never will be as great a singer as La Divina.

5 out of 5 stars Great starter CD.......2005-11-24

As simplistic as this sounds, this is a perfect CD if you know you like opera, but don't know exactly what you want to hear. You'll definitely recognize some of the more popular arias, and will grow to love the others.
Very Best of
Average customer rating: 5 out of 5 stars
  • Early Caballe, covering the range of her opera roles
  • A great collection of diva Caballe's best singing!!!!!!!!!!!!!!!!!!!
  • REALLY GOOD !
  • Cut-and-Paste Caballe
Very Best of
Montserrat Caballe
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000083GOF
Release Date: 2003-04-22

Tracks:

  1. Ritorna Vincitor
  2. Qui Radames Verra... O Patria Mia
  3. Pace, Pace Mio Dio
  4. Una Macchia E Qui Tutt'ora
  5. Tu Che Le Vanita
  6. Ave Maria
  7. L'altra Notte In Fondo Al Mare
  8. Voi Lo Sapete, O Mamma
  9. Ils S'Eloignent Enfin... Sombre Foret
  10. Las Fuentecitas De Parque
  11. Cuba Dentro De Un Piano
  12. Chevre
  13. Punto De Habanera
  14. Cancion De Cuna Para Dormir A Un Negrito
  15. Canto Negro

Tracks:

  1. In Quelle Trine Morbide
  2. Si. Mi Chiamano Mimi
  3. Donde Lieta Usci
  4. Vissi D'Arte
  5. Un Bel Di Vedremo
  6. Tu, Tu, Piccolo Iddio!
  7. Signore, Ascolta
  8. In Questa Reggia
  9. Tu Che Di Gel Sei Cinta
  10. O Mio Babbino Caro
  11. Chi Il Bel Sogno Di Doretta
  12. Son Vergin Vezzosa
  13. O Rendetemi La Speme... Qui La Voce Sua Soave...
  14. Torno Il Riso Sul Suo Aspetto... Vien Diletto
  15. Oh! S'io Potessi Dissipar Le Nubi...
  16. Col Sorriso D'Innocenza...
  17. Qual Suono...Oh, Sole! Ti Vela Di Tenebre Oscure

Customer Reviews:

4 out of 5 stars Early Caballe, covering the range of her opera roles.......2006-09-20

Leaving the hype aside, EMI would have been more accurate to entitle this 2-CD ssurvey "Opera Arias by the Young Caballe." In the whole generous 151 min. there are only 6 songs to represent her extensive recital repertoire, and no Zarzuela. For those items you have to go to rCA. Here we get Caballe mostly from the Seventies (1971-79) with bits form the early Eighties.

The reviewers below have given deserved praise to Caballe's abilities as diva. My onw opinion is that she was better on records than in the opera house. She wasn't gifted as an actress and cut a short, wide figure onstage. But as a vocal actress on disc she was very convincing, despite her over-reliance on pathos and delicacy. One longs at times, amid all the beauitful floated notes, for more spine and guts to her heroines. (I find her acclaimed Aida, for example, a one-note portrayal.) Lady Macbeth needs to be more sinister, Elisabetta more tragically enduring.

In all, this two-fer serves as a fine survey of her early career, and for listeners like me, who don't necessarily buy Caballe's complete opera sets, it may be all we need.

5 out of 5 stars A great collection of diva Caballe's best singing!!!!!!!!!!!!!!!!!!!.......2005-12-26

This is a great collection of caballe's eternal art.All the songs here have been remastered and sound wonderful.The very best of, contains a nice selection of caballe's greatest verdi singing.Her rendition,heard here,of la vergine degli'angeli from the forza del destino is the best one in recorded history.She sings it with such feeling and the most glorious soft notes in history.All of the arias on this disc aptly demonstrates her mastery of bel canto, and italian opera for that matter.In signore,ascolta from turandot,another memorable performance from Caballe,she sculpts this aria beautifully like a master craftsman;ending this piece with a ultra high pianissimo bflat,which she holds out all the way to the final bars of the music ,for an astounishing 15 seconds.One of the most beautiful notes ever produced from the human throat.Other noticable mentions would be her pace pace mio dio,her ave maria from othello,col sorriso d'innocenza from il pirata,as well as an entire spanish recital(recorded in 1979,in good voice)are all include here;and much more besides.There is also a nice picture of a young, beautiful, and thin Montserrat Caballe on the cover.The cd booklet includes exstensive linear notes and five rare photes of this divine soprano,who has both a heart and voice of pure gold.

5 out of 5 stars REALLY GOOD !.......2004-02-19

I`VE BEEN LOOKING FOR SO LONG THE "PUCCINI ARIAS" ALBUM AND IT`S ALMOST COMPLETE IN THIS COMPILATION. ENJOY THE PURE VOICE OF MONTSERRAT WITH THIS GREAT COLLECTION OF GREAT ARIAS BY VERDI,PUCCINI,BELLINI,ROSSINI,ETC. YOU`LL NEVER REGRET.CLEAR SOUND DIGITALLY REMASTERED.

5 out of 5 stars Cut-and-Paste Caballe.......2003-05-17

This two-disc recital draws heavily upon two Caballe recital discs (a Bellini/Verdi recital, and a recital of Puccini arias), with some extra material thrown in. At the end of disc one, there are also some Spanish songs thrown in, a good choice, since Caballe sang these songs extensively in her many recitals.

For Caballe fans that already own the backlist of her recitals, there is not enough here to entice you to buy this new recital, unless you like the unique combination of arias. Tracks 1-5 on disc one are wonderful interpretations by Caballe of Verdian arias. I especially like the one from Macbeth- perfectly executed, with the pianissimi in all the right places. Equally as thrilling is her Tu Che Le Vanita, a dramatic, long aria that shows off the interpretive power she was capable of, when she wasn't in a lazy mood. As for the Ave Maria, I find it curious that they chose to cut the preceding Willow Song. In my mind, you can have a Willow Song on a soprano's recital disc without the Ave Maria, but it seems inappropriate for the reverse to be the case. Personally, I don't think that Caballe has anything on Mirella Freni, who is perhaps the most perfect Desdemona of her era.

I must admit to not having heard Caballe's interpretations of L'Altra Notte and Voi Lo Sapete. To imagine Caballe singing Santuzza really seems like a stretch to me. My favorite Santuzzas are Callas, Bumbry, and Verrett (in that order). Of course, Caballe did sing a lot of roles, and it isn't impossible that she could do justice to the aria, but I just can't imagine it, try as I might. A final selection worth mentioning is the aria from William Tell, from a supreme bel canto recording of Rossini's masterpiece.

Tracks 1-11 on the second disc are culled from her famous Puccini Arias recording, with the exception of In Questa Reggia from Turandot (a role that she would sing very late in her career, as opposed to the more familiar and suitable-for-her-voice role of Liu). What is notable is what didn't make the cut. Listeners will be deprived of her heart-wrenching, powerful interpretation of Sola, Perduta, Abbandonata, with its sinister clarinet obligato. They will also miss out on an enchanting aria from Puccini's little known and rarely staged Le Villi. This is a shame, since the original Puccini Aria disc is currently out of circulation.

The rest of disc two focuses on Bellini, in the form of I Puritani and Il Pirata. Listeners will be treated to both the polacca and the mad scene from Bellini' final opera. Caballe, of course, cannot hold a candle to Joan Sutherland, who was a true coloratura soprano (Caballe was more lyrical), but she isn't bad, either, as Elvira. The Bellini role that would garner her more acclaim was Imogene from Il Pirata. This two-disc recital draws to a close with her divine reading of Imogene's mad scene. This is the stuff of operatic legend.

All in all, minor quibbles aside, this is a great introduction to those not familiar with Caballe's grand art.
20th Century Masters:  The Best of the Three Tenors (Millenium Collection)
Average customer rating: Not rated
    20th Century Masters: The Best of the Three Tenors (Millenium Collection)
    Karl-Heinz Loges , Leone Magiera , Sir Edward Downes , Berliner Philharmoniker , English Chamber Orchestra , London Symphony Orchestra , Los Angeles Philharmonic Orchestra , Philharmonic Orchestra , Wiener Philharmoniker , Wiener Staatsopernorchester , and Wiener Volksopernorchester
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007LLPVK
    Release Date: 2005-02-15

    Tracks:

    1. O Sole Mio
    2. Mamma
    3. Non ti scordar di me
    4. Passione
    5. L'ultima canzone - Arr. Peter Hope
    6. "Che gelida manina"
    7. "La fleur que tu m'avais jetae"
    8. La Danza - Arranged by Juan Alfonso
    9. "Questa o quella" (Ballata) (Duca)
    10. Donna non vidi mai (Des Grieux)
    11. Spirto gentil
    12. "Una furtiva lagrima"
    13. Core 'Ngrato
    14. Chitarra Romana
    15. "Nessun dorma"
    The #1 Soprano Album
    Average customer rating: 4 out of 5 stars
    • Gruberova's Extraordinary "Mein Herr Marquis", Sumi Jo's winning "Der hölle Rache"
    • Beautiful collection, even though not perfect
    • Breathtaking performances of standard literature
    • Finally, a 2-disc soprano collection from Decca
    • The grandeur of the Opera
    The #1 Soprano Album

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    1. The #1 Tenor Album
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    3. The #1 Opera Album
    4. The Ultimate Divas Album
    5. The Most Famous Opera Duets

    ASIN: B000060OHV
    Release Date: 2002-04-09

    Tracks:

    1. Puccini: Gianni Schicchi: O Mio Babbino Caro
    2. Delibes: Lakme: Flower Duet
    3. Catalani: La Wally: Ebben?...Ne Andro Lontana
    4. Strauss: Die Fledermaus: Mein Herr Marquis
    5. Canteloube: Chants D'Auvergne: Bailero
    6. Bellini: Norma: Casta Diva
    7. Mozart: The Marriage Of Figaro: Che Soave Zeffiretto
    8. Mozart: The Magic Flute: Der Holle Rache Kocht In Meinem Herzen
    9. Mozart: The Abduction From The Seraglio: Welche Wonne
    10. Verdi: The Sicilian Vespers: Merce, Dilette, Amiche
    11. Verdi: Rigoletto: Caro Nome
    12. Puccini: Tosca: Vissi D'Arte
    13. Puccini: Madama Butterfly: Un Bel Di Vedremi
    14. Puccini: La Rondine: Chi il Bel Sogno Di Doretta
    15. Puccini: La Boheme: Quando M'en Vo'
    16. Puccini: La Boheme: Si, Mi Chiamano Mimi
    17. Schubert: Ave Maria

    Tracks:

    1. Bizet: Carmen: L'Amour Est Un Oiseau Rebelle
    2. Offenbach: The Tales Of Hoffman: Belle Nuit, O Nuit D'Amour
    3. Rossini: The Barber Of Seville: Una Voce Poca Fa
    4. Verdi: La Traviata: E Strano.Ah Fors'e Lui.Sempre Libera
    5. Mozart: The Marriage Of Figaro: Giunse Alfin Il Momento.Deh Vieni Non
    6. Mozart: Don Giovanni: In quali Eccessi.
    7. Villa-Lobos: Aria from Bachianas Brasileiras No. 5
    8. Bach/Gounod: Ave Maria
    9. Handel: Rinaldo: Lascia/Ch'io Pianga
    10. Handel: Samson: Let The Bright Seraphim
    11. Giordano: Andrea Chenier: La Mamma Morta
    12. Flotow: Martha: Last Rose Of Summer
    13. Puccini: Manon Lescaut: In Quelle Trine Morbide
    14. Wagner: Tristan Und Isolde: Mild Und Leise
    15. Orff: Carmina Burana: Cour D'Amours: In Trutina
    16. Shenandoah

    Customer Reviews:

    5 out of 5 stars Gruberova's Extraordinary "Mein Herr Marquis", Sumi Jo's winning "Der hölle Rache".......2007-06-30

    I bought that 2-CD set only for the extraordinary performance of Adele's "Laughing Song" ("Mein Herr Marquis") by Edita Gruberova. It is highly surprising (and inexcusable IMO) that a great label as Universal/Decca wrongly gives it to Kiri Te Kanawa, and that another great company (amazon) relays that big error on this site; the recording is quite recognizable (Gruberova can't be confused with anyone; and at her final, you can't confuse the particular audience of that live performance unable to refrain from blowing their stunning and applause before end), and you can check J. Strauss - Die Fledermaus / Te Kanawa, Gruberova, Fassbaender, Bär, Wiener Philharmoniker, Previn and search it, 1st for "Gruberova", 2nd for "Kanawa".

    Another track is, alone, worth buying the CD: Königin der Nacht's "Der hölle Rache kocht in meinem Herzen" by Sumi Jo. Lucia Popp despite her quite deserved immense reputation for this, is beaten (IMO) by Cheryl Studer (purer and more subtle - at least when with Neville Marriner), who is in turn by Sumi Jo: Jo brings the incredible energy and speed and emotion yet chirurgical precision required by that piece full of terrible wrath and grudge (I once attended the Flute where Königin was on her balcony, pointing her finger at her daughter, far away in the court, giving full life to the ultra-powerful music and lyrics "The hellish revenge burns in my heart! Death and destitution to the traitor I hate! Strike him with this deadly weapon! Or you are not my daughter! never more and forever! Go away, ungrateful! Ungrateful! Everything is broken between us until he gives back his villain soul!"), she sings with perfect pitch, tempo and power even up to the 4-repeated highest note (F), with score in hand you find exceptionally little and small flaws, and only in secondary passages. And she sings with "no emotion added" (or removed!), I mean, she is quite accurate emotionally - not everyone is, particularly when singing perfectly such a masterpiece.

    There are several more very good tracks (Casta Diva/Sutherland, Welche Wonne welche Lust/Kathleen Battle, O mio babbino caro/Fleming, Dôme épais le jasmin/Sutherland, Schubert's Ave Maria/Leontyne Price), each worth buying the disc, but I agree with previous reviewers that globally the selection is uneven.

    Versailles, Sun 1 Jul 2007 01:55:40 +0200

    4 out of 5 stars Beautiful collection, even though not perfect.......2006-05-17

    As many reviewers have said before, there is a lot of incoherencies in the choices of singers on this double CD. In order to be a truly ultimate collection, the boundaries of recording companies and rights must not interfere, as must have been in this case. This said, it is up to the private collector to accumulate his/her ultimate soprano collection, BUT these CDs are an enormous contribution!

    It starts out very strong with beautiful pieces of, and then some singers repeat OFTEN. Not that they are bad choices, it's just that a greater variety would have been nice. More importantly it would have been great to have the "definitive" version/singer of a given aria. Just one example, Sumi Jo's Der Holle Rache is just everywhere as a previous reviewer mentioned -- let's not forget that there is a pristine-perfect-beyond-comparison of Lucia Popp's Queen of the Night also out there somewhere...just NOT on this particular CD...

    As far as aria choices are concerned, that is a bit strange to me, too. Of all of Mozart's arias, why those and leave out the magnificent soprano aria from Zaide, "Ruhe sanft"? Hmm...But anyway, the CDs are much better than any other compilation I have of the same type. Highly recommendable after all.

    4 out of 5 stars Breathtaking performances of standard literature.......2005-06-09

    This CD is a delight from start to finish. It covers most of the most famous soprano arias and duets, featuring celebrated performances by such artists as Nillson and Sutherland, Te Kanawa, Fleming and Bonney. The booklet lists the information on each performance, but does not include the translations. As all are very familiar peices, finding the opera from which they are taken should not be much of a challenge. Not all are opera arias, either; we have "Sheep May Safely Graze" and "Let The Bright Seraphim" to mention a few of the sacred arias here. For opera collectors and those who are just starting to listen alike, this is a very enjoyable CD.

    4 out of 5 stars Finally, a 2-disc soprano collection from Decca.......2004-01-09

    This is a great compilation to have. I understand that no Maria Callas recordings are not available on this CD because she was never part of the company. There, I set the record straight for any fans of the late opera singer who question it. There are, however, some sopranos and mezzos who are a part of the company that were left off as well, which is my reasoning for giving a 4-star rating rather than a five. Where are Cecilia Bartoli and Mirella Freni. I know that Freni is featured as Mimi on the recording of Musetta's Waltz, but it is minor on the recording, and there should be a recording of her singing an actual aria of her own. Also, recordings of "Dove Sono" (by Te Kanawa, for example), "Voi Che Sapete" (by Bartoli, let's say), "Signore Ascolta" by Caballe, and the Song to The Moon should all be on this compilation. Plus I think that Tatiana Troyanos' recording of the Habanera from Carmen should be featured rather that of Marylin Horne's. Other than that, the #1 Soprano Album is great.

    4 out of 5 stars The grandeur of the Opera.......2003-11-27

    The #1 soprano album, is a compilation of the most popular opera arias.
    This album includes some of the best female voices in history, such as:
    Joan Sutherland
    Monserrat Caballé
    Birgit Nilsson
    Renée Fleming
    Leontyne Price
    Sumi Jo
    Kiri Te Kanawa
    singing excerpts from Gianni Schicchi, Madama Butterfly, La Bohéme, The Magic Flute, Carmen, Les contes du Hoffman, among many others.

    Higlights:
    O mio babbino caro/ Fleming
    Dome epais le jasmin/ Sutherland & Berbié
    Der hölle rache kocht in meinem herzen/ Jo
    Un bel di vedremi/ Crespin
    Let the bright seraphim/ Sutherland
    La mamma morta/ Caballé
    Mild und leise/Nilsson
    among others.

    This album is, in fact, a very good choice for the people who enjoys classical music. For the people that is not familiarized
    with opera, this is a great oportunity to approach bel canto with some of the most beautiful voices in opera history.

    Note: This compilation it's probably not complete (we miss many arias and some names as Flagstad and Callas) but it's a very good opera selection. Enjoy.
    Montserrat Caballé: Ultimate Collection
    Average customer rating: 4.5 out of 5 stars
    • A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1
    • LA SUPERBA!
    • Madame Caballé is great!!!
    • Amazing collection!
    • Cannot be called an "ultimate" collection
    Montserrat Caballé: Ultimate Collection

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    5. Grandi Voci: Renata Tebaldi

    ASIN: B00000J914
    Release Date: 1999-05-25

    Tracks:

    1. La Boheme: Si. Mi chiamano Mimi
    2. Norma: Casta diva
    3. L'Assedio di Corinto: Giusto ciel! In tal periglio
    4. Sapho: O ma lyre immortelle
    5. Semiramide: Serbami ognor... Alle piu calde immagini
    6. Otello: Piangea cantando (Willow Song) -
    7. Otello: Ave Maria
    8. Herodiade: Il est doux, il est bon
    9. Lucrezia Borgia: Tranquillo ei posa... Com'e bello!
    10. Suor Angelica: Senza mamma
    11. Rigoletto: Caro nome
    12. La Sonnambula: Ah! non credea mirarti

    Tracks:

    1. La Traviata: E strano, e strano! -
    2. La Traviata: Follie! Follie! -
    3. La Traviata: Sempre libera degg'io
    4. TOSCA: Vissi d'arte
    5. Il corsaro: Egli non riede ancora!
    6. Il corsaro: Non so le tetre immagini
    7. Armida: D'amore al dolce impero
    8. I Pagliacci: Qual fiamma avea nel guardo!
    9. Roberto Devereux: E Sara in questi orribili momenti... Vivi, ingrato
    10. Il Trovatore: D'amor sull'ali rosee
    11. Stabat Mater: Inflammatus et accensus
    12. Adriana Lecouvreur: Io son l'umile ancella
    13. Anna Bolena: Al dolce guidami
    14. Adelson e Salvini: Dopo l'oscuro nembo
    15. I Vespri Sicillani: Arrigo! Ah, parli a un core

    Customer Reviews:

    5 out of 5 stars A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1.......2005-12-23

    First off this two cd set is for the price of one,that is always great.Montserrat caballe is the star of this cdset,and she demonstrates all that is beautiful in singing,on ever track.Her ave maria from othello is included here.It is one of the best performed arias by caballe ever,she ends it with a heavenly piano top note.Also included is her magical casta diva from norma.Caballe sings all these arias with her legendary sound and breath control.On this set there are plenty of examples of long sustained notes,seemless legato,glorious high notes,and magically floated soft notes.Check out the cover to,there are some great photos of Caballe in opera costumes.These cds have great sound,and play for over two hours,too.

    5 out of 5 stars LA SUPERBA!.......2005-11-22

    Montserrat Caballe is an amazing person and an amazing singer. In my opinion she has a more beautiful voice than Maria Callas. The high notes she reaches are just fantastic! Her Sempre Libera is the best ever! Her Ave Maria is stunning and her Vissi D arte is really moving. Her voice is so beautiful, it's as if it's an angels voice coming from her.

    5 out of 5 stars Madame Caballé is great!!!.......2003-04-06

    This collection of Caballé's recordings is fantastic! Her soprano is the most beautiful that has been recorded. L. Price, Tebaldi, Ponselle, and a few others have gorgeous voices, but can any of those voices compare with Caballé's? Caballé's singing throughout is of the highest standard. Her "Ave Maria" is spectacular. "Vissi d'arte, vissi d'amore" has never sounded more beautiful. I love her "Non so le tetre immagini". Such beautiful singing does not come any better than this. Her "Caro nome" is disappointing. She is clearly not suited to this aria. "Inflammatus et accensus" is glorious. The later recordings are nice, but they are not the best Caballé has committed to disc. "Il est doux, il est bon" betrays a slight wobble in her otherwise still beautiful voice. "Dopo l'oscuro nembo" features very respectable soft singing from Caballé. This version does not do justice to Bellini's exquisite orchestration. For a version that does, check out Opera Rara's "The Collection: Volume 2". That version features competent singing from an inferior-voiced soprano, but the orchestra is ravishing. The one reviewer who mentioned the aria from "I Vespri Siciliani" as having "fioriture effects Berio could sign on to" is incorrect. The aria included here is not "Mercè, dilette amiche". That aria is more famous and much more florid than the aria included in this collection, "Arrigo, parli a un core". By the way, Caballé performs this aria ravishingly well. This is a superb testament to one of the all-time greats in opera.

    5 out of 5 stars Amazing collection!.......2003-04-05

    I will write this review objectively, but I will not avoid praising Caballé when praise is due.

    First off, this compilation is amazing! I have always thrilled to hearing Caballé's voice and this compilation is no different. I am amazed at Caballé's instrument; such extraordinary purity combined with great power! Even when she sings pianissimo, she can be clearly heard! Her voice literally fills up the room. These arias really show off her remarkable voice. Of special note is her rendition of the hauntingly beautiful "Non so le tetre immagini". Amazing! Her "D'amor sull'ali rosee" is exquisite, but she sings it too softly. Her trill is quite weak. Voices like hers don't respond well to being forced to trill. The tracks from the 1990's show off the remarkable preservation of her voice. The voice retains its purity and beautiful timbre, but is now heavier and darker. "Sempre libera" is not that good. Her coloratura is not up to par with Verdi's demands and she cannot hit the high E-flat at the end. However, she sings the main part of Violetta's aria very well, with supple, gorgeous tone and ravishing pianissimos. "Ah! non credea mirarti" is ravishing, but it is missing its energetic cabaletta. Presumably, it was cut because Caballé could not deal with the coloratura. Caballé's legato lines in this aria are superb. Her version of the "Lucrezia Borgia" Prologue is masterful. Elizabeth's last aria from "Roberto Devereux" is noble and touching. She is not quite Sills, but that aria benefits from a spinto voice instead of a soubrette one. Her aristocratic phrasing is very well used throughout the selections, with a few exceptions. Her "Willow Song" is beautiful, first time on CD. However, she fails to completely show Desdemona's despair. Some parts were good, but the whole thing failed to touch the heart. Her phrasing here is too indulgent. I have to say that I prefer Sutherland's touching version on her "The Art of the Prima Donna" recording. However, I loved "Ave Maria". Caballé sounds most beautiful when singing softly and this selection really shows her in the best light. Her cadenzas are intoxicatingly beautiful. "Caro nome" is not really her aria. The coloratura is suspect and some of the staccati are replaced with upward flourishes. She avoids the last short passage of staccati. Her phrasing in this aria is way too indulgent and she really fails to suggest Gilda's innocence. Even Sutherland is better at portraying Gilda's girlish qualities. Her "Armida" aria has some nice coloratura. She does the runs really well and is fearless in the triplet passages. For some reason, she does not sing the second "fronde" in the first line of the third stanza nor does she sing the last line of this stanza, "i muti abitator". She also does not sing the last line of the fifth stanza, "il tempo vorator". Caballé's first recorded version of "Vissi d'arte, vissi d'amore" is included here. This just may be the most beautiful version of this aria ever recorded. It certainly is Caballé's best version of the aria. The climax is handled in one breath by Caballé. She diminuendos the big high note twice in the same breath. Amazing! The rolling of the "r" in "Signor" after the last diminuendo is quite nasal and reminds us that the sound we are hearing is coming from a human throat. It also shows that these diminuendos are natural and not studio produced. She infuses Tosca's aria with real feeling and piety. The compilation ends with a knockout reading of "Arrigo, parli a un core". Caballé is at her best in this aria. She sings softly to stunning effect. This version may be the most beautiful of this particular aria ever recorded. RCA has done Caballé justice with this wonderful collection. Caballé is truly a remarkable artist with a million-dollar voice. Brava!

    4 out of 5 stars Cannot be called an "ultimate" collection.......2003-02-05

    This is a prime example of the a major recording label being fickle with the goods, in order to force you to continue buying other recitals and full-length studio recordings. Of course, any Caballe fan would already want to own those other recordings anyway, so the point is moot.

    Other reviewers here have cried out against the exclusion of one of her most essential and artistic roles, Imogene from Il Pirata. I would like to emphatically express the same. In fact, I would even have settled for the exclusion of Casta Diva, in favor of Col Sorriso di Innocenza.

    Some other stellar recordings not represented her are the Sleepwalking Scene from MacBeth, and Pace, Pace Mio Dio from La Forza del Destino. Also worth mentioning is her O Patria Mia from Aida. She might not be Leontyne Price or Martina Arroyo, but she gives a superb reading of this wonderful aria.

    Of course, brevity does require some editing- a true "Ultimate" Caballe collection would span four or five CDs, at least- but to include late-career and less-than-best selections at the expense of others is a crime.

    Perhaps the major Opera labels should start letting fans put together the track lists for these "best of" collections! We could do a much better job.
    Viva Italia
    Average customer rating: Not rated
      Viva Italia

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      Binding: Audio CD

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