Product Description
L'original Series. Reissues of the Original Album. Digitally Remastered. Digipack.
Arthur H,Arthur H,Universal/Polygram,France,French Pop,Italian,World Music
Average customer rating:
- The Best Of Gilbert And Sullivan
- Pure delight
- Delicious G&S samplings abound here.
- Fine Intro to G&S
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003D1Y
Release Date: 1996-01-23 |
Tracks:
- A Wandering Minstrel I
- Behold The Lord High Executioner!
- Three Little Maids From School Are We
- Braid The Raven Hair
- The Flowers That Bloom In The Spring
- On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
- For He's Gone And Married Yum-Yum
- We Sail The Ocean Blue
- I'm Called Little Buttercup
- My Gallant Crew
- When I Was A Lad
- Things Are Seldom What They Seem
- Never Mind The Why And Wherefore
- Climbing Over Rocky Mountain
- Poor Wand'ring One
- How Beautifully Blue The Sky
- I Am The Very Model Of A Modern Major-General
- When The Foeman Bares His Steel
- Ah, Leave Me Not To Pine
- With Cat-Like Tread
- Is Life A Boon?
- I Have A Song To Sing, O!
- Were I Thy Bride
- Oh, A Private Buffoon Is A Light-Hearted Loon
- When A Wooer Goes A-Wooing
- When I, Good Friends, Was Called To The Bar
- A Nice Dilemma We Have Here
- Oh, Joy Unbounded
Customer Reviews:
The Best Of Gilbert And Sullivan.......2004-03-15
At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.
But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.
The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.
Pure delight.......2003-08-02
--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.
--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.
--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).
--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.
--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.
--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.
--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.
Delicious G&S samplings abound here........2003-05-06
The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."
Fine Intro to G&S.......2000-12-30
This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.
Average customer rating:
- A must have CD
- Arthur at his best.
- Fiedler's Finest
- what a collaboration of musical excellence, oh what style!
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Fiedler Greatest Hits
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003F5O
Release Date: 1991-09-06 |
Tracks:
- 'Gayane' Ballet Suite: Sabre Dance
- Pomp and Circumstance March No. 1
- The Flight Of The Bumblebee
- Light Cavalry Overture
- The Merry Wives Of Windsor: Overture
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- William Tell Overture
- 'L'Arlesienne'-Suite No. 2: Farandole
- The Syncopated Clock
- 'Prince Igor': Polovetsian Dances
- 'The Damnation Of Faust': Rakoczy March
- The Stars And Stripes Forever
Customer Reviews:
A must have CD.......2007-01-14
For anyone who likes Arthur Fiedler and the Boston Pops, this CD is a must have.
Arthur at his best........2002-03-20
Arthur Fiedler made listening to classical music fun. Try a listen to 'Pomp and Circumstance', one of my favourite pieces of classical music. 'William Tell Overture' shines as does most of the material on this album. Well recorded for it's day. Fiedler is missed.
Fiedler's Finest.......2002-02-16
I had the opportunity of playing in an orchestra under Maestro Fiedler. He was a tough, no nonsense conductor who expected crisp, lyrical, and expressive. His musical interpretations of everything from Sabre Dance to Syncopated Clock; from Pomp and Circumstance March No. 1 to his love for the Beatles, sets him as the ruler supreme in pop music. I only hope RCA will continue to reissue his LPs so a new generation knows the man and his music. Bravo!
what a collaboration of musical excellence, oh what style!.......1999-06-08
I bought this CD a little over a year ago and it is still among my favorites. "Polvetsian Dances" is excellent no matter what your interests. The full version of "Pomp and Circumstance" as well as "The William Tell Overature" are wonderful; The "Procession of the Nobles" is victorious and galliant; the lyrical complexity of "Farandole" is haunting. This is a brilliant compilation of musical excellence.
Average customer rating:
- Solid Basic March Collection
- Bold and brassy mixes well with the rest
- 40 Famous Marches - a great collection!!
- Classics on Parade
- Too, too much Philip Jones Ensemble
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40 Famous Marches
Manufacturer: Decca
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ASIN: B000040OX5
Release Date: 2000-02-08 |
Tracks:
- Pomp And Circumstance March No. 1 In D Major - London PO; Solti, G.
- Karelia Suite: Alla marcia - Philharmonia Orchestra
- Jubel March - Vienna PO; Boskovsky, W.
- Funeral March Of A Marionette - Orchestra Of The Royal Opera House, Covent Garden
- Tannhauser: Grand March - Philip Jones Brass Ensemble; Howarth, E.
- Rinaldo: March - English Chamber Orchestra
- Saul: Dead March - English CO; Bonynge, R.
- Aida: Grand March - Philip Jones Brass Ensemble
- Radetzky March - Vienna PO; Boskovsky, W.
- Marche militaire - Wiener Philharmoniker
- Athalia: War March Of The Priests - Vienna PO; Dohnanyi, C.v.
- The Nutcracker: March - National Philharmonic Orchestra
- The Love For Three Oranges: March - London PO; Weller, W.
- Le Prophete: Coronation March - London Philharmonic Orchestra
- La Damnation de Faust: Hungarian March - Chicago SO; Solti, G.
- Persian March - Wiener Philharmoniker
- Aladdin Suite: Oriental Festive March - San Francisco SO; Blomstedt, H.
- The Ruins Of Athens: Turkish March - Carlo Curley
- The Occasional Oratorio: March - San Francisco SO; Blomstedt, H.
- Pomp And Circumstance March No. 4 In G Major - London Philharmonic Orchestra
Tracks:
- Crown Imperial (Coronation March) - London PO; Norrington, R.
- Music For The Funeral Of Queen Mary: Funeral March - Baroque Brass Of London
- Prince of Denmark's March (Trumpet Voluntary) - London PO; Norrington, R.
- March - Philip Jones Brass Ensemble
- Marche triomphale - London PO; Norrington, R.
- Egyptian March - Wiener Philharmoniker
- Joyeuse March - Swiss Romande Orch; Ansermet, E.
- Napoleon March - Wiener Philharmoniker
- A Midsummer Night's Dream: Wedding March - Montreal SO; Dutoit, C.
- Russian March - Wiener Philharmoniker
- Carmen, Suite No.2: Marche des contrebandiers - Montreal SO; Dutoit, C.
- The Tale Of Tsar Saltan: March - London Symphony Orchestra
- Mlada: Procession Of The Nobles - Kingsway Orch; Camarata, S.
- Spanish March - Wiener Philharmoniker
- Things To Come: March - National PO; Herrmann, B.
- Washington Post - Philip Jones Brass Ensemble
- Entry Of The Gladiators - National PO; Herrmann, B.
- Colonel Bogey - Philip Jones Brass Ensemble
- The Dam Busters - National PO; Herrmann, B.
- The Stars And Stripes Forever - Philip Jones Brass Ensemble
Customer Reviews:
Solid Basic March Collection.......2006-08-07
Great solid basic collection, a real bargain with mostly outstanding performances. Having played several in bands and orchestras and sung one (the Rimsky Mlada), I have a good idea how they should go. As other other commentators say, there are better individual recordings, such as anything by Fennell and the Eastman band. The organ pieces just don't do this music justice, although a real cathedral organ can come close, but that's beyond these discs. The Nielsen Aladdin March is the new one for me. Berlioz by Solti is great! Buy it!
Bold and brassy mixes well with the rest.......2004-08-14
I am impressed most by the variety in 40 Famous Marches on 2 CDs, a Double Decca release. The performers include Philharmonic Orchestras, a Brass Ensemble, Chamber Orchestra, organ, Symphony, and for nine selections, the Wiener Philharmoniker. I am not sure if the word schmaltzy ought to be applied to any of this, but the Wiener Philharmoniker often exhibits a unique sound which is not quite the same as any of the other selections. The final five selections are all performed by the Philip Jones Brass Ensemble under Elgar Howarth in ADD/DDD format in 1983 and 1985. Two of those five are rousing marches by John Philip Sousa, another called `Entry of the Gladiators' is typical of songs played by live bands at circuses, and the remaining two are from movie soundtracks. `Colonel Bogey' is famous from the movie about British prisoners of war building a railroad bridge for the Japanese in World War Two, the Bridge over the River Kwai.
The major source of variety in these 40 selections is that many of them are taken from operas and even a ballet, Tchaikovsky's famous `The Nutcracker--March.' I originally found this collection when I was searching for `Funeral March of a Marionette' by Charles Gounod (1818-1893) which has a theme that is famous from its use by a television series hosted by Alfred Hitchcock. If you can't remember how that goes, you ought to buy this collection and listen for it early: it is selection 4 on the first CD. The main theme was fun to play and easy to learn in a book of piano lessons, but the rest is quite whimsical and worth listening to, and people who play organ with pedal notes might still be able to find music for playing the entire arrangement, difficult though it is for someone like me, who becomes confused when too many things are going on at the same time.
There was something on this CD that sounded weird, and I had to check to see what it was, and it was just someone playing the organ, but he was trying to play `The Ruins of Athens -- Turkish March' by Ludwig van Beethoven (1770-1827).
Something by Handel sounds so much like the beginning of a movie that I expect someone to start singing, `The hills are alive with The Sound Of Music,' but this CD is something else. The first CD starts and ends with marches from `Pomp and Circumstance' by Edward Elgar, so people who have been to a lot of graduation ceremonies will be expecting plenty of familiar music. The 6:32 time is slightly longer than the Wagner's `Tannhauser -- Grand March' on the first CD, but long graduation ceremonies may play it even longer, until all the diplomas are handed out.
Verdi, Strauss, Schubert, Prokofiev, Berlioz, these famous composers might be recognized by people who know music, but the `Wedding March' by Felix Mendelssohn is famous with everybody for what it is used for. If you haven't heard it lately, maybe you should hear it a few times so you won't be so nervous the next time it comes around.
40 Famous Marches - a great collection!!.......2003-11-21
This is a wonderful collection. What a wide collection of exciting pieces, all in one affordable package!! It encompasses so many composers and styles, from the majesty of Elgar and Walton, to upbeat Sousa to schmaltzy Strauss. It also includes such classic marches as Meyerbeer's Coronation, a pinnacle of the French opera style, the timeless Wedding March of Mendelssohn, and the brilliant organ piece, Marche Triomphale of Sigfrid Karg-Elert. There are also some interesting oddball selections like the mysterious Things to Come of Bliss (composed for the H.G. Wells film), the jaunty Chabrier marche, and oriental flair of Nielsen's Aladdin.
In reading some of the other criticisms, it is true that the Philip Jones Brass Ensemble perhaps is not the best or most noted ensemble. However, overall, the pieces they play are either Sousa or patriotic-sounding tunes. Their only forays into the true classical realm are the Grand Marches from Tannhauser and Aida, and they are not half bad. So don't let those pieces keep you from buying the CD - 1) because most of the songs they do play are great and 2) they only play in 1/4 of the music....
Classics on Parade.......2003-05-01
If you're looking for a collection of marches from classical music, this would be a fine one to get.
It contains recordings made from 1958 to 1996 by some of the world's great orchestras, plus several numbers by the Philip Jones Brass Ensemble, and four arranged for organ.
The first 35 marches include many of the best-known classical marches, plus three "coronation" marches, written as far back as the end of the seventeenth century (The Prince of Denmark's March) up to 1954 (The Dam Busters). The last five pieces are "popular" marches played by the Jones Ensemble.
The liner notes give a nice history of marches, including where most of the ones in this collection fit into that scenario.
A great collection of marches by classical and popular music "masters".
Too, too much Philip Jones Ensemble.......2003-04-17
A mixed bag of music, 40 FAMOUS MARCHES compiles a good many marches - some not too common.
The CD has it's high points:
1. Chicago Symphony (under Solti!) playing Berlioz's Hungarian March (love that trombone excerpt - BAM!)
2. London Philharmonic playing Prokofiev's "The Love for Three Oranges" March
3. Elgar's Pomp and Circumstance No. 1 (also London Philharmonic)
BUT... There's some real stuff on here, too. I must concur with a prior reviewer: FAR TOO MUCH Philip Jones Brass Ensemble. Case in point - Sousa's Stars and Stripes Forever, as played by PJBE is completely devoid of the energy and fire it needs. The trombone countermelody at the end is just NOT THERE (you'll strain to hear it). There's just no way this is right. PBJE is great in their setting, but this is just not it.
Overall, this CD might be a good compilation for the novice listener, but I would recommend the more experienced (or trombonists, like myself) purchase works by individual symphonies that include the music you desire - a more expensive, yet more expressive alternative.
Average customer rating:
- Classic Scary Music
- Classical and great
- Great collection, but they missed one
- The Perfect Halloween-Themed Classical Album
- Spooky Classical Music That Is Great For Halloween Or Anytime Of The Year!
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Classics from the Crypt
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ASIN: B000003FAI
Release Date: 1992-09-08 |
Tracks:
- Toccata & Fugue In D Minor, BWV 565
- Danse Macabre
- Funeral March Of A Marionette - Arthur Fiedler
- Night On Bald Mountain
- Symphonie Fantastique - March To The Scaffold - Georges Pretre
- Peer Gynt Suite No. 1 - In The Hall Of The Mountain King
- Mephisto Waltz - Fritz Reiner
- The Sorcerer's Apprentice
- Symphonie Fantastique - Dream Of A Witches' Sabbath - Georges Pretre
Customer Reviews:
Classic Scary Music.......2007-01-10
If you're looking for classic haunted castle type scary music, this is a good CD.
Used this in a haunted maze in our basement, and it helped freak the kids out fairly well.
Classical and great.......2006-11-28
A must-have for your Halloween music collection. Different and strong, the music will definitely get you in the Halloween mood. I played it on my stereo while answering the door to trick-or-treaters. It made me feel "oh-so-spooky" and festive.
Great collection, but they missed one.......2006-06-10
An excellent compilation of the darker side of classical music, although I would have preferred a different rendition of Toccata and Fugue in D (New York Philharmonic perhaps), it's still quite good.
But how could the series producer leave off Ravel's Pavane For a Dead Princess? It's preferable to Symphonie Fantastique - March to The Scaffold, plus Berlioz already makes an appearance with Dream of a Witches' Sabbath. If there was room, Verdi's Requiem would have been a nice addition too.
So I have to go with 4 stars only.
The Perfect Halloween-Themed Classical Album.......2005-10-17
What better way to celebrate Halloween than by throwing a party and popping this recording on the stereo. This is classical music with a Halloween theme. Conductors Eugene Ormandy and George Pretre (whom I would have never believed did this kind of stuff) conducts classical music with a dark and Gothic twist. The cover is attrative- a cartoon drawing of the Phantom of the Opera playing on his organ. The first track is Bach's Toccata and Fugue for organ in D minor. It is genuinely considered a Halloween piece, and has been associated with such films as Dracula. The malevolent sound of the Toccata (the opening chords) are especially memorable. Danse Macabre was Saint Saen's ode to Halloween and it is a devilish waltz for violin. Gounod's Funeral March of a Marionette became famous for the theme to Alfred Hitchcock Presents. Night on Bald Mountain by Mussorgsky was used in Disney's Fantasia, in the last segment and is very frightening and brisk. Lisz's Mephisto Waltzes are piano pieces that evoke a wild frenzy but I find nothing dark about it. It is difficult music to play however. The music of Berlioz' Symphonie Fantastique utilizes many horror themes. In the Romantic Era, Gothic lore spread and such figures as Mary Shelley and Bram Stroker would write novels of Gothic horror -Frankenstein and Dracula. In the Symphony Fantastique, a young man falls in love with an elusive woman. He imagines she is unfaithful to him and then has a disturbing dream in which she is a witch in a coven. Then he is marched to a scaffold and beheaded. The music is very compelling and dark. All the music here is great to listen to on Halloween and the conductors and orchestra play them well. A must have.
Spooky Classical Music That Is Great For Halloween Or Anytime Of The Year!.......2005-10-16
I love Classical music, it is one of my favorite styles of music and I also like Halloween and scary movies, etc, I bought this CD because I heard, In The Hall of the Mountain King, Night on Bald Mountain, Dance Macabre and Funeral March of a Marionette and I liked them. Dance Macabre was used in a season 4 episode of Buffy The Vampire Slayer called Hush. Also Funeral March of a Marionette was used as the theme for Alfred Hitchock Presents. All of these pieces are great and I also liked Tocata & Fuge in D minor. This CD with it's spooky sounding classical music is great for playing on Halloween but can really be listened to anytime and not just on Halloween and I highly recommend it!
Average customer rating:
- Well worth the price
- Not Exactly "The Ultimate" Collection...
- Where's the chicks?!?!
- Not quite the ultimate....
- Great Music - Questionable Selection
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The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
- The Best of Gilbert & Sullivan
- Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
- Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
- Topsy-Turvy
- The Complete Annotated Gilbert & Sullivan
ASIN: B000007OU0
Release Date: 1998-06-09 |
Tracks:
- H.M.S. Pinafore: We Shall Sail The Ocean Blue
- H.M.S. Pinafore: I'm Called Little Buttercup
- H.M.S. Pinafore: My Galant Crew, Good Morning
- H.M.S. Pinafore: I'm The Monarch Of The Sea
- H.M.S. Pinafore: When I Was A Lad
- H.M.S. Pinafore: Nevermind The Why And Wherefore
- H.M.S. Pinafore: Kind Captain, I've Important Information
- H.M.S. Pinafore: Carefully On Tip - Toe Stealing
- H.M.S. Pinafore: For He Is An Englishman
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- The Pirates Of Penzance: With Cat Like Tread
- The Sorcerer: My Name Is John Wellinton Wells
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Patience: If You're Anxious To Shine
- The Mikado: If You Want To Know Who We Are
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Behold The Lord High Executioner
- The Mikado: As Someday It May Happen
- The Mikado: Three Little Maids From School Are We
- The Mikado: The Sun Whose Rays Are All Ablaze
- The Mikado: Here's A How - De - Do!
- The Mikado: From Ev'ry Kind Of Man Obedience I Expect
- The Mikado: A More Humane Mikado Never Did In Japan Exist
- The Mikado: The Criminal Cried As He Dropp'd Him Down
- The Mikado: The Flowers That Bloom In The Spring, Tra La
- The Mikado: On A Tree By A River A Little Tom Tit
- The Mikado: There Is Beauty In The Bellow Of The Blast
- The Mikado: For He's Gone And Married Yum-Yum
Customer Reviews:
Well worth the price.......2006-04-13
I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.
Not Exactly "The Ultimate" Collection..........2004-12-23
It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).
In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.
Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.
Where's the chicks?!?!.......2003-05-15
It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.
Not quite the ultimate...........2002-03-25
This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!
Great Music - Questionable Selection.......2002-02-05
It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Average customer rating:
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Baroque Music for Brass and Organ
Manufacturer: Telarc
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ASIN: B00009NH8O
Release Date: 2003-06-24 |
Tracks:
- Rondeay From Abdealazer
- Fantaisie in C Major, BWV 570
- Allegro
- Sicilienne
- Allegro
- Adagio
- Allegro
- Largo
- Allegro
- Rigaudon From Idomenee
- Contrapunctus I From The Art Of Fuge
- Allegro
- Fantasia in D Minor
- Overture And Allegro From King Author
- March From The Married Beau
- Allegro
- Trumpet Voluntary
- The Prince Of Denmark's March
- Prelude From Te Deum in D Major
- Opening Movement From A Mighty Fortess Is Our God, BWV 80
Amazon.com
Take a fine organist, a crack brass ensemble, bathe in wide-ranging, vivid sound, and you've got a recipe for an exciting disc. That's what Telarc has done in this recording of a live concert by the Empire Brass Quintet in effective arrangements of Baroque favorites and rarities. It may seem odd to hear a Handel Violin Sonata or a Telemann Trio Sonata played by a brass-organ combo, but it works thanks to clever arrangements and superb playing. A highlight here is the Largo of the Handel work, where marvelous horn and trombone solos enhance its beauties. And of course, such favorites as Jeremiah Clarke's Trumpet Voluntary and the Prince of Denmark's March join Campra's stately Rigaudon and other stirring processional pieces. The SACD version adds another level of air and bite, but the CD layer of this hybrid disc is demonstration quality too. --Dan Davis
Customer Reviews:
It's the Empire Brass!.......2004-05-14
C'mon, it's the Empire Brass! They rock! What's not to like?
Average customer rating:
- The Greatest Violinist- But JOE VENUTI for JAZZ
- Heifetz Sounding Great.
|
Heifetz: It Ain't Necessarily So
Manufacturer: Deutsche Grammophon
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ASIN: B000HIVQ3A
Release Date: 2006-10-10 |
Tracks:
- From The Canebrake, Op.5 No.1
- Jamaican Rumba
- Beau Soir
- Piece En Forme De Habanera
- Levee Dance Op.27 No.2 (Based On Go Down, Moses)
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- White Christmas
- Summertime
- A Woman Is A Sometime Thing
- My Man's Gone Now
- It Ain't Necessarily So
- Tempo Di Blues (There's A Boat That's Leavin' Soon For New York)
- Bess, You Is My Woman Now
- 1. Allegro Ben Ritmato E Deciso
- 2. Andante Con Moto E Poco Rubato
- 3. Allegro Ben Ritmato E Deciso
Tracks:
- Florida Night Song
- Golliwog's Cakewalk
- Clair De Lune
- Ao Pe Da Fogueira
- Huella Op.49 (Cancion Argentina)
- Prelude In C Sharp Minor, Op.34 No.10
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- Jane Shakes Her Hair
- Betty And Harold Close Their Eyes
- Jim Jives
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Customer Reviews:
The Greatest Violinist- But JOE VENUTI for JAZZ.......2007-07-02
Heifetz is the greatest violinist to make records. His jazz is excellent for a strictly trained classical violinist BUT Listen to any of Joe Venuti's recording of Summertime. It is magnifiently played by this violinist who had a classical technique but could deliver the jazz medium more idiomatically.
Classical violin players were oftened were amazed at Uncle Joe's ability to play off the beat and not what was exactly written. I confess- Joe Venuti was my great uncle but it is not just I who regard him as preeminent in jazz and he had a great technique and beautiful tone into his seventies.
Heifetz is my favorite classical violinist. Venuti is my favorite jazz violinist.
Heifetz Sounding Great........2007-02-13
It Ain't Necessarily So, But It Is. These recording from the mid 1940's sound great. The performances are of course wonderful, it is the sound quaility that will catch your attention, if you remember when they were recorded. Most CDs of recording from this era either have major noise problems or sound compression. This 2 disc set does not suffer from either of these problems. The team from Deutsche Grammophon and Andrew Wedman at Emil Berliner Studios are to be applauded. These are mono recordings but DO NOT let that stop you from enjoying them.
Average customer rating:
- When I was a lad, I heard this sung...
- Just another Pinafore
- The perfect PINAFORE! Rebecca Evans shines!
- Mackerras's new coat of paint
- A joy to listen to!
|
Gilbert & Sullivan: H.M.S. Pinafore / Mackerras, Welsh National Opera
Arthur Sullivan , Sir Charles Mackerras , Richard Suart , Thomas Allen , Michael Schade , Rebecca Evans , Felicity Palmer , and Donald Adams
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003D0D
Release Date: 1994-10-25 |
Tracks:
- Overture
- Introduction And Opening Chorus - (Chorus Of Sailors) We Sail The Ocean Blue - Sir Charles Mackerras
- Recitative And Aria - (Buttercup) I'm Called Little Buttercup
- Recitative - (Buttercup And Boatswain) But Tell Me Who's The Youth
- Madrigal - (Ralph And Chorus Of Sailors) The Nightingale
- Ballad - (Ralph And Chorus Of Sailors) A Maiden Fair To See
- Recitative And Song - (Captain Corcoran And Chorus Of Sailors) My Gallant Crew
- Recitative - (Buttercup And Captain Corcoran) Sir, You Are Sad!
- Ballad - (Josephine) Sorry Her Lot
- Barcarolle - (Chorus Of Sir Joseph's Female Relatives, Of-Stage) Over The Bright Blue Sea
- (Chorus Of Sailors And Sir Joseph's Female Relatives) Sir Joseph's Barge Is Seen
- (Captain Corcoran, Sir Joseph, Cousin Hebe, And Chorus) Now Give Three Cheers
- Song - (Sir Joseph And Chorus) When I Was A Lad
- (Sir Joseph, Cousin Hebe, Chorus Of Female Relatives, And Sailors) For I Hold That On The Seas
- Glee - (Ralph, Boatswain, Carpenter, And Chorus Of Sailors) A British Tar
- Duet - (Josephine And Ralph) Refrain, Audacious Tar
- Can I Survive This Overbearing?
- Entr'acte
- Night - Moonight: Song - (Captain Corcoran) Fair Moon, To Thee I Sing
- Night - Moonight: Duet - (Buttercup And Captain Corcoran) Things Are Seldom What They Seem
- Night - Moonight: Scena - (Josephine) The Hours Creep On Apace
- Night - Moonight: Trio - (Josephine, Captain Corcoran, And Sir Joseph) Never Mind The Why And Wherefore
- Night - Moonight: Duet - (Captain Corcoran And Dick Deadeye) Kind Captain, I've Important Information
- Night - Moonight: (Soli And Chorus) Carefully On Tiptoe Stealing
- Night - Moonight: (Octet And Chorus) Farwell, My Own!
- Night - Moonight: Song - (Buttercup And Chorus) A Many Years Ago
- Night - Moonight: Finale - O Joy, Oh Rapture Unforseen!
Amazon.com
Pinafore is a hit that never fails in production, and that gets performed everywhere, from elementary schools with piano accompaniment to full-scale extravaganzas in major opera houses and theaters. In fact I would go so far as to say that rarely in the history of music has there been a happier marriage of words and music than Gilbert and Sullivan, and this piece is one of their best. --David Hurwitz
Customer Reviews:
When I was a lad, I heard this sung..........2005-09-27
The Gilbert & Sullivan 'H.M.S. Pinafore' has long been one of my favourite musical productions. Fun, witty, with just the right amount of complication and resolution, this turns on the Captain (and a right good captain, too) and his crew as they await the inspection by the Ruler of the Queen's Navy, the (deliberately overblown) Rt. Hon. Sir Josephn Porter, K.C.B., First Lord of the Admiralty, who among his various quirks is that he's never been to sea, and really despises those who use four-letter words (even the now-innocuous 'damn!'). The Captain (and right good captain, too) never uses such terms - what, never? - no, never, well, hardly ever... Of course, he does end up uttering the Big Big D and the most inauspicious of occasions.
And this is the Queen's Navy?
Yes, in G&S fasion. The songs are about love, finding one's place and hope in life, and about duty (according to Leo McGarry on the 'West Wing', all of Gilbert & Sullivan works are about duty). Duty, station, and the preservation of order (a right good order, too, in Victorian sensibilities) win out over all, which brings about the added benefit of love.
Pinafore has remained a mainstay of American musical theatre since it opened - indeed, since even before it opened, as when Gilbert & Sullivan arrived in New York to bring their production, there were already half a dozen other productions taking place in various states of rewrite and disrepair. This performance, under the direction of Sir Charles Mackerras, is true to the original.
Mackerras and the Welsh National Opera orchestra and chorus are a smashing setting for the performance. The vocal talents of Richard Stuart as the pompous Porter, Thomas Allen as the right good Captain Corcoran, Rebecca Evans as Josephine, and Felicity Palmer as Buttercup are truly wonderful. Michael Schade, donald Adams, Richard Van Allen, and Valerie Seymour round out a wonderful cast. The cast has both musical talent and comedic timing and delivery that makes this performance a true success.
There is vibrance and life to the music continuously; it has energy that soars when needed and recedes graceful for the quieter parts. The recording quality is very good, only occasionally dropping out for the quiet parts a bit further than my stereo prefers. I have three different performances of Pinafore on disc; this is the one I tend to reach for most often.
Just another Pinafore.......2003-02-25
Although I don't disagree with the other reviewers I've read on specific points, this Pinafore just doesn't do much for me. Musically, it's very strong, but this recording just doesn't excite me like other Pinafores (NDOC) or other Mackerras G&S (Mikado) do. Donald Adams is, of course, a competent Deadeye, but he doesn't stand out as much as I'd expect of him. The only truly superior performance on this CD is Thomas Allen's Captain Corcoron.
This recording does have two things going for it: they got it onto one disc, and it's usually priced lower than most other recordings. If you're looking for a Pinafore recording, this is a fine one. But if you think you want to add some more variety to your Pinafore collection (this was my sixth Pinafore), I'd recommend the Sadler Wells version over this one.
The perfect PINAFORE! Rebecca Evans shines!.......2001-07-10
Musically, you could not ask for a better PINAFORE.
The cast is superb! Donald Adams is a topnotch, menacing Dick Deadeye. Felicity Palmer has a full, round, dark sound and tackles Little Buttercup with what seems to be ease, and sings every note, showing off the expansive range required for the role. Richard Van Allan (whose voice I usually find to be quite heavy) as the Boatswain's mate, sings fully, and does a great rendition of "For He is an Englishman." Richard Stuart as the Rt. Hon. Sir Joseph Porter, K.C.B., the "ruler of the Queen's Navee," is deadpan and understated in his comic delivery. Thomas Allen delivers Captain Corcoran's entrance number ("I am the Captain of the Pinafore") in good voice, and with sly timing. He performs equally well for the rest of the album, also being of very good voice in his "Fair Moon" song. Michael Schade has a very dark, beautiful sound for a tenor, and is quite delightful on "A Maiden Fair to See," and sings his "Nightingale" madrigal quite handsomely. And John King and Phillip Lloyd Evans (both as the Carpenter's mate) and Valerie Seymour (as Cousin Hebe) are all as vocally strong as the remainder of the cast, and deliver stellar performances.
But the true star of this album (at least for me) is Rebecca Evans as Josephine. She sings "Sorry Her Lot" quietly, plaintively, and has excellent control at the end with the notes building to the beautiful close. She is also very dramatic with her sound, as is quite apparent on my FAVORITE track on this album: her dramatic, operatic scena "The Hours Creep on Apace." She approaches each note with such force, an example is her singing on the phrase "my GUIL-ty heart is quaking." Most sopranos who essay this role (even the D'Oyly Carte Grande Dame Valerie Masterson), back off and/or falter out on "guilty," but Evans plows right into it, and sings it beautifully with full force. She builds and builds to a dramatic climax in this song, and it pays off. Her rendition is nothing less than awesome. Evans singing with Schade in the "I/He humble, poor, and lowly born" section of the Act Two Finaletto, builds and builds up to "he is an Englishman--behold me/him!", where it finally releases, and allows Van Allan to let loose the "He is an Englishman" theme. It is one of the album's most breath-taking moments.
Mackerras leads the orchestra through all of the songs quite well, with everything at a nice, brisk tempo when it needs to be, but never too fast. And the Overture seems to be more perfect here than anywhere else on disc (the drum-roll and the percussion beat alone at the top of it are enough of an example of that). The exciting highlights of the disc for me are the Act One finale (track 17) and just about everything in Act Two, but especially the Finaletto of "Carefully on tip-toe stealing/He is an Englishman" and Josephine's scena. In fact, Act Two is a non-stop run of musical "hits" in a row: "Things are seldom what they seem," "The hours creep on apace," "Never mind the why and wherefore" (in a high energy reading here that leaves me breathless every time); ""Kind Captain, I've important information" (sung menacingly and with gusto by Adams and Allen); and then through to the finale. And the musical counterpoints and harmony on "O joy, o rapture unforseen!" can be clearly heard on this album, and it is indeed a joy!
This album is *NOT* to be avoided--BUY! BUY! BUY!
Mackerras's new coat of paint.......2001-01-27
This third entry in the Mackerras/Telarc series enables the feeling of a new coat of paint on the hull of the indelible and delectable H.M.S. Pinafore. Indeed, Mackerras gives the piece an added sheen and an added sparkle that seems to be lacking in other recordings, even D'Oyly Carte's latest TER recording. Of the first-rate star-studded cast, Richard Suart makes a delightful, dry-timbred Ruler of the Queen's Navee, He has a remarkable facility for relishing the role, and it might be safe to say that he manages to give John Reed a run for his money. Equally fine is Thomas Allen's polished Captain. His singing really has a sense of conviction to do everyone, even his crew, proud. In the romantic rolse, Michal Schade's heady-tones portrayal of Ralph Rackstraw shows his determination to win the hand of Josephine, who is nicely, romantically and sweetly characterised by Rebeca Evans. Oh. I almost forgot to mention how delightful Felicity Palmer's Little Buttercup sounds. There is certainly something rosy about her portrayal to make her sound fruity and good. In the minor cast, I should talk about Donald Adams' villainous Deadeye. Thirty-four years after contributing positively to Decca's Godfrey D'Oyly Carte set, he still has never lost touch. What, never? Well - hardly ever! And he manages to still underpin the villainy in the character so vividly, even without dialogue this time around. And Richard van Allan makes a superb Boatswain, in a role that is specially suited to him. The choral contributions are first-rate, the orchestral playing delectable, and Mackerras conducts the music with more style and wit than Godfrey, with perfectly-judged tempi. The crystal-clear and atmospheric Telarc recording caps off a delightful rendering of the opera and makes this recording, or rather ALL the Telarc Mackerras G&S recordings, set to eclipse all others, even D'Oyly Carte's.
A joy to listen to!.......2000-09-12
This sparkling rendition of HMS Pinafore really is a joy to listen to. Mackerras and the Welsh National Opera bring a freshness to the piece that is lacking in other more stylised recordings. Lyrics and music are well balanced and the orchestra and performers bring some musical clout to one or two of the more serious numbers, but without losing the overall sense of fun and lightheartedness of the rest of the piece. The rendition of the lyrics and music is so fresh that it is hard to believe that this was written over a century ago - you sense you can hear the beginnings of the modern musical. Mackerras is also particularly good at judging the tempo of each number. Among the main soloists there is not a weak link, with some beautiful singing and great characterisation. One final point: there is no dialogue - this is probably a plus as I find that G&S (and other) show dialogues rarely sound good in recordings. I would recommend this as an excellent introduction to G&S.
Average customer rating:
- Sweet Lilting Flute Music to Unwind With
|
The Most Relaxing Flute Album in the World...Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000AXWGYU
Release Date: 2005-10-04 |
Tracks:
- Flute Concerto No. 1 in G, K.313 - II Adagio - Wolfgang Amadeus Mozart
- Concerto in G, Op. 10 No. 4 - II Largo - Antonio Vivaldi
- Gymnope No. 1 - Erik Satie
- Sonata in C (after Hob.III.72) - Andantino - Franz Joseph Haydn
- Sicilienne, Op. 78 - Gabriel Faur
- Flute Quartet No. 2 in G, K. 285a - I Andante - Wolfgang Amadeus Mozart
- Concerto in F, Op. 10 No. 5 - II Largo e cantabile - Antonio Vivaldi
- Romance - Arthur Honegger
- Orchestral Suite No. 2 in B Minor, BWV 1067 - III Sarabande - Johann Sebastian Bach
- Beau Soir - Claude Debussy
- Sonata for Two Flutes in B Minor, Op. 2 No. 4 - I Largo - Georg Philipp Telemann
- Sonata for Two Flutes in B Minor, Op. 2 No. 4 - II Grazioso - Georg Philipp Telemann
- Flute Concerto No. 2 in D, K.314 - II Andante ma non troppo - Wolfgang Amadeus Mozart
- Sonata for Flute & Continuo in E Minor, BWV 1034 - III Andante - Johann Sebastian Bach
- Gymnope No. 2 - Erik Satie
Tracks:
- Concerto in D, Op. 10 No. 3 Il Cardellino - II Cantabile - Antonio Vivaldi
- Concerto for Flute & Orchestra in D - II Adagio - attr. Franz Joseph Haydn
- Flute Quartet No. 3 in C, K. 285b - II Andantino con variazioni: Variation 5 - Wolfgang Amadeus Mozart
- Concerto in G for Flute & Strings - II Adagio - Georg Philipp Telemann
- Arabesque No. 1 in E - Claude Debussy
- Concerto Secondo in D (Paris Quartets) - II Affettuoso - Georg Philipp Telemann
- Berceuse (from Dolly Suite) - Gabriel Faur
- Mtation (from Tha) - Jules Massenet
- Concerto in D, RV 429 - II Largo - Antonio Vivaldi
- En bateau (from Petite Suite) - Claude Debussy
- Andante in C, K.315 - Wolfgang Amadeus Mozart
- Partita in A Minor for Solo Flute, BWV 1013 - III Sarabande - Johann Sebastian Bach
- Morceau de concours - Gabriel Faur
- Concerto for Flute & Harp in C, K.299 - II Andantino - Wolfgang Amadeus Mozart
- Aria - Jacques Ibert
- Paris Quartet No. 4 in B Minor - V Triste - Georg Philipp Telemann
- Syrinx for Solo Flute - Claude Debussy
Customer Reviews:
Sweet Lilting Flute Music to Unwind With.......2006-01-10
Crisp and clean and seductively laid back is this nice collection of 31 pieces from the composer likes of Haydn, Mozart, Bach, Debussy, Telemann, et al, performed by the greatest flutists in the world such as Bennett, Galway, and Rampal.
Especially enjoying the Concerto in G by Vivaldi with harpsichord.
Average customer rating:
|
Make A Joyful Noise
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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| Handel, George Frideric
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
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All Works by Poulenc
| Poulenc, Francis
| ( P )
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| Classical
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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All Works by Schubert
| Schubert, Franz
| ( S )
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All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Compose |