| 1. Signora Di Trent'anni Fa |
| 2. Lucciole Vagabonde |
| 3. Chiudi Gli Occhi, Rosita |
| 4. Canta Pierrot |
| 5. Fili d'Oro |
| 6. Sognora Fortuna |
| 7. Abat-Jour |
| 8. Amor Di Pastorello |
| 9. Assente |
| 10. Tango Delle Capinere |
| 11. Sognora Illusione |
| 12. Valzer Di Nanu' |
| 13. Portam Tante Rose |
| 14. Miniera |
| 15. Campane |
| 16. Come Pioveva |
| 17. Terra Lontana |
| 18. Buona Notte, Papa |
Great Voices of Italian Song,Achille Togliani,Replay [Butterfly],Int'l & World Music,Italian,Italy,Pop,World Music
Average customer rating: |
Great Voices of the Twentieth Century: Jussi Björling
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009HL12U Release Date: 2005-07-04 |
Tracks:
- Pearl Fishers Duet (With Robert Merrill-Baritone)
- Recitar Vesti La Giubba
- La Fleur Que Tu M'avis Jetee (The Flower Song)
- Sylvia
- Angels Guard Thee (Berceuse)
- La Donna E Mobile
- O Soave Fanciulla
- M'appari Tutt Amor
- Cielo E Mar
- Se Quel Guerrier Lo Fossi Celete Aida
- I Bless Ev'ry Hour
- Ah Love But A Day
- Spirit Flower
- Because
- Cujus Animam
- Che Gelida Manina
- Mi Batte Le Cor-O Paradiso
- Instant Charman-En Fermant Les Yeux
- E Lucevan Le Stelle
- Salut Demeure Chste Et Pure
Album Description
Swedish tenor with a smooth, refined style, ringing high notes of great power, and impeccable musicianship. Includes the all-time favourite duet with Robert Merrill "The Pearl Fishers". Castle. 2005.Album Details
Swedish Tenor with a Smooth, Refined Style, Ringing High Notes of Great Power, and Impeccable Musicianship. Includes the All-time Favourite Duet with Robert Merrill "The Pearl Fishers".
Average customer rating: |
The Very Best of Barbara Hendricks
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006VYEM8 Release Date: 2005-04-26 |
Tracks:
- Un Bel Di Vedremo
- O Mio Babbino Caro
- Ebben? Ne Andro Lontana
- Ecco: Respiro Appena. Io Son L'Umile Ancella
- C'est Des Contrebandiers...Je Dis Que Rien Ne M'Epouvante
- Pie Jesu
- Et Incarnatus Est
- Ave Maria
- Sanctus
- Panis Angelicus
- Ave Maria
- Inflammatus Et Accensus
- Kaddish 2
- Sometimes I Feel Like A Motherless Child
- Deep River
- Joshua Fit De Battle Ob Jericho
- Swing Low, Sweet Chariot
Tracks:
- Dans Un Bois Solitaire
- Die Forelle
- Gretchen Am Spinnrade
- An Sylvia
- Standchen
- Lachen Und Weinen
- Heidenroslein
- Standchen
- Wiegenlied
- Morgen
- Zueignung
- Jeg Elsker Dig
- Gruss
- Apres Un Reve
- Clair De Lune
- I. C'est L'Extase Langoureuse
- II. Il Pleure Dans Mon Coeur
- L'Invitation Au Voyage
- Les Filles De Cadix
- Reverie
- Le Rossignol Des Lilas
- Si Mis Vers Avaient Des Ailes
- Plaisir D'Amour
- Vocalise En Forme De Habanera
- Aria
- Vilja-Lied
Album Description
Details TBA. EMI. 2005.
Average customer rating:
|
Yvonne Kenny - Great Operatic Arias / Philharmonia Orchestra · David Parry [in English]
George Frideric Handel , Henry Purcell , Wolfgang Amadeus Mozart , Gioachino Rossini , Philharmonia Orchestra , Yvonne Kenny , and David Parry Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TZS9 Release Date: 2000-08-22 |
Tracks:
- Gianni Schicchi: Lauretta's Solo - 'Oh, My Beloved Father'
- Idomeneo: Act III - Illia's Aria - 'Gentle Zephyrs, Soft Caressing'
- The Indian Queen: Act I - Aerial Spirit's Solo - 'I Attempt From Love's Sickness'
- Rinaldo: Act II - Almirena's Aria - 'Hear Thou My Weeping'
- Linda From Chamonix: Act I - Linda And Carlo's Love Duet - 'Linda! Linda!'
- The Pearl Fishers: Act II - Leila's Recitative And Aria - 'I'm All Alone Here In The Night' - 'As Once Before, With Night To Hide Him'
- Thanks Be To You, O Gracious Patrons!, KV 383: Thanks Be To You, O Gracious Patrons!, KV 383 - Concert Aria For Soprano And Orchestra
- King Arthur: Act V - Venus' Song - 'Fairest Isle'
- Joshua: Achsah's Air - 'Oh! Had I Jubal's Lyre'
- Semiramide: Act II - Semiramis And Arsaces' Duet - 'Dark Day Of Dread!
- LaWally: Act I: Wally's Aria - 'I'll Float Into The Distance'
- William Tell: Act II - Mathilde's Romance - 'Dark, Sombre Wood'
- The Pearl Fishers: Act II - Leila And Nadir's Love Duet - 'Leila! Leila!' 'Lord Brahma! He Is Here!' - 'Your Heart Was Never Tuned To Mine'
- The Rake's Progress: Act III - Anne's Lullaby - 'Gently, Little Boat'
- The Mikado: Act II - Yum Yum's Song - 'The Sun, Whose Rays'
- The Bird Seller: 'When You're Sent Roses In This Land'
- Kiss Me, Kate,: Act I - Lilli Vanessi's Song: So In Love - 'Strange, Dear, But True, Dear'
- The Immortal Hour: Act II - Midir's 'Faery Song' - 'How Beautiful They Are'
Customer Reviews:
Excellent collection of beautifully sung arias and songs.......2000-12-05
At this point in her career, Kenny's voice is not flashy; there are no coloratura fireworks or even high C's. What there is however, is someone who sings with clarity, charm, and ultimately with beauty. Kenny, like a great actor with the words, lets the music do the "talking" and proves an elegant and impassioned conduit for the composer whose work she is interpreting.
Hers is a mature voice, an intelligent voice perfect for Mozart and Strauss, the former of whom is represented here. On the disk she excels in the arias by Mozart, Purcell, and Handel. She also dispaches with class the songs of Gilbert/Sullivan and Cole Porter (in truly disarming fashion in the latter case). There is a elegance to her singing that is rare, but she does not sacrifice passion or committment. She comes across as a consumate musician above all.
On the technical side of things: Her diction is pristine. Enough said. She has one of the most beautiful middle registers of any soprano active today, and her vibrato is fresh and lively without being obtrusive. To be picky, the upper register can sound the tiniest bit forced. Yet taken into consideration with the rest of her efforts, this is a minor quibble which seems silly when I think of Kenny's deft negotiating of Handel's ornamentation or her solid trill throughout the disk.
Outstanding contributions also come from tenor Barry Banks in duets from "The Pear Fishers" and "Linda di Chamonix" (where he really shines) and mezzo Della Jones in a duet from "Semiramide".
This is one of the most satisfying recital disks I have ever heard, and I recommend it for anyone who is a fan of a simply beautiful voice.
A treasurable record of a truly great musician.......2000-08-26
Kenny's voice has changed over the years both for better and worse. There is some scratchiness at the top nowadays (the aria from La Wally suffers seriously here and could perhaps with profit have been omitted) but her gorgeous timbre in the middle range remains seductive and fascinating, with its deliciously rounded production and seductive, resinous edge. She can still float a sensuous pianissimo. Above all, for a recording of arias in English. her diction is exemplary, and her understanding and use of text a model for others to follow.
The selection of works here is certainly eclectic and contains a number of relative rarities. Leila's and Mathilde's arias are beautiful pieces, beautifully sung; there is some lovely Handel and - especially - Purcell ("Fairest Isle" is all the more powerful for its simplicity) and the operetta and musical numbers are delivered with charm. She is probably too mature now for Ann Trulove, though "Gently, little boat" is touching. As a reminder of her past achievements in Bel Canto, she sings a duet from Semiramide and one from Linda di Chamonix ably partnered by Della Jones and Barry Banks respectively. Banks returns as Nadir to her Leila in a passionate account of an Act 2 scene from Pearl Fishers. The highlight of the set? Perhaps for me it is "So in Love" from Kiss me Kate, a performance that captures the bitterness and tragedy of this great piece perfectly.
David Parry, seriously underrated here in the UK, conducts stylishly and sympathetically. A serious blot on the recording is the horrible cover, though the English texts are all in the booklet along with some photos of Kenny's great performances. Her retirement from the opera circuit may be in sight before too many years, but at least this disc captures many of her best qualities for posterity.
Average customer rating: |
Great Voices of the Twentieth Century: Enrico Caruso
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD ASIN: B0009I9XOW Release Date: 2005-07-04 |
Tracks:
- La Donna E Mobile
- O Sole Mio
- Santa Lucia
- Ii Fior Che Avevi A Me Tu Dato (The Flower Song)
- Mamma Mamma Quel Vino E Generoso
- Recondita Armonia
- Agnus Dei
- Your Eyes Have Told Me What I Did Not Know
- Se Quel Guerrier Lo Fossi
- M'appari Tutt' Amour
- Recitar' Metre Preso Dal Delirio
- For You Alone
- Dream
- Trusting Eyes
- Parce Que (Because)
- L'addio A Napoli
- Musica Proibita
- La Mia Canzone
- Vaghissima Sembianza
- La Procession
Album Description
His admirers, past and present, claim Caruso was not just the greatest opera singer of his time but the greatest singer of all time. His powerful, pure and emotive voice made him the world's first recording star with the industry's first million-seller. Castle. 2005.Album Details
His Admirers, Past and Present, Claim Caruso was Not Just the Greatest Opera Singer of his Time but the Greatest Singer of all Time. His Powerful, Pure and Emotive Voice Made Him the World's First Recording Star with the Industry's First Million-seller.
Average customer rating:
|
Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas Manufacturer: Teldec ProductGroup: Music Binding: Audio CD ASIN: B00001IV8B Release Date: 1999-09-14 |
Tracks:
- Wie schon leuchtet der Morgenstern
- Du Wahrer Gottes und Marien Sohn
- Erfuellet, ihr himmlischen goettlichen Flammen
- Ein irdscher Glanz, wein leiblich Licht
- Unser Mund und Ton der Saiten
- Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Tracks:
- Ich elender Mensch, wer wird mich erloesen
- O Schmerz, o Elend, so mich trifft
- Solls ja so sein
- Ach lege das Sodom der suendlichen Glieder
- Hier aber tut des Heilands Hand
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber
Tracks:
- (Caro) Was Gott tut, das ist wohlgetan
- (Alto, Tenore) Was Gott tut, das ist wohlgetan
- (Soprano) Was Gott tut, das ist wohlgetan
- (Basso) Was Gott tut, das ist wohlgetan
- (Alto) Was Gott tut, das ist wohlgetan
- Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sinfonia
- Nach dir, Herr, verlanget mich
- Doch bin und bleibe ich vergnuegt
- Leite mich in deiner Wahrheit
- Zedern muessen von den Winden
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
- Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Tracks:
- Die Zeit, die Tag und Jahre macht
- Auf, Sterbliche, lasset ein Jauchzen ertoenen
- So bald, als dir die Sternen hold
- Es streiten, es siegen die kuenftigen Zeiten
- Bedenke nur, begluecktes Land
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens
Tracks:
- Kyrie eleison
- Christe eleison
- Kyrie eleison
- Gloria in excelsis Deo
- Laudamus te
- Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
- Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
- Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner
Tracks:
- Singet dem Herrn ein neres Lied
- Der Geist hilft unser Schwachheit auf
- Komm, Jesu, komm
- Jesu, meine Freude
- Fuerchte dich nicht, ich bin bei dir
- Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall
Tracks:
- Fantasia et Fuga in g BWV 542
- Fuga in g BWV 578
- Canzona in d BWV 588
- Praeludium et Fuga in h BWV 544
- Praeludium et Fuga in a BWV 543
- Fant in c, BWV 562 - Ton Koopman
- Prld Et Fuga in C, BWV 531 - Ton Koopman
- Fant in G, BWV 572 - Ton Koopman
- Fant in C, BWV 570 - Ton Koopman
- Passacaglia in c, BWV 582 - Ton Koopman
Tracks:
- Inventio 1 BWV 772
- Inventio 2 BWV 773
- Inventio 3 BWV 774
- Inventio 4 BWV 775
- Inventio 5 BWV 776
- Inventio 6 in E, BWV 777 - Zuzana Ruzickova
- Inventio 7 in e, BWV 778 - Zuzana Ruzickova
- Inventio 8 in F, BWV 779 - Zuzana Ruzickova
- Inventio 9 in f, BWV 780 - Zuzana Ruzickova
- Inventio 10 in G, BWV 781 - Zuzana Ruzickova
- Inventio 11 in g, BWV 782 - Zuzana Ruzickova
- Inventio 12 in A, BWV 783 - Zuzana Ruzickova
- Inventio 13 in a, BWV 784 - Zuzana Ruzickova
- Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
- Inventio 15 in b, BWV 786 - Zuzana Ruzickova
- Sinf 1 in C, BWV 787 - Zuzana Ruzickova
- Sinf 2 in c, BWV 788 - Zuzana Ruzickova
- Sinf 3 in D, BWV 789 - Zuzana Ruzickova
- Sinf 4 in d, BWV 790 - Zuzana Ruzickova
- Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
- Sinf 6 in E, BWV 792 - Zuzana Ruzickova
- Sinf 7 in e, BWV 793 - Zuzana Ruzickova
- Sinf 8 in F, BWV 794 - Zuzana Ruzickova
- Sinf 9 in f, BWV 795 - Zuzana Ruzickova
- Sinf 10 in G, BWV 796 - Zuzana Ruzickova
- Sinf 11 in g, BWV 797 - Zuzana Ruzickova
- Sinf 12 in A, BWV 798 - Zuzana Ruzickova
- Sinf 13 in a, BWV 799 - Zuzana Ruzickova
- Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
- Sinf 15 in b, BWV 801 - Zuzana Ruzickova
Tracks:
- Prelude and Fugue in A minor: Praeludium
- Prelude and Fugue in A minor: Fuga
- Prelude and Fughetta in E minor: Praeludium
- Prelude and Fughetta in E minor: Fuga
- Prelude in G major BWV 902a
- Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
- Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
- Prld in E, BWV 937 - Zuzana Ruzickova
- Prld in C, BWV 939 - Zuzana Ruzickova
- Prld in d, BWV 940 - Zuzana Ruzickova
- Applicatio in C, BWV 994 - Zuzana Ruzickova
Tracks:
- Suite in G minor BWV 995: Prelude
- Suite in G minor BWV 995: Allemande
- Suite in G minor BWV 995: Courante
- Suite in G minor BWV 995: Sarabande
- Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
- Ste in g, BWV 995: Gigue - Luca Pianca
- Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
- Ste in e, BWV 996: Allemande - Michele Barchi
- Ste in e, BWV 996: Courante - Michele Barchi
- Ste in e, BWV 996: Sarabande - Michele Barchi
- Ste in e, BWV 996: Bourree - Michele Barchi
- Ste in e, BWV 996: Gigue - Michele Barchi
- Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca
Tracks:
- Concerto for two violins BWV 1043: Vivace
- Concerto for two violins BWV 1043: Largo, ma non tanto
- Concerto for two violins BWV 1043: Allegro
- Concerto BWV 1042: Allegro
- Concerto BWV 1042: Adagio
- Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
- Con in a, BWV 1041: Allegro - Alice Harnoncourt
- Con in a, BWV 1041: Andante - Alice Harnoncourt
- Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
- Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
- Con in g, BWV 1056R: Largo - Alice Harnoncourt
- Con in g, BWV 1056R: Presto - Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Amazon.com
The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).
Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.
The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).
Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.
The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May
Album Description
Volume 1, 15 DiscsSacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt
Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt
Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt
Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt
Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others
Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others
Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet
Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman
Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova
Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others
Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others
Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt
Customer Reviews:
Bach is priceless.......2006-11-10
Buy the works you like...........2006-01-11
Poor Bach.......2005-11-26
I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.
The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)
Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?
If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.
A Treasure Trove.......2004-03-07
147 out of 153 ain't bad!.......2001-04-29
If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.
In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!
I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].
The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.
We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.
It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.
If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.
Average customer rating: |
The Wonderful World of Classical Music (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B00005YKWJ Release Date: 2000-07-10 |
Average customer rating: |
Great Voices of the 50's
Manufacturer: Decca ProductGroup: Music Binding: Audio CD ASIN: B0000042GT Release Date: 1997-09-16 |
Tracks:
- Wesendonk-Lieder: Der Engel - Wolfgang Amadeus Mozart (1756-1791)
- Wesendonk-Lieder: Stehe still - Wolfgang Amadeus Mozart (1756-1791)
- Wesendonk-Lieder: Im Treibhaus - Wolfgang Amadeus Mozart (1756-1791)
- Wesendonk-Lieder: Schmerzen - Wolfgang Amadeus Mozart (1756-1791)
- Wesendonk-Lieder: Traume - Wolfgang Amadeus Mozart (1756-1791)
- 3 Ruckert-Lieder: Ich bin der Welt abhanden gekommen - Wolfgang Amadeus Mozart (1756-1791)
- 3 Ruckert-Lieder: Ich atmet' einen linden Duft - Wolfgang Amadeus Mozart (1756-1791)
- 3 Ruckert-Lieder: Um Mitternacht - Wolfgang Amadeus Mozart (1756-1791)
- Lieder: Einerlei, Op. 69 No. 3 'Arnim' - Wolfgang Amadeus Mozart (1756-1791)
- Lieder: Ich wollt' ein StrauBlein binden, Op. 68 No. 2 'Brentano' - Wolfgang Amadeus Mozart (1756-1791)
- Lieder: Schlechtes Wetter, Op. 69 No. 5 'Heine' - Wolfgang Amadeus Mozart (1756-1791)
- Lieder: Befreit, Op. 39 No. 4 'Dehmel' - Wolfgang Amadeus Mozart (1756-1791)
- Four Last Songs: Beim Schlafengehen 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
- Four Last Songs: September 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
- Four Last Songs: Fruhling 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
- Four Last Songs: Im Abendrot 'Eichendorff' - Wolfgang Amadeus Mozart (1756-1791)
Tracks:
- Sheherazade: Asie
- Sheherazade: La Flute enchantee
- Sheherazade: L'Indifferent
- Trois Poemes de Stephane Mallarme: Soupir
- Trois Poemes de Stephane Mallarme: Placet futile
- Trois Poemes de Stephane Mallarme: Surgi de la croupe et du bond
- Poeme de l'amour et de la mer: La Fleur des eaux
- Poeme de l'amour et de la mer: Interlude
- Poeme de l'amour et de la mer: La Mort de l'amour
- La Damoiselle elue
Tracks:
- I Puritani: Son vergin vezzosa
- I Puritani: Qui la voce ... Vien, diletto
- La Sonnambula: Come per me sereno ... Sovra il sen
- La Sonnambula: Ah! no cread mirarti ... Ah! non giunge
- Il bacio
- Theme & Variations
- Villanelle
- Le Rossignol
- Les Contes d'Hoffmann: Wohlan, nur Mut und Vertrauen
- Les Contes d'Hoffmann: Die Legende von Klien Zaches
- Fidelio: Gott! Welch' Dunkel heir
- Il re pastore: L' amero, saro costante
- Exsultate, jubilate, K 165
Tracks:
- Pique Dame: Ich muss am Fenster lehnen
- Pique Dame: Es geht auf Mitternacht
- Un Ballo in Maschera: Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Morro, ma prima in grazia
- Zigeunerliebe: Lied und csardas
- Die lustige Witwe: Vilja Lied
- Die Dubarry: Ich schenk' mein Herz
- Der Zarewitsch: Einer wird kommmen
- Le nozze di Figaro: Non piu andrai
- Die Walkure: Leb' wohl, du kuhnes, herrliches Kind! (Wotan's Farewell And Magic Fire Music)
- Oberon: Ocean! Du Ungeheuer!
- Salome: Ah! Du wolltest mich nicht deinen Mund kussen lassen
Tracks:
- Samson et Dalila: S'apre per te il mio cor
- Eugene Onegin: Tatyana's Letter Scene
- Cavalleria Rusticana: Voi lo sapete
- Le nozze di Figaro: Voi che sapete
- Andrea Chenier: Nemico della patria
- Mefistofele: L'altra notte in fondo al mare
- La Gioconda: E' un anatema
- Il Barbiere di Siviglia: Largo al factotum
- La forza del destino: Morir! Tremenda cosa! ... Urna fatale del mio destino
- Le nozze di Figaro: Dove sono i bei momenti
- La Wally: Ne mai dunque avro pace
- Lodoletta: Flammen, perdonami
- Cecilia: Per amor di Gesu
Average customer rating: |
Aria: The Finest Sacred & Secular Arias from 1600 to 1800
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00066K14S Release Date: 2005-02-08 |
Average customer rating: |
Great Voices of the Early Years (Box Set)
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD ASIN: B00000DI2N Release Date: 1998-11-10 |
Tracks:
- Rigoletto: 'Pari siamo!
- Rigoletto: 'Cortigiani, vil razza dannata'
- Otello: 'Niun mi tema'
- Pagliacci: 'Recitar!...Vesti la giubba'
- Cavalleria Rusticana: Siziliana 'O Lola ch'hai di latti la cammisa'
- Mattinata
- Otello: 'Tu?! Indietro! fuggi!'
- La Boheme: 'Quando men vo soletta per la vie'
- Rigoletto: 'Caro nome'
- La Fille Du Regiment: Tirolienne: 'Qu'est-ce que c'est que j'entends?'
- Rigoletto: 'La donna e mobile'
- TOSCA: 'Recondita armonia'
- La forza del destino: 'Oh, tu che in seno agli angeli'
- Aida: 'I sacri nomi di padre'
- TOSCA: 'E lucevan le stelle'
- L'Elisir d'Amore: 'Una furtiva lagrima'
- Il Barbiere di Siviglia: 'Una voce poco fa'
- Il Barbiere di Siviglia: 'La calunnia e un venticello'
- TOSCA: 'Vissi d'arte'
- Madame Butterfly: 'Un bel di vedremo'
- Turandot: 'Nessun dorma'
Tracks:
- Parsifal: 'Ich sah das Kind an seiner Mutter Brust
- Lohengrin: In fernem Land
- Die Meistersinger von Nurnberg: Morgenlich leutchtend im rosigen Schein
- Parsifal: Des Weihgefasses gottlicher Gehalt
- Das Rheingold: Weiche, Wotan, weiche!
- Rienzi's Prayer: Allmacht'ger Vater, blick herab
- Die Meistersinger von Nurnberg: Was duftet doch der Flieder
- Die Meistersinger von Nurnberg: Wahn, Wahn, uberall Wahn
- Der fliegende Hollander: The Dutchman's monologue
- Die Walkure: Ein Schwert verhiess mir der Vater
Tracks:
- Undine: Nun ist's vollbracht!
- The Merry Wives of Windsor
- The Magic Flute
- The Magic Flute: Ein Madchen oder Weibchen
- The Magic Flute: In diesen heil'gen Hallen
- The Magic Flute: O Isis und Osiris
- The Abduction From The Seraglio: Konstanze, dich wiederzusehen
- Gasparone: O wenn ich doch ein Rauber war
- Maria, mari: Schon strahlt die Nacht im Silberschein
- Martha: Letzte Rose
- Martha: Ach so fromm
- Liebe bei Hof: Man nehme zwei Herzen
- Chianti Song: Chianti-Lied
- Eine Nacht In Venedig: The Gondolier's Song
- The Land Of Smiles: Dein ist mein ganzes Herz
- Der Rosenkavalier: Hab' mir's gelobt - Ist ein Traum, kann nicht wirklich sein
- Der Freischutz: Einst traumte meiner sel'gen Base ... Trube
- Die Lustigen Weiber von Windsor: Als Bublein Klein an der Mutterbrust
- Ariadne auf Naxos: An Ihre Platze, meine Damen und Herrn!
Tracks:
- Feldeinsamkeit Op. 86 no. 2
- Epiphanias
- Fruhlingsfahrt Op. 45 - No. 2
- Auftrage Op. 77 No. 5
- Adelaide Op. 46
- An die Hoffnung Op. 32
- An Schwager Kronos D 369
- Erlkonig D 328
- Auf Flugeln des Gesanges Op. 34 No. 2
- Eifersucht und Stolz from Die schone Mullerin D 795
- Die drei Zigeuner, Searle 320
- Meeresleuchten Op. 145 No. 1
- Verborgenheit
- Wiegenlied Op. 49 No. 4
- Traum durch die Dammerung Op. 29 No. 1
- Allerseelen Op. 10 No. 8
- An die Musik D 547
- Der Musensohn D 764
- Am Grabe Anselmos D 504
- Traume from Wesendonck - Lieder
- Des Kindes Gebet from Schlichte Weisen Op. 76 No. 22
- Herzenstausch from Schlichte Weisen Op. 76 No. 5
Tracks:
- Winterreise D 911: Gute Nacht
- Winterreise D 911: Die Wetterfahne
- Winterreise D 911: Gefrorne Tranen
- Winterreise D 911: Erstarrung
- Winterreise D 911: Der Lindenbaum
- Winterreise D 911: Wasserflut
- Winterreise D 911: Auf dem Flusse
- Winterreise D 911: Ruckblick
- Winterreise D 911: Irrlicht
- Winterreise D 911: Rast
- Winterreise D 911: Fruhlingstraum
- Winterreise D 911: Einsamkeit
- Winterreise D 911: Die Post
- Winterreise D 911: Der greise Kopf
- Winterreise D 911: Die Krahe
- Winterreise D 911: Letzte Hoffnung
- Winterreise D 911: Im Dorfe
- Winterreise D 911: Der sturmische Morgen
- Winterreise D 911: Tauschung
- Winterreise D 911: Der Wegweiser
- Winterreise D 911: Das Wirtshaus
- Winterreise D 911: Mut!
- Winterreise D 911: Die Nebensonnen
- Winterreise D 911: Der Leiermann
Amazon.com
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. --David Patrick Stearns
Average customer rating: |
Purcell: Airs & Duets
Manufacturer: Lyrichord Discs Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000022BJ Release Date: 1996-09-24 |
Tracks:
- Let the Fifes and the Clarions - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Hark! The Ech'ing Air - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Beauty, thou Scene of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- In Vain the Am'rous Flute - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Saccharissa's Grown Old - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Sound the Trumpet - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Lord, What Is Man? - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Sweetness of Nature - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Be Welcome, Then, Great Sir - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Lovely Albina's Come Ashore - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- One Charming Night - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Here Let My Life - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Many, Many Such Days - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- If Music Be the Food of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Me, O Ye Gods - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Hail, Gracious Glorianna, Hail! - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
Tracks:
- Las Cantigas de Santa Maria: Cantigas 36 - Russel Oberlin/Joseph Iadone
- The Two Three Voice Masses: Kyrie - Schola Discantus
- Istanpitta! Vol.I: Saltarello & Trotto - NY's ensemble for Early Music
- Missa de Sancta Anna & Lamentations: Sanctus - Schola Discantus
- The Art of the Lute: Credo in Unum Deum - Joseph Iadone
- French Sacred Music: Kyrie - Schola Discantus
- Lute Songs: Weep you no more... - Russell Oberlin/Joseph Iadone
- Music of William Byrd: Who made thee... - New York Consort fo the Viols
- Music for Voice and Viol: What pleasure... - In Nomine Players
- Orfeo: Toccata - ARTEK
- Orfeo: La ciate i monti - ARTEK
- Orfeo: Rosa del Ciel - ARTEK
- Orfeo: Ritornello-Vi Ricorda - ARTEK
- Music from Renaissance & Baroque: Volta - Minstrelsy!
- Airs & Duets: Hark! the Ech'ing Air - Jeffrey Dooley
- Mensa Sonora: Ciacona - La Follia Salzburg
- Flute Duets: Moderato - Tom Moore/Kimberly Reighly
Rock Music:
- Gyi! [Import]
- Hafla [Live] [Import]
- Hatori Ecdysis [Import]
- Heads
- Hometown 2001: Live [Live]
- I Grandi Successi Originali [Import]
- I Will Love You All My Life
- In Memory of Alla Rakha - The Wizard of Tabla, Vol. 1 [Live]
- Indian Sitar & World Jazz [Import]
- L' Amore Ci Cambia la Vita [Import]
Recommended Music:
Anthology of Czech Piano Music, Vol. 2: Bedrich Smetana
Anytime, Anyplace, Anywhere/This Is The Way
20 Anos [Original recording remastered] [Import]