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1. Les Gens
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2. Gino
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3. Aurelie
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4. Les P'tites Gueules
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5. Austerlitz
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7. 9h2
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14. Emily
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Les Oiseaux,Tetes Raides,Wea,World Music
Average customer rating:
- Beautiful music sung by a great soprano
- WHAT CAN I SAY?
- Rest in Peace Dear Bubbles (1929-July 2, 2007)
- two beautiful discs!
- Good example of the "Art of Beverly Sills"
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Art of Beverly
Beverly Sills
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Very Best of Beverly Sills
- The Great Recordings
- Beverly Sills: Made in America
- Beverly Sills
- Beverly Sills & Friends
ASIN: B000075A7K
Release Date: 2002-11-12 |
Tracks:
- Mignon: Oui, Pour Ce Soir Je Suis Reine Des Fees...Je Suis Titania La Blonde
- Manon: Allons! Il Le Faut-Adieu, Notre Petite Table
- Manon: Je Marche Sur Tous Les Chemins-Obeissons Quand Leur Voix Appelle
- Louise: Depuis Le Jour
- Linda Di Chamounix: Ah! Tardai Troppo...O Luce Di Quest'Anima
- Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapito In Estasi
- I Puritani: Fini...Me Lassa!
- I Puritani: Vieni, Vieni Fra Queste Braccia
- Roberto Devereux: L'amor Suo Mi Fe' Beata
- Maria Stuarda: O Nube
- Anna Bolena: Cielo A' Miei Lunghi Spasimi-Coppia Iniqua
Tracks:
- Les Contes D'Hoffman: Les Oiseau Dans La Charmille
- Les Contes D'Hoffman: Elle A Fui, La Tourterelle
- Zaide: Ruhe Sanft, Mein Holdes Leben
- Der Opernball: Im Chambre Separee
- Die Lustige Witwe: Es Lebt' Eine Vilja
- The Ballad Of Baby Doe: Gold Is A Fine Thing
- Die Tote Stadt: Cluck, Das Mir Verblieb
- Daphen: Was Blendet So...Ich Komme...Ich Komme
- Sechs Lieder Op.19 No.2: Breit' uber Mein haupt Dein Schwarzes Haar
Customer Reviews:
Beautiful music sung by a great soprano.......2007-08-01
During the era of high-fidelity recording music lovers have been fortunate to have had available many fine recordings by several outstanding sopranos. But, in my opinion, Beverly Sills was the greatest soprano of them all. This 2-CD set contains a large collection of her most popular arias, all sung with the unique combination of vocal beauty, flawless technique, and healtfelt artistry which made Beverly Sills singing so special and beloved. If you are a fan of this great artist -- or simply like beautiful music beautifully sung -- please treat yourself to this wonderful 2-CD set now. I can't imagine any music lover being without it -- its that outstanding. Incidentally, it's also bargain priced.
WHAT CAN I SAY?.......2007-07-05
FOR THOSE WHO WANT A SAMPLER, IT IS THE BEST. YET, IT LEAVES YOU PINING FOR THE ITEMS SILLS NEVER RECORDED IN THEIR ENTIRETY. MORE STRAUSS, MORE OF EVERYTHING. A DEFINITIVE VOICE. HER LUCIA IS UNSURPASSED.
Rest in Peace Dear Bubbles (1929-July 2, 2007).......2007-07-03
I have always loved the flowing, plaintive music of bel canto, and no other singer perhaps captured the synthesis of fioritura and expression so perfectly as Beverly Sills. Callas may have been a supreme dramatist, but Beverly Sills had a better command of the fioritura that skyrocketed her career during the 60s and 70s. It is indeed sad that America has lost one of its national treasures yesterday when Beverly Sills passed away in Manhattan. She truly was one of the greatest. Just listen to her singing any one of Donizetti's three queens and you will know what I mean. She is exemplary not only in Donizetti though. Her Manon is still the best, her Violetta in par with Callas, her Louise the most idiomatic ever recorded, her Fille du Regiment a joy, Linda di Chamounix ecstatic, and Gilda a lesson in the art of light Verdi. She was a supreme painter of characters. Has there ever been a more brilliant Zerbinetta? And how many singers have been able to truly convey the youth of Elvira in Puritani? In Rossini, she was also unparalleled in L'Assedio di Corinto, the role that she made her La Scala debut in. Beverly Sills was one of a great many singers who belonged to a great golden age of singing, and I am thankful that I was born into the right time to hear her glorious work. This CD is a wonderful compilation of the brand of singing that she brought into the lives of many an opera fan for years and years to come.
I met this singer last fall in New York. A few months later, I saw her again hosting the opera quiz at the Met. Little did I know that about five months later, she would forever rest in the peace that she deserved for so long. Rest in peace Beverly. And brava...brava for the many years of wonderful singing that you gave us.
two beautiful discs!.......2007-02-18
Beverly Sills not only survived being a child prodigy - a rare enough thing among singing musicians - she triumphed in a big way. Her fertile and beautiful art is wonderfully represented on this double disc set from Deutsche Grammophon. I sense today a resurgence of appreciation for her art, and to call it well deserved is saying the least. The singing's jam packed with pure musicianship, attention to nuance, fidelity to composer and character - in a word, everything requisite to making the operatic art thrive, qualities in short enough supply today among many opera stars, and it makes this package even more attractive. Sills not only understood bel canto art, she accomplished it memorably. Highlights include 'Ah! Tardai troppo...' (Linda di Chamounix), &an unearthly 'Regnava nel silenzio...' (Lucia), which I might prefer to Sutherland's for its committment and munificence. The gone too soon Thomas Schippers conducts a great performance - how that man could possess whatever orchestra and score he worked with. Two arias from I Puritani - especially 'Vieni, vieni fra queste braccia' with the singing of the genius Nicolai Gedda as Arturo, and an opening to Anna Bolena's aria 'Cielo, a' miei lunghi spasimi' that wipes clean every memory of other versions. All that on disc 1! I had forgotten Sills' beautiful pianissimos, singing so musicianly and free of ego - her interpretation is always only her adherence to score and composer, and greater praise cant be given a classical singer. Disc 2 offers a definitive version of Korngold's 'Gluck, das mir verblieb' (Die Tote Stadt) among a number of fine versions out there. The slowest version available and I feel I'm hearing it for the first time, and with a true Viennese (Rudel) conducting! You can put this track alone on repeat and live out the day in freedom! If you dont know Sills' art, or dont remember it well and truly, this set is a fine place to begin what will become transfixion with a musical art that proves itself urgent and inextinguishable! Highest recommendation.
Good example of the "Art of Beverly Sills".......2007-01-27
Beverly Sills is one of the most well reputed coloratura sopranos of the past fifty years. This CD illustrates why she has attained such renown. First, it shows the range of her singing. While much of her work focused on Donizetti, Bellini, and Rossini, she sang about fifty roles in her career, before retiring in her late 40s. This 2 CD set provides a sense of the range of her work.
The first CD focuses on her operatic singing. The CD begins with a selection from Thomas' "Mignon," culminating in "Je suis Titania la blonde." Her voice is light and clear. She displays great agility. In the middle of this piece, she shows a decent but not great trill; she closes the "cut" with a series of terrific trills. Her ornamentation is nicely done.
Donizetti's "Linda di Chamounix" was another of Sills' characters. "Ah! Tardai troppo. . .O luce di quest'anima" features more clean vocalization. The florid singing is nicely done, with well sung high notes and additional sound trills. A very agile voice on display! From Donizetti's "Lucia di Lammermoor," Sills sings "Regnava nel silenzio. . .Quando rapito in estasi." Her voice is smooth. In the aria, she produces a set of trill after trill, each one well done, but in their totality almost overdone (I love trills, but there were almost too many!). "Quando rapito in estasi" is well sung, with much well done florid singing, with appoggiaturas, trills, and other ornamentation.
The remainder of the CD features selections from Bellini's "I Puritani," and Donizetti's "Roberto Devereux," "Maria Stuarda," and "Anna Bolena." I can say pretty much the same about these pieces as already stated before. Excellent technique, wonderful ornamentation.
The second CD begins with the redoubtable piece, sung by "Olympia," from Offenbach's "Les Contes d'Hoffmann." Well done, with good vocal effects, catching the mechanical aspects of the music. Other pieces on this side come from Mozart, Heuberger, Moore, Korngold, and so on.
One piece worth mentioning, because it captures her approach to a lighter work, from Lehar's "The Merry Widow." She sings the song for what it is, and does not overwhelm it with her voice. Compare with what Richard Tucker did to the enjoyable but rather light song, "What Now My Love?", when he essayed singing pop tunes. Enjoyable for the thrill of his voice; pretty grisly in terms of his overwhelming the music itself. That does not happen here; there is a certain pathos in Sills' singing, as warranted by the song. It suggests the range of her singing.
All in all, a good sampling of "The Art of Beverly Sills." Hearing her voice again after many years reinforces my preexisting view that she ranks as one of the best coloratura sopranos of the past fifty years. There are terrific contemporary singers who sing the same repertoire and do it well. But Beverly Sills certainly compares very well with them. If interested in an introduction to Sillsiana, this is a good place to start.
Average customer rating:
- Outstanding Resource - We LOVE This CD!
- Great Intro to Operas
- A Sampler of Greatest Hits and Karaoke, Too
- World's Very Best Opera for Kids... in English
- Great for adults too!
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World's Very Best Opera for Kids... in English!
Manufacturer: Children's Group
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Binding: Audio CD
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- Beethoven's Wig 3: Many More Sing-Along Symphonies
- The Classical Child at the Opera
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- Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
ASIN: B0000C5ROP
Release Date: 2003-09-23 |
Tracks:
- The Barber Of Seville: Largo Al Factotum - Gregory Dahl
- Carmen: Habanera - Jean Stilwell
- The Marriage Of Figaro: Non Piu Andrai - Allan Monk
- The Magic Flute: Papageno's Song - Daniel Lichti
- Carmen: The Toreadors Song - Brian Banion
- La Boheme: Donde Lieta Usci - Addio Di Mimi - Laura Whalen
- The Magic Flute: Der Hoole Rache (The Queen Of The Night's Aria) - Aline Kutan
- Rigoletto: La Donna E Mobile - Michael Schade
- Tales Of Hoffman: The Doll Song - Tracy Dahl
- Die Walkure: Ride Of the Valkyries - Laura Whalen
- The Marriage Of Figaro: Voi, Che Sapete - Erin Thrall
- Madame Butterfly: Un Bel Di Verdremo - Natalie Choquette
- Xerxes: Ombra Mai Fu - Daniel Taylor
- Rigoletto: Caro Nome - Lambroula Maria Pappas
- Habanera - The Budapest Concert Orchestra MAV
- Non Piu Andrai - The Budapest Concert Orchestra MAV
- Papageno's Song - The Budapest Concert Orchestra MAV
- La Donna E Mobile - The Budapest Concert Orchestra MAV
- Voi, Che Sapete - The Budapest Concert Orchestra MAV
Customer Reviews:
Outstanding Resource - We LOVE This CD!.......2007-07-16
This is a GREAT CD! Both the children and my husband and I love it. We bought it as an introduction to opera for our homeschooled children, and never guessed we'd all enjoy it so much.
All the tunes are ones you will probably recognize - but hearing the words that go with the music and hearing them in *English* is so helpful! It has been really fun to find out what these songs are really about.
My kids and I often catch ourselves singing opera through the day now, which is really neat. It has helped build their understanding of music in many different ways, and has improved my oldest daughter's voice ability as she strives to keep up with the professional singers on the CD.
The music is beautiful, the words are lovely and give meaning, and this whole CD is just exceptionally good entertainment!
Great Intro to Operas.......2006-10-16
THE WORLD"S VERY BEST OPERA FOR KIDS is a collection of fourteen of the best loved arias in the world. The whole family will enjoy this CD, which is a unique version of these famous arias in that these are all sung in English so your child (and you) can appreciate and imagine the story that it illustrates. It is a wonderful introduction to opera and will have the whole family humming the memorable melodies, which are sung by some of the best of famous voices. You will be inspired to read the storylines of the operas to your children for a wonderful educational and delightful family hour. The CD includes an insert with the words so you can sing along
A Sampler of Greatest Hits and Karaoke, Too.......2006-04-05
It really doesn't get much better than this CD. The primary benefit of the music is that it is a terrific selection of funny and touching arias from the classical genre. I am an opera lover and bought this for myself to memorize the words in English, as prompts when I listen to the pieces untranslated. I started listening to the CD while I was driving, and within a week had bought about a dozen CDs to distribute to family members and friends, with kids (and without). Everyone loves it. And at the end of the CD are several tracks of just the music, so you can sing along, which is a hoot. Your friends and colleagues, who hear you barking along to beats, will think you have taken leave of your senses. The lyrics (in English) are in the liner notes. I would suggest not reading the liner notes while driving.
Second CD benefit. The time you spend listening to this will be the equivalent of an afternoon at the beach or a walk in the mountains. The calming factor is amazing.
World's Very Best Opera for Kids... in English.......2006-01-30
I listen to this with my 3 year old and we both enjoy it. I am not an operatic expert and to my lay ears the performances here sound great, and my daughter likes hearing the words to some of her favorite music ("Play the Torreadores again Mommy!") Its a nice break from some more traditional kids songs that we listen to.
Great for adults too!.......2005-08-15
I never had an interest in opera until I made a trip to Italy and dined in an opera cafe. I appreciate it even more thanks to this CD. Now that I can hear the lyrics in english and read a synopsis of the story, I appreciate and enjoy opera even more.
Average customer rating:
- Would you like ketchup with your bug?
- he makes you get up and dance
- Live in Dublin
- Live in Dublin
- Live audience is great.
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Live In Dublin
Andre Rieu
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000CABHH
Release Date: 2003-10-07 |
Tracks:
- Dark Eyes
- Thunder & Lightning
- The Merry Widow
- Song of the Volga Boatman
- Hor Ich Zimbalklange
- Espana Cani (Bull)
- O Mio Babbino Caro
- The Blue Danube Waltz
- Announcement Olympia Song
- Song of Olympia (puppet)
- My Heart Will Go On (Titanic)
- All Men Shall Be Brothers - Beethoven 9th
- Radetzky March
- Opera Potpourri
- The Red Rose Cafe
- The Marino Waltz
- Irish Washerwoman
- The Last Rose
- Chianti Song
- Lullaby
Album Description
Recorded at the filming in Dublin's famous downtown train terminal, LIVE IN DUBLIN features Andre and the orchestra performing a collection of old favorites and exciting new selections. Already a smash PBS program LIVE IN DUBLIN captures Andre Rieu and his magical live performances at their most elegant best!
Customer Reviews:
Would you like ketchup with your bug?.......2007-05-05
The person who sang O Mio Babbino Caro is Carmen Monarcha. Do a search for her on YouTube; she's really fantastic!
Anyway, I saw Andre Rieu on a PBS special on television and it looked like such an awesome, high-energy concert! The CD is not so exciting, but it is worth buying just for that beautiful aria.
he makes you get up and dance.......2007-04-10
my 3 yr old enjoys this as much as us
Live in Dublin.......2007-02-17
The music is really toe tapping and excellent. Andre Rieu is a master of music.
Live in Dublin.......2006-07-05
This concert is magnificent in its energy and in the great performances by Andre Rieu and the Johann Stauss orchestra. I watch it when I need lifting up. I love the audience interaction which makes me feel as if I'm there in person.
Live audience is great........2006-05-03
This has to be one of Andre's best. The live audience adds much to the music being played. I wish I had been there for the performance.
Average customer rating:
- another winner from Naxos
- awesome value -- 5+ stars
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Discover Early Music
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Byrd, William
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ASIN: B000B6N6BI
Release Date: 2005-11-01 |
Tracks:
- Antiphona Post Evangelium - In Dulci Jubilo
- Versus Alleluiatici: Adorabo - Nova Schola Gregoriana
- Ordo Virtutum: Procession - Oxford Camerata
- Viderunt Omnes - Tonus Peregrinus
- Fines Terre Salutare Dei Nostri Jubilate Deo Omnis Terra (Plainchant) - Tonus Peregrinus
- Notum Fecit - Tonus Peregrinus
- Dominus - Tonus Peregrinus
- Salutare Suum Ante Conspectum Gentium Revelavit - Tonus Peregrinus
- Justitiam Suam (Plainchant) - Tonus Peregrinus
- Gaudete Christus Est Natus - Oxford Camerata
- Cantiga De Santa Maria - Michael Posch
- Exiit Diluculo - Unicorn Ensemble
- Humils Forfaitz - Michael Posch
- Adieu Ces Bons Vins De Lannoys - Michael Posch
- Non Avra Ma'Pieta Questa Mia Donna - Michael Posch
- Non Ara May Pieta Questa Mia Dona - Michael Posch
- Veni Creator - Tonus Peregrinus
- D'Ung Aultre Amer - Capilla Flamenca
- Alleluya - Capilla Flamenca
- El Grillo - Shirley Rumsey
- El Grillo - Capilla Flamenca
- Missa 'La Sol Fa Re Mi': Kyrie - Capilla Flamenca
- Le Chant Des Oiseaux - The Scholars Of London
- Passe & Medio/Den Iersten Gaillarde - Capilla Flamenca
- Den III Ronde, Den VI Ronde-Les Quatre Branles - Convivium Musicum Gothenburgense
- Gaillarde I, II, III - Convivium Musicum Gothenburgense
Tracks:
- In Nomine - Rose Consort Of Viols
- In Nomine No.20 - Rose Consort Of Viols
- Spem In Alium - Oxford Camerata
- Sanctus - Oxford Camerata
- Du Fond De Ma Pensee - Christine Morel
- The King Of Denmark's Galiard - Rose Consort Of Viols
- Flow, My Tears - Dorothy Linell
- Greiner Zancker - Ensemble Villanella
- Stat ('Tsaat) Ein Meskin - Ensemble Villanella
- Tiento - Shirley Rumsey
- Tribulationem Et Dolorem - Oxford Camerata
- Lagrime Di San Pietro: 'Il Magnanimo Pietro' - Bo Holten
- Missa 'Susanne Un Jour': Kyrie - Oxford Camerata
- Beau Le Crystal - The Scholars Of London
- Missa 'O Magnum Mysterium': O Magnum Mysterium - Oxford Camerata
- Missa 'Papae Marcelli': Kyrie - Oxford Camerata
Customer Reviews:
another winner from Naxos.......2007-02-21
This is another winning compilation from Naxos. My only comment is to provide a heads-up regarding the track list in the booklet. CD 1 puts the Leonin "Viderunt Omnes" on six tracks, while the booklet leaves room for only one. Thus, add five to booklet tracks five through 21 for CD1 to get them to match. (I.e., where the booklet says tracks 15 and 16 are two versions of Josquin's "El Grillo," your CD player will show them to be tracks 20 and 21.) With luck this will be corrected in later printings.
Also, I would have liked the booklet to include the words, but perhaps that is an inducement to get particular CDs from Naxos.
As for the music itself--breadth of selection, musicianship, sound quality, all are excellent. A great collection!
awesome value -- 5+ stars.......2006-07-15
I'm really enthusiastic about these CDs and booklet. I've had it for a few weeks now, in which I've explored Medieval and Renaissance music much more deeply than this little book and CD set. Yet I'm very glad I started with these.
The selection of composers gives an excellent, broad sweep across several centuries.
But the booklet contains one of the most informative essays I've found about early music, and I've spent a few dozen dollars buying books. If the booklet were separated from the CDs, it alone would be worth more than $10.
In short, if you're interested in exploring early music, this really is one of the best places to start; the best place that I know of. I'm sure, at any rate, that you can't beat the value.
Average customer rating:
- Superlative collection
- Great value for the money
- Great for the money and a good starter on opera....
- Amazing Value
|
100 Best Opera Classics
Manufacturer: EMI Int'l
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Binding: Audio CD
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- The Most Famous Opera Arias
- Best Classics 100
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ASIN: B0007QOERC
Release Date: 2007-05-14 |
Tracks:
- Voi Che Sepate - Teresa Berganza
- Porgi Amor - Heather Harper
- Deh, Vieni Alla Finestra - Thomas Allen
- Batti, Batti, O Bel Masetto - Elizabeth Gale
- Der Holle Rache - Edda Moser
- O Isis Und Osiris - Cornelius Hauptmann
- Temerari...Come Scoglio - Elisabeth Schwarzkopf
- La Calunnia E Un Venticello - Ruggero Raimondi
- Nei Giardin Del Bello - Ambrosian Opera Chorus
- Casta Diva - Maria Callas
- Se Quel Guerrier...Celeste Aida - Franco Corelli
- Tenesta La Promessa...Addio Del Passato - Beverly Sills
- Niun Mi Tema - Jon Vickers
- Un Bel Di Vedremo - Renata Scotto
- E Lucevan Le Stelle - Placido Domingo
- Si, Mi Chiamano Mimi - Mirella Freni
- In Quelle Trine Morbide - Montserrat Caballe
- Signore, Ascolta - Kiri Te Kanawa
- Recitar...Vesti La Giubba - Jose Carreras
- Amor Ti Vieta Di Non Amor - Roberto Alagna
Tracks:
- Le Veau D'Or Est Toujours Debout - Boris Christoff
- Ou Va La Jeune Hindoue? - Mady Mesple
- L'Amour, L'Amour...Ah! Leve-Toi, Soleil - Alfredo Kraus
- Allons! Le Faut...Adieu Notre Petite Table - Ileana Cotrubas
- Toute Mon Ame Est La Pourquoi Me Reveiller - Nicolai Gedda
- Quand La Flamme De L'Amour - Jose Van Dam
- L'Amour Est Un Oiseau Rebelle - Victoria De Los Angeles
- A Cette Voix...Je Crois Entendre Encore - Alain Vanzo
- Une Puce Gentille - Gabriel Bacquier
- Je Vais Mourir...Adieu, Fiere Cite - Regine Crespin
- Mon Coeur S'Ouvre A Ta Voix - Rita Gorr
- Wie Todesahnung...O Du Mein Holder Abenstern - Dietrich Fischer-Dieskau
- Johohoe! Traft Ihr Das Schiff Im Meere An? - Anja Silja
- In Fernem Land - Chor Der Wiener Staatsoper
- Heil Dir, Sonne! - Siegfried Jerusalem
- Mild Und Leise - Helga Dernesch
Tracks:
- Che Faro Senza Euridice? - Agnes Baltsa
- Der Vogelfanger Bin Ich Ja - Walter Berry
- Finch'Han Dal Vino - Nicolai Ghiaurov
- E Susanna Non Vien!...Dove Sono - Barbara Hendricks
- Abscheulicher! - Christa Ludwig
- Ne M'Abandonne Pas, Espoir De La Vengeance...Asile Hereditaire - Nicolai Gedda
- Largo Al Factotum - Tito Gobbi
- Ella Giammai M'Amo! - Ruggero Raimondi
- La Donna E Mobile - Alfredo Kraus
- Di Quella Pira - Franco Corelli
- Esultate! - James McCracken
- Dio! Mi Potevi Scagliar - Placido Domingo
- Vissi D'Arte, Vissi D'Amore - Maria Callas
- In Questa Reggia - Ghena Dimitrova
- Tanto Amore - Janine Micheau
- O Mio Babbino Caro - Montserrat Caballe
- Ed Anche Beppe Amo - Luciano Pavarotti
- Poveri Fiori - Maria Callas
- Come Un Bel Di Di Maggio - Roberto Alagna
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- Les Grands Seigneurs...Ah! Je Ris De Me Voir Si Belle - Victoria De Los Angeles
- Marie, Avec L'Enfant Jesus - Jules Bastin
- Heureux Petit Berger - Janine Micheau
- Connais-Tu Le Pays - Jane Rhodes
- Elle Ne Croyait Pas Dans Sa Candeur - Nicolai Gedda
- Votre Toast, Je Peux Vous Le Rendre...Toreador - Victoria De Los Angeles
- Les Oiseaux Dans La Charmille - Mady Mesple
- Maintenant, Chantons...Devant La Maison De Celui Qui D'Adore - Gerard Souzay
- Depuis Le Jour - Beverly Sills
- Da Geht Er Hin - Elisabeth Schwarzkopf
- Einsam In Truben Tagen - Regine Crespin
- Dich, Teure Halle - Hildegard Behrens
- Leb Wohl, Du Kuhnes, Herrliches Kind - Dietrich Fischer-Dieskau
- Hojotoho! Hojotoho! - Ute Walther
Tracks:
- Non Piu Andrai - Thomas Allen
- La Ci Darem La Mano - Graziella Sciutti
- Duo: Pa-Pa-Pa - Andreas Schmidt
- Soave Sia Il Vento - Delores Ziegler
- Mira, O Norma - Maria Callas
- Il Dolce Suono - Edita Gruberova
- Com'e Gentil - Alfredo Kraus
- Una Voce Poco Fa - Maria Callas
- Libiamo Ne' Lieti Calici - Alfredo Kraus
- Gualtier Malde!...Caro Nome - Michele Pertusi
- Ritorna Vincitor - Birgit Nilsson
- Ave Maria - Katia Ricciarelli
- Nessun Dorma - Franco Corelli
- Che Gelida Manina - Nicolai Gedda
- Ebben? Ne Andro Lontana - Barbara Hendricks
Tracks:
- Mes Amis, Ecoutez L'Histoire - Nicolai Gedda
- Mieux Vaut Mourir...Amour Sacre De La Patrie - Alfredo Kraus
- Ah! Je Veux Vivre Dans Ce Reve - Mady Mesple
- Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee - Henry Legay
- Suis-Je Gentille Ainsi?...Je Marche Sur Tous Les Chemins - June Anderson
- Belle Nuit, O Nuit D'Amour - Jessye Norman
- La Fleur Que Tu M'Avais Jetee - Jose Carreras
- C'est Toi!...Au Fond Du Temple Saint - John Aler
- Werther, Werther, Qui M'Aurait Dit...Ces Lettres! - Tatiana Troyanos
- Viens, Mallika - Mady Mesple
- Ah! Je Suis Seule Enfin...Dis-Moi Que Je Suis Belle - Beverly Sills
- Alerte, Alerte!...Anges Purs, Anges Radieux - Nicolai Ghiaurov
- Boris's Farewell - Boris Christoff
- Schreckensschwur! - Gary Lakes
- Die 'Selige Morgentraum-Deutweise'...Selig, Wie Die Sonne - Peter Schreier
- Was Am Besten er Kann...Nothung! Nothung! - Siegfried Jerusalem
Customer Reviews:
Superlative collection.......2006-10-11
A collection of 100 individual arias and ensembles from the EMI catalogue of complete works recorded between 1955 and 2003. It includes selections from operas by Italian, Austrian, German, Russian and French composers. The French composers are especially well represented unlike most such anthologies. And there are several more obscure contributions, such as an aria from Catalani's La Wally. A well-judged balance of musical periods and styles, and the very best singers of the last half of the last century. And remarkably, the whole collection of 6 CDS, over 7 hours of music, is being sold for the cost of only 1 CD !
Great value for the money.......2006-04-23
This is simply the best collection of opera arias that I have seen. It's not 100% in that there are a few well-known arias that are not here, but what is here is simply a treasure. The organization is a bit strange, but there's some logic. For example, Disk 6 is mostly from French operas. A seemingly endless amount of glorious music. Just fabulous. You won't be disappointed.
Great for the money and a good starter on opera...........2006-01-07
This cd is a splendid collection of songs, and the price is unbeatable; I have but a few minor complaints about the overall product. The cd would have been much more enjoyable if they had put the music in some sort of order, rather than jumping around from artist to artist sporatically. My only other complaint would be that they could have chosen some better vocalists to play some of the songs. For example, in CD 6, track 3: Romeo et Juliette, the singer was not nearly as strong and definative as she should have been and I've definately heard in various other versions that were way better than this. This disappointed me greatly. But even with these few small complaints, this collection is still great and the price is amazing. It includes MOST of the famous opera pieces, as well some great songs that are often overlooked such as the beautiful song from Wagner's Die Meistersinger von Nurnberg (CD 6, track 16) along with others.
Amazing Value.......2005-08-23
I am so impressed by this collection that I must share my joy at getting so many beautiful arias, duets, et al in one collection. It captures many of the great operatic voices in stellar performances spanning the last 50 years. If you are enchanted by beautiful operatic highlights, removed from their operatic storylines, this set is for you. Hours of gorgeous music for practically pennies!
Average customer rating:
- La Stupenda at her best
- this is the one to buy
- La Stupenda lives up to her name
- La Stupenda, Amore, amore, amore
- La Stupenda - well deserved title for Joan
|
La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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ASIN: B00005OC0E
Release Date: 2001-10-09 |
Tracks:
- Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
- Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
- Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
- Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
- Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
- Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
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Customer Reviews:
La Stupenda at her best.......2007-05-06
This 2 CD set is entitled "La Stupenda," which creates extremely high expectations. Joan Sutherland meets those expectations on this CD; she is, indeed, "La Stupenda." One of the interesting aspects of this set is Dame Joan's singing some non operatic works (such as "Home Sweet Home" or "Where Are the Songs We Sung?" or "Falling in Love with Love"). In the end, this is a wonderful compilation of the art of Joan Sutherland.
First, let's consider a sampling of the cuts on these CDs.
"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.
From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).
From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.
"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).
Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").
"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.
Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.
Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.
this is the one to buy.......2007-04-18
I'm not an opera expert I just enjoy it. La Stupenda has the best of Joan Sutherland in a two CD set and it's amazing. She looked like a nice, quiet housewife but an indescribalbe voice. Her aria from Norma gave me chills and her version of "I Dreamed I Dwelt in Marble Halls" is flat out one of the prettiest things I've ever heard.
La Stupenda lives up to her name.......2006-11-12
Joan Sutherland was undeniably one of the greatest operatic sopranos of the 20th century. This comprehensive two-CD retrospective of her long career will delight her many fans, and serve as a fitting introduction for those unfamiliar with her artistry. The two CDs span a period of nearly thirty years, from 1959 to 1988, with the majority of the 27 tracks recorded during the 1960s and 1970s, when her voice was at its' astounding best. Sutherland was renowned first and foremost as a dramatic coloratura, and her supple technique is brilliantly illustrated in selections such as the Mad Scene from Lucia di Lammermoor; Doll Song from The Tales of Hoffmann; Queen of the Night aria from The Magic Flute; and the seldom-performed Concerto for Coloratura Soprano by Gliere. As her career progressed, her voice became larger and more powerful, as demonstrated by the Liebestod from Wagner's Tristan and Isolde, and In Questa Reggia from Puccini's Turandot. Lastly, Sutherland was a diva who was not afraid to let her hair down once in a while, and we are treated to lighter selections such as Where are the songs we sung? by Noel Coward, and Falling in love with love, by Rogers and Hart. Highly recommended for all lovers of great singing.
La Stupenda, Amore, amore, amore.......2006-01-28
I adore this woman's voice. And I love this cd. I was really happy to find an aria of "Esclarmonde" which is virtually impossible to find as well as some of the more lesser known works of hers such as Mozart's Queen of Night, although I wish she had done a recording of the revenge aria (Der Holle Roche) The whole cd was wonderful to hear but if I had to make on complaint it's that I didn't buy her Isolde's Liebestod but the woman can sing Lucia better than just about anyone so I'll forgive her for not sticking with the Wagner. In fact I am thrilled that she chose Lucia over Isolde because frankly acting and interperation was never her strong suit, it was the pure beauty of her voice. It's always a grand pleasure to listen to Joan kick butt in any coloratura arias but of course she set the bar so high that there is yet a coloratura since her that can do those arias half as well. She has spoiled me for life and that's why she is La Stupenda.
La Stupenda - well deserved title for Joan.......2006-01-12
I am not an opera expert by any stretch of the imagination - but I love opera. I love the expertise and beautiful voices of these hardworking singers. When I first heard Joan sing, it was from a recording she made late in her career and I honestly thought, what's the big deal about her? So, I decided to get The Art of Prima Donna album, and all I have to say is WOW! In her prime, this woman was a fantastic singer! While she wasn't the dramatist like Callas was (I also love Callas), her range and the way she hit each note so precisely was amazing! So, I bought La Stupenda. I loved the piece she did from Handel's Alcia and the fantastic Rossini duet she did with Marilyn Horn. The entire album is wonderful. I particularly like how Joan's high notes are never screechy - she makes those high notes sound so effortless. I also appreciate how she had such control over her vibrato - not too trilly (I like trilly - especially by Beverly Sills - however, not every song should be all trill). Finally, I think that Joan was one of the few sopranos that didn't try to drown everyone out. When she sang a duet, she blended with the other singer - how rare! Not all singers seem to be able to accomplish that - duets shouldn't be a competition. This album is worth every penny. Joan was one of the great singers of the 20th century and she deserves her title of La Stupenda!
Average customer rating:
- Buy two and give one to someone you love!
- A joyful sample of the human voice.
- A sheer delight from start to finish
- Exquisite
- Cecilia Live
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Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet
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Similar Items:
- Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
- Cecilia Bartoli - A Portrait
- Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
- Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
- Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
ASIN: B00000DBTM
Release Date: 1998-10-20 |
Tracks:
- Tu ch'hai le penne, Amore
- Amarilli
- Al fonte, al prato
- Lascia la spina
- Agitata da due venti
- Oiseaux, si tous les ans, K. 307
- La Pastorella, D 528
- Havanaise
- Hai luli!
- Zaide
- Malinconia, ninfa gentile
- Ma rendi pur contento
- La conocchia
- Me voglio fa 'na casa
- Mi lagnero tacendo
- Mi lagnero tacendo (Il Risentimento)
- Mi lagnero tacendo (Sorzico)
- L' Orpheline du Tyrol
- Riedi al soglio (Zelmira)
- Le nozze di Figaro: Voi che sapete
- Canzonetta Spagnuola
- Caro mio ben
- Cinco Canciones negras, No. 5: Canto negro
- Carmen: Seguedille (Carmen)
Amazon.com essential recording
In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns
Customer Reviews:
Buy two and give one to someone you love!.......2007-03-08
(That way, you can get free shipping!) Or, buy Opera Proibita also.
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
A joyful sample of the human voice........2006-06-12
'Live in Italy' by mezzo-soprano Cecilia Bartoli, accompanied by pianist Jean-Yves Thibaudet is, for those of us who do not know Italian and are not avid opera fans, a simply delightful essay in the beauty of the human voice. I am really happy this is not the first Bartoli album I have bought, as others, such as her recordings of French and Italian love songs have more substance to offer (if you don't know the operas from which these pieces are taken) but this recording, with its live ambiance, is a great pleasure all by itself, a very nice change from the somewhat frostier Fraulain Von Otter from the northern climes.
A sheer delight from start to finish.......2005-07-14
Although I rarely follow singers, even I am totally disarmed by Cecilia's magic spell of charm that criticism fails me. You will see that most of my reviews of music are about modern or Renaissance music, so for me to go out and lavish praise on her is really something totally out of the ordinary. Then again her singing is out of the ordinary in that it has an instantly recognisable warmth and captivating personality that makes her the outstanding singer of the current generation for me.
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Exquisite.......2003-01-31
"Her natural command of messa di voce phrasing, willingness to shade the voice away to the quietest pianissimo and acute sensitivity to the words of Caccini's love songs proved irresistible, attracting a generous mix of applause and foot stamping."
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
Cecilia Live.......2002-07-12
I have loved her low and warm voice ever since the first time I listened to her, the Italian mezzo-soprano Cecilia Bartoli. With respect and tenderness she treats the composers, whose works she performs while adding her own dimension. She transports me with her art. It is as if we become one person, and I experience her joy of music. Together we share a glimpse of eternity.
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
Average customer rating:
- Valuable compendium
- Rareties available on CD at last!
- Heavenly
- WHO ELSE CAN SING LIKE THIS TODAY?
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The Art of Joan Sutherland
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Similar Items:
- Joan Sutherland: BBC-Recitals 1958, 1960, 1961
- The Art of the Prima Donna
- Serate Musicali
- The Voice of the Century
- La Stupenda ~ The Supreme Voice of Joan Sutherland
ASIN: B000654OUQ
Release Date: 2005-03-15 |
Customer Reviews:
Valuable compendium.......2007-01-24
This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.
Rareties available on CD at last!.......2006-03-29
While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").
While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.
I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.
Heavenly.......2006-01-31
I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.
WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10
This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Average customer rating:
- Puts the "E" in "Exquisite"
- Isabel Bayrakdarian Continues To Please and Enlighten
- Charming Songs Charmingly Sung
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Isabel Bayrakdarian ~ Pauline Viardot-Garcia (Lieder, Chancon, Canzoni, Mazurkas)
Pauline Viardot , Isabel Bayrakdarian , and Serouj Kradjian
Manufacturer: Analekta
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Binding: Audio CD
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ASIN: B0006U6PWG
Release Date: 2007-04-03 |
Tracks:
- Serenade
- Bonjour Mon Coeur
- Hai Luli !
- L'enfant Et La Mere
- Havanaise
- Madrid
- Filles De Cadix
- Des Nachts
- Rathsel
- Die Sterne
- Die Beschworung
- Seize-Ans, D'apres La Mazurka No.31 An La Bemol Majeur, Op.50 No.2 De Frederic C
- Aime-Moi, D'apres La Mazurka No. 23 En Re Majeur, Op.33 No.2 De Frederic Chopin
- Fete, D'apres La Mazurka No.4 En Mi Bemol Mineur, Op.6 No.4 De Frederic Chopin B
- Plainte D'amour, D'apres La Mazurka No.1 An Fa Diese Mineur, Op.6 No.1 De Freder
- Chanson De La Pluie
- Grands Oiseaux Blancs
- Desespoir
- Sylvie
- Moriro
- L'afflitta
- Chevelure, Chanson Napolitaine
- Ti Voglio Amar, Canzone D'amore
Customer Reviews:
Puts the "E" in "Exquisite".......2007-02-22
Pauline Viardot had such charm and talent most of her contemporary male French composers fell in love with her, even though she was not a classic beauty. Clara Schumann wrote that she was the most talented woman she'd ever met. This intelligent charm comes through in her many well-crafted songs and this recording is by far the most outstanding Viardot song collection available that I've heard. The subtleties and varieties of expression are here like no other. This esquisite recording is to be enjoyed like fine wine with a fine meal.
Isabel Bayrakdarian Continues To Please and Enlighten.......2005-05-22
Isabel Bayrakdarian is a rising star in the field of opera and recital and this most interesting recording of the songs written by the legendary Pauline Viardot-Garcia, a singer whose wide vocal range is a bit of operatic legend, gratefully reinforces the early suggestion that this is an artist who thinks beyond the stage lights and curtain calls.
Beautiful of presence as well as of voice, Bayrakdarian illuminates the stage as well as the intimate concert recital hall. As in her thoughtful and successful recording of songs focused on the character Cleopatra, here she turns to the rarely heard (and to many unknown) songs written by the singer who had it all in her day of bel canto. In keeping with the tradition of her time Pauline Viardot-Garcia's songs were composed primarily as salon music and she admittedly usurped the style of her favorite composers in creating these lovely songs to an audience that always included luminaries in the arts of her time.
Bayrakdarian, with the sensitive collaboration of her husband Serouj Kradjian at the piano, tosses off these songs in many languages and many moods written to the poetry of such divers writers as Gauthier, Pushkin, Goethe, Turgenev, etc with ease of technical finesse and sensitive interpretation. Hers is a voice while not large has the quality that commands the listener's ear and attention. And surprisingly for the rather extreme range of these works she is comfortable in every portion of the vocal palette. These are refreshing, lovely, if not always great, songs and Bayrakdarian sings them with aplomb and respect.
One wonders what her next venture into the recorded field will be. She is an amazingly gifted artist who seems to be pacing an important career with much intelligence. Grady Harp, May 05
Charming Songs Charmingly Sung.......2005-02-11
I've been a fan of the Armenian-Canadian soprano Isabel Bayrakdarian from the first moment I heard her voice. Just now thirty, she has exploded onto the operatic and recital stage in the last two or three years, singing at many of the world's opera houses (e.g., two roles thus far at the Metropolitan) and foremost recital halls. And she has recorded for just as long. Her story is all the more amazing in that she didn't study singing until she had just about finished her degree with honors in Biomedical Engineering at a Canadian university. I have reviewed two earlier CDs ('Azulão' and 'Cleopatra,' both available here at Amazon) and not surprisingly gave them both raves.
Here we have a collection of songs by another remarkable woman, Pauline Viardot-Garcia (1821-1910) who was a world-famous singer whose voice comprised the range from contralto to high coloratura soprano. She was from what has been called the Royal Family of Singing of the 19th century. Her father was singer and singing teacher (and the first-ever Figaro in Rossini's 'Barber of Seville') Manuel Garcia Sr, her sister the legendary Maria Malibran, her brother Manuel Garcia Jr. As a physician I am always pleased to note that Manuel Jr, aside from being a singer and then a teacher of such singing stars as Jenny Lind and Mathilde Marchesi, was also the inventor of the laryngoscope, that medical instrument that allows one to see the vocal cords. Wouldn't you know it was a singing teacher who came up with that idea!
As a composer, Viardot wrote well over 100 songs in at least five languages to texts by such writers as Turgenev, Musset, Pushkin, Gautier, Goethe and Mörike. She set twelve of Chopin's mazurkas to texts by Louis Pomey, and Chopin is reported to have been delighted with them. Four of those are included on this disc. Her music is expertly crafted but makes no pretensions of being much more than exceedingly charming salon music. I will admit that I had not known more than a few of them, but I've been listening to this disc repeatedly over the last few days and keep finding delightful things in them. The songs are helped by the simply lovely singing of Miss Bayrakdarian. She has a silvery, flexible, lyric soprano that is even from top to bottom. The quality of her voice reminds me, if I had to compare her with anyone, of Elly Ameling, a long-time favorite of mine (and the world's). She has something else that Ameling had--a smile in the voice. I cannot explain what that means technically but I know it when I hear it. One has the sense that Bayrakdarian has enormous pleasure from singing and that comes across.
Some highlights on this disc: 'Havanaise' with its feathery coloratura (how does any singer manage to sing florid triplets at such a speed?), the four Chopin mazurkas included here, the utterly sweet lullaby 'L'Enfant et la Mère,' the lover's plaint 'Haï Luli,' the pastorale 'Chanson de la Pluie,' the nocturnes 'Des Nachts' and 'Die Sterne,' the desperate cry of the jilted lover, 'Morirò' ('I shall die'). If I had to place the musical style of Viardot-Garcia, I'd put it in the general ambit of Gounod and Bizet, with a bow to Mendelssohn.
Bayrakdarian's performances are nuanced but not overly so. These are not deathless poems and they don't require that sort of emphasis. As far as I can tell the only defect, if you call it that, in her voice is that her trill is just a bit rudimentary. But this is definitely a voice to treasure. Not having heard her live, I don't really know how big the voice is, but its purity and sheen almost certainly would help make it heard in a larger house. Her pianist is a fellow Armenian-Canadian, Serouj Kradjian. He is a sensitive accompanist and his piano is recorded very well. [Bayrakdarian and Kradjian, I've just learned, were married in the summer of 2004.]
I can't wait for Bayrakdarian's next recording.
TT=69:06
Scott Morrison
Average customer rating:
- Delightful!
- One of the best recordings you'll find
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Mozart: Lieder
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000SD4
Release Date: 2007-03-19 |
Tracks:
- Lieder: An die Freude
- Lieder: Ridente la calma
- Lieder: Oiseaux, si tous les ans
- Lieder: Dans un bois solitaire
- Lieder: O Gotteslamm
- Lieder: Komm, liebe Zither
- Lieder: Sei du mein Trost
- Lieder: Der Zauberer
- Lieder: Die Zufriedenheit
- Lieder: Das Veilchen
- Lieder: Lied der Freiheit
- Lieder: Die Verschwigung
- Lieder: Lied der Trennung
- Lieder: Als Luise die Briefe...
- Lieder: Abendempfindung on Laura
- Lieder: An Chloe
- Lieder: Das Traumbild
- Lieder: Sehnsucht nach dem Fre
- Lieder: Der Fr
- Lieder: Das Kinderspiel
- Lieder: Mer suchen stets zu naschen
- Lieder: Un moto di gioia
Customer Reviews:
Delightful!.......2005-12-24
Personally, I think some of Mozart's best work are his songs for voice and piano. I think this CD is the best recording of Mozart's lieder that you will find. Bonney sings in a very pure, tender, smoothe, yet still rich tone. Her diction is impeccable, her technique is spotless as she glides from one phrase to the next, making it seem as though it couldn't be easier.And of course the music itself is absolutely beautiful (as most Mozart is).At times it can be charming and delightful, sometimes its most moving and sentimental and romantic, and sometimes it takes on a darker tone. And one other thing I like about this album is that it is soothing and relaxing...something to listen to while you're sleeping, eating,taking a bath, or while you're just trying to unwind. I give this album 5 stars, and I think if you buy this album, you won't regret it.
One of the best recordings you'll find.......1999-09-13
For those familiar with Bonney's work, it should come as no surprise that this disc is a treasure. If you prefer meatier, more dramatic voices, stay away. But if you love fluid, supple subrettes, this is the disc to buy. Bonney's silvery tone and flawless technique, her musicianship and consummate collaboration with Parsons, make it quite simply one of the best recordings you'll find.
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