| 1. Aggio Perduto O Suonno |
| 2. Amaro E' 'O Bene |
| 3. Quanno Chiove |
| 4. Passione |
| 5. Je Sto Vicino A Te |
| 6. Nun E' Peccato |
| 7. Voce E Notte |
| 8. Maruzzella |
| 9. Core 'Ngrato |
| 10. Indifferentemente |
Napoli,Mina,Sony Bmg,World Music
Average customer rating:
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Liszt: Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ND3L Release Date: 2001-10-09 |
Tracks:
- Hungarian Rhapsody No. 12 In C-Sharp Minor
- Liebestraum No.3
- Mephisto Waltz No.1
- Funerailles (No.7 Of Harmonies Poetiques Et Religieuses)
- Rigoletto: Conc Paraphrase
- La Campanella
Tracks:
- Die Forelle
- Der Muller Und Der Bach
- Wohin?
- Lebe Wohl!
- Das Wandern
- Der Lindenbaum
- Horch, Horch, Die Lerch
- Auf Dem Wasser Zu Singen
- Die Post
- Aufenthalt
- Lob Der Tranen
- Erlkonig
- I. Allegro Con Fuoco
- II. Adagio
- III. Presto
- IV. Allegro
Tracks:
- Lento Assai - Allegro Energico -
- Andante Sostenuto
- Allegro Energico - Andante Sostenuto - Lento Assai
- Valse Impromptu
- I. 'Hohe Liebe' In A flat
- II. 'Selinger Tod' In E Flat
- III. 'O Lieb' In A Flat
- Grand Galop Chromatique
Tracks:
- I. Sposalizio
- II Penseroso
- III. Canzonetta Del Salvator Rosa
- IV. Sonetto 47 Del Petrarca
- V. Sonetto 104 Del Patrarca
- VI. Sonetto 123: Del Petrarca
- VII. Apres Une Lecture De Dance (Fant Quasi Son)
Tracks:
- I. La Chapelle De Guillaume Tell
- II. Au Lac De Wallenstadt
- III. Pastorale
- IV. Au Bord D'une Source
- V. Orage
- VI. Vallee D'Obermann
- VII. Eglogue (Hirtengesang)
- VIII. Le Mal Du Pays
- IX. Les Cloches De Geneve
Tracks:
- I Gondoliera
- II. Canzone
- III. Tarantella
- Les Jeux D'eau A La Villa D'Este (No.4 Of Annees De Pelerinage, Troisieme Annee)
- Benediction De Dieu Dans La Solitude: (No.3 Of Harmonies Poetiques Et Religieuses)
- Ballade No.2 In B
Tracks:
- I. Preludio: Presto
- II. Molto Vivace
- III. Paysage: Poco Adagio
- IV. Mazeppa: Allegro
- V. Feux Follets: Allegretto
- VI. Vision: Lento
- VII. Eroica: Allegro
- VIII. Wilde Jagd: Presto Furioso
- IX. Ricordanza: Andantino
- X. Allegro Agitato Molto
- XI. Harmonies Du Soir: Andantino
- XII. Chasse-Neige: Andante Con Moto
Tracks:
- Zwei Konzertetuden: I. Waldesrauschen
- Zwei Konzertetuden: II. Gnomenreigen
- I. Il Lamento
- II. La Leggierezza
- III. Un Sospiro
- I. Andante Con Moto
- II. Un Poco Piu Mosso
- III. Lento Placido
- IV. Quasi Adagio
- V. Andantino
- VI. Allegretto Sempre Cantabile
- Reminiscences De Don Juan
Tracks:
- Reminiscences De Norma
- Totentanz (Danse Macabre)
- Malediction
- Fant On Hungarian Folk Themes
Customer Reviews:
Ethereal LIszt in Superb Sound.......2006-09-29
A great collection of Liszt treasures.......2004-01-12
Bolet won a Gramophone Award for his 1st book of Années de Pelerinage, which is not strange when listening to the recordings. This is a portrait of a man who's entirely on his own, looking for his soul while wandering trough the beautiful Switzerland - I can't say it better than B. Johnson already did. It's Romantic nonsense, of course, but in Liszt's days it was a common idea, and it can still sweep me away. Bolet's superior tonal colouring - beautiful, but not too far-driven, for the risk it would almost be too intimidating - and his peaceful nature lift this music to the greatest heights. My only complaint would be the `Orage' piece: Bolet's technique can't quite handle it, and its aggressive nature is much less overwhelming as a result. Nevertheless, the rest of the pieces show him at his very best. So does the second year of the Années (that is oddly placed in the set before the first year by Decca). The Dante Sonata, one of Liszt's greatest pieces, fares very well under Bolet's hands.
Equally excellent were the Schubert Song Transcriptions. The transcriptions aren't very different from the original songs, but they are definitely interesting. Especially when someone like Bolet takes them under his hands! All songs are terrifically played, with real standouts like `Auf dem Wasser zu singen', `Der Mueller und der Bach' and `Erlkoenig'. Bolet's romantic touch (he may have been the last of his kind) lets the music unendingly flow. Brilliant!
These comments also apply to Liszt's Consolations, which are placed on another disc. Liszt shows here how much he's in debt to Schubert, and wrote music of a disarmingly lyrical nature. Bolet gives almost naively innocent readings of these pieces. Talking about singing music, why not include the Liebesträume, `Venezia e Napoli' and many, many other pieces as well. Although some people still regard Liszt as a bombastic composer, he was in fact much more active on the spiritual and lyrical area. It is largely this nature of Liszt that is put into the spotlights by Bolet. He is really terrific whenever music ought to sound peaceful and meditative.
But Liszt was also a stunning virtuoso. People may eschew him for that, but that's often without any good ground. The B minor Sonata and the Transcendental Etudes, to give some names, are not only pianistically but also musically amazing works. It takes to be both a good technician and a musician to play them well, and this is where Bolet occasionally fails. He was over 65 when he made these recordings, and I can't help but say that his technique was not anymore what it used to be. In many pieces you can hear him struggle.
In what may be the most difficult music Liszt wrote, the Transcendental Etudes, Bolet takes tempi that are almost too easy (e.g. no.10 should be `Allegro molto agitato' but Bolet plays it very moderately), perhaps because his technique was by then too limited to give the pieces a really impressive treatment. Even then, I do feel a ertain nobility in Bolet's slow approach that gives every study a dignified stature (and that's something you won't find with Kissin or Cziffra!). The sonata is similarly noble and yet tremendously powerful in its scope, even though Bolet may lack some technial control at isolated spots.
Anoter treacherous piece is the `Reminiscences de Don Juan', which is a transcription of no less an opera than -of course- Don Giovanni! Bolet plays this 20-minute piece with a lot of humour and swing: it's a great way to clean up your mind! Also recommendable are the Etudes de Concert (e.g. Waldesrauschen), whose light spirit is very well captured.
A treasure trove set overall, I can recommend it without any limitations. There's no other composer that suited Bolet as well as Liszt, and the vice versa may be true as well. But the pianist also has his weaker points, particularly regarding his technique, that wasn't what it used to be. Oh, and the piano sound is not always equally convincing: the instrument sounds a little shrill at times. But there's an amazing amount of colour in the instrument, and it allows Bolet to reachfor the deepest, darkest sonorities you've heard. This collection is therefore not just THE best Liszt: there are many more pianists who made supreme recordings of him (e.g. Arrau, Brendel, Richter) and I definitely recommend searching them out as well. After you've heard this!
An excellent collection of Liszt interpretations........2003-12-03
Liszt for the ages........2001-12-05
It doesn't get any better than this.
After I heard throughout the seventies about this "unknown" great of the romantic repertoire, I was fortunate enough to see him for the first time about a month after he recorded the first issue of this now legendary Liszt series. While his technique may not have exactly been what it used to be before (e.g. Orage in Suisse of Les Annees), all the performances benefit from the wisdom of many, many years. While all the performances are of a uniform Olympic level, two issue stand out in my mind.
First, there is the cd of Schubert Liszt transcriptions. Bolet really sets the standards for "singing" on the piano. His version of "Der Muller und der Bach" has to be believed to be heard.
Most importantly though, there is "Suisse" the first year of Liszt's years of pilgrimage. I own this disc from the day it appeared on the shelves and still listen to it every month. Surely, there are more technically brilliant versions. For the true "Liszt Nuts", I would certainly advise Leslie Howard's version of "L'Album d'un voyageur", that contains the first version of many of the "Suisse" pieces, and some additional pieces that Frenz (for reasons that escape me completely) excluded from the later Suisse. Yet, nobody, not even Brendel or Berman, have come close to Bolet on delivering on the central theme of Suisse, man finding himself back in an exploration of nature.
While they stem from the earlier days of digital recording the recordings are still more than respectable and benefit greatly from Bolet's attention for color, aided by his favorite Bechstein.
Many of these recordings have not been available for a while. Get them before they're history!
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Carnaval
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026EN Release Date: 1990-10-25 |
Tracks:
- Carnaval: Variations Sur 'Le Carnaval De Venise'
- Carnaval: The Debutante (Caprice Brillant)
- Carnaval: Believe Me, If All Those Endearing Young Charms
- Carnaval: Grand Russian Fantasia
- Carnaval: Moto Perpetuo, Op 11
- Carnaval: 'Tis the Last Rose of Summer
- Tsar Saltan: The Flight of The Bumblebee
- Carnaval: Napoli -- Variations on a Neapolitan Song
- Carnaval: Fantaisie Brillante
- Carnaval: Sometimes I Feel Like a Motherless Child
- Carnaval: Valse Brillante
Customer Reviews:
World's best trumpet player.......2007-05-12
If you want to hear some very delightful music played by a most impressive instrumentalist, get this album.
Listening to this will make you realize the mediocrity of most of today's popular music. They don't grow people like Jean-Baptiste Arban any more.
Credit Wynton Marsalis.......2007-01-25
stylistically wrong.......2005-05-29
Wynton, Wynton, Wynton........2005-01-01
I met him once actually. In Alice Tully Hall, after a holiday concert. He stood on the stage towering over my dad, brother and I. He called us "the frontline", after my dad telling him we play the trumpet, trombone, and clarinet. What a cool guy.
Good, but not the best.......2004-11-28
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Italian Songs: The Digital Recordings
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MO14 Release Date: 2002-06-25 |
Tracks:
- Vieni sul mar
- 'O sole mio
- Tu can nun chiagne
- Santa Lucia
- Pecche?
- L'Alba separa dalla luce l'ombra
- Fenesta che lucive
- Mamma mia che vo' sape
- Musica proibita
- Core 'ngrato
- Luna d'estate
- Ideale
- 'A vucchella
- Vaghissima sembianza
- Tarantella sincera
- Senza nisciuno
- L'addio a Napoli
Amazon.com
As a follow-up to its Caruso 2000 release, RCA here offers us a remastered, implemented selection of Neapolitan songs recorded by Enrico Caruso between 1906 and 1920. The gimmick is again that the old recordings have been digitally stripped of their oompah, blaring instruments. In their place, the Vienna Radio Symphony Orchestra has provided modern accompaniment. It's still anachronistic--the voice remains in another acoustical era from the orchestra--but this time, the balance is a little better, and conductor Gottfried Rabl is amazingly sensitive to Caruso's style and phrasing. Moreover, of course, the pops and clicks of the old pre-electrical shellacs are gone. The voice retains its timbre and quality, thank goodness, and one can still marvel at the way the sound grew over the 14 years recorded here. It's always magnificent, but it became more baritonal and muscular with age, without losing any of its thrills. The "Ideale" from 1906 remains an exquisitely tender piece of singing; elsewhere, the sheer visceral excitement of the voice dazzles. Purists may not approve. Those unfamiliar with the Caruso phenomenon should hear him under any circumstances, and this is as good a chance as any. --Robert LevineCustomer Reviews:
An interesting abomination................2007-07-22
In Caruso's day, the performer sang into a large horn of the type shown in the old RCA ads, the microphone not being invented till 1925, four years after Caruso died. The sound was recorded on a wax disk, which was then used as a master. All of our attempts to listen to ancient records are, to some degree, artificial...I haven't seen a hand crank Victrola since I was a small child, well over 50 years ago. But this?!?....
I admit that this isn't like painting over an old master...the original recordings still exist. And I've already admitted that this is well done, in a technical sense. And about the voice of The Great Caruso there can, of course, be no question. Maybe I'm a traditionalist; I prefer to watch "It's a Wonderful Life" in black & white, I think pretty girls look prettier in dresses, and I'd rather see baseball played on grass. This isn't even like Richard Harwell abridging the works of Douglas Southall Freeman; that at least allows the reader with limited time and money to learn from the master. The original versions of these recordings are readily available, and take the same time to listen to.
We can play "what if" forever...could a modern doctor have cured George Washington? Of course. What would Bobby Jones do with modern golf equipment?? Sorry, Tiger. The originals of these landmark recordings represent the way listeners of Caruso's day heard him. It was state-of-the-art AT THE TIME.
Look, we live in America; the producer of this recording has an absolute right to make it, and you have an absolute right to buy it, enjoy it, and write a five star review of it, stating that I'm a stupid fool. That's the glory of America. Buy, and like, this record if you wish, but know what you are buying.
Caruso....re-emerged...or....re-submerged.......2007-02-15
On a personal note; it would have been an improvement had they NOT included "Vieni sul mar"; "L'Alba separa dalla luce l'ombra" and "Luna d'estate". "A Dream" would have been nice; also "I' m'arricordo e Napule" or, what I think is one of the best recordings of Caruso - Denza's "Si vous l'aviez compris" [ also Massenet's "Elegie" ], albeit they have piano/violin accompaniment, which would have presented a challenge to the engineers.
amazing technology.......2005-05-20
An Unexpected Pleasure.......2004-12-19
A certain fact has to be faced here. Caruso never made an electrical recording. No amount of filtering and doctoring can change that. The only way I can imagine that this barrier could ever be overcome is perhaps by computerized extrapolation of the frequencies his voice produced. A computer might some day be programmed to "figure out" from the original recordings the sound frequencies Caruso's voice produced but that the recording horn was too insensitive to record. Those frequencies could then be dubbed into the existing recording. However, it doesn't appear that technology is that advanced yet; perhaps it never will be. In my opinion, it doesn't need to be. All one really needs is a schooled ear to be deeply moved by the gifts, art, and technique Caruso exhibited on his original acoustical recordings.
Incidentally, I am both amused and appalled by individuals who doubt that he was the greatest male singer in the history of recording, perhaps of all time. Anyone who would suggest Mario Lanza's, John McCormack's, or anyone else's singing as more satisfactory isn't listening. Lanza wanted to be the next Caruso, but he was not Caruso, not even a pale imitation. Even Pavarotti willingly acknowledges that he idolizes Caruso. And McCormack was a completely different kind of singer.
The best way to enjoy Caruso, Italian Songs and even Caruso 2000 is to set them aside as seperate works of art, rather than expect them to be improvements over the original recordings. They're not. Caruso's voice is not reproduced as accurately as it is on original recordings played on the proper equipment in the proper environment, especially on Caruso 2000. But the beauty of his art and technique remains intact. It seems the recording engineers did less manipulation of the voice on this new CD; the voice is more faithful to the originals, but still not the same. It occurs to me that perhaps these recordings are best for those who cannot tolerate surface noise and Victor's almost exclsive use of wind instruments for the orchestra.
That said, the digital accompaniment added unexpected emotion, power, and drama to every piece. I was caught completely off-guard. The music on this disc had me in tears. Music is about emotions, and this disc overpowered mine. If the degree of emotion induced by a performance is the standard for its evaluation, then this disc rates five stars without question. And if this is the way more modern ears than mine must be introduced to the artistry of this great singer, let it be! The instrumentation and arrangements fit every selection, and the synchronization with Caruso's stylizing is nearly always perfect. I highly recommend this disc to budding opera and classical voice lovers as a worthy introduction to Caruso's artistry. And for the seasoned aficionado of classical voice, it is a refreshing, yet emotionally moving collection of great singing in its own right. Neither type of listener would be disappointed.
I was floored.......2004-02-14
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Trumpet Spectacular
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CW9 Release Date: 1990-03-15 |
Tracks:
- Napolitana con Variazioni
- Largo Al factotum
- Trumpet Voluntary
- Jesu, Joy Of Man's Desiring
- The Flight Of The Bumblebee
- A Carmen Fantasy
- Medley Of Famous Tenor Arias
- La Danza
- Traumerei
- Carnival Of Venice
- A Trumperter's Lullaby
- Chaconne
Customer Reviews:
It's not the "Tonight" show any more!.......2006-08-08
Trumpet Spectacular.......2006-03-22
The Best of Both.......2005-12-24
Amazing technic, but poor tone........2005-12-01
Doc at his best!!.......2005-11-26
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Vivaldi for Valentines: Romantic Interludes for the One You Love
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041ER Release Date: 1996-01-23 |
Tracks:
- The Four Seasons: (Winter): Largo
- Guitar Concerto in D: Largo
- Flute Concerto In D (II gardellino): Cantabile
- Concerto In C For Diverse Instruments: Andante molto
- String Concerto in G minor: Andante molto
- Concerto in D for 2 violins & 2 cellos: Largo
- Oboe & Violin Concerto in G minor: Larghetto
- Guitar Concerto in A minor: Laro
- Triple Violin Concerto in F: Andante
- Flute Concerto in F: Largo
- Viola d'amore Concerto in D minor: Largo
- Violin Concerto in E (II riposo): Allegro
- Oboe & Bassoon Concerto in G: Largo
- Violin Concerto No. 6 in B-flat: Largo
- Concerto in A for Guitar, Violin, Viola & Cello: Larghetto
- Violin Concerto in E (L'amoroso): Allegro
- Flute Concerto No.4 in G: Largo
- Violin Concerto in A (with echo violin): Larghetto
- Violin Concerto in C minor (II sospetto): Andante
- Double Oboe Concerto in A minor: Largo
- Concerto in G minor for the Dresden Orchestra: Largo non molto
- Violin Concerto in A minor: Largo
- Oboe Concerto In C: Adagio
- Flue Concerto No.2 in G minor (La notte): Largo
Amazon.com
Another installment in Philips's Set Your Life to Music series (which has included Mozart for Your Mind, Baroque at Bathtime, and Rachmaninoff for Romance, among others), Vivaldi for Valentines is loosely built around the aura of romance that Venice continues to evoke. Vivaldi captured it for all time in his music, inspired by the often melancholy beauty of his native city, one that has been known through the ages as La Serenissima. Along with such ultrafamiliar pieces as the "Winter" largo movement from The Four Seasons (in which the violin sighs a rapturous melody against sounds imitating a crackling, cozy fire) and the Largo of the Guitar Concerto in D--Vivaldi's slow movements, with all their gentle dreaminess, being given the limelight in this compilation--are many gems you've likely not heard before. The list of performers and approaches is too expansive even to mention but predominantly features performances by I Musici. It's hard to believe that Vivaldi's music, having sunk into oblivion, resurfaced again only a few decades ago. This is a pleasant compilation that makes a perfect entrée if you'd like to learn more about classical music--and Vivaldi in particular--than The Four Season. And, as for setting a romantic mood, this will give your mojo all the help it needs. --Thomas MayCustomer Reviews:
More of Vivaldi's great music........2001-08-24
Just great!.......2000-07-10
Heard "Four Seasons"? Want more? GET THIS!.......1999-03-16
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Dmitri Hvorostovsky - Passione di Napoli
Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QK14 Release Date: 2001-10-09 |
Tracks:
- Torna A Surriento
- Passione
- Maria, Mari'
- Core 'Ngrato
- Parlami D'amore, Mariu
- Non Ti Scordar Di Me
- 'O Sole Mio
- A Marechiare
- Voce'e Notte
- Dicitencello Vuie
- Comme Facette Mammeta?
- Musica Proibita
- 'A Vucchella
- Canta Pe' Me!
- Fenesta Ca Lucive
- Santa Lucia
- 'O Surdato 'Nnamurato
Customer Reviews:
Enjoyable CD.......2007-01-05
Different, and yet, Delicious Art.......2005-09-27
mal canto.......2002-08-28
If you want to hear what this repetoire is supposed to sound like, get the Testament discs of Giuseppe di Stefano.
ROMANCE.......2002-08-23
This album of Italian songs is just wonderful. If you don't find his singing beautiful, you have a heart of stone.
After a hard day at work, I come home and get a glass of wine and put Dmitri's Passione di Napoli recording on the stereo and once again my soul is restored!
All I can say is thank-you Dmitri Hvorosovsky!
Finally A Baritone!.......2002-03-27
Buy it! Also check out Thomas Hampson, Night And Day CD
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Complete Works for Solo Piano
Poulenc , and Parkin Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JN9R Release Date: 2002-10-22 |
Tracks:
- Suite For Piano In C Major: I Presto
- Suite For Piano In C Major: II Andante
- Suite For Piano In C Major: III Vif
- Adagietto (From Les Biches)
- Trois Mouvements Perpetuels: I Assez Modere
- Trois Mouvements Perpetuels: II Tres Modere
- Trois Mouvements Perpetuels: III Alerte
- Les Soirees De Nazelles-Suite For Piano: Preambule
- Les Soirees De Nazelles-Suite For Piano: Cadence
- Les Soirees De Nazelles-Suite For Piano: I Le Comble De La Distinction
- Les Soirees De Nazelles-Suite For Piano: II Le Coeur Sur La Main
- Les Soirees De Nazelles-Suite For Piano: III La Desinvolture Et La Discretion
- Les Soirees De Nazelles-Suite For Piano: VII Le Gout Du Malheur
- Les Soirees De Nazelles-Suite For Piano: VIII L'Alerte Vieillesse
- Les Soirees De Nazelles-Suite For Piano: Cadence
- Les Soirees De Nazelles-Suite For Piano: Final
- Intermezzo In A Flat Major
- Valse-Improvisation Sur Le Nom De Bach
- Trois Pieces: I Pastorale
- Trois Pieces: II Hymne
- Trois Pieces: III Toccata
- Badinage
- Napoli-Suite For Piano: I Barcarolle
- Napoli-Suite For Piano: II Nocturne
- Napoli-Suite For Piano: III Caprice Italien
Tracks:
- Humoresque
- Deux Novelettes: Novelette No. 1 In C Major
- Deux Novelettes: Novelette No. 2 In B Flat Minor
- Novelette Sur Un Theme De Manuel De Falla In E Minor
- Villageoises - Petites Pieces Enfantines: I Valse Tyrolienne
- Villageoises - Petites Pieces Enfantines: II Staccato
- Villageoises - Petites Pieces Enfantines: III Rustique
- Villageoises - Petites Pieces Enfantines: IV Polka
- Villageoises - Petites Pieces Enfantines: V Petite Ronde
- Villageoises - Petites Pieces Enfantines: VI Coda
- Improvisations: Improvisation No. 1 In B Minor
- Improvisations: Improvisation No. 2 In A Flat Major
- Improvisations: Improvisation No. 3 In B Minor
- Improvisations: Improvisation No. 4 In A Flat Major
- Improvisations: Improvisation No. 5 In A Minor
- Improvisations: Imrovisation No. 6 In B Flat Major
- Improvisations: Improvisation No. 7 In C Major
- Improvisations: Improvisation No. 8 In A Minor
- Improvisations: Improvisation No. 9 In D Major
- Improvisations: Improvisation No. 10 'Eloge Des Gammes' In F Major
- Improvisations: Improvisation No. 11 In G Minor
- Improvisations: Improvisation No. 12 'Hommage A Schubert' In E Flat Major
- Improvisations: Improvisation No. 13 In A Minor
- Improvisations: Improvisations No. 14 In D Flat Major
- Improvisations: Improvisation No. 15 'Hommage A Edith Piaf' In C Minor
- Deux Intermezzi: Intermezzo No. 2 In D Flat Major
- Deux Intermezzi: Intermezzo No. 1 In C Major
- Suite Francaise D'Apres Claude Gervaise: I Bransle De Bourgogne
- Suite Francaise D'Apres Claude Gervaise: II Pavane
- Suite Francaise D'Apres Claude Gervaise: III Petite Marche Militaire
- Suite Francaise D'Apres Claude Gervaise: IV Complainte
- Suite Francaise D'Apres Claude Gervaise: V Bransle De Chmpagne
- Suite Francaise D'Apres Claude Gervaise: VI Sicilienne
- Suite Francaise D'Apres Claude Gervaise: VII Carillon
- Presto In B Flat Major
- Melancolie
- Theme Varie: Theme. Tres Calme Et Sans Hate
- Theme Varie: I Joyeuse
- Theme Varie: II Noble
- Theme Varie: III Pastorale
- Theme Varie: IV Sarcastique
- Theme Varie: V Melancolique
- Theme Varie: VI Ironique
- Theme Varie: VII Elegiaque
- Theme Varie: VIII Volubile
- Theme Varie: IX Fantasque
- Theme Varie: X Sybilline
- Theme Varie: XI Finale
- Theme Varie: Coda. Molto Agitato
Tracks:
- Pastourelle
- Two Pieces From 'Les Biches': Rondeau
- Two Pieces From 'Les Biches':Andantino
- Feuillets D'Album: 1 Ariette
- Feuillets D'Album: 2 Reve
- Feuillets D'Album: 3 Gigue
- Piece Breve Sur Le Nom D'Albert Roussel
- Intermede
- Francaise
- Nocturnes: Nocturnes No. 1 In C Major
- Nocturnes: Nocturne No. 2 'Bal De Jeunes Filles' In A Major
- Nocturnes: Nocturne No. 3 'Les Cloches De Malines' In F major
- Nocturnes: Nocturne No. 4 'Bal Fantome' In C Minor
- Nocturnes: Nocturne No. 5 'Phalenes' In D Minor
- Nocturnes: Nocturne No. 6 In G Major
- Nocturnes: Nocturne No. 7 In E Flat major
- Nocturnes: Nocturne No. 8 'Pour Servir De Coda Au Cycle' In G major
- Valse In C Major
- Cinq Impromptus: 1 Tres Agite
- Cinq Impromptus: 2 Allegro Vivace
- Cinq Impromptus: 3 Tres Modere
- Cinq Impromptus: 4 Violent
- Cinq Impromptus: 5 Andante
- Bourree Au Pavillion D'Auvergne
- Caprice
- Promenades: 1 A Pied
- Promenades: 2 En Auto
- Promenades: 3 A Cheval
- Promenades: 4 En Bateau
- Promenades: 5 En Avion
- Promenades: 6 En Autobus
- Promenades: 7 En Voiture
- Promenades: 8 En Chemin De Fer
- Promenades: 9 A Bicyclette
- Promenades: 10 En Diligence
Customer Reviews:
wonderful music.......2007-07-03
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The Complete Caruso
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001TSWQO Release Date: 2004-11-09 |
Average customer rating:
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American Variations
Manufacturer: Klavier ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003M5O Release Date: 1995-08-22 |
Tracks:
- American Salute - Morton Gould
- Amazing Grace - Frank Ticheli
- Carnival Of Venice - Herbert L. Clarke
- Vars On 'America' - Charles Ives
- Fantaisie Original - Ermano Picchi
- Ser From 'The Student Prince' - Sigmund Romberg
- Ste Of Old American Dances: Cake Walk - Robert Russell Bennett
- Ste Of Old American Dances: Schottische - Robert Russell Bennett
- Ste Of Old American Dances: Western One-Step - Robert Russell Bennett
- Ste Of Old American Dances: Wallflower Waltz - Robert Russell Bennett
- Ste Of Old American Dances: Rag - Robert Russell Bennett
- Scherzo - Edwin Franko Goldman
- Napoli Vars - Herman Bellstedt
- 'Yankee Doodle' Fantasy Humoresque - David Wallis Teeves
- The Volunteer - Walter Togers
- March Of The Majorettes - Frank Simon
Album Description
British Euphonium virtuoso Brian Bowman joins Corporon and the CWS in over a century's worth of showpieces dating from 1878 to 1994.Customer Reviews:
Correction to Editor.......2003-10-23
College Music Education Student.......1999-11-26
It was great.......1999-06-20
Average customer rating:
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Liszt: Années de Pèlerinage, Vol. 2
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013TS Release Date: 1994-02-15 |
Tracks:
- deuxieme annee: italie (Second Year: Italy): Sposalizio (Marriage Of The Virgin)
- deuxieme annee: italie (Second Year: Italy): Il pensieroso (The Thinker)
- deuxieme annee: italie (Second Year: Italy): Canzonetta del Salvator Rosa (Canzonetta Of Salvator Rosa)
- deuxieme annee: italie (Second Year: Italy): Sonetto 47 del Petrarca (Sonnet 47 Of Petrarch)
- deuxieme annee: italie (Second Year: Italy): Sonetto 104 del Petrarca (Sonnet 104 Of Petrarch)
- deuxieme annee: italie (Second Year: Italy): Sonetto 123 del Petrarca (Sonnet 123 Of Petrarch)
- deuxieme annee: italie (Second Year: Italy): Apres une lecture du Dante, fantasia quasi una sonata (After Reading Dante)
- venezia e napoli (Venice And Naples): Gondoliera (Gondolier's Song)
- venezia e napoli (Venice And Naples): Canzone (Song)
- venezia e napoli (Venice And Naples): Tarantella
Customer Reviews:
Liszt's unrivalled piano compositions.......2006-08-28
Take the "Sposalizio," with its amorous poetry and romantic mood, capped off by an uplifting Lisztian conclusion. Jando plays it with purity and a refined touch. The "Il Penseroso" is probably the best overall delivery of this melancholy composition. While Berman and Bolet have their own unique style, Jando plays it quietly and with a morose sentimentality. When the lower bass must be explored, Jando does not *pound*, but he *pushes* into the keys to create a blanket of darkness. The "Canzonetta del Salvatore Rosa" is unfortunately not one of the most original or interesting of the set. It has its charms and rhythmic delight, but fails to say much else; it's not wholly bad but not impressive either. The "Sonnetto 47 del Petrarca" is a different story: This piece speaks volumes of tenderness and affection. The underlying melody is as captivating as a Chopin prelude or nocturne, and Jando emphasizes the exquisite Lisztian touch of dramatic passion.
The "Sonetto 104 del Petrarca" is another moving work of picturesque quality. It speaks like a love letter or poem, a sublime model of Liszt's effective romantic style. Chopin wasn't the only master; Liszt also delivers the most sentimental and rapturous bars of music here. Again, Jando plays with enthusiasm, yet never rushes to the end; he plays like he enjoys listening to the music. The last Petrarch "Sonetto 123" is the most lyrical of them all, summoning ecstasy and love-sick feelings from the piano. These, along with his Liebestraumes and Harmonies Poetiques et Religieuses are his fine contributions to the romantically-charged pieces in the Romantic piano literature. The music here, with its lovely emotions and embellished romance mingle together to create a breathtaking fresco.
A stark and mind-blowing contrast to the prior works occurs when Liszt's great Dante Sonata, or "Apres une lecture du Dante" opens with its ominous tritone octave chords. For those unfamiliar with this work: It is one of Liszt's masterpieces on piano, as original and inspired as his Sonata in B minor, and if I may say so, one of the greatest "Sonata's" in the Romantic era. Who else has achieved such artistic mastery of conjuring images like this? Liszt's work is one of visionary innovation and power: Tell me you don't imagine Hell with all the swirling and descending chromatic octaves, played with blistering force and dark emotions from Jando. Screams, pain, shadows, pummeling winds against the sinners, the dread that Dante feels: Liszt elevates Dante's great literary visions to the highest musical degree. When Hell's musical depiction is complete, Liszt attains an even higher level of imagery when he plays the "Francesa and Paolo" themes. If you listen carefully, you can actually *hear* Francesa speak, telling her sad story of doomed-love. Then, amazingly, the music convincingly portrays Dante's feelings regarding the tale. The gentle bars of nostalgic and gloomy music move back into the whirling tones of Hell, and the piece ends with a final glimpse of Heaven and the triumph of Dante's journey out of it. This is a monumental work that leaves me stunned. Those already familiar with this work know what I'm talking about, but I implore anyone who has not heard this to experience this colossal and extraordinary music. Jando, in my opinion, plays it better than Bolet's which is, unfortunately, the only version I'm familiar with besides Jando's.
The Venezia e Napoli here is of exceptional musical worth. I find all three pieces beautiful and enthralling. The "Gondoliera" is idyllic and mesmerizing, played with color and dynamism by Jando. The following "Canzone" is exotic and visceral. It follows the trend of being a murky and gray piece; played with just the appropriate tempo and emphasis of the theme on Jando's part. As a final thrilling encore, Jando performs the "Tarentella" with aplomb and virtuosic splendor. Ultimately, the piece is an explosion of electrifying rhythm and shattering ecstatic chords. Musically it provides excitement and interest; I love it.
Bottom line: Jando and Naxos have once again made a high-quality disc of excellence: the sound-engineering leaves nothing to be desired and the music is the best of its kind. Liszt's greatest piano compositions can be found here. While those already familiar with the works may not care to buy this (usually those familiar with Bolet or Berman like to stick to their guy). But those who have not yet heard this music from Liszt and/or are curious, I definitely recommend this recording, a disc that predominantly consists of masterpieces.
Good alternative to Berman, Cziffra, Bolet, et al........2004-02-05
Beautiful bargain Liszt.......2000-06-09
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