Once Mustafa Atatürk founded a secular state in Turkey in the 1920s, women's role in society was strengthened. Consequently, a flood of women entered music, notably as supper club singers. Nonetheless, it was a risky proposition, due to Islamic beliefs, for most women to perform in public. So the phonograph provided a way for women to contribute to Turkey's burgeoning, albeit overly-Westernized and sanitized (the flip side of Atatürk's influence) pop culture. These tunes, made between 1928-53, are traditional folk songs, religious classical, and light cabaret-style cantos. Whether backed by swelling, full groups or single instruments, these women could belt and balladize, in a wholly Turkish mixture of European and Middle Eastern styles. This is extremely rare, previously undocumented music; it's phenomenally moving, liberating stuff. --Mike McGonigal
The Women of Istanbul,Various Artists,Traditional Crossrds,Int'l & World Music,Istanbul,Pop,Turkish,World Music
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The Women of Istanbul
Various Artists Manufacturer: Trad. Crossroads ProductGroup: Music Binding: Audio CD ASIN: B000006OIG Release Date: 1998-06-09 |
Tracks:
- Konyalim - Faide Yildiz
- Dikmen Guzeli - Faide Yildiz
- Sen Bu Yaylalari - Zehra Bilir
- Helvaci - Zehra Bilir
- Gorunce O Dilberi - Fahriye Hanim
- Anam Olasin Omer - Fahriye Hanim
- Saatlerce Basbasa - Safiye Ayla
- Oglanin Davari - Safiye Ayla
- Develer Katar Katar - Safiye Ayla
- Sevda Zinciri - Suzan Yakar Rutkay
- Eminem - Roza Eskenazi
- Sigaramin Dumani - Muzeyyen Senar
- Gel Gel - Saadet Hanim
- Bakmiyor Cesmi Siyah - Hamiyet Yuceses
- Segah Gazel - Muserref Hanim
- Yetisir - Muserref Hanim
- Karsidan Gel Goreyim - Muserref Hanim
- Karsiyakah - Mahmur Handan Hanim
- Mumkun Mu Unutmak Guzelim - Perihan Altundag Sozeri
- Baglamamin Dugumu - Necmiye Ararat Hanim
- Nafile Gulme - Kucuk Nezihe Uyar
- Beni Unutma - Nedime
- Son Hatira - Nezihe
- Dus Ben Gibi Bir Aska - Sabite Tur Gulerman
Amazon.com
Once Mustafa Atatürk founded a secular state in Turkey in the 1920s, women's role in society was strengthened. Consequently, a flood of women entered music, notably as supper club singers. Nonetheless, it was a risky proposition, due to Islamic beliefs, for most women to perform in public. So the phonograph provided a way for women to contribute to Turkey's burgeoning, albeit overly-Westernized and sanitized (the flip side of Atatürk's influence) pop culture. These tunes, made between 1928-53, are traditional folk songs, religious classical, and light cabaret-style cantos. Whether backed by swelling, full groups or single instruments, these women could belt and balladize, in a wholly Turkish mixture of European and Middle Eastern styles. This is extremely rare, previously undocumented music; it's phenomenally moving, liberating stuff. --Mike McGonigalCustomer Reviews:
TRULY AMAZING!! A RARE AND INSPIRING CD!.......2004-06-21
Nice selection, wonderful gift for the Turcophile........2003-02-11
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