Senza Ali [Import]

1. Senza Ali

2. Save the World

3. Di Sole E d'Azzurro

4. Interstellare

5. Posto Migliore

6. Sole Dentro Al Cuore

7. Prima Di Domani

8. Canzone Degli Innamorati

9. Qualcosa Cambierá

10. Ho Bisogno Di un Sogno

11. Il Tempo

12. Il Mare Sconosciuto

13. Girasole Acoustica

Editorial Reviews

Product Description
New 2000 release from one of the most talented Italian vocalists of the 90's. This album was recorded in Minneapolis, Los Angeles and Rome with the participation of Michael Brecker and Herbie Hancock. Giorgia will perform the song written for her by Zucchero 'Di Sole E D'azzurro' during the 2001 edition of famous San Remo festival.

Tracks:

La Boheme: Si. Mi chiamano Mimi
Norma: Casta diva
L'Assedio di Corinto: Giusto ciel! In tal periglio
Sapho: O ma lyre immortelle
Semiramide: Serbami ognor... Alle piu calde immagini
Otello: Piangea cantando (Willow Song) -
Otello: Ave Maria
Herodiade: Il est doux, il est bon
Lucrezia Borgia: Tranquillo ei posa... Com'e bello!
Suor Angelica: Senza mamma
Rigoletto: Caro nome
La Sonnambula: Ah! non credea mirarti

Tracks:

La Traviata: E strano, e strano! -
La Traviata: Follie! Follie! -
La Traviata: Sempre libera degg'io
TOSCA: Vissi d'arte
Il corsaro: Egli non riede ancora!
Il corsaro: Non so le tetre immagini
Armida: D'amore al dolce impero
I Pagliacci: Qual fiamma avea nel guardo!
Roberto Devereux: E Sara in questi orribili momenti... Vivi, ingrato
Il Trovatore: D'amor sull'ali rosee
Stabat Mater: Inflammatus et accensus
Adriana Lecouvreur: Io son l'umile ancella
Anna Bolena: Al dolce guidami
Adelson e Salvini: Dopo l'oscuro nembo
I Vespri Sicillani: Arrigo! Ah, parli a un core

Customer Reviews:

A fab collection of the loveliest soprano voice ever!!!!!!!!!!!!!!!!!!!1.......2005-12-23

First off this two cd set is for the price of one,that is always great.Montserrat caballe is the star of this cdset,and she demonstrates all that is beautiful in singing,on ever track.Her ave maria from othello is included here.It is one of the best performed arias by caballe ever,she ends it with a heavenly piano top note.Also included is her magical casta diva from norma.Caballe sings all these arias with her legendary sound and breath control.On this set there are plenty of examples of long sustained notes,seemless legato,glorious high notes,and magically floated soft notes.Check out the cover to,there are some great photos of Caballe in opera costumes.These cds have great sound,and play for over two hours,too.

LA SUPERBA!.......2005-11-22

Montserrat Caballe is an amazing person and an amazing singer. In my opinion she has a more beautiful voice than Maria Callas. The high notes she reaches are just fantastic! Her Sempre Libera is the best ever! Her Ave Maria is stunning and her Vissi D arte is really moving. Her voice is so beautiful, it's as if it's an angels voice coming from her.

Madame Caballé is great!!!.......2003-04-06

This collection of Caballé's recordings is fantastic! Her soprano is the most beautiful that has been recorded. L. Price, Tebaldi, Ponselle, and a few others have gorgeous voices, but can any of those voices compare with Caballé's? Caballé's singing throughout is of the highest standard. Her "Ave Maria" is spectacular. "Vissi d'arte, vissi d'amore" has never sounded more beautiful. I love her "Non so le tetre immagini". Such beautiful singing does not come any better than this. Her "Caro nome" is disappointing. She is clearly not suited to this aria. "Inflammatus et accensus" is glorious. The later recordings are nice, but they are not the best Caballé has committed to disc. "Il est doux, il est bon" betrays a slight wobble in her otherwise still beautiful voice. "Dopo l'oscuro nembo" features very respectable soft singing from Caballé. This version does not do justice to Bellini's exquisite orchestration. For a version that does, check out Opera Rara's "The Collection: Volume 2". That version features competent singing from an inferior-voiced soprano, but the orchestra is ravishing. The one reviewer who mentioned the aria from "I Vespri Siciliani" as having "fioriture effects Berio could sign on to" is incorrect. The aria included here is not "Mercè, dilette amiche". That aria is more famous and much more florid than the aria included in this collection, "Arrigo, parli a un core". By the way, Caballé performs this aria ravishingly well. This is a superb testament to one of the all-time greats in opera.

Amazing collection!.......2003-04-05

I will write this review objectively, but I will not avoid praising Caballé when praise is due.

First off, this compilation is amazing! I have always thrilled to hearing Caballé's voice and this compilation is no different. I am amazed at Caballé's instrument; such extraordinary purity combined with great power! Even when she sings pianissimo, she can be clearly heard! Her voice literally fills up the room. These arias really show off her remarkable voice. Of special note is her rendition of the hauntingly beautiful "Non so le tetre immagini". Amazing! Her "D'amor sull'ali rosee" is exquisite, but she sings it too softly. Her trill is quite weak. Voices like hers don't respond well to being forced to trill. The tracks from the 1990's show off the remarkable preservation of her voice. The voice retains its purity and beautiful timbre, but is now heavier and darker. "Sempre libera" is not that good. Her coloratura is not up to par with Verdi's demands and she cannot hit the high E-flat at the end. However, she sings the main part of Violetta's aria very well, with supple, gorgeous tone and ravishing pianissimos. "Ah! non credea mirarti" is ravishing, but it is missing its energetic cabaletta. Presumably, it was cut because Caballé could not deal with the coloratura. Caballé's legato lines in this aria are superb. Her version of the "Lucrezia Borgia" Prologue is masterful. Elizabeth's last aria from "Roberto Devereux" is noble and touching. She is not quite Sills, but that aria benefits from a spinto voice instead of a soubrette one. Her aristocratic phrasing is very well used throughout the selections, with a few exceptions. Her "Willow Song" is beautiful, first time on CD. However, she fails to completely show Desdemona's despair. Some parts were good, but the whole thing failed to touch the heart. Her phrasing here is too indulgent. I have to say that I prefer Sutherland's touching version on her "The Art of the Prima Donna" recording. However, I loved "Ave Maria". Caballé sounds most beautiful when singing softly and this selection really shows her in the best light. Her cadenzas are intoxicatingly beautiful. "Caro nome" is not really her aria. The coloratura is suspect and some of the staccati are replaced with upward flourishes. She avoids the last short passage of staccati. Her phrasing in this aria is way too indulgent and she really fails to suggest Gilda's innocence. Even Sutherland is better at portraying Gilda's girlish qualities. Her "Armida" aria has some nice coloratura. She does the runs really well and is fearless in the triplet passages. For some reason, she does not sing the second "fronde" in the first line of the third stanza nor does she sing the last line of this stanza, "i muti abitator". She also does not sing the last line of the fifth stanza, "il tempo vorator". Caballé's first recorded version of "Vissi d'arte, vissi d'amore" is included here. This just may be the most beautiful version of this aria ever recorded. It certainly is Caballé's best version of the aria. The climax is handled in one breath by Caballé. She diminuendos the big high note twice in the same breath. Amazing! The rolling of the "r" in "Signor" after the last diminuendo is quite nasal and reminds us that the sound we are hearing is coming from a human throat. It also shows that these diminuendos are natural and not studio produced. She infuses Tosca's aria with real feeling and piety. The compilation ends with a knockout reading of "Arrigo, parli a un core". Caballé is at her best in this aria. She sings softly to stunning effect. This version may be the most beautiful of this particular aria ever recorded. RCA has done Caballé justice with this wonderful collection. Caballé is truly a remarkable artist with a million-dollar voice. Brava!

Cannot be called an "ultimate" collection.......2003-02-05

This is a prime example of the a major recording label being fickle with the goods, in order to force you to continue buying other recitals and full-length studio recordings. Of course, any Caballe fan would already want to own those other recordings anyway, so the point is moot.

Other reviewers here have cried out against the exclusion of one of her most essential and artistic roles, Imogene from Il Pirata. I would like to emphatically express the same. In fact, I would even have settled for the exclusion of Casta Diva, in favor of Col Sorriso di Innocenza.

Some other stellar recordings not represented her are the Sleepwalking Scene from MacBeth, and Pace, Pace Mio Dio from La Forza del Destino. Also worth mentioning is her O Patria Mia from Aida. She might not be Leontyne Price or Martina Arroyo, but she gives a superb reading of this wonderful aria.

Of course, brevity does require some editing- a true "Ultimate" Caballe collection would span four or five CDs, at least- but to include late-career and less-than-best selections at the expense of others is a crime.

Customer Reviews:

Essential Performances from a Great & Beloved Singer.......2004-01-09

For those of us who grew up on Janet Baker's recordings (and were lucky enough to hear her "live" as well), the sound of her voice and her singular artstic personality - British restraint coupled with fierce emotional and spiritual commitment - are indelibly imprinted in our minds and hearts. The closest current equivalent is Lorraine Hunt Lieberson, another superb artist who has charted her own course, and not surprisingly there is some overlap of repertoire, in the music of J.S. Bach, of course, but also Berlioz's Didon and Beatrice, Handel's Ariodante and Britten's Phaedra (composed for Baker).
This wonderful compilation is complementary to EMI's 2-CD "The Very Best of Janet Baker" -- no overlap of repertoire whatsoever. Unlike that set, which focused on concert repertoire (with orchestra or piano) there's a generous sampling here of Baker's operatic roles including Handel, Mozart, Purcell, Rameau, Gluck, and Britten. Also welcome is "Phaedra," one of Britten's strongest late works. And it's good to have the Berlioz: "Cleopatre" and "Herminie" complete, the big aria from "Beatrice et Benedict." (Why EMI included nothing from her recording of the last 2 scenes of "Les Troyens" is unfathomable.) The wide time-span allows us to hear Baker's voice in all its youthful, "sappy" warmth, as well as in its artistic maturity (though truth to tell she was pretty much a complete artist from the start). There are a few signs of wear in later items, nothing serious, in fact rather less than I remembered. I could have done with fewer of the "Arie Amorose" in favor of more cuts from her Gluck LP, which I believe has never been issued complete on CD, but that's just personal preference. The focus here is entirely on orchestrally accompanied works (or, in the case of the marvelous early disc of Ravel, Chausson & Delage songs, with chamber ensemble) so for Baker the supreme interpreter of English, German and French song you'll need to go elsewhere (the EMI has a fair sampling, especially of her Schubert). But everything here is indispensible.

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The Incomparable LEONTYNE PRICE: "The Stradivarius of Singers"!!
Leontyne Price: The Ultimate Collection
The true prima donna asoluta
Fabulous singing, Overblown orchestras
Fabulous!

Leontyne Price: The Ultimate Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Rediscovered (Dig)
Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
Verdi: Aida/Il trovatore/Puccini: Madama Butterfly/La Rondine/Tosca/Turandot
In Concert

ASIN: B00000J912
Release Date: 1999-05-25

Tracks:

Aida: Ritorna vincitor
Turandot: Signore, ascolta
Le nozze di Figaro: Porgi amor
Madama Butterfly: Un Bel Di
Manon: Adieu, notre petite table
Manon Lescaut: In quelle trine morbide
Dido & Aeneas: Thy hand...when I am laid
Il Trovatore: Che piu... Tacea la notte ...Di tale amor
Les Nuits D'ete: Sur les lagunes
Porgy & Bess: Summertime
La rondine: Chi il bel sogno
Carmen: Habanera
La forza del destino: Son giunta...Madre.
Vier letzte Lieder: Im Abendrot
Ariadne auf Naxos: Es gibt ein Reich

Tracks:

Aida: O Patria Mia
TOSCA: Vissi d'arte
Turandot: Tu che di gel cinta
Le nozze di Figaro: Susanna
Il Trovatore: Siam giunti
Un Ballo in Maschera: Morro ma prima in grazia
Carmen: Sequidille
Il re pastore: L'amero
Don Carlo: Tu che la vanita
Suor Angelica: Senza Mama
Anthony and Cleopatra: Give me my robe
Madame Butterfly: Tu? tu?
La forza del destino: Pace, pace mio Dio

Customer Reviews:

The Incomparable LEONTYNE PRICE: "The Stradivarius of Singers"!!.......2006-08-14

This collection is a wonderful, affordable, and welcome overview of one of Opera's greatest and beloved aritsts:the phenomenal American Superstar soprano LEONTYNE PRICE.

For those Opera-lovers who first encountered Ms. Price's magical vocalism from the recording studio, this collection includes the the entire legendary "Blue Album" which many operaphile consider to be one of the finest recordings ever. The selections gathered here vividly demonstrate the reason why Leontyne Price is regarded as the supreme VERDI soprano of her generation (30 years to date) a renowned PUCCINI specialist, and one of the greatest artists of all time. Recorded in the early 60's, Ms. Price's instrument was, in her own words "a juicy lyric". The intrinsic lyricism of her voice was aligned to warm, lustrous tone that pulsated in the middle voice, yielded a dark, uniquely sensuous sound in the lower regions, and gleamed with a distinctive, fast, liquid vibrato in the upper voice. That unique vibrato was elemental to this diva's ability to infuse Verdi and Puccini's most dramatic phrases with surging power (without pushing), and still produce lovely pianos in alt - soaring there with an ease that was singular to her, and that continued to her retirement in the 2002. Elsewhere the listener is treated to the rewards of Ms. Price's natural vocal evolution, wherein her voice developed into a full spinto with the middle throbbing, creamy, and lush, the low voice alternately chesty or breathy, slightly weaker -but retaining its smoky quality. It is in her upper voice, already superb, however, that Ms. Price revealed the rewards of maturation. The upper voice became rounder, less vibrant perhaps but refulgent with greater strength at the top, meeting the out-sized demands of STRAUSS and WAGNER (missing in this compilation) amongst others, while spinning out soft, exquisite pianos, and luxuriating in the long phrases of any number of composers, not the least of which were MOZART, VERDI and PUCCINI.

Leontyne Price recorded arias and scenas from every standard repertory VERDI opera with few exceptions (Nabucco/Luisa Miller/Vespri/Falstaff) in superlative fashion. Her onstage roles included the "Il Trovatore" Leonora, the role of her sensational MET debut (that resulted in a record 42 minute ovation), thrice recorded by her, and a signature role throughout her career. The selections on this recording were culled from her first complete recording of the opera. Here Ms. Price soars effortlessly to the heights repeatedly in "Tacea la notte", and sings the cabaletta fluently. "D'amor sull ali rosee" (once the sole property of Ms. Price's Verdian predecessor Zinka Milanov) is enhanced by the soprano's expert trills, musical nuances, and the glorious vibrato that carries her gossamer tones to the floated high C in alt. She was also the leading interpreter of Verdi's other Leonora -di Vargas- in "La Forza del Destino" which the diva recorded twice. There is also a Live MET performance available on DVD, recorded when the diva was nearing her retirement from Opera. (The two selections here also hail from her first complete recording of this work) "Son giunta!...Madre pietosa Vergine" is one of Verdi's most demanding scenas for soprano, but THIS soprano was a mistress of Verdian sweep, and supplies a wealth of dynamic shadings that illustrate the desperation of the hapless Leonora. Ms. Price produces silvery, vibrant, pulsing tone with amplitude that rises to the forte climaxes, riding them without overpowering the orchestra. This role was one of her most riveting potrayals from a dramatic viewpoint. The second "Forza" aria is the great lament "Pace, pace mio Dio" and is synonymous with Leontyne Price to this day. The diva sang this aria onstage more often than any other Verdi aria throughout her long career. Here she infuses the music with sorrow and despair, her voice in service to the text, and caps the aria with her stirring cries of "Maledizione!!" on a sustained forte high Bflat. Ms. Price's successful outings as Amelia are represented by the Act II aria "Morro, ma prima in grazia" from her stellar complete recording of "Un Ballo in Maschera". She sings the aria in a hushed, somber manner, climaxing on a brilliant high C, and with a lovely diminuendo at its end. One of the several operatic roles Ms. Price sadly did not assume onstage was Queen Elisabetta from "Don Carlo". We must be grateful for her warm, glowing, majesterial account of "Tu che le vanita", replete with burnished, opulent tone throughout. The leading newspaper of Italy said of Ms. Price that "..our great Verdi would have her the ideal Aida" and that sentiment has been adopted the world over. The "Aida" selections here are the first ones recorded by the American diva, and remains a revelation. In "Ritorna vincitor" the soprano's lyric instrument is indeed "juicy", declaiming her fierce opposition to the Egyptian invaders of her Ethiopian homeland with energetic and powerful vocalism. She then masterfully delineates the young princess' dilemma with fervent and youthful passion, ending with a prayerful "Numi pieta" suffused by warm, sable-colored tone. "O Patria mia" is another of Ms. Price's most revered performances, indeed the aria that garnered her a (5) five minute ovation on live television at her "farewell to Opera" performance in the same opera. The soprano injects Aida's farewell to her homeland with rich, smoky, plangent tones that rise effortlessly to a shining high C that bedeviled some of her most illustrous rivals, and would be bettered in the future only by the wonderful Spanish soprano Montserrat Caballe - and Ms. Price herself!!

Leontyne Price performed the veristic music of PUCCINI onstage in a number of his operas that included "Manon Lescaut"/"Tosca"/Madama Butterfly"/"La Faniculla del West"/"Il Tabarro"/ and "Turandot", albeit with less frequency than with Verdi. She brought a luminous, womanly quality to all of the composer's music. Here, she sings with particular intensity and emotion as the geisha girl Cio-Cio San (her favorite Puccini role)and offers limpid, melting tone as the fiery Roman prima donna Floria Tosca -the complete opera twice-recorded and highly-acclaimed. Puccini's music for the doomed Chinese slave-girl Liu are exquisitely sung, while "In quelle trine morbide" and "Senza mamma" benefit from the voluptuous, sensuous vocalism of the more mature Price. The most outstanding qualities of this diva in Puccini's music was a femininity and humanity, inherent in all of her singing, but most pronounced with this composer. She also fearlessly sang his highest phrases with a vocal splendor and freedom unrivalled by anyone, nowhere more than as the tragic Butterfly. However, until she retired from public singing, one aria remained a trademark for this diva: Chi bel sogno di Doretta" from Puccini's rarely performed operetta "La Rondine". The performance here was her first recording of it, and is a classic in its own right. Ms. Price's voice shimmers throughout, singing the high C with astonishing purity, and caressing, velvety tone elsewhere.

MOZART's operas also brought deserved glory to Ms. Price. Her plush-toned voice was considered to be almost too rich for some early in her career. This was amply belied by the rapturous reception her onstage performances brought her, most notably as Donna Anna, the leading lady of "Don Giovanni", ironically not included in this collection. Another aria Ms. Price enjoyed singing in concert, "Come scoglio" ("Cosi Fan Tutte") is missing here as well, though she performed the role of Fiordiligi at the MET. The soprano never performed in "Le Nozze di Figaro", but sang the scena "Dove sono" often in her live concerts, understandably, because of the smooth, elegant vocalism she lavished on this music. It is truly a pity that she didn't either record or perform the entire role. "Porgi amor" (also from Le Nozze) and "L'amero" (Il Re Pastore) were extracted from a Mozart aria recording, and are well-sung, if not as memorably as other Mozarteans.

It is good that RCA included several French selections, for Ms. Price's talents were marvellously well-suited to the Gallic idiom. Leontyne Price sang the leading role of Madame Lidoine in the American premiere of POULENC's "Dialogues des Carmelites", a few performances of MASSENET's "Thais" onstage (both sadly missing from this compilation) in addition to her celebrated recordings of BIZET's "Carmen" and BERLIOZ's song cycle "Nuits D'ete". She lent a deliciously silken tone to the more nuanced passions of the French repertoire. The "Carmen" excerpts are exceptionally vivid in Price's hands, successfully capturing the earthy, sultry qualities of one of Opera's more mercurial creatures. Ms. Price's lower register is richly displayed in the Berlioz song, while Manon's wistful, poignant "farewell" is sung with delicacy and shimmery tone.

The German wing is represented by music that Ms. Price sang onstage, and recorded as well. While the diva recorded Richard STRAUSS' entire "Four Last Songs" song cycle as well as the title heroine in a complete opera recording of "Ariadne auf Naxos" , the listener gets a good sampling of the potency, range, and the "dunkel" qualities she brought to this music. Fortunately, there is a CD of Richard Strauss arias sung by Ms. Price mid-career that is impressive in its breadth, and vocally sumptuous.

Versatility was a Price by-word. In the recording studio she stylishly performed the music of composers that ranged from the early music of PURCELL's "Dido & Aneas" to the 20th Century musings of Samuel BARBER, who wrote the opera "ANTONY & CLEOPATRA" for Ms. Price to open the New MET in 1966 - another historic milestone. Both selections included here are superbly rendered by the artist. The "Dido" aria is sung with a fuller, richer tone than is usually associated with this period (though it should be noted that two great Wagnerian sopranos Kirsten Flagstad and more recently Jessye Norman have been much admired in this music), but with no loss of style, her vibrato evoking pathos and beauty in this plaintive music. The "Antony" scena is sung with all of the majesty, seductive guile, and courage of Cleopatra, one of history's most storied women - and Ms. Price shines in this music written expressly for her voice. RCA also includes the diva's inimitable performance of "Summertime" the opening aria of GERSHWIN's American opera "Porgy and Bess".

This compilation is a superb introduction to the glories of this magnificent artist for a neophyte...and a treasure trove of musical excellence for the connoisseur of great voices, and they come no greater than America's diva assoluta soprano LEONTYNE PRICE.

Leontyne Price: The Ultimate Collection.......2005-07-20

This was the first time I ordered anything from you. I was very happy with my selection. Delivery was fast and accurate, I immediately played my CD and have enjoyed it since.

Rolande M. Collins

The true prima donna asoluta.......2002-05-23

Ms. Leontyne Price is the quentisential diva. I fell in love with her when I started studying music at the conservatory level. Her phrasing, tone, quality, and endless range are breathtaking. This CD features selections from when she was vocaly at her best. Even though I could go without the Ariadne and Cleopatra, the rest of the CD is simply marvelous. I cannot stop listening to D'amor sull'ali rosee, which I think is the best interpretation and performance of the piece that I have ever heard!!! I prefer Price over Sutherland, Caballe, Freni, and Fleming any day. Her high tones give you the feeling of floating on clouds. This is one of the best CD's in my entire classical/Opera collection. Whoever purchases this CD, it will be worth your while.

Fabulous singing, Overblown orchestras.......2002-04-10

When I was first getting interested in opera, during the late 1960s - early 1970s, Leontyne Price was still singing at the Met, but I could never get a ticket because she only sang five performances a year (later, three). She said this was to "preserve" the voice but, as I learned from those who actually did hear her in person, her mid-range was deteriorating at that time until it was practically inaudible (though her high notes and lower range still sounded great). Also, to be honest, as a youngster I was put off by the promotion of her albums...all those fancy pictures of her in diamonds and furs just seemed so ostentatious to me, and listening to her on records was not always a pleasurable experience. Her voice so often sounded swamped by those loud, blaring, overblown orchestras.

But then I heard a remastering of the famous 1961 "Aida" with Vickers, Gorr and Merrill, and I realized how great a singer she was. That's when I started listening more seriously, and discovered a soprano who had a thorough command of her voice from the late '50s to the late '60s, not only in terms of vocal color but also in terms of phrasing. Listening to Price in her prime is incredible...she almost sounds as if she never breathed, her phrasing is so beautifully bound and poised. At the same time, however, I was disappointed by RCA's choice of partners for her on recordings. ...

This set goes a long way towards restoring the legend. Stripped of her sub-par partners (with the exception of Corelli's belting in the "Seguidilla" from "Carmen"), one can listen to Price's voice uncompromised, and it is a thrill. Even when the orchestra sounds detached and uninteresting, as it often does, Price seems to be on an entirely different wavelength, giving out with passion and great musicality. As for the selections chosen, they represent an excellent cross-section of Price's best work, even though the Purcell and Berlioz sound awfully heavy by today's standards and I can live without the "Anthony and Cleopatra" selection or the Strauss song.

One caveat I have is the lack of discographical information. No dates, orchestras or conductors are given. This is a grave injustice, even though the backup does not always meet expectations. On the plus side, all of the legendary "blue album" (her first recital discs for RCA in 1961) is presented complete, including the two selections from the July 1959 "Il Trovatore" that were on that LP...and in MUCH better, more focused sound. For this, and the heavy orchestral sound, I give the set only 4 stars...but for the singing alone I would give it eight!!

Fabulous!.......2002-01-19

The only alternative to Joan Sutherland. An equally gorgeous and fabulous voice. A true diva that puts me to tears. Sensational recital of so many gems.

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The Voice of Opera

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Voice Of Mozart

ASIN: B000095J8C
Release Date: 2003-05-13

Tracks:

L'Elisir d'Amore: Una furtiva lagrima - Giuseppe Di Stefano
Una voce poco fa...Io sono dolcile - Teresa Berganza
Largo Al factotum - Thomas Allen
La Cenerentola: Nacqui all' affano...Non pi? mesta - Teresa Berganza
Semiramide: Bel raggio lusinghier - Dame Joan Sutherland
Die Zauberfl?te, K 620: Der H?lle Rache - Luciana Serra
Don Giovanni, K 527: Il mio tesoro intanto - Francisco Araiza
La clemenza di Tito, K 621: Parto, parto, ma tu ben mio - Anne Sofie Von Otter
Cos fan tutte, K 588: Soave sia il vento - Anne Sofie Von Otter
Orfeo ed Euridice: Che faro senza Euridice? - Derek Lee Ragin
L'Orfeo: Lasciate i monti - Monteverdi Choir
Hippolyte et Aricie: Quel biens! Je fremis quand j'y pense - John Shirley-Quirk
Rinaldo, HWV 7: Armida dispietata...Lascia ch'io pianga mia cruda sorte - Bernadette Greevy
Nabucco: Va, pensiero - Berlin Deutsche Oper Chorus
Norma: Casta diva - Dame Joan Sutherland

Tracks:

Aida: Celeste Aida - Jon Vickers
La forza del destino: Pace, pace, mio Dio - Rosalind Plowright
Boris Godunov: Ugh, it's oppressive 'Clock Scene' - Konstantin Pluzhnikov
Lakm?: O? va la jeune indoue? 'Bell Song' - Dame Joan Sutherland
Le Roi d'Ys: Vainement, ma bien-aim?e [Aubade] - Alfredo Kraus
Samson et Dalila, Op. 47: Mon coeur s'ouvre ? ta voix - Marilyn Horne
I Pagliacci: Recitar!...Vesti la giubba - Jos? Cura
La Boh?me: Quando m'en vo' soletta 'Musetta's Waltz' - Renata Tebaldi
Madama Butterfly: Un bel di vedremo - Renata Tebaldi
Fedora: Amor ti vieta - Luciano Pavarotti
Die Walkure: Ho-jo-to-ho! - Marie Collier
Die Meistersinger von Nurnberg: Selig wie die Sonne (Quintet) - Placido Domingo
Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt - Regine Crespin
Porgy and Bess: Bess, you is my woman now - Roberta Alexander
Peter Grimes, Op 33: Now the Great Bear and Pleiades - Sir Peter Pears

Average customer rating:

Tebaldi at her best!
Tebaldi the Great
A legacy for the ages!
Best Collection
Modified rapture

La Tebaldi

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Best of Tebaldi
Very Best of
Verdi: Il Trovatore
Grandi Voci: Renata Tebaldi
La Boheme

ASIN: B0000041Y8
Release Date: 1991-08-09

Tracks:

Madama Butterfly: Un bel dvedremo
La Boheme: Si, mi chiamano Mimi
TOSCA: Vissi d'arte
Mefistofele: L'altra notte
Aida: Ritorna vincitor
Otello: Mia madre aveva...Piangea cantando...Ave Maria - Verdi
Il Trovatore: Siam giunti...D'amor sull'ali rosee
Verdi: Pace, pace, mio Dio!
Guglielmo Tell: S'allontanano alfine!...Selva opaca
Adriana Lecouvreur: Ecco, respiro appena...Io son l'umile ancella
Cecilia: Grazie sorelle

Tracks:

Gianni Schicchi: O mio babbino caro
Suor Angelica: Senza mamma, o bimbo
Andrea Chenier: La mamma morta
La Wally: Ebben?... Ne andro lontana
Don Carlo: Tu che la vanit
Un Ballo in Maschera: Ecco l'orrido campo...Ma dall'arido stelo divulsa
Un Ballo in Maschera: Morro, ma prima in grazia
Giovanna d'Arco: Oh ben s'addice...Sempre all'alba
Turandot: In questa reggia
La Gioconda: Suicidio!
La rondine: Sogno di Doretta
Cavalleria Rusticana: Voi lo sapete
L'arlesiana: Esser madre e un inferno

Customer Reviews:

Tebaldi at her best!.......2007-04-07

I'd highly recommend these CDs!They have a little of everything. They'd make an excellent addition to anyone's opera collection. Her voice is etherial!

Tebaldi the Great.......2007-02-19

Renata Tebaldi is one of the glorious voices of the past half century. Recordings here come from the 1950s and 1960s. She had a sumptuous spinto voice, clearly manifest on this 2 CD set. Here are some of her "greatest hits." As would be expected, the repertoire of Puccini and Verdi is heavily represented here.

She "leads off" with "Un bel di" from Puccini's "Madame Butterfly." Her voice brings life to this aria; her characterization is right on. At the point, where the volume of her voice increases, the sound remains lush; there is no bleating or ugliness in her singing.

There follow two more classic Puccini arias that Tebaldi does justice to. "Si, mi chiamano Mimi" from "La Boheme" is a wonderful version of this work. She captures the poignancy in Mimi's character. Her work here can probably justly be termed "iconic." In short, this is a ravishing turn by "La Tebaldi." So, too, is her take of "Vissi d'arte" from "Tosca." One can understand the enthusiasm of her claque at La Scala as one listens to her singing. Her rich voice fits these roles nicely; her characterization is well rendered. Her version of "Ritorna vincitor" from Verdi's "Aida" is also well done. Her voice richly captures the character and fits the music well.

Verdi and Puccini are not the only composers represented on this 2 CD set. Also recorded are her singing Boito ("Mefistofele"), Rossini ("William Tell"), Cilea ("Adriana Lecouvreur"), Giordano ("Andrea Chenier"), Catalani ("La Wally"), and so on. Once more, the selection of music in this set well represents her body of work.

All in all, a satisfying selection of "the greatest hits" of Renata Tebaldi. The "liner notes" conclude by referring to her as possessing "a perfect voice of bewitching beauty." I'm not sure that anyone can achieve perfection (the statement has a bit of hyperbole); nonetheless, her voice is ravishing as already noted. Those interested in her recorded oeuvre would be well rewarded by acquiring this work. The CDs serve well to introduce "La Tebaldi" to those who may not have heard her before. Such listeners will be richly rewarded by that introduction.

A legacy for the ages!.......2001-02-23

Perhaps the greatest spinto and certainly among the greatest sopranos of all times, with an extremely powerful, amazingly beautiful instrument, Renata Tebaldi on this set heard in some of her best moments! I will not repeat comments on her beautiful voice since it often overshadows the pathos with which she performed each role. To me, she knew exactly where to draw the line between acting and singing. Not too much to become annoying, not too little to become boring. This compilation also shows how versatile this soprano was, with repertoire ranging from Puccini and Verdi to Rossini and even Wagner (though no Wagner aria is heard on this particular double cd). In her early years she also performed Mozart roles!

Her Puccini arias will make the most demanding listener cry. Her verdian heroines, enriched with her personal touch, are of exceptional value. Her Desdemona (Otello), Donna Leonora (Forza del destino) and Aida stand perhaps out. Her many verisimo roles sooo moving, full of sorrow and pain, exactly how they are supposed to sound. Just listen to "La mamma morta"! An unsurpassed shocking experience! A previous reviewer (F.W.Barton) correctly mentioned that not all moments are from her complete studio recordings, so this is a unique chance to enjoy alternative Tebaldi performances. Strongly recommended!!!!

Best Collection.......2001-01-11

If you love the warmth and power of Renata Tebaldi then this collection is for you. This has Two CD's of her best works. My favorites are her "o mio babbino caro" her tosca which isnt as dramatic as callas but has a vocal warmth in that aria that makes her voice so perfect for the aria. Another soothing aria would be her Un del di from Butterfly what sweetness and amazing finish to that aria!!! Her amazing power was noticed in La mamma morta and In questa reggia ( which was sooo good that it made me wonder WHY DIDNT SHE SING THIS ROLE ON STAGE) oh and of course her Suicido was also very well done.....Renata Tebaldi was without a doubt one of the best of the century...and this collection proves it.

Modified rapture.......2000-04-24

I bought this collection of Tebaldi's Decca recordings with the hope to experience some great singing. However, I can't help feeling a bit disappointed in the end. There are some thrilling performances here, for example, the dark, passionate renditions of the arias from La Gioconda and L'arlesiana, but overall, the achievements are rather uneven. Tebaldi certainly possesses a most beautiful and powerful voice, something to take bath in. Yet, she evinces little of the psychological insights, intense pathos and interpretive individuality of Claudia Muzio, Meta Seinemeyer, Maria Callas and Leonie Rysanek. Compare her performance of 'Ma dall'arido Stelo divulsa' from Verdi's 'Un Ballo in Maschera' with that by Leonie Rysanek (On RCA Living Stereo): The aria is magnificently vocalised by Tebaldi, but it is Rysanek who effectively combine vocal opulence with dramatic insights, evincing Amelia's exteme desperations. Perhaps Tebaldi was constrained by the restrictions and protocols of recording studios and unable to realise her full dramatic potentials --- in this case she is best heard on live recordings where we could experience her in full flight. Furthermore, the 1964 Come back album items on the second disc demonstrate a voice that has lost much of its pristine freshness and youthfulness, even though there are exciting things to hear. Still, the beauty of the voice and the sincerity of utterances are there for us to experience. For ardent Tebaldi fans, this is definitely a must, but for those looking for truly great singing and acting, you might want to look elsewhere for Tebaldi's live recordings and Maria Callas, etc.

Average customer rating:

A Must Have for Callas Fans
Awesome!
Bizzare Liner
The PASSION of Callas
La Callas at her very best!

The Passion of Callas

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Very Best Of Maria Callas
Maria Callas, the Voice of the Century
Maria Callas - Life & Art (2 CD's & Bonus DVD)
Maria Callas: The Legend
Verdi: Arias by Maria Callas (includes DVD - rare performance of Callas on film)

ASIN: B0000DZGGR
Release Date: 2004-03-23

Tracks:

Una Voce Poco Fa
Merce, dilette Amiche
O Mio Babbino Caro
Si. Mi Chiamano Mimi
Gaultier Malde...Caro Nome
Ah, Fors'e Lui
Dov'e L'indina Bruna (Bell Song)
Un Bouquet !...Ah ! Je Ris (Jewel Song)
Samson, Recherchant Ma Presence...Amour ! Viens Aider Ma Faiblesse
L'amour Est Un Oiseau Rebelle (Habanera)
Ah, Pour Ce Soir...Je Suis Titania (Polonaise)
Divinites Du Styx
Casta Diva
La Luce Langue
In Questa Reggia

Tracks:

Vissi D'arte
Un Bel Di Vedremo
Senza Mamma
Ebben? Ne Andro Lontana
La Mamma Morta
D'amor Sull'ali Rosee
Col Sorriso D'innocenza
Surta E La Notte...Ernani, ernani, Involami
Ritorna Vincitor!
Carreau! Pique! (Card Song)
In Quali Eccessi, O Numi!...Mi Tradi Quell'alma Ingrata
Tu Che Le Vanita
Suicidio!
Sola, Perduta, Abbandonata

Album Description

Limited edition double CD 2003 compilation from EMI with a slipcase.

Customer Reviews:

A Must Have for Callas Fans.......2007-08-06

Many fans of Opera know of Maria Callas and that she set a standard that is rarely reached in this genre. This album features a great variety of works that will satisfy even the most jaded fans. I adore this album and even friends who know nothing about artistic music or Opera love this Cd. This is a must have for any music fan!

If you are not an Opera fan and you only owned 1 Opera album; this would be a great choice . . . None nicer!

Awesome!.......2004-07-14

What a compilation! Like listening to an enraptured goddess! This is a must for every fan of great singing!

Bizzare Liner.......2004-06-27

I am a huge Callas fan and own most of her discography, both commercial and pirate/private. I only bought this collection for 2 arias I did not previously have on other recital/collection discs of hers - the jewel song from Faust and the aria from Alceste (in French).

As an introduction to Callas this CD is as good as any I guess. The liner notes are Bizarre though, linking each aria to Callas's personal life. Weird and pointless. Much more interesting would have been information about Callas relationship to the arias as an artiste. (not as a debutante or a divorcee or whatever... I repeat Weird!)

Anyway, I think to fully appreciate Callas's talent and her legacy, listening to a complete opera rather than a recital or compliation disc is a better idea. The studio recordings obviously have the best sound reproduction but some of the live recordings are terrifically exciting and capture something intangible which the studio does not.

Five suggestions for the Callas novice;

1953 Studio Tosca (careful, not the 1964 version!)
1953 Studio Cavelleria Rusticana (paired wth Pagliacci, a bonus but buy it for Cavelleria)
1955 Live Lucia di Lammermoor (performed in Berlin with Karajan conducting)
1955 Studio Rigoletto (Gobbi in the title role who was as talented a baritone as Callas was soprano. Gobbi is also in the above mentioned Tosca)
Norma - There are two studio versions and about 5 live versions - pick one, any one!

Cheers & Ciao

The PASSION of Callas.......2004-05-21

Callas wasn't only a beautiful, feminine woman but a superb singer. Here her very best recordings are put together with some lovely pictures. It's as essential as Sutherland's SUPREME "The art of the primadonna". Enjoy the recital of a lifetime!

La Callas at her very best!.......2004-05-20

You never heard this CD, did you? It's absolutely beautiful. BTW: Many called Amazon to have your nasty, against the guidelines reviews checked. Bashing isn't right, you'll learn that one day!

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Average customer rating:

Beyond all description...
An Absolute Must-Have for Any Pavarotti Fan
Wonderful!!!!

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Very Best of Beniamino Gigli
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Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)

ASIN: B00005O841
Release Date: 2001-11-13

Album Description

Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale

Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila

Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes

Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem

Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot

Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca

Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.

Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more

Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more

Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more

Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting

Customer Reviews:

Beyond all description..........2006-09-19

As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.

An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09

...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.

Wonderful!!!!.......2002-11-07

This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.

Average customer rating:

The best of Georga
A beautiful and delightful voice
GIORGIA is definately SENZA ALI!!!
Expected more...
Fantastic!

Senza Ali
Giorgia
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD

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Girasole
Giorgia - Greatest Hits: Le Cose Non Vanno Mai Come Credi
Verde Rosso e Blu - Sanremo
Oltre le Nuvole
MTV Unplugged

ASIN: B00005A98T
Release Date: 2001-02-21

Tracks:

Senza Ali
Save the World
Di Sole E d'Azzurro
Interstellare
Posto Migliore
Sole Dentro Al Cuore
Prima Di Domani
Canzone Degli Innamorati
Qualcosa Cambier
Ho Bisogno Di un Sogno
Il Tempo
Il Mare Sconosciuto
Girasole Acoustica

Album Details

New 2000 release from one of the most talented Italian vocalists of the 90's. This album was recorded in Minneapolis, Los Angeles and Rome with the participation of Michael Brecker and Herbie Hancock. Giorgia will perform the song written for her by Zucchero 'Di Sole E D'azzurro' during the 2001 edition of famous San Remo festival.

Customer Reviews:

The best of Georga.......2003-06-11

The first time I heard Georga was like"love at first look"Is not just the music,but everything including Georga's voice and specialy the words that have being used in every single song of that CD.Every single word has like different colors inside that make evrey single song a different rainbow that everybody have to taste

A beautiful and delightful voice.......2002-06-28

I heard Giorgia's amazing voice with her single Vivo Per lei with Andrea Bocelli and was immeadiately surprised as how she can hit every possible note in existence with ease. So, i immedialtely bought her CD "Senza ali". This CD brings to life her beautiful voice. The CD expresses a common theme thorughout the album, which is that she often dreams of flying. All of the songs recorded are incredible notably, "Senza ali", " di sole e d'azzuro", "girasole" and " un sole dentro al cuore" is a song that will make any individual content after listening to the lyrics and beautiful voice of the amazing Giorgia.

GIORGIA is definately SENZA ALI!!!.......2002-05-03

I first heard this album in a music store while doing an exchange in Italy. I randomly pressed track 3 (DI SOLE E D'AZZURRO) and was totally amazed by what I heard. ..., the melodies and music I receive from Giorgia's voice is absolutely priceless. Her voice is so powerful, yet sweet which leaves the listen feeling as though s/he is a part of the song. You'll never know what to expect the first time you listen to the album, but by the time you get used to it, it will be difficult to stop playing the album. She will either steal your heart or lift your spirits with her tracks. ...

Expected more..........2002-04-30

Mangio Troppa Cioccolata was my favorite album. I liked about half of Senza Ali. Her vocal talent still seems to be escalating, but I expected more music-wise since Herbie Hancock helped on this album.

Fantastic!.......2002-04-03

I bought this CD in Italy upon a recommendation from a friend and I can honestly say that this is the best CD I have purchased in a long time! I can't stop listening to it, in the morning, in my car, in my office, etc. I want another!