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1. Musik Nur Wenn Sie Laut I
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2. So Gut
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3. Moccaaugen
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4. Diamant
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5. Ich Hab Dich Lieb
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6. Total Egal
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7. Kino
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8. Onur
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9. Spring Ins Wilde Leben
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10. Anna
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So Gut (1979-1983),Herbert Groenemeyer,EMI,Contemporary Jazz,Germany,World Music
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Very nice introduction to the work of a great soprano
- The very best performance by Victoria de los Angeles
- In Memoriam: A Tribute To The Late Victoria
- the genius of de los angeles
- A n angelic voice
|
The Very Best of Victoria de los Angeles
Victoria De Los Angeles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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Similar Items:
- Very Best of
- The Very Best of Lucia Popp
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- The Very Best of Janet Baker
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ASIN: B000083GOE
Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.
A n angelic voice.......2004-02-06
De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!
Average customer rating:
- Elly Ameling now more available
- Delight in every note
- While they last...
- Treasures From a Treasure
- More than fully earned praise for an exceptional singer.
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Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
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- Elly Ameling ~ Schubert · Schumann - Songs
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ASIN: B00007KMSJ
Release Date: 2003-10-14 |
Tracks:
- Matthaus-Passion
- Johannes-Passion
- Weihnachts-Oratorium
- Juditha Triumphans
- Messiah
- Crudel Tiranno Amor
- Die Schopfung
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- 18 Lieder
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Customer Reviews:
Elly Ameling now more available .......2007-03-07
I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.
Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.
I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.
I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.
Delight in every note.......2006-03-10
To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.
So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.
I recommend this set unequivocally. It truly is sheer delight.
While they last..........2005-05-17
Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.
Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.
Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05
Treasures From a Treasure.......2004-09-25
Treasures from a Treasure.
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.
What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)
Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.
More than fully earned praise for an exceptional singer........2003-07-15
As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
Average customer rating:
- Fine anthology but still prefer her "Four Last Songs" recording
- RIP DAME ELIZABETH (1915-2006)
- SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY
- ¡PERFECT!
- PERFECTA INTERPRETACIÓN
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The Very Best of Elisabeth Schwarzkopf
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- Great Recordings Of The Century - Elisabeth Schwarzkopf Sings Operetta / Ackermann
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- Mozart: Lieder & Concert Arias
ASIN: B0000AF1SC
Release Date: 2003-09-02 |
Tracks:
- Ach War Ich Schon (Fidelio)
- Non So Piu (Le Nozze Di Figaro)
- Porgi, Amor (Le Nozze Di Figaro)
- E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
- Mi Tradi Quell'Alma Ingrata (Don Giovanni)
- Come Scoglio (Cosi Fan Tutti)
- Leise, Leise, Fromme Weise (Der Freischutz)
- Dich, Teure Halle (Tannhauser)
- Einsam In Truben Tagen (Lohengrin)
- Wie Fremd Und Tot (Die Verkaufte Braut)
- Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
- Da Geht Er Hin (Der Rosenkavalier)
- Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
- Das War Sehr Gut (Arabella)
Tracks:
- Jauchzet Gott In Allen Landen
- Bist Du Bei Mir
- Ridente La Calma
- An Die Musik
- Der Musensohn
- Nachtviolen
- Der Musensohn
- Auch Kleine Dinge
- Mein Liebster Ist So Klein
- Verschling' Der Abgrund
- Ich Hab' In Penna
- Wiegenlied Im Sommer
- Mausfallenspruchlein
- In Dem Schatten Meiner Locken
- Mignon (Kennst Du Das Land?)
- Gsatzli (Swiss Folksong)
- Fruhling
- Im Abendrot
- Muttertandelei
- Zueignung
- Klange Der Heimat (Die Fledermaus)
- Es Lebt'Eine Vilja (Die Lustige Witwe)
- Im Chambre Separee (Der Opemball)
- Wien, Du Stadt Meiner Traume
Amazon.com
Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler
Customer Reviews:
Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06
The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.
RIP DAME ELIZABETH (1915-2006).......2006-08-04
This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.
SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29
Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.
¡PERFECT!.......2005-02-10
I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.
PERFECTA INTERPRETACIÓN.......2005-02-09
La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.
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Haydn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
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Similar Items:
- Mendelssohn: The Masterworks [Box Set]
- Handel: The Masterworks (Box Set)
- Dvorák: The Masterworks [Box Set]
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- Brahms: The Masterworks (Box Set)
ASIN: B00062FLJM
Release Date: 2004-11-30 |
Average customer rating:
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50 Classical Highlights: Essential Classics
Manufacturer: St. Clair Entertainment
ProductGroup: Music
Binding: Audio CD
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- 50 Classical Highlights: Romantic Piano
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ASIN: B00006L3OH
Release Date: 2002-09-24 |
Tracks:
- Voluntary
- Allegro
- Allegro
- Air
- Andante
- Allegro Assai
- Sonata In D Minor
- Allegro
- Bourree
- Arrival Of The Queen Of Scheba
- Allegretto
- Allegro
- Requiem Kyrie
- Requiem Lacrimosa Dies Illa
- Minuetto
- Molto Allegro
- (Cherubino)
- Menuet Celebre
- Allegro Con Brio
- 'Fur Elise'
- 'Judas Maccabaeus
- Moment Musical
- A Midsummer Night's Dream
Tracks:
- Waltz
- Prelude
- Traumerei
- La Danza-Tarantella
- Rakoczy March
- Les Toreadors
- Les Contes D'Hoffman Barcarole
- Liebestraum
- Ballet Suite
- Ballet Suite
- Ballet Suite
- Melodie
- October
- Moderato Com Moto
- Allegretto
- Waltz
- Lullaby
- Aida Triumphal March
- Rigoletto La Donna E Mobile
- Slavonic Dances
- Morning Mood
- Erotic
- Flight Of The Bumble-Bee
- Air De Ballet
- Carnival Of The Animals
- Allegro Ben Ritmato E Deciso
- 'Sabre Dance'
Average customer rating:
- Mesmerizing
- NOT TO BE MISSED
- The Perfect Rendition?
|
Strauss: Four Last Songs, Arabella/Della Casa (Vier letzte Lieder)
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00004XQ8H
Release Date: 2000-10-10 |
Tracks:
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: September
- Four Last Songs: Fruhling
- Four Last Songs: I'm Abendrot
- Arabella: Er ist der Richtige nicht fur mich...Aber der Richtige
- Arabella: Der Richtige - so hab ich stets zu mir gesagt...Und du wirst mein Gebieter sein
- Arabella: Das war sehr gut, Mandryka
- Ariande auf Naxos: Es gibt ein Reich
- Capriccio: Orchestral introduction
- Capriccio: Wo ist mein Bruder?
- Capriccio: Morgen mittag um elf!
- Capriccio: Kein Andres, das mir so im Herzen loht
- Capriccio: Ihre Liebe schlagt mir entgegen
Customer Reviews:
Mesmerizing.......2004-10-20
From the day it was released all those years ago, this remains one of the most beautiful (Strauss) recordings ever made. It's been available in different versions (I have the earlier release that includes the Wesendonck Lieder with Flagstaf), but it's worth it to get this one for the opera arias. I'm not a big fan of these operas, but it's unlikely you'll ever hear them sung with more beauty or understanding. You may have another favorite recording of the Songs, but you owe it to yourself to listen to what Della Casa does here. And not to slight Bohm either; he obviously knew this music inside out, and is miles ahead of most of his competition.
NOT TO BE MISSED.......2000-11-26
As one record reviewer put it: "It was a voice unlike any other." Indeed, for sheer vocal beauty no one matches Lisa della Casa, and a quick sampling of this disc's contents will demonstrate why Strauss himself identified her as his ideal Arabella. The voice's glory was its upper register: full, free, intensely colored, and exciting. But she had other gifts: superlative breath control (amazing in this music), naturalness of utterance, and perfect diction. Her tone quality suggests restrained emotion, and although she is Swiss, I can think of no singer who evokes Viennese elegance better. I like lots of singers past and present, and I admire many, but I worship this voice. If the house were on fire, I'd grab this CD before jumping out the window.
Although the Boehm-led 'Four Last Songs' are a classic performance, I find they are my least favorite part of this recording. Boehm's tempos are a little fast and della Casa, for all her beauty, sounds disengaged. But from then on she is matchless. The 'Arabella' duets are stunning, both for the singer's high level of vocal accomplishment and her ability to convey the character's changing moods. She sounds so genuine and unaffected and the voice is so gorgeous that I find myself drawn into the drama as with no other singer. She has good partners in Gueden and Schoeffler, but Poell brays relentlessly. Her rendition of the passage beginning "Und du wirst mein Gebieter sein" is my number one tear-inducing moment in all of recorded history. The 'Ariadne' aria is nicely sung, although she was even better a few years later for EMI/Testament. The 'Capriccio' final scene is ravishing from beginning to end, with della Casa's voice soaring gloriously above the Vienna Philharmonic's lush carpet of sound. For once you will see the moonlight shimmer during the orchestral interlude. It's almost too rich and delicious, like Sachertorte for breakfast.
Decca's remastering brings the singer forward and gives the orchestra more presence, but am I the only one who misses some high frequencies as a result? Although there are some terrific Strauss sopranos around these days, no one should be without della Casa. She DEFINES Strauss singing. Don't deny yourself this superlative musical experience.
The Perfect Rendition?.......2000-10-10
Lisa della Casa's recording of the Four Last Songs has been a part of my life for the past twenty years; and in my book it beats all the competition, past, present and (probably) future. It may not be your perfect rendition, because one's response to a voice is such a personal, unpredictable thing; but it is certainly mine. Della Casa's shimmering, silvery soprano soars radiantly above the lush, romantic orchestration; and even after many, many times of listening to this disc, I still find something new in it. I never get tired of it, and it never fails to move me. The excerpts from Arabella are also excellent, although not as well recorded as the Four Last Songs. However, they reward repeated listening, and they preserve della Casa's celebrated interpretation of Arabella (her most famous stage role). Even if you have heard other interpreters of the Four Last Songs, and have your own favourite, please give this a try. For sheer tonal beauty, it cannot be beaten.
Average customer rating:
- Volume Control
- A wonderful CD for your nursery!
- Better than Most
- Wonderful
|
Baby's First Classics, Vol. 1
Manufacturer: St. Clair Entertainment
ProductGroup: Music
Binding: Audio CD
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ASIN: B000023VRD
Release Date: 1999-10-12 |
Tracks:
- Moonlight Son: Adagio
- Claire De Lune
- Canon in D
- Pno Con No.21: Adagio
- Waltz Of The Flowers
- Con No.5 in f
- Ser in d
- A Little Night Music: Allegro
- A Little Night Music: Romanza
- For Elise
- Prld in a
- Love's Dream
- Lullaby
Customer Reviews:
Volume Control.......2002-05-15
This is a good CD as far as the content of the CD, BUT whoever made this CD had no consideration of the recording levels between tracks. One song will be nice a smooth and quiet, then the next track will blow you away. It literally wakes up my child after he has fallen asleep. Out of a volume scale of 10 we have the first song on 5 to barely have it playing in the background for him to sleep, then the next track we have to turn it to 2 becasue it wakes him up, then we have to adjust it to 4 on the next. SOOOO if you are going to stay with him the whole time and be able to change the volume for each song, this CD is for you. I wish I can get my money back but it has been too long. Sooo on to find the next CD for him!...
A wonderful CD for your nursery!.......2002-05-06
As a first time parent I want to give my child every advantage I can. Studies have shown that playing music to your child helps to enhance their learning ability.
I saw "Baby's First" cd series and as they were so affordable I decided to go ahead and buy them without hearing them first.
My decision has been rewarded! The cd's are very good, and provide hours of music to stimulate my babies mind.
Buy this CD today, you won't be disappointed, and neither will your youngsters! :)
Better than Most.......2001-01-24
This was mostly an enjoyable CD. Maybe more to me than my toddler, though. Some of the songs are almost depressing, so we just skip them. For the most part they are fun and upbeat, and with a little effort, I can get my 18 month old to wiggle his butt to the music. This CD is a great value for anyone who wants to foster an appreciation for music in their child, not just their babies.
Wonderful.......2000-12-23
I have owned and played this CD ever since my son was born!(he is now 2.5 yrs. old)
The music always seemed to soothe him when he was crying or agitated. Over the past couple of years it has worked wonders..it has now become the "if nothing else works" CD. It Always helps him to calm down at nap time. Helps him concentrate when we are reading together. Sometimes if I have some important work to do, it helps him stay calm and non-disruptive.
I had read about the positive effects of classical music on children, and I must say, I totally agree.
I am also a violin player, and really have respect for classical music, so it gives me a satisfaction that I am giving my son some quality, mind-strengthening music.
If you like classical or not, this CD is excellent for your children, and indirectly it will be good for you too! It is an excellent gift for new parents too.
One piece of advice I would like to give to those of you who are not really familiar with classical music. If the sound is new to you, listen to this at a low volume, because the soft music may suddenly swith to loud full-on sounds, so if it's up high, it may surprize you!
Hope your children enjoy it!
Average customer rating:
|
The Most Beautiful Melodies of Classical Music, Vol. 1-10 (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000G1JO
Release Date: 2000-07-07 |
Tracks:
- The Four Seasons: Concerto No. 1 In E Major 'Spring,' I. Allegro
- Overture No. 3 BWV 1068: Air
- Water Music: Alla Hornpipe
- Orpheus and Eurrdice: Dance Of The Blessed Spirits
- Piano Sonata In A Major K. 331: Alla turca
- Symphonie No. 3: Allegretto
- String Serenade: Waltz
- Foreign Countries And People op. 15 No. 1
- Flute Concerto No. 1 In G Major, K. 313: Rondo. Tempo di Minuett
- Piano Concerto No. 2 In F Minor Op. 21: Larghetto
- Quintet In A Major 'Trout': Theme & Variations
- Waltz In A Flat Major
- Impromptu In G Flat Major D 899,3
- Sinfonia concertante In E Flat Major K 364: Presto
Tracks:
- Voices Of Spring Waltz Op. 410
- Serenade Op. 3 No. 5
- Songs Without Words In E Major Op. 19,1
- Horn Concerto No. 3 In E Flat Major K. 447: Allegro
- Fausts Verdammnis: Dances Of The Sylphes
- Flute Concerto In G minor
- Salomon: Arrival Of The Queen Of Sheba
- Piano Concerto No. 23 In A Major K 488: Andante
- Holberg Suite Op. 40: Prelude
- Carmen: Intermezzo
- String Serenade op. 22: Tempo di valse
- Impromptu In B Flat Major D 935 No. 3
- I Love You Op. 5 No. 3
- Roses From The South, Waltz Op. 388
Tracks:
- Peer Gynt: Morning
- The Tales Of Hoffmann: Barcarole
- Melody In F, Op. 3 Nr. 1
- The Nutcracker: Waltz Of The Flowers
- Standchen
- Etude In G Sharp Minor 'La Campanella'
- Peer Gynt: Anitras Dance
- Moment Musical D 780 No. 3
- Canon In D
- Overture No. 2: Menuet & Badinerie
- Piano Concerto No. 21 In C Major: Andante
- Carmen: Seguedille
- 'Songs without Words': The Venetian Gondola
- Eugen Onegin: Waltz
- Romance For Violin And Orchestra In G major Op. 26
Tracks:
- Die Fledermaus: Overture
- Peer Gynt: Solveig's Song
- Waltz No. 1 Op. 18 In E flat major 'Grande Valse brillante'
- Lullaby
- L'Arlesienne: Intermezzo
- The Seasons Op. 37b: Barcarole
- A Midsummer Night's Dream: Fairies' March
- Clarinet Concerto In A Major K 622: Adagio
- The Sleeping Beauty: Waltz
- La Traviata: Prelude
- Carmen, Suite No. 2: Chanson du Toreador
- Happy Farmer
- Menuet
- On The Beautiful Blue Danube, Waltz Op. 314
Tracks:
- A Little Night Music K 525: Allegro
- Sonata No. 2 In E Major BWV 1031: Siciliano
- Op. 11 No. 5: Menuet
- Songs Without Words: Duetto
- The Nutcracker: Dance of the Toy Flutes
- Fruhlingslied (Spring Song)
- Waldszenen: Abschied
- Mandolin Concerto: Allegro
- Music For The Royal Fireworks: La paix: Largo alla Siciliana
- Brandenburg Concerto No. 3: Allegro
- Waltz In B Minor Op. 69 No. 2
- Romance Op. 5
- Impromptu In A Flat Major D 935 Nr. 2
- Tales from the Vienna Woods, Waltz Op. 325
Tracks:
- Ave Maria
- Humoresque Op. 101
- Sleeping Beautiful: Panorama
- Impromptu In E Flat Major, D899 No. 2
- Melancholy
- Waltz Op. 54,1
- Nocturne In B Major Op. 9 No. 3
- Caro mio ben
- PARTITA IN D FLAT MAJOR: Pastorale
- An den Fruhling
- The Sleeping Beauty: Pas de quatre, Adagio
- Rosamunde - Ballet In G Major
- Piano Concerto No. 3 In C Minor Op. 37: Largo
- Emperor Waltz, op. 437
Tracks:
- Harp Concerto In B Flat Major: Andante allegro
- Oboe Concerto In D Minor: Adagio
- Flute Concerto In F Major, Op. 10 'La Tempesta di Mare': Presto
- Piano Sonata No. 8 In C Minor Op. 13 'Pathetique': Adagio cantabile
- Horn Concerto In E Flat Major K 495: Rondo. Allegro vivace
- Poeme Op. 41 No. 6
- Wilhelm Tell: Soldier's Dance
- Liebestraum No. 3 In A flat Major
- Violin Romance No. 2
- Flute Concerto In E Minor: Rondo
- Intermezzo In E Flat Major Op. 117,1
- Carmen: Habenera
- Symphony No. 3 'Scottish': Vivace non troppo
- Vienna Bonbons: Waltz Op. 307
Tracks:
- Symphony No. 40 In G Minor K. 550: Molto Allegro
- Preghiera - Mozarianna Suite: Ave Verum
- Arietta Op. 12,1
- Concerto BWV 1056: Arioso
- The Four Seasons: Concerto Nr. 3 Autumn: Allegro
- Des Abends (Evening)
- Holberg Suite Op. 40: Gavotte
- Melancholy Galliard
- Flute Concerto No. 2 In D Major K. 314: Rondo. Allegretto
- Spinning Song
- Orchestral Suite No. 3: Valse Melancolique
- Flute Quartet K. 285a: Tempo di Minuetto
- Moment Musical In A Flat Major, D 780 No. 2
- Piano Concerto No. 9 In E Flat Major K 271 'Jeunehomme': Rondo - Presto
Tracks:
- String Serenade: Moderato
- Traumerei Op. 15
- Ave Maria
- Cello Concerto No. 2 In D Major: Allegro
- Minuet In D Minor
- Suite No. 1: Marche Miniature
- A Midsummer Night's Dream: Notturno
- Mazurka In D Major Op. 33 No. 2
- Divertimento K 251: Andantino
- On Wings Of A Song
- Carmen: Nocturne
- Melody
- Sonata In C Major BWV 1033: Allegro
- Symphony No. 1 In G Minor 'Winter Dreams': Adagio cantabile
- Sound Of The Spheres, Waltz Op. 235
Tracks:
- The Marriage Of Figaro: Overture
- Sonata In C sharp Minor Op. 27,2 'Moonlight Sonata': Adagio sostenuto
- German Dance No. 1
- Nocturne In C Sharp Minor Op.posth.
- Haffner Serenade: Minuet
- Septet In E Flat Major Op. 20: Tempo di Minuetto
- Symphony No. 4 Italian: Andante con moto
- Prelude In D Flat Major Op. 28, No. 15 'Rain Drops'
- '3 Small Pieces': Impromptu
- 'The Nutcracker': March
- Romance In E Flat Major Op. 44
- Piano Sonata No. 16 In C Major 'Sonata facile': Allegro
- 'The Nutcracker': Scene No. 10
- Enjoy Your Life Waltz, Op. 340
Average customer rating:
- It's only snippets of the music!
|
Classical Music 101
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B0002XEECK
Release Date: 2004-09-28 |
Tracks:
- Adagio - Baroque Chamber Orchestra
- Air On The G String - Festival Strings Lucerne
- Mvmt. III - Festival Strings Lucerne
- Aria - Peter Serkin
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- Mvmt. I - Boston Symphony Orchestra
- Mvmt. IV - New York Philharmonic
- Fur Elise - Nellie Kokinos
- Turkish March - Arthur Fiedler
- 'Moonlight' Sonata - Jorg Demus
- March To The Scaffold - Boston Symphony Orchestra
- Rakoczy March - Arthur Fiedler
- Habanera/Toreador Song - Arthur Fiedler
- Minuet - Arthur Fiedler
- Polovtsian Dance No.17 - Arthur Fiedler
- Hungarian Dance No.5 - London Festival Orchestra
- Lullaby - Arthur Fiedler
- Minute Waltz - Geza Anda
- Grande Valse Brillante - Geza Anda
- Marche Funebre - Emanuel Ax
- Simple Gifts - Copland
- Fanfare For The Common Man - Philadelphia Orchestra
- Clair De Lune - Arthur Fiedler
- Prelude To The Afternoon Of A Faun - Philadelphia Orchestra
- Flower Duet - Philharmonia Virtuosi
- Mvmt II. Going Home Theme - Arthur Fiedler
- The Sorcerer's apprentice - Philadelphia Orchestra
- March No.1 - Arthur Fiedler
- Ritual Fire Dance - Arthur Fiedler
- Pavane - National Philharmonic
- Rhapsody In Blue - Arthur Fiedler
- An American In Paris - Arthur Fiedler
- Funeral March Of A Marionette - Arthur Fiedler
- Piano Concerto In A Minor - Kjel Baekkelund
- Morning - Philadelphia Orchestra
- Hallelujah Chorus - Royal Philharmonic Chorus
- Alla Hornpipe - Festival Strings Lucerne
- Mvmt. II - English Chamber Orchestra
- Mars - Philadelphia Orchestra
- Sabre Dance - Arthur Fiedler
- Vesti La Giubba - Placido Domingo
- Hungarian Rhapsody No.2 - Philadelphia Orchestra
- Liebestraum No.3 - Arthur Fiedler
- Intermezzo - National Philharmonic
- Wedding March - Philadelphia Orchestra
- Mvmt. IV - Boston Symphony Orchestra
- Rondeau - U.K. Symphony
- Andante - Geza Anda
- Mvmt. I - Boston Symphony Orchestra
- Overture - Bavarian Radio Symphony Orchestra
- Rondo Alla Turca - Walter Hautzig
- Mvmt. I - English Chamber Orchestra
- A Night On Bald Mountain - Philadelphia Orchestra
- Great Gate Of Kiev - Philadelphia Orchestra
- Barcarolle - Arthur Fiedler
- Theme II (Can Can) - Arthur Fiedler
- O Fortuna - New England Conservatory Chorus
- Canon - Baroque Chamber Orchestra
- Montagues & Capulets - Boston Symphony Orchestra
- Lt. Kije's Wedding - Arthur Fiedler
- Nessun Dorma - Jussi Bjorling
- Mvmt. III - Rome Opera Chorus
- Mvmt. III. Opening - London Symphony Orchestra
- Var. 18 - Leonard Pennario
- Bolero - Boston Symphony Orchestra
- Flight Of The Bumblebee - Arthur Fiedler
- Adagio - Julian Beam
- Overture/Largo Al Factotum - Metropolitan Opera Orchestra
- Theme II - Arthur Fiedler
- Danse Macabre - Philadelphia Orchestra
- Gymnopedie No.1 - National Philharmonic
- Symphony No.8 'Unfinished' - Boston Symphony Orchestra
- Ave Maria - Robert Shaw Chorale
- Finle - Morton Gould & His Orchestra
- Valse Triste - Finnish Radio Orchestra
- Stars & Stripes Forever - Arthur Fiedler
- Semper Fidelis - Arthur Fiedler
- Blue Danube Waltz - Arthur Fiedler
- Tales From The Vienna Woods - Arthur Fiedler
- Fanfare - Chicago Symphony Orchestra
- Infernal Dance & Main Theme - Boston Symphony Orchestra
- Waltz Of The Flowers - Arthur Fiedler
- Waltz - Philadelphia Orchestra
- Waltz - Philadelphia Orchestra
- Theme II - Philadelphia Orchestra
- Opening - Barry Douglas
- Finale - Chicago Symphony Orchestra
- Fantasia On Greensleeves - Philadelphia Orchestra
- Grand March - Arthur Fiedler
- Anvil Chorus - Rome Opera Chorus
- Libiamo (Drinking Song) - Carlo Bergonzi
- Die Irae - Chicago Symphony Chorus
- Rigoletto - Placido Domingo
- Allegro - Jose-Luis Garcia
- Largo - Jose-Luis Garcia
- Bridal Chorus - Robert Shaw Chorale
- Ride Of The Valkyries - Philadelphia Orchestra
Customer Reviews:
It's only snippets of the music!.......2006-02-12
This CD only contains 30-60 second long snippets of each of the pieces. It could be a teaching tool but is not something you can just put on to listen. It does contain reference to popular TV and Film works that contain the music.
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