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1. C'est la Belle Vie
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2. Cannelloni
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3. Gne' Gne'
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4. Innamorarsi
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5. Jean-Loup et Claire
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6. Angiulillo
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7. Come È Bella la Luna
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8. Rocco
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9. Martin Pescatore
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10. Rock'n Roll & Cha Cha Cha
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11. Ice Cream Shop
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12. Lei
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13. Habanera Rendez-Vous
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14. Vieille Chanson - Giorgio Conte, Anonymous
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La Belle Vie...,Giorgio Conte,L'empreinte Digitale,Int'l & World Music,Italian,Italy,Pop
Average customer rating:
- Excellent intro to Foster and Sousa
- march review
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Stories Of Foster And Sousa
Manufacturer: Vox (Classical)
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ASIN: B000001KDF
Release Date: 1995-04-16 |
Tracks:
- Old Folks At Home
- Oh ! Susanna
- Old Black Joe
- Jeanie With The Light Brown Hair
- My Old Kentucky Home
- Old Folks At Home
- Camptown Races
- Massa's In De Cold, Cold Ground
- Come Where My Love Lies Dreaming
- Beautiful Dreamer
- The Stars And Stripes Forever
- The Crusader
- Offenbach: La Vie Parisienne
- The Belle Of Chicago
- The Gladiator
- Semper Fidelis
- Washington Post
- High School Cadets
- The Thunderer
- Semper Fidelis
- Washington Post
- Hands Across The Sea
- El Capitan
- Stars And Stripes Forever
- Semper Fidelis
- Washington Post March
- The Thunderer
- High School Cadets
- El Capitan
Customer Reviews:
Excellent intro to Foster and Sousa.......2007-02-25
This is a tremendous value considering the price and the number of tracks that you get. The renditions are not bad, but I have heard better Foster. There is a lot of narration, which makes this a great teaching tool to introduce Foster and Sousa. The narration is a bit more for Foster than Sousa. Some of the Foster songs seem to be cut a little short, giving you what is really more of a sampler than a rich collection of complete Foster songs. The Sousa marches seem to be a little longer and don't have quite as much narration. Even though both men were well known American composers, their type of music was quite different, so it's kind of an odd paring on this album. It's a pleasant listen, but not a "must have" item unless you don't have much Foster or Sousa in your music collection; it's a good starter album. Great for kids who might be interested in learning about these two famous composers.
march review.......2001-05-10
this cd gas a great selection of music on it. the sound of the music is perfectly clear and i definately reccomend it. it is an ideal disc for all march fans. two of the greatest american composers on one disc. this is also a great deal considering the amount of songs on this disc. definately but this cd.
Average customer rating:
- Elly Ameling now more available
- Delight in every note
- While they last...
- Treasures From a Treasure
- More than fully earned praise for an exceptional singer.
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Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
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- Ave Maria--Lieder
ASIN: B00007KMSJ
Release Date: 2003-10-14 |
Tracks:
- Matthaus-Passion
- Johannes-Passion
- Weihnachts-Oratorium
- Juditha Triumphans
- Messiah
- Crudel Tiranno Amor
- Die Schopfung
- Orlando Paladino
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Customer Reviews:
Elly Ameling now more available .......2007-03-07
I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.
Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.
I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.
I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.
Delight in every note.......2006-03-10
To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.
So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.
I recommend this set unequivocally. It truly is sheer delight.
While they last..........2005-05-17
Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.
Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.
Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05
Treasures From a Treasure.......2004-09-25
Treasures from a Treasure.
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.
What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)
Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.
More than fully earned praise for an exceptional singer........2003-07-15
As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
Average customer rating:
- Valuable compendium
- Rareties available on CD at last!
- Heavenly
- WHO ELSE CAN SING LIKE THIS TODAY?
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The Art of Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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| Arne, Thomas Augustin
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ASIN: B000654OUQ
Release Date: 2005-03-15 |
Customer Reviews:
Valuable compendium.......2007-01-24
This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.
Rareties available on CD at last!.......2006-03-29
While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").
While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.
I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.
Heavenly.......2006-01-31
I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.
WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10
This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Average customer rating:
- Romantic
- andre rieu
- Andre Rieu
- Music is beautiful
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André Rieu - La vie est belle (Life is Beautiful)
Manufacturer: Sin-Drome Records
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| ( L )
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ASIN: B00005NNOW
Release Date: 2001-09-04 |
Tracks:
- La Vie Est Belle
- You Are My Hearts Desire
- Juliska From Budapest
- Danube Love
- Ole Guapa
- Kalinka
- Ramona
- Heia In The Mountains
- Stenka Rasin
- I Want To Dream Of You, My Darling
- Lara's Theme
- Snowwhite
- Amazing Grace
- Poliushko Polka
- Glenn Miller Melody
- The Andre Sisters
- Bolero
Amazon.com
The Viennese waltz is never far from violinist Andre Rieu's heart, but you won't find a single work from Johann Strauss on Life Is Beautiful. This time around, Rieu is globetrotting for his hummable, danceable melodies--to solid results. "Ole Guapa" is a tango featuring accordion; "Kalinka" is a familiar Russian tune; and "Amazing Grace," "Snow White," and Rieu's "Glenn Miller Melody" are tried-and-true American. Throughout, Rieu and his orchestra perform these works with plenty of style and polish; it's easy to see why he's such a hit with public-television audiences. His shortened version of Bolero may not be the sexiest available, but it is fun. --Jason Verlinde
Customer Reviews:
Romantic.......2003-09-10
Andre Rieu captures the romantic's heart once again in this, what is for the most part, a passionate album.
I feel the best tracks on this album are the russian-themed ones, like the title track (which I listen to on REPEAT when I am looking through my russian countryside or Romanov family album books). I feel that this and "Lara's Theme" (Maurice Jarre's love theme from the film DR. ZHIVAGO (a wonderful book and DVD)! conveys the passion for homeland which I strongly feel beats strongest in the hearts of all russians, more than than any other people). These compositions are so beautiful that it brings tears to the eyes if one surrenders oneself to them.
andre rieu.......2002-09-04
all i can say about andre,s music is i have over 15 cd,s and love ever one and rate them 5 stars.
Andre Rieu.......2001-09-28
I am a big fan of Andre Rieu but didnot enjoy this as much as several of his earlier recordings. It didn't have quite the zip as "Andre Rieu Live" or "The Holland I Love".
Music is beautiful.......2001-09-11
As soon as I saw Ravel's Bolero performed by Andre Rieu on PBS I wanted to have a copy of this beautiful album.. classical music that makes you get up and dance..
Average customer rating:
- Musical Profile of a King's Life? Sure. Why not?
- The life of an emperor in music
- Can't go wrong
- ¡Vive el musica de Carlos V!
- Masterpiece of Renaissance
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Carlos V
Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004YWAG
Release Date: 2000-12-12 |
Tracks:
- Fortuna Desperata: Nasci, Pati, Mori
- Dit Le Bourguygnon - Hesperion XXI/Jordi Savall
- Quand Je Bois Du Vin Clairet (Tourdion)
- Amor Con Fortuna (Villancico)
- Vive Le Roy - Hesperion XXI/Jordi Savall
- Todos Los Bienes Del Mundo (Villancico)
- La Spagna - Hesperion XXI/Jordi Savall
- Harto De Tanta Porfia (Villancico)
- Pavana 'La Battaglia' - Hesperion XXI/Jordi Savall
- Belle Qui Tiens Ma Vie (Chanson)
- Diferencias Sobre 'Belle Qui Tiens Ma Vie'
- Vecchie Letrose (Villanesca Alla Napolitana)
- Fanfarria
- Sanctus De La Missa 'Mille Regretz'
- Da Pacem Domine (Ricercare XIV)
- Jubilate Deo Omnis Terra (Motete)
- Mille Regretz (Chanson)
- Todos Los Buenos Soldados (La Guerra)
- Agnus Dei De La Missa 'Mille Regretz'
- Mille Regretz 'Cancion Del Emperador'
- Circumdederunt Me Gemitus Mortis (Motete)
Customer Reviews:
Musical Profile of a King's Life? Sure. Why not?.......2006-11-21
That is essentially the 'theme' of the CD. Thus it is not all 'Spanish' music per se but a collection including some old chestnuts from other lands. All that said, it is a superb collection and even the old chestnuts have new life breathed into them given the masterful treatment dished out here. The theme of 'Mille Regretz' appears over and over and we learn, read the notes!, that is is connected personally with Carlos V. Almost a personal theme from a 16th C. soundtrack as it were. A delightful recording.
The life of an emperor in music.......2006-07-23
This is a wonderful pot-pourri of European music from the first half of the sixteenth century - reflecting the pan-European origins of Charles V, Holy Roman Emperor and King of Spain. One of the chief delights of the disc is the consort singing of the male voices of La Capella Real. Savall now uses male altos in the vocal pieces by Enzina (and others) in the upper registers, rather than female sopranos (principally that of his wife, Montserrat Figueras) as he did in his 90's recordings with Astree. The results are perfect; altos Carlos Mena and Pascal Bertain make an abiding impression here, with Capella regular Danile Carnovich holding up the bass clef. Figueras takes the cantus in the monophonic 'ballad' pieces, and is still matchless in this kind of music. The winds of La Capella are a joy to hear - listen to the Susato Battaglia, and the Anonymous La Spagna.
In short, this is an echanting survey of the secular and religious music of 16th century Europe, imaginatively presented and beautifuly performed and recorded. A must - and a fine companion to Savall's life of Isablle I of Spain, also from Alia Vox.
Can't go wrong.......2005-08-04
Hesperion XXIs recordings for ALIA VOX are generally even better than the ones they made for EMI, and this one is no exception. Great artistic care has been taken with the arrangements to make this music really accessible to a wide audience. Add to this a first rate realistic recording and you get a divinely beautiful and evocative sound.
The performances are of course faultless. The ensemble playing is extremely precise, the singing is strong and engaging and the individual instrumentalists are all able to creatively express themselves within the mix. Andrew Lawrence King on harp is captivating as always, and Jordi Savall's rich and creamy viol, well, simply the best.
A luxurious and mesmerising production.
¡Vive el musica de Carlos V!.......2003-02-07
I purchased this CD without any information whatsoever after returning from a trip to Spain. I am generally a fan of "early music" (which is basically, according to CD store categorizations, almost everything written before 1600), so I'm used to buying CDs that I know nothing about. Sometimes I'm disappointed, but "Carlos V" is one of the most serendipitous purchases I have ever made. The first track is a haunting, beautiful and forlorn song about life's travails. The string arrangement almost sounds modern and the singing is astounding. It's a song that will stay with you, and you'll want to put it on again and again. The CD also has some festive party music on it that's more upbeat, but the CD and La Capella Reial de Catalunya shine brightest on the slow vocal songs. It's a difficult CD to describe, but if you're at all a fan of classical, early or renaissance music, you're likely to love this CD. My only regret is that I didn't look to see if La Capella Reial de Catalunya was playing anywhere when I was in Spain (Catalonia, to be precise). Maybe next time.
Lastly, there is a follow-up to this CD: "Alfons V El Magnamin" - it's a double CD and pricey, but well worth it.
Masterpiece of Renaissance.......2002-12-19
This is an excelent demonstration of how beautiful and modern is the music of Renaissance. I think it will be a nice surprise for undevoted. I advise this CD for everyone, it's really superb!!!
Average customer rating:
- Lapsing Faith and Lost Beauty
- Stylish Thais Set
- AN UNDER-APPRECIATED GEM
- A fad
- Lovely but too late
|
Massenet: Thaïs / Sills, Milnes, Gedda; Maazel
Jules Massenet , Lorin Maazel , Beverly Sills , Nicolai Gedda , New Philharmonia Orchestra , John Alldis Choir , Sherrill Milnes , and Norma Burrowes
Manufacturer: EMI Classics
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- Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
ASIN: B000002S67
Release Date: 1995-09-26 |
Tracks:
- Thais: Act I - Scene I : Voici le pain...Et le sel (Cenobites, Palemon)
- Thais: Act I - Scene I : Le voici! Le voici! (Cenobites, Athanael, Palemon)
- Thais: Act I - Scene I : Helas! enfant encore (Athanael)
- Thais: Act I - Scene I : Ne nous melons jamais, mon fils (Palemon, Cenobites, Athanael)
- Thais: Act I - Scene I : Vision (Orchestre)
- Thais: Act I - Scene I : Toi, qui mis la pitie dans nos ames (Athanael)
- Thais: Act I - Scene I : Mon fils, ne nous melons jamais (Palemon, Athanael, Cenobites)
- Thais: Act I - Scene II : Prelude (Orchestre)
- Thais: Act I - Scene II : Va, mendiant chercher ailleurs ta vie! (Serviteur, Athanael)
- Thais: Act I - Scene II : Voila donc la terrible cite (Athanael)
- Thais: Act I - Scene II : Ah! Ah! Ah!...Athanael, c'est toi!
- Thais: Act I - Scene II : Ah! Ah! Ah!...Je vais donc te revoir (Crobyle, Myrtal, Nicias, Athanael)
- Thais: Act I - Scene II : Gorde-toi bien! Voici ta terrible ennemie! (Nicias, Choeur)
- Thais: Act I - Scene II : C'est Thais, I'idole fragile (Thais, Nicias)
- Thais: Act I - Scene II : Quel est cet etranger (Thais, Nicias, Athanael)
- Thais: Act I - Scene II : Qui te fait si severe (Thais, Nicias, Choeur)
- Thais: Act I - Scene II : Non! Non! je hais vos fausses ivresses (Athanael, Thais, Nicias, Choeur)
- Thais: Act II - Scene I : Ah! je suis seule, seule enfin!
- Thais: Act II - Scene I : Dis-moi que je suis belle (Thais)
- Thais: Act II - Scene I : Etranger, te voila comme tu l'avais dit
- Thais: Act II - Scene I : Eh bien, fais-moi connaitre tout cet amour
- Thais: Act II - Scene I : Je suis Athanael, moine d'Antinoe! (Thais, Athanael, Nicias)
- Thais: Act II - Scene I : Je n'ai pas plus choisi mon sort que ma nature (Thais, Athanael, Nicias)
- Thais: Act II - Scene I : Meditation Religieuse - Symphonie (Orchestre)
Tracks:
- Thais: Act II - Scene II : Pere, Dieu m'a parle par ta voix,
- Thais: Act II - Scene II : Non loin d'ici, vers I'occident
- Thais: Act II - Scene II : Considere, o mon pere (Thais, Athanael)
- Thais: Act II - Scene II : Suivez-moi tous, amis! (Nicias, Choeur, Crobyle, Myrtal)
- Thais: Act II - Scene II : Divertissement (i) (Orchestre)
- Thais: Act II - Scene II : Voila I' Incomparable! (Nicias)
- Thais: Act II - Scene II : Celle qu vient est plus belle (Crobyle, Myrtal)
- Thais: Act II - Scene II : Divertissement (ii) (Orchestre)
- Thais: Act II - Scene II : Eh! c'est lui!...Athanael! (Nicias, Choeur, Athanael)
- Thais: Act II - Scene II : II dit vrai! (Thais, Nicias, Athanael, Choeur)
- Thais: Act III - Scene I : L'ardent soleil m'ecrase
- Thais: Act III - Scene I : Ah! des gouttes de sang coulent de ses pieds (Thais, Athanael)
- Thais: Act III - Scene I : O messager de Dieu, si bon dans ta rudesse (Thais)
- Thais: Act III - Scene I : Baigne d'eau mes mains et mes levres (Thais, Athanael, Choeur)
- Thais: Act III - Scene I : La paix du Seigneur soit avec toi (Athanael, Albine)
- Thais: Act III - Scene I: Mon oeuvre est accomplie! (Athanael, Thais, Albine, Choeur)
- Thais: Act III - Scene II : Que le ciel est pesant! (Cenobites, Palemon, Athanael)
- Thais: Act III - Scene II : C'est lui qui vient! (Athanael, Palemon)
- Thais: Act III - Scene II : Qui te fait si severe (Thais, Athanael, Choeur)
- Thais: Act III - Scene II : Thais va mourir! (Athanael)
- Thais: Act III - Scene III : Seigneur, ayez pitie de moi (Choeur, Albine)
- Thais: Act III - Scene III : Sois le bienvenu dans nos tabernacles (Albine, Athanael, Choeur)
- Thais: Act III - Scene III : C'est toi, mon pere! (Thais, Athanael)
Amazon.com
This set is primarily for devoted fans of Beverly Sills, for fans of Sherrill Milnes in his prime, and for those who must have the uncut version where it's available. The estimable Ms. Sills was in less than ideal voice for the making of this recording, which is unfortunate, but the artistry still shines through. Mr. Milnes sings with rich tone. But Lorin Maazel's conducting is leaden and out of empathy with the score. --Sarah Bryan Miller
Customer Reviews:
Lapsing Faith and Lost Beauty.......2006-09-23
The reason I assign the recording four stars rather than five is that the pathos of the opera strikes me as too extreme. The same combination of exquisite beauty and suffocating pathos turns up in Barbra Streisand's song "The Way we Were." Beverly Sills sings the pathetic part of Thais to the hilt; and Massenet's familiar "religious meditation" does the rest. All of these intensely pathetic operas including Pagliacci and Tosca derive from the epoch-making example of Wagner's Tristan und Isolde with its unrelieved love-and-death sorrow. As a Christian I associate this powerful tradition with lapsing faith in Europe after 1865. Massenet's opera treats the early Christian monks of Egypt as caught up in tragic error. Thais is a supremely beautiful woman won from a life of immorality to Christianity by a well-intentioned monk who knew her in his earlier days. As the converted Thais lives and dies for the abstract reward of heaven, the monk grieves over the beauty he has destroyed. The real spiritual solution to the dilemma posed by the opera lies in the correlation between future resurrection, universal vitality and intense beauty; but theologians have generally missed he point and shown more interest in heaven than in concrete resurrection. In any case there was no way out for Massenet and his source.
Stylish Thais Set.......2005-10-16
This 1976 recording of Thais is my favorite of the two recordings I have - the other being the Fleming/Hampson. Sills' vibrato is a little more pronounced here than it was a few years earlier, but it doesn't bother me. She still has a gorgeous voice and brings this conflicted character vividly to life. Having studied with the likes of Mary Garden as a young singer, Sills has an innate understanding of the French style, and uses her voice with much imagination and flair. Also, the character of Thais is not supposed to be a young girl - an aging courtesan of 30ish or so... Sherrill Milnes, in a departure from his usual Italian repertoire, sings a most impassiaoned Athaneal - the voice full and resonant, the character's obessiveness wonderfully realized. I think he never did anything better on disc. Nicolai Gedda is a little past his best here, but like Sills understands the French style and delivers the vocal goods as required. Maazel conducts an exciting performance (even playing the solo violin in the Meditation himself) and the sound is excellent. The Fleming/Hampson set is beautifully sung, but I feel the drama of the story is not fully realized somehow - hard to put my finger on what's missing there. This Thais is one of my favorite French opera recordings - recommended highly.
AN UNDER-APPRECIATED GEM.......2004-12-03
Late 19th-century French opera is often disparaged these days, which isn't really fair. Delibes had some beautiful melodies, and Massenet was a much better composer than many give him credit for. And although "Manon" and "Werther" may be more famous, to me, his late opera "Thais" is his masterpiece. There are three major recordings of this opera, one with Anna Moffo, Gabriel Bacquier and Jose Carreras, a recent one with Renee Fleming, Thomas Hampson and Giuseppe Sabattini, and this 1976 recording with Beverly Sills, Sherill Milnes, and Nicolai Gedda. All three versions have their strengths and weaknesses. The Moffo/Bacquier vesion, although excellent and showing Carreras in his prime, is unavailable. (I'm not sure it was ever issued in CD.) The Fleming/Hampson recording is also excellent--Fleming has a gorgeous and luscious voice, and Hampson a silky smooth baritone--but I find myself reaching for the Sills/Milnes version most often.
Sills was past her prime when she recorded this, and her high notes are a little thin and sometimes wobbly. Nevertheless, her artistry is so great that she infuses the role of the courtesan with the tremendous drama the role requires. Thais' radical change of character, from the insouciant hedonist to the redeemed penitent, is gloriously demonstrated in Sills' portrayal.
And this opera is as much about Athanael as it is Thais. Milnes, at the height of his career when he recorded this in 1976, brings tremendous power and vitality to the role of the priest, whose reverse progression from moralistic religious surety to tortured doubt parallels that of Thais, the object of his forbidden love. Nicolai Gedda's singing is, as always, stylish and graceful, and Loren Maazel's reading of the score is well paced and forceful. This recording belongs in all opera collections.
A fad.......2004-05-21
This Thais is ruined by Sills. Buy Renee Fleming's Thais instead. She has the big voice, the looks and the talent. Sills didn't, all she can do is make my ears bleed. Shame on that shrieker!
Lovely but too late.......2004-02-24
I have a live-recording with Sills which is MUCH better. Sills was always at her best live on stage. For studio-recordings get the Fleming-set or the sadly cut recording with the divine Renee Doria. (My favourite Thais)
Average customer rating:
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Offenbach: La Belle Helene; Orpheus in the Underworld; La Vie Parisienne (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
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| Offenbach, Jacques
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Similar Items:
- Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)
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- Strauss - Der Rosenkavalier / Gwyneth Jones, Brigitte Fassbaender, Lucia Popp, Manfred Jungwirth, Benno Kusche, Carlos Kleiber, Munich Opera
ASIN: B00009KHY3
Release Date: 2003-09-02 |
Tracks:
- Overture
- The Happy Bride Never Stumbles
- You've Gone Too Far!
- May I Make Myself Known?
- My Death Appears Divinely Smiling
- When Diana Leaves The Mountains
- To Arms!
- When Jupy Feels The Inclination
- Here Comes Orpheus
- When I Was King Of The Boeotians
- I Thought That I Felt On My Shoulder
- What Heavenly Joy Is Mine
- Minuet And Galop
- Overture
- How Sad We've Made The Marchioness
- Well Isn't That Just Life All Over?
- I'm The Guide For Every Tourist
- I Am A Native Of Brazil
- In This Enchanting Queen Of Cities
- I Am A Dab At Carving Pork
- We Have Seen Sights Since Eleven... I'm A Colonel's Widow
- Dinner Is Served
Tracks:
- Oh, Little Cloud
- When She Goes Out... Her Petticoats Go Frou, Frou, Frou
- Does He Know He's Splitting Down The Back
- Nobody Would Call Me A Rover
- I'll Have So Much To Say
- It's Most Important You Should Show
- Here You See The Place
- My Friends, I'm Most Delighted To See You
- In Songs And Shouts... Paris Blooms Like A Flower
- Introduction
- To Bow To Jupiter We Gather At The Shrine
- We've Had A Night Out
- On Mount Ida Three Great Ladies (The Judgement Of Paris)
- March And Entry Of The Kings
- Entr'acte
- We All Begin By Truly Trying
- It Is Her That Has Sent This Sweet Love Dream
- Come Here, You Kings Of Greece
- When All Of Greece Has Been Ravaged
- Do You See?
Customer Reviews:
Champagne Music!.......2006-07-09
Thank goodness that these well filled CDs of selections from three of Offenbach's most entertaining and tuneful operettas are available. Exactly the thing to provide some hearty nourishment for Winter nights. Ideal also for a Summer barbecue. In both cases, a glass of champagne, or at least some other bubbly beverage, would be good to have at hand - everything here no doubt will call for a toast or several.
It is so nice to be able to hear in these translations the witty words, sung with welcome clarity and meaning by these admirable artists. As I recall, there were no microphones in sight, and perhaps not even used, when this production of Orpheus In The Underworld was brought to Australia, with a few cast changes but the same sparkle as shown here. Crisp diction and lively, often lovely, singing - a great recipe for enjoyable listening indeed.
The recording sounds a bit shrill here and there, but what a churlish quibble; to Hades with such curmudgeonly qualifications! This is music to raise the spirits, and not just those from Hades.
Average customer rating:
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Frederica von Stade - Offenbach Arias and Overtures / de Almeida
Jacques Offenbach , Scottish Chamber Orchestra , Antonio de Almeida , and Frederica von Stade
Manufacturer: Bmg Int'l
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ASIN: B000003FVL
Release Date: 1995-10-10 |
Tracks:
- La Perichole: Overture
- La Perichole: Lettre de la Perichole
- La Perichole: Ah! que les hommes sont bete!
- La Perichole: Ariette de la griserie
- La Perichole: Entr'acte
- La fille du tambour-major: Chanson de la fille du tambour-major
- La Belle Helene: Amours divins
- Pomme d'api: Overture
- Pomme d'api: Couplets de pomme
- Pomme d'api: J'en prendrai un, deux, trois
- Madame l'Archidac: Couplets de l'alphabet
- La Romance de la rose: Overture
- La Vie parisienne: Rondeau et valse
- Orphee aux enfers: Couplets du berger joli
- Barbe Bleu: Overture
- Barbe Bleu: Couplets de Boulette
- Barbe Bleu: Couplets de la rosiere
- La Grande-Duchesse de Gerolstein: Overture
- La Grande-Duchesse de Gerolstein: Dites-lui
- La Grande-Duchesse de Gerolstein: Ah! j'aime les militaires
Average customer rating:
- Good singing *if you like this repertoire*
- Rare Offenbach Muisc is a Real Gem
- Yet another frustrating CD booklet
- A Bright Voice, Delightful Music, and Hilarious Delivery
|
Anne Sofie von Otter Sings Offenbach
Jacques Offenbach , Anne Sofie von Otter , Marc Minkowski , and Gilles Ragon
Manufacturer: Deutsche Grammophon
ProductGroup: Music
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ASIN: B00006AKUW
Release Date: 2002-09-10 |
Tracks:
- No 3a Choeur, Recit Et Rondeau
- No 10 Duo Et Declaration
- No 4 Chanson Militaire
- No 2 Ballade
- No 4 Duo
- Symphonie De L'avenir - Marches Des Fiances
- No 11 Sextuor De L'Alphabet
- Acte III - Entr'acte Et Barcarolle
- No 1 Bis Choeur De Jeunes Filles
- No 2 Couplets
- Ouverature A Grand Orchestre
- No 3 Duo
- No 11 Final Du Deuxieme Acte
- No 15B Chanson
- No 8B Griserie-Ariette
Customer Reviews:
Good singing *if you like this repertoire*.......2004-08-03
I have always enjoyed Frederica von Stade's Offenbach recital, and was looking forward to von Otter, as she'd proved such a charmer in Kurt Weill and other popular music theatre works. Her liedersinging experience gives her the edge over many in this repertoire. Simply put, I can not imagine many singers doing a better job than von Otter in this repertoire. Perhaps the aria from "La Belle Helene" has a touch more pathos sung by Jessye Norman.
My problem is with the repertoire. If you know the music of Offenbach, then you know what you are getting. If you are unfamiliar with the French version of the Viennese Operetta, then it would be wise to listen to this disc first. I simply do not care much for it. Therefore the three stars. Advertising has claimed this to be "a revelation of Offenbach in all his many guises" but to me it was more of the same old Offenbach.
However, if you enjoy this music, this is an excellent choice. Also do not miss Susan Graham's disc of lighter French music.
Rare Offenbach Muisc is a Real Gem.......2004-03-29
Jacques Offenbach was a composer who was popular in his day, but his music was not taken all that seriously by more serious composers. After his death, much of his music went into obscurity. Some of the overtures to his operettas survived, as did LA BELLE HELENE and his opera THE TALES OF HOFFMAN, but to this day he is under performed to say the least. While some of his music was adapted for the ballet Gaite Parisienne, if we look at his musical output, all that is remembered of this composer is all relatively small. This is perhaps why this recording by Anne Sophie Von Otter and Les Musiciens du Louvre is such a goldmine.
The disc contains scenes from some Offenbach operettas such as LA BELLE HELENE, LA GRANDE DUCHESSE DE GEROLSTEIN, and LE PERICOLE as well as some of his lesser known works. While most of the music showcases Ms. Von Otter's talent, she is also accompanied by other soloists and a chorus, all of whom perform exceptionally well. Listeners are not only exposed to lesser known works of this composer, but also to the composer's many talents. When we listen to this music, it is not too much of a stretch to see how he could create the masterpiece of TALES OF HOFFMAN (yes, the barcarolle is included).
Certainly people who enjoy this recording will hope that there are revivals of other Offenbach operettas on stage and maybe studio recordings so this great composer can finally have his due.
Yet another frustrating CD booklet.......2004-02-24
Why do companies like DG always give us booklets in which
the order of works in the commentary in no way match the
order of the tracks on the CD??? It drives you crazy
trying to follow the CD -- when a new aria or whatever starts,
you spend ages trying to find comments on it in the booklet.
Other than that, good recording and has interesting bits of
lesser known Offenbach.
A Bright Voice, Delightful Music, and Hilarious Delivery.......2003-06-17
I'm a relative newcomer and amateur in opera. Right now, I particulary enjoy buying CDs of sopranos, and I decided to "try" Ms. Von Otter. Was I blown away. My favorite on this CD is the "Sextuor de l'Alphabet" (the Alphabet Sextet). I had to laugh the first time I heard this. I have a cursory grasp of French, and so caught a word hear or there. It was funny without the context. But after reading the English translation of the lyrics, my funny bone was tickled even more. This whole CD makes clear the reason that Offenbach was such a popular composer, a composer for the masses.
Anne Sofie von Otter has also found her way into my classical heart, and I intend to get to know her voice better. Her dramatic interpretation is wonderful, and could even be compared to Maria Callas' flair for drama.
I highly recommend this CD.
Average customer rating:
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Berlioz Edition (Box Set)
Manufacturer: Philips
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ASIN: B000093OSH
Release Date: 2003-12-16 |
Amazon.com
Sir Colin Davis has long been considered the world's finest Berlioz conductor, and over the years, Philips has released all of the composer's major works with Davis at the helm. Now, they're all here, in a 24-CD box, and it is an astonishing achievement. This treasure trove consists of the definitive, available readings of Les Troyens, Béatrice et Bénédict, and Benvenuto Cellini; a wonderfully energetic, passionate Roméo et Juliette; a Te Deum which is huge yet clear and not over-the-top for its own sake; Les Nuits d'été with different singers (of varying ranges in different songs), as Berlioz wanted them performed; the young Dame Janet Baker superb in Herminie and La Mort de Cléopatre; a relaxed, sweet Enfance du Christ; a Requiem which could knock you over; a Damnation de Faust which is both lyrical and exciting; a performance of Lélio which almost makes sense of that strange work; a Symphonie Fantastiquewith atmosphere and thrills; along with 7 overtures, 5 songs, and more. In addition to the moderate price, the packaging is such that the 24 CDs takes up less space than just the earlier releases of Cellini and Troyens together. This is one-stop shopping at its best. --Robert Levine
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