Umthombo Wamanzi

Amazon.com essential recording
Somewhat more sober but no less hypnotic, warm, and churchlike than other Ladysmith albums, this change of pace (released in 1988 but recorded just prior to their Paul Simon collaboration Graceland) consists entirely of devout Christian songs sung in Zulu (translations provided). Extended melodic lines reminiscent of Christian hymns alternate with pulsating refrains that gently echo jubilee gospel choirs--and every song ends with a blissful amen or hallelujah. Umthombo's choral harmonies, less contrapuntal than Ladysmith's usual euphonic textures, showcase the subtle rhythmic complexities--the turn-on-a-dime transitions and nearly unnoticed tension--of Joseph Shambala's divine arrangements. --Richard Gehr

Umthombo Wamanzi,Ladysmith Black Mambazo,Shanachie,Africa,African,African Folk,Afro-Pop,Int'l & World Music,Mbube,Pop,South Africa,World Music,Worldbeat

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Umthombo Wamanzi Ladysmith Black Mambazo Manufacturer: Shanachie ProductGroup: Music Binding: Audio CD General | Africa | International | Styles | Music South Africa | Africa | International | Styles | Music General | International | Styles | Music General | International | Indie Music | Stores | Music Africa | International | Indie Music | Stores | Music ASIN: B000000DWI Release Date: 1990-10-25

Tracks:

1. Uzube Nami Baba
2. Ungikhumbule
3. Emafini
4. Yimani
5. Igazi Lemihlatshelo
6. Uthando
7. Silgugu Isiphambano
8. Baba Wethu
9. Siyawadinga Amandla
10. I'nhliziyo Zethu
11. Halleluya
12. Abantu Bayahluleka

Amazon.com essential recording

Somewhat more sober but no less hypnotic, warm, and churchlike than other Ladysmith albums, this change of pace (released in 1988 but recorded just prior to their Paul Simon collaboration Graceland) consists entirely of devout Christian songs sung in Zulu (translations provided). Extended melodic lines reminiscent of Christian hymns alternate with pulsating refrains that gently echo jubilee gospel choirs--and every song ends with a blissful amen or hallelujah. Umthombo's choral harmonies, less contrapuntal than Ladysmith's usual euphonic textures, showcase the subtle rhythmic complexities--the turn-on-a-dime transitions and nearly unnoticed tension--of Joseph Shambala's divine arrangements. --Richard Gehr

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