| 1. Despina Vandi (The Remixes) - Opa Opa |
| 2. Giorgos Mazonakis - Pou Na Pao |
| 3. Hristos Pazis - Pare Na Ehis |
| 4. Thanos Petrelis - Tha Metaniosis |
| 5. Andreas Ektoras - Mia Agalia Alitisa |
| 6. Valantis - Gymno Kormi |
| 7. Notis Hristodoulou - Kommati Tha Gino Sti Zois Sou |
| 8. Giorgos Tsalikis - Ekana Tin Nihta Mera |
| 9. Mazonakis / Kokkinou - Ton Gucci To Masai |
| 10. Stella Kalatzi - Randevou Ston Ari |
| 11. Hristos Pazis - Ise Ola Ta Lefta |
| 12. Yiannis Tassios - Ti Patheno |
| 13. Vasilis Karras - Then Tha Epimino |
| 14. Giorgos Tsalikis - Efialtes |
| 15. Valantis - Ilie Mou |
| 16. Giorgos Axas - Dirlanda (Valentino Remix) |
| 17. Thanos Petrelis - Zoi Alitisa |
| 18. Despina Vandi (The Remixes) - Deste Mou Ta Matia |
| 19. Anna Vissi - Ego Moro Mou |
| 20. Giorgos Mazonakis - To Gucci Forema |
Editorial Reviews
Product Description
The 43 tracks on 'Greece 2004' Volume 2 celebrate some of the latest & greatest music Greece has to offer. Both discs are mixed by Australia's number 1 Greek DJ, Krazy Kon. The spotlight is on Greece in 2004! Rajon.
Overall, a worthwhile addition to your collection if not up to the Les Miz and Saigon standards. Having played it several times now it certainly improves each time you hear it. I am very happy to recommend this recording especially now that the show has finished and we may not have the chance of seeing it again....... who knows? Watch this space though!
I was really glad I did. I have a keen musical ear and a discriminatory musical palate, and I'm usually pretty good at judging things by their covers (even though I know I shouldn't). I was utterly pleased with this musical after listening to it twice. It gets four stars for not blowing me away like some musicals can on the first listening (Les Miserables is a great example). But the point is that it gets all of those four stars.
Irish/Celtic music usually begins to irritate me after I listen to it for a while. It's nice, it's pleasant, but it's not my cup of Earl Grey tea. But the blend of Schonberg's and Boubil's distinct style of musical (made popular by their other work) with the more natural/historical sound of Great Britain blends well. I feel that if this musical had not appeared on Broadway with all the hype surrounding Pirates of the Caribbean releasing it's third installment, that this musical would have garnered more respect, instead of the mass populace thinking, as I believe, "oh, another pirate thing." I am sad that I get the chance to go to see a show in late September in NYC, and this one's already gone - the only one I really want to see.
The money's worth it for a few of the tracks by themselves. Namely, "Woman", "I Dismiss You", "Surrender", and surprisingly, the "Entr'acte". Others have stated in their reviews that they don't like "Boys'll Be Boys" as it's so utterly expected in the tradition of a "Master of the House" song. You know what? Who cares. I think "Boys'll be Boys" as well as "Rah-Rah, Tip-Top" are entertaining for the ears, and every musical has its form of comic relief - though I must say, both songs are dark comedy focusing around characters who are chauvinists. I haven't yet got that spin on Thenardier, as despicable and delightful as he was in Les Miserables. Though initially it's hard to understand some of the Queen's pieces, the feeling of the absolute monarch comes cleanly through, and the harpsichord background is not cliche. It's perfect in those pieces.
I urge other people who are considering buying this to check out these reviews, but judge it for yourselves, and don't start listening to it with expectations. Rather, just sit back and enjoy the show.
The 43 tracks on 'Greece 2004' Volume 2 celebrate some of the latest & greatest music Greece has to offer. Both discs are mixed by Australia's number 1 Greek DJ, Krazy Kon. The spotlight is on Greece in 2004! Rajon.
Greece 2004 V.2,Various Artists,Rajon,Greek,World Music
Average customer rating:
|
The Pirate Queen (2007 Original Broadway Cast)
Manufacturer: Sony Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QTCY72 Release Date: 2007-07-03 |
Tracks:
- Prologue
- Pirate Queen
- Woman
- My Grace
- Here on This Night
- Waking of the Queen
- Rah-Rah, Tip-Top
- Choice Is Mine
- Boys'll Be Boys
- Wedding
- I'll Be There
- Day Beyond Belclare
- Sail to the Stars
- Entr'acte
- Enemy at Port Side
- I Dismiss You
- If I Said I Loved You
- Role of the Queen
- Christening
- Let a Father Stand by His Son
- Surrender
- She Who Has All
- Sea of Life
- Woman to Woman
- Finale
Amazon.com
The Pirate Queen, with a score by Alain Boublil and Claude-Michel Schönberg (Les Misérables, Miss Saigon), took a critical beating when it opened on Broadway, but as this catchy cast recording demonstrates, that reception was really unnecessarily harsh. Set in the 17th century, the show (which closed after only 85 performances) tells the story of Grace O'Malley (Stephanie J. Block), an Irish ship captain and pirate who defied Queen Elizabeth I (Linda Balgord). The combination of that setting with the fact that the producers also brought us Riverdance means an overall Celtic flavor. But fans of Boublil and Schönberg should not fear. The duo delivers plenty of the over-the-top, super-emotional power ballads they're famous for--it's hard not to wonder what Celine Dion would make of songs such as "Woman" or "I'll Be There" (the latter sung by a man, but no matter!). Special kudos to Balgord, whose deliciously campy stage portrayal of Elizabeth I comes across well on "The Waking of the Queen," "The Role of the Queen," and two harpsichord-driven, vibrato-laden duets with Block, "She Who Has All" and "Woman to Woman." Also of note to fans of traditional singing is the participation of Áine Uí Cheallaigh (known from Riverdance) on several tracks. --Elisabeth VincentelliCustomer Reviews:
Boublil & Schonberg's Newest Creation.......2007-08-03
Overall, a worthwhile addition to your collection if not up to the Les Miz and Saigon standards. Having played it several times now it certainly improves each time you hear it. I am very happy to recommend this recording especially now that the show has finished and we may not have the chance of seeing it again....... who knows? Watch this space though!
NOT THE BEST, BUT STILL BRILLIANT.......2007-08-02
I was really glad I did. I have a keen musical ear and a discriminatory musical palate, and I'm usually pretty good at judging things by their covers (even though I know I shouldn't). I was utterly pleased with this musical after listening to it twice. It gets four stars for not blowing me away like some musicals can on the first listening (Les Miserables is a great example). But the point is that it gets all of those four stars.
Irish/Celtic music usually begins to irritate me after I listen to it for a while. It's nice, it's pleasant, but it's not my cup of Earl Grey tea. But the blend of Schonberg's and Boubil's distinct style of musical (made popular by their other work) with the more natural/historical sound of Great Britain blends well. I feel that if this musical had not appeared on Broadway with all the hype surrounding Pirates of the Caribbean releasing it's third installment, that this musical would have garnered more respect, instead of the mass populace thinking, as I believe, "oh, another pirate thing." I am sad that I get the chance to go to see a show in late September in NYC, and this one's already gone - the only one I really want to see.
The money's worth it for a few of the tracks by themselves. Namely, "Woman", "I Dismiss You", "Surrender", and surprisingly, the "Entr'acte". Others have stated in their reviews that they don't like "Boys'll Be Boys" as it's so utterly expected in the tradition of a "Master of the House" song. You know what? Who cares. I think "Boys'll be Boys" as well as "Rah-Rah, Tip-Top" are entertaining for the ears, and every musical has its form of comic relief - though I must say, both songs are dark comedy focusing around characters who are chauvinists. I haven't yet got that spin on Thenardier, as despicable and delightful as he was in Les Miserables. Though initially it's hard to understand some of the Queen's pieces, the feeling of the absolute monarch comes cleanly through, and the harpsichord background is not cliche. It's perfect in those pieces.
I urge other people who are considering buying this to check out these reviews, but judge it for yourselves, and don't start listening to it with expectations. Rather, just sit back and enjoy the show.
Broadway not Chicago.......2007-07-31
CLASSIC MUSICAL.......2007-07-30
Unsinkable Pirate Queen.......2007-07-30
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