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1. Ne Me Quitte Pas
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2. Yesterday
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3. Sassi
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4. Bim Bom
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5. Io Che Amo Solo
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6. Arrivederci
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7. Mi Sono Ennamorata Di Te
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8. Boheme
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9. Nearness Of You
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10. Ritornerai
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11. Resta Cu Mme
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12. Le Mur
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Ai Miei Amici Cantautori V.1,Ornella Vanoni,Sony Bmg,World Music
Average customer rating:
- Beautiful Collection of Songs
- A Legend in all.....La Callas.
- Excellent compilation of La Divina's arias
- Some people have no business reviewing this
- BELLA BELLA BELLA!
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Maria Callas, the Voice of the Century
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
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All Works by Gluck
| Gluck, Christoph W.
| ( G )
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All Works by Gounod
| Gounod, Charles
| ( G )
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| Classical
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All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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General
| Saint-Saëns, Camille
| ( S )
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
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All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Catalani, Alfredo
| C to G
| Featured Composers, A-Z
| Opera & Vocal
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| Music
Charpentier, Gustave
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Delibes, Leo
| C to G
| Featured Composers, A-Z
| Opera & Vocal
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Donizetti, Gaetano
| C to G
| Featured Composers, A-Z
| Opera & Vocal
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| Music
Giordano, Umberto
| C to G
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| Opera & Vocal
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| Music
Gluck, Christoph W.
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Gounod, Charles
| C to G
| Featured Composers, A-Z
| Opera & Vocal
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Massenet, Jules
| M to P
| Featured Composers, A-Z
| Opera & Vocal
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Meyerbeer, Giacomo
| M to P
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| Opera & Vocal
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Puccini, Giacomo
| M to P
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| Opera & Vocal
| Styles
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Rossini, Gioacchino
| Q to T
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| Opera & Vocal
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| Music
Saint-Saens, Camille
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
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Vocal Works by Verdi
| Verdi, Giuseppe
| U to Z
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Callas, Maria
| Divas
| Opera & Vocal
| Styles
| Music
Similar Items:
- The Very Best Of Maria Callas
- Maria Callas - La Divina
- Maria Callas: The Legend
- Puccini: Arias
- The Most Famous Opera Duets
ASIN: B00000631B
Release Date: 1998-03-17 |
Tracks:
- Norma: Casta Diva (Atto I): Norma
- La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
- Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
- Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
- Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
- La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
- La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
- La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
- Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
- TOSCA: Vissi D'arte (Atto II): tosca
- Turandot: In questa reggia (Atto II): Turandot
- La Wally: Ebben? ne andro lontana (Atto I): La Wally
- Andrea Chenier: La mamma morta (Atto III): Andrea Chenier
Tracks:
- Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
- Alceste: Divinites du Styx (Acte I)
- Dinorah: Ombra leggiera (Atto II) (Shadow Song)
- Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
- Faust: Les grand seigneurs...Ah! je ris (Acte III)
- Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
- Samson et Dalila: Printemps qui commence (Acte I)
- Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
- Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
- Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
- Carmen: Les tringles des sistre tintaient (Acte II)
- Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
- Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
- Louise: Depuis le jour (Acte III)
Customer Reviews:
Beautiful Collection of Songs.......2006-07-15
I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.
A Legend in all.....La Callas........2005-04-24
I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :
Article Title : 'I am sorry!'
'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D
Excellent compilation of La Divina's arias.......2005-03-21
This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!
Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.
Some people have no business reviewing this.......2005-01-25
My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!
Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!
BELLA BELLA BELLA!.......2004-11-23
THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!
Average customer rating:
- Operatic icon. Performer against which others are measured.
- La Divina set the stage
- The queen of opera
- Essential!
- The entire La Divina series is AMAZING!
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La Divina 2
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gluck
| Gluck, Christoph W.
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Thomas
| Thomas, Ambroise
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
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| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Charpentier, Gustave
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Donizetti, Gaetano
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Gluck, Christoph W.
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Cilea, Francesco
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Puccini, Giacomo
| M to P
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Saint-Saens, Camille
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Thomas, Ambroise
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Verdi
| Verdi, Giuseppe
| U to Z
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Callas, Maria
| Divas
| Opera & Vocal
| Styles
| Music
Similar Items:
- Maria Callas - La Divina
- Maria Callas: La Divina 3
- Maria Callas: The Legend
- The Very Best Of Maria Callas
- The Passion of Callas
ASIN: B000002RTT
Release Date: 1994-07-19 |
Tracks:
- Alceste: Divinites du Styx Acte 1
- Carmen: Les tringles des sistres tintaient Acte ll
- Ernani: Surta e la notte......Ernani! Ernani, involami Atto l
- Manon Lescaut: In quelle trine morbide Atto ll
- Aida: Ritorna vincitor Atto l
- Orphee et Eurydice: J'ai perdu mon Eurydice Acte lV
- I vespri siciliana: Bolero: Merce, dilette amiche Atto V
- Louise: Depuis le jour Acte lll
- La Boheme: Donde lieta usci Atto lll
- Mignon: Ah, pour ce soir...Je suis Titania Acte ll
- La Traviata: Teneste la promessa...Addio, del passato Atto lll
- Don Carlo: O don fatale Atto lll
- Samson et Dalila: Printemps qui commence Acte l
- La Sonnambula: Compagne, teneri amici...Come per me sereno Atto l
- Adriana Lecouvreur: Ecco: respiro appena...Io son 'lumile ancella Atto l
- Lucia di Lammermoor: Spargi d'amaro pianto Atto lll
Customer Reviews:
Operatic icon. Performer against which others are measured........2007-05-26
Maria Callas may be the only female operatic 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
La Divina set the stage.......2007-01-05
Maria Callas, as I understand it (I'm not a music expert), helped create a new interest in the bel canto tradition of Donizetti and Bellini at mid-twentieth century. This album represents those composers, plus many others as well.
Callas' range in choice of operatic material is great indeed. Selections on this CD run from Gluck to Donizetti to Bizet and Puccini. Her voice, uneven on occasion, does not define her importance. As noted, she helped spark a renewed interest in bel canto works. The irony is that she did not have great coloratura skills. In the selection from Lucia di Lammermoor, a trill is scarcely heard. Think a few years later, to Joan Sutherland, later still to Beverly Sills, and more recently to sopranos such as Angela Gheorghiu. They all have much better technique, trill well, and exhibit much more agile coloratura singing. But Callas was an important predecessor.
More important than technique is the passion that many heard in her voice and her presence on stage. This is a good introduction to the range of Callas' repertoire and a reminder of this fiery singer from decades ago.
The queen of opera.......2004-05-16
Absolutely beautiful! Divine is the only word to do her justice! Viva La Divina, BRAVISSIMA!
Essential!.......2004-04-04
All three La Divina Albums are essential indeed! I bought them all and enjoy them! A very beautiful, dramatic voice!
The entire La Divina series is AMAZING!.......2004-02-26
I bought all three La Divina Releases and they're all splendid. Brilliant, for Callas and beyond!
Average customer rating:
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The Complete Caruso
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
General
| Boito, Arrigo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Flotow
| Flotow, Friedrich von
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Franck, César
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Godard, Benjamin
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Goldmark
| Goldmark, Karl
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Lully
| Lully, Jean-Baptiste
| ( L )
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| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Ponchielli
| Ponchielli, Amilcare
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rubinstein
| Rubinstein, Anton
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Szulc, Josef Zygmunt
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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Requiems
| Forms & Genres
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| Historical Periods
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Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
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| Classical
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| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
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ASIN: B0001TSWQO
Release Date: 2004-11-09 |
Average customer rating:
- YET ANOTHER CALLAS COLLECTION
|
Maria Callas: The Platinum Collection
Manufacturer: EMI Classics
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ASIN: B000B6OD0G
Release Date: 2005-11-08 |
Tracks:
- Puccini: Un bel di vedremo (from Madama Butterfly)
- Bizet: L'zmour est un oiseau rebelle - Habanera (from Carmen)
- Catalini: Ebben? ne andro lontana (from La Wally)
- Rossini: Una voca poco fa (from Il Barbiere di Siviglia)
- Bellini: Casta Diva (from Norma)
- Saint-Saens: Mon coeur s'ouvre a ta voix (from Samson et Dalila)
- Verdi: Gualtier Malde... Caro nome (from Rigoletto)
- Verdi: Sempre libera (from La Traviata)
- Gounod: Ah! Je veux vivre dans ce reve (from Romeo et Juliette)
- Puccini: Si. Mi chiamano Mimi (from La Boheme)
- Mozart: Mi tradi quell'alma ingrate (from Don Giovanni)
- Mascagni: Voi lo sapete, o mamma (from Cavalleria Rusticana)
- Ponchielli: Suicidio! (from La Gioconda)
- Puccini: O mio babbino caro (from Gianni Schicchi)
- Puccini: In questa reggia (from Turandot)
- Puccini: Vissi d'arte (from Tosca)
Tracks:
- Giordano: La mamma morte (from Andrea Chenier)
- Spontini: O nume tutelar (from La Vestale)
- Massenet: Je ne suis que faiblesse... Adieu, notre petite table (from Manon)
- Puccini: Oh, saro la piu bella... Tu, tu, amore? (from Manon Lescaut)
- Bizet: Pres des ramparts de Seville - Seguedille (from Carmen)
- Rossini: Dunque io son (from Il Barbiere di Siviglia)
- Delibes: Dov'e l;indiana brune? - Bell Song (from Lakme)
- Verdi: Qui Radames verra .... O partria mia (from Aida)
- Puccini: O soave fanciulla (from La Boheme)
- Puccini: Signore, ascolta! (from Turandot)
- Leoncavallo: Qual fiamma avea nel guardo!... Hui! Stridono lassu (from Pagliacci)
- Verdi: D'amor sull'ali rosee (from Il Trovatore)
- Puccini: Vogliatemi bene, un bene piccolino (from Madama Butterfly)
- Meyerbeer: Ombra leggera - Shadow Song (from Dinorah)
Tracks:
- Gluck: Divinites du Styx (from Alceste)
- Bizet: Les tringles des sistres tintaient - Chanson boheme (from Carmen)
- Verdi: Surta e la notte... Ernani! Ernani, involami (from Ernani)
- Puccini: il quelle trine morbide (from Manon Lescaut)
- Verdi: Ritorna vincitor! (from Aida)
- Gluck: J'ai perdu mon Eurydice (from Orphee et Eurydice)
- Verdi: Merce, dilette amiche - Bolero (from I Vespri Siciliani)
- Charpentier: Depuis le jour (from Louise)
- Puccini: Donde lieta usci (from La Boheme)
- Thomas: Ah, pour ce soir... Je suis Titania - Polanaise (from Mignon)
- Verdi: Teneste la promessa... Addio, del passato (from La Traviata)
- Verdi: O don fatale (from Don Carlo)
- Saint-Saens: Printemps qui commence (from Samson et Dalila)
- Bellini: Compagne, teneri amicic... Come per sereno...Sovra il sen (from
- Cilea: Ecco: respiro appena. Io son l'umile ancella (from Andriana Lecouvreur)
- Donizetti: Spargi d'amaro pianto (from Lucia di Lammermoor)
Customer Reviews:
YET ANOTHER CALLAS COLLECTION.......2006-02-08
I find that I'm beginning to agree with Herbert Breslin, who wrote in his book "The King and I" (which deals with his years as Pavarotti's manager) that "EMI has managed to convince the public that Maria Callas is still alive". Undoubtedly, EMI has made a fortune on Callas -------- complete operas, live recordings of operas, recitals, previously unpublished arias, and the like ------- and is showing no signs of slowing up promoting her recordings. There is no other operatic artist whose recordings are being promoted and marketed the way Callas' are. Obviously, the fascination continues. Is all of this warranted? Obviously, to judge by the sales of her recordings, most definitely "yes". Callas the artist is represented in this collection with arias and scenes recorded in different times of her short but spectacular career. The items recorded in the early and middle 1950's are vocally more secure than those recorded after 1960. What IS incredible are the different colors and hues that Callas had in her voice ---- she comes off as kind of an operatic Lon Chaney ("Man of a Thousand Faces")and manages to forge her imprint into virtually every item on included on this disc. What other soprano - living or historical---could sing such a wide repertoire which incorporated so many different vocal styles? This alone is reason to value Callas ------- as well as for her brains and incredible musicianship. Certainly we have hard more externally beautiful voices, but virtually none of them have had the sheer individuality of Maria Callas. This collection is certainly a great place to sample her art. I warn you ---- her art is addictive.
Average customer rating:
- Beyond all description...
- An Absolute Must-Have for Any Pavarotti Fan
- Wonderful!!!!
|
The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005O841
Release Date: 2001-11-13 |
Album Description
Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale
Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila
Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes
Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem
Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot
Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca
Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.
Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more
Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more
Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more
Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting
Customer Reviews:
Beyond all description..........2006-09-19
As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.
An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09
...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.
Wonderful!!!!.......2002-11-07
This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.
Average customer rating:
- Mesmerizing set. La Divina's gift to the world.
- Breathtaking!
- Callas is Still Opera's Queen
- Grand
- The divine Callas
|
Callas: La Divina [Limited Edition]
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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ASIN: B000002S6V
Release Date: 1995-11-14 |
Tracks:
- Madama Butterfly, Un Bel Di Vedremo
- Carmen, Lamour Est Un Oiseau Rebelle (Habanera)
- La Wally, Ebben Ne Andro Lontana
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- Norma, Casta Diva
- Samson Et Dalila, Mon Coeur Souvre A Ta Voix
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Tracks:
- Divinites Du Styx
- Les Tringles Des Sistres Tintaient
- Surta E La Notte
- In Quelle Trine Morbido
- Ritorna Vincitor
- Jai Perdu Mon Eurydice
- Bolero: Merce Dilette Amiche
- Depuis Le Jour
- Donde Lieta Usci
- Ah, Pour Ce Soir
- Teneste La Promessa
- O Don Fatale
- Printemps Qui Commence
- Compagne Teneri Appena
- Ecco: Respiro Appena
- Spargi Damaro Pianto
Tracks:
- La Mamma Morta - Andrea Chenier
- O Nume Tutelar - La Vestale
- Je Ne Suis Que Faiblesse - Manon
- Oh, Sara La Piu Bella....Tu, Tu Amore? - Giuseppe Di Stefano (Tenor)
- Pres Des Remparts De Seville (Seguedille) Acte I - Carmen
- Dunque Io Son Atto - Barbiere Di Siviglia
- Dov' E L'indiana Bruna? - Lakme
- Qui Radames Verra!...O Patria Mia - Aida
- O Soave Fanciulla - La Boheme
- Signore, Ascolta! - Turandor
- Qual Fiamma Avea Nel Guardo...Hui! - Pagliacci
- D'amor Sull' Ali Rosee - Trovatore
- Vagliatemi Bene, Un Bene Piccolino - Madama Beutterfly
- Ombra Leggiera - Dinorah
Tracks:
- Interview
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- Interview
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- Interview
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Amazon.com
In case there was a moment in your life when your suspected that Maria Callas was not a driving force in opera in the last half of this century, pick up this set. Apparently unable to give a dull performance, here we get Callas in La Divina as Rossini's flirty Rosina; Verdi's emotion-torn Aida; Catalani's unbelievably sad Wally (a classic performance, by which all others are measured); Bellini's Norma (ditto); Puccini's lovely, youthful Lauretta in Gianni Schicchi; the same composer's frigid, furious Turandot as well as his confused, desparate Manon Lescaut; Verdi's Loenoras--each noble; Meyerbeer's ditzy Dinorah and Delibes's loco Lakme (in some fabulous, high-flying coloratura singing); and at least a dozen more roles. While it's true that her control over her voice varies--the French coloratura arias, from Gounod and Thomas operas, can be pretty acidic--there's never an uninterested reading, never a once-over read-through. You'll get to know the characters as well as their music by hearing Callas as each heroine--indeed, this collection is like a who's who in opera. No music lover should be without it. --Robert Levine
Customer Reviews:
Mesmerizing set. La Divina's gift to the world........2006-07-30
I have listened to this 4-cd set numerous times and each occasion yields an abundant harvest. Maria Callas, one of my favorites, thrills, exalts, and saddens the listener to no end. You don't have to be a classical music fan to enjoy and be moved by this music. I cannot find words to substantially explain the beauty and meaning of this set.
Thank you La Divina.
Breathtaking!.......2006-06-11
I am no expert, I just love music. I bought this set in order to get an overview of what Callas offers, boy did I get more than I bargained for. There are many wonderful sopranos, I won't say this one or that one is better... its like good wine, what you choose to drink depends on your mood. Sutherland is purity, Bartoli is sheer joy, Callas is darkness. For me she is the Schubert of the voice and she can make me weep, that is her power, pure and simple.
Callas is Still Opera's Queen.......2005-01-25
With the apparent genius embedded in Callas' singing, it is no wonder that decades after her death, her voice will still echo within the chambers of our living rooms. Her great sense of the bel canto style, combined with the empassioned soul she juxtaposed into her performances, along with her amazing control over the three hundred (acclaimed conductor Nicola Rescigno said this) voices she had, are undeniably the reason why such a controversial singer survived the passing of time with a legion of fans still eager to submit to her amazing and passionate singing. She had the ability to chop a singular, monotonic-sounding instrument to convert it into a million shades of human emotion--something that no great singer was able to do today. She was the divine goddess of opera, able to command any listener to watch and listen to her declaim her roles. It was because of this that she was called "La Divina", and then many years later as "The Voice of the Century". But what defines a Voice of the Century, you might ask? It is the ability to live the life of a character all the while singing the lines, the melodies, the trills, and the embellishments required to bring a certain degree of drama into the role. Meaning there was no need for overornamentation, or such and so. Being the Voix du Secle didn't mean that you could sing coloratura roles so efficiently. If that were so, then Lily Pons would have been the Voice of the Century. Callas did so much more than that. She breathed life into opera, and turned it into the most illustrious and the most highly celebrated of all arts. No other singer can claim to have done that, no matter how amazing the range, how great the tonal quality whatsoever. Only Callas deserves such a title...and she truly was La Divina and The Voice of the Century.
I am also a big fan of Joan Sutherland. I just don't find it right for her to be tackling overly dramatic roles such as Norma, which her middle voices couldn't support. The middle voice is required for Bellini, you know. Joan Sutherland has a perfect vocal technique, but let me let you in on something divulged to me by an authority in music: Joan Sutherland never learned to read notes. She had a perfect sense of hearing, and it was Andre Previn and not Richard Bonynge who introduced the roles to her. Andre Previn would play a note on the piano, and she would just follow by singing. Surprising isn't it that the most celebrated coloratura of our age never learned to read notes? She has a great voice anyhow, but the only other thing that bothered me is that she didn't put her soul into singing. Although her voice remained in her throat until her 60's, the only reason that happened was because she didn't pour out her soul. Callas' technique, although one of the most attractive ever to have walked this planet (she could very well sing anything and be the character), was damaging to the vocal cords. Pouring your soul into the role has a tendency to scratch your instrument. Still, she was the Divine One, and she truly places first as my favorite soprano of all time.
Grand.......2004-05-21
Why won't this Callas-Hater leave Maria alone? If he hates her so much, why did he listen to all her recordings? I doubt that he did, bashing a perfect recording like Callas' Aida shows he hasn't heard it. Even Callas' enemies were floored by her Mexican performances. This collection is absolutely magnificent. La Divina will always be La Divina and no one comes close!
The divine Callas.......2004-05-08
An awesome collection of the most supreme voice in the world! Brava La Divina!!!!!
Average customer rating:
|
Rossini: L'Italiana in Algeri
Manufacturer: Arts Music
ProductGroup: Music
Binding: Audio CD
General
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Romantic (c.1820-1910)
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ASIN: B00064VJVY
Release Date: 2005-01-25 |
Average customer rating:
- Great CD for the young Placido!
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The Young Domingo
Manufacturer: RCA
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ASIN: B00000JPCB
Release Date: 1999-08-10 |
Tracks:
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- L'elisir d'amore: Una furtiva lagrima
- La boheme: Musette! O gioia della mia dimora; Testa adorata, non piu tornerai
- Manon: Je suis seul!; Ah! fuyez, douce image
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- L'arlesiana: Lamento di Federico: E la solita storia
- Martha: M'appari
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- Rigoletto: La donna obile
- Le Cid: Ah! tout est bien fini!; O Souverain, O Juge, O Pere
- L'africana: Mi batte il cor; O Paradiso; Deh! ch'io ritorni
- Cavalleria Rusticana: Intanto, amici, qua; Viva il vino spumeggiante
- Faust: Quel trouble inconnu; Salut! demeure chaste et pure
- Rigoletto: Questa o quella
- La forza del destino: La vita E inferno; O, tu che in seno agli angeli
- Adriana Lecouvreur: L'anima ho stanca
- Turandot: Non piangere, Liu
- La fanciulla del West: Una parola sola; Or son sei mesi
- Gianni Schicchi: Avete torto!; Firenze e come un albero fiorito
- Les pecheurs de perles: A cette voix quel trouble; Je crois entendre encore
- Un ballo in maschera: Barcarola: Di' tu se fedele il flutto m'aspetta
- Romeo et Juliette: L'amour! L'amour!; Ah! Leve-toi, soleil
- La boheme: Non parlate cosi!; Io non ho che una povera stanzetta
- Chatterton: Non saria meglio; Tu sola a me
Customer Reviews:
Great CD for the young Placido!.......2001-04-15
This CD features Placido Domingo, the best tenor of the world today, in his youth. It contains in their entirety the three opera aria recordings made by the big maestro for RCA:Romantic Arias (1968); Domingo Sings Caruso (1971) and La Voce d'Oro(1972). The CD includes then some of the greatest arias of the repertoire, including Wagner's "In fernem Land" from Lohengrin.
Domingo was less than 30 years old when he made these recordings. The high notes weren't that good especially the high C in "Salut demeure chaste et pure" from Faust. However, you can already be amazed by Domingo's wonderful technique in breathing control, which has now become a legend.
Overall, the CD is a must in every Operatic collection. It contains 35 arias, 2 Cds for about 15$! Don't Look, however, for Nessun Dorma or the 2 Tosca Arias...they're just not there!
And if you're looking for great arias by Domingo, I strongly recommend Bravo Domingo release by Deutshe Grammophon. You will really see this great tenor at his best.
Average customer rating:
|
Live Recordings, 1967-68, Vol. 1
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
All Works by Leoncavallo
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ASIN: B000001VMF
Release Date: 1990-03-01 |
Average customer rating:
- A GOOD VERSION OF A GREAT OPERA
|
Rossini: L'Italiana in Algeri
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
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Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
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| Opera & Vocal
| Styles
| Music
Operettas
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| Rossini, Gioacchino
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Similar Items:
- Rossini: L'Assedio di Corinto
ASIN: B00000E3DI
Release Date: 1989-05-23 |
Customer Reviews:
A GOOD VERSION OF A GREAT OPERA.......2004-03-09
This recording has been around for a while, and, in fact, was the first stereo version of this opera to be recorded. It's very well presented here, with first class playing by the Maggio Fiorentina under the peppy direction of Silvio Varviso. The cast is a good one, with tenor Luigi Alva negotiating the difficult tenor role of Lindoro with relative ease. Fernando Corena is a first class basso buffa, and he presents a blustery and fun portrait of Mustafa. His singing is excellent, if his coloratura passagework is not. Rolando Panerai is a lyrical and flowing Taddeo, possibly the best sung account of this role on records. This very fine supporting cast is centered around the Isabella of Teresa Berganza, certainly one of the greatest Rossini mezzos of the post World War II period. Berganza's voice is lovely, and very youthful. She negotiates the Rossini coloratura with mastery, but in the final analysis she is somewhat bland and colorless. She lacks the bravura steamroller style of Marilyn Horne style of Marilyn Horne (who in turn lacked the charm of Berganza!), who herself made a memorable recording of this opera many years later. As far as "Italiana" itself is concerned, this is a perfectly acceptable presentation of the opera, and one which still stands up reasonably well against subsequent competition. To my ears, the best recording of this wonderful opera remains the old mono EMI version with Gulietta Simionato from La Scala, under the baton of Carlo Maria Guilini. Simionato did not have anywhere near the fluency for this music that Berganza or Horne had, but she certainly had style and character, and she made every comical moment count. Guilini, very simply, reincarnates the very spirit of Rossini. But in the absence of this classic version, the London/Berganza account is certainly a valid substitute ---- and of course, there's always Marilyn Horne's spectacular account on RCA ---- though as a performance, I prefer this one.
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