Wait & See [CD-single] [Import]

1. Wait & See ~Risk~

2. Hayatochiri

3. Fly Me To The Moon (In Other Words)

4. Wait & See ~Risk~ (Baton Girl Mix)

5. Wait & See ~Risk~ (Original Karaoke)

Tracks:

Circle Of Life - Carmen Twillie
I Just Can't Wait To Be King - Rowan Atkinson
Be Prepared - Cheech Marin
Hakuna Matata - Ernie Sabella
Can You Feel The Love Tonight - Ernie Sabella
The Morning Report - Jef Bennett
This Land - Hans Zimmer
To Die For - Hans Zimmer
Under The Stars (Instrumental) - Hans Zimmer
King Of Pride Rock - Hans Zimmer
Circle Of Life - Elton John
I Just Can't Wait To Be King - Elton John
Can You Feel The Love Tonight - Elton John
Can You Feel The Love Tonight (Remix) - Elton John

Amazon.com

Elton John doesn't seem like a natural choice to write for a Disney musical, but he rose to the task on The Lion King, transcending his usual penchant for the softest of soft rock. Sir Elton's collaboration with Tim Rice (former writing partner of Andrew Lloyd Webber) helps connect the soundtrack to the theatrical lineage of all Disney musicals--so much so that, like Beauty and the Beast, The Lion King was eventually adapted for Broadway. Undistinguished songs like "Can You Feel the Love Tonight?" are far outnumbered by stirring, stately tunes that lent the film so much of its sense of pageant and play. --John Sanchez

Customer Reviews:

fun but flawed.......2007-05-07

in 1994, the lion king came out and broke records. the film itself took in an astounding 312 million dollars in the us. that makes it the highest grossing hand-drawn animated feature EVER (an accomplishment that will never be toppled since niether disney nor dreamworks is producing hand drawn features any more). that year at the oscars it also won two awards for the musical score and best original song (three of its songs were nominated0. so how does the music really stand up compared to other disney features.

first off there's hans zimmer's score. his score is both powerful and moving. it brilliantly incorperates elements of local african music (provided and arranged by lebo m) these elements give it a great feeling of belonging not only to the film but to it's setting. without these tribal elements the score would have been far less compeling. one small problem is when the score abandons these elementsl; they're not carried through in all of the music. but its not enough to be a real distraction. the power of the score allows the listener to feel the wildabeast charging or smell the rain falling during the monsoon or experience the brilliance of the circle of life.

SCORE 5 out of 5

the songs had music by elton john and lyrics by tim rice. the following is a song-by-song breakdown.

THE CIRCLE OF LIFE - this is a great opening number with powerful vocals provided by carmen twillie and impressive african-inspired vocals in the beggining by lebo m. with the actual film, this is not only a moving but inspiring piece of cinema. even without, this is a great song that still gives me goose-bumps. this definately warranted its oscar nomination
5 out of 5

I JUST CAN'T WAIT TO BE KING - this is a really fun song by simba and nala along with zazu. its infectious beat and lyrics definately leave u humming. this may not be the most memorable song, but it definately captures the youth and innocence of simba at this point
5 out of 5

BE PREPARED - this is scar's big number so to speak. it features the hyenas in a very dark yet memorable song. the rhaspy vocals and wonderful musical arrangements make this a great piece that is both eery and impressive.
5 out of 5

HAKUNA MATATA - this is the second oscar nominated song, and although its fun buddy type number, it does get old and doesnt really age as well as the rest. this is honostly one of the weakest songs, believe it or not, its good but just cant really hold up to the other stronger pieces.
4 out of 5

CAN YOU FEEL THE LOVE TONIGHT - here it is, 1994's oscar winner for best original song. honostly i feel that the circle of life deserved that award, but here's the song that got it. the film's version is very romantic, especially for featuring a couple of lions, timon and pumba's parts are funny, but it is simba and nala's portion that takes it home. btw elton john's version at the end is a definate winner.
5 out of 5

SONGS OVERALL - 5 out of 5

so if the score gets 5 and the songs get 5, why does the album only get 4? the answer's pretty simple. for the first time since 1989 with the little mermaid, two composers helped on this film. one provided the film's score and one provided the music for the songs. because two composers worked on this, it feels a little incohesive at times. this isn't really noticible within the film but on the soundtrack it definately stands out. elton john and hans zimmer both did a great job and the only really saving factor are the african rhythms that they both used. although this is a great soundtrack, that lack of unity does bring it down.

despite that minor flaw, this is a must-own for any disney fan or music fan in general. this is a great soundtrack that ranks right up there with beauty and the beast and must never be forgotten.

Simply Perfect.......2007-04-09

This is hands down one of the best Disney soundtracks ever! Elton John came up with some killer tunes here! The opening song always give me goosebumps!

Great Album!.......2007-03-31

This album is great, but I can't seem to find the part where simba and scar fight at the end. i was thinking it would be on "King of Pride Rock" but its not... so i'm a little disapointed in that. (thats one of my favorite scenes for some reason) other than that, i love the songs.

Wonderful, if only for the instrumentals.......2007-02-14

The songs with lyrics are cute and memorable, but the strength of this album is in the last four songs. Listen to "This Land" and it instantly transports you back to the scene with Simba and Mufasa laying under the stars, and then to the scene where Simba sees Mufasa in the clouds. Listen to "...To Die For" and you feel an intense claustrophobia as you relive Mufasa's last moments and Simba's discovery of his father. Listen to Under The Stars and you can practically hear Simba screaming, "You said you'd always be there for me!" And when King Of Pride Rock comes along, you can feel your heart swell as you see Simba take his place on Pride Rock. The instrumentals are incredible works of art that never fail to draw intense emotion.

Wonderful Soundtrack.......2006-11-16

I'm writing this review not of the release of this Special Edition, but of the music contained within. Disney's release and re-release of products is nothing new. It's one of the reasons that Disney is so strong in the market today. With that said, I have to admit that this is one of the best Disney soundtracks that has ever been cut to a disc. I never owned the original release of this music, so I'm glad that Disney did decide to re-release the original work with a few extras as part of the "The Lion King: Special Edition" release. Everything on here is wonderful, and the score itself was key to the development of the story. Selections such as "King Of Pride Rock" and "To Die For" encompass the emotional ups and downs of this film. Elton John's music is also wonderful on this disc. His most notable offerings are "Can You Feel The Love Tonight" and "Circle of Life." His only downfall is "I Just Can't Wait To Be King," which should have been left to the youngster who performed Simba's singing voice. It comes acrossed as forced by Elton John as he performs it.

The "extras" for this Special Edition include a mild and unnecessary remix of "Can You Feel The Love Tonight" and "The Morning Report," which is included on the Special Edition DVD release. Neither add to the collection, but it is nice to have "The Morning Report" on the disc.

Overall, this is one of Disney's strongest soundtracks. In my personal list, I rank it in second place behind Phil Collins' wonderfully tribal "Tarzan" soundtrack. If you don't already have the "Lion King" soundtrack, I highly suggest that you purchase this special edition copy if you are a true fan of the film or of Disney soundtracks in general.

Highly recommended.

Average customer rating:

Relive you movie experiences

The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Simply the Best Movie Themes
Hollywood's Greatest Hits, Vol. 1

ASIN: B000BFH26Y
Release Date: 2005-10-25

Tracks:

The Imperial March: The Empire Strikes Back
Main Theme: Jurassic Park
Main Title: Shakespeare In Love
Themes: Crouching Tiger, Hidden Dragon
Main Title: The Last Of The Mohicans
Theme: The Godfather
Unchained Melody: Ghost
Theme: Goldfinger
We're Losing Him: Somewhere In Time
Space Camp
Opening And Closing Titles: Henry V
Theme: The Thorn Birds
Suite: Moonwalker
The Time Of Your Life: A Bugs Life

Tracks:

Batman Theme: Batman
Bicycle Chase: E.T. The Extra Terrestrial
Suite: Independance Day
Love Theme: Romeo & Juliet
Theme: Back To The Future
End Credits: Contact
Theme: Breakfast At Tiffany's
Main Theme: Star Trek
May It Be And Themes: Lord Of The Rings: The Fellowship Ring
Love Theme: Cousins
Sean's Theme: Minority Report
I Will Wait From You: The Umbrellas Of Cherbourg
Theme: Rocky
The Sand Volcano: The Mummy
The Raider's March: Raiders Of The Lost Ark

Tracks:

Theme: Mission Impossible
Casablanca Suite
Book Of Days: Far And Away
Love Theme: Superman
Tara's Theme: Gone With The Wind
Don't Mess With: Z
Main Title: The Mask Of Zorro
Finale: Victor / Victoria
Carol Ann's Theme: Poltergeist
Love Theme: Star Wars: Episode ll: Attack Of The Clones
Main Theme: Willow
Main Title: Star Trek ll: The Wrath Of Kahn
MAin Theme: On Golden Pond
Theme: A Summer Place
Theme: Chariots Of Fire

Tracks:

Iceberg!
Back To Titanic
Main Themes: Hook
Theme: Pink Panther
Lara's: Doctor Zhivago
Theme: Love Story
Right Stuff
Theme: Jaws
When You Believe: The Prince Of Egypt
Smile: Modern Times
The Apollo 13 Mission
Re-Entry And Splashdown: Apollo 13
Main Title: Beetlejuice
War: Pearl Harbor
Cavatina: The Deer Hunter
Throne Room And End Title: Star Wars: Episode lV: A New Hope

Customer Reviews:

Relive you movie experiences.......2006-01-24

This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.

Average customer rating:

Who says it won't burn
No Problem
Dam girl - you are good!
Tedeschi picks up the slack... I want more!
really sucks

Wait for Me
Susan Tedeschi
Manufacturer: Artemis Records
ProductGroup: Music
Binding: Audio CD

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Hope and Desire
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Just Won't Burn
Just Won't Burn

ASIN: B00006NSIP
Release Date: 2002-11-19

Tracks:

Alone
Gonna Move
Wrapped in the Arms of Another
Til I Found You
Wait for Me
Feeling Music Brings
In the Garden
Hampmotized
Dont Think Twice
I Fell In Love
Blues on a Holiday

Amazon.com

This Boston-bred blueswoman's follow-up to Just Won't Burn, which earned her a Best New Artist Grammy nomination in 2000, trades its predecessor's bar-band bluster for a sensual, soulful approach. By slowing the tempos, Tedeschi is able to make the most of the warm, middle range of her voice, pouring honey all over sweet ballads and making the Memphis funker "Alone" jump like a lost Hi Records nugget. Although her guitar-star husband, Derek Trucks, adds fire to two numbers, including Paul Pena's classic "Gonna Move," Tedeschi herself dishes out some fat-toned, terse solos that sting with the style of the late Johnny "Guitar" Watson.

Also here is a haunting take on Bob Dylan's "Don't Think Twice," which fits perfectly with Tedeschi's own songs about mature romance. And she teams with Handy Award-winning country-blues duo Paul Rishell and Annie Raines for the spare and touching acoustic tune "Blues on a Holiday." Wait for Me may not win Tedeschi the attention her last album drew, but it's far better, and it marks her arrival as a full-grown artist. --Ted Drozdowski

Album Description

This 11-track collection is the follow-up to Tedeschi's critically acclaimed, gold-certified 1998 release `Just Won't Burn,' an album that earned her a "Best New Artist" Grammy nomination in 2000. `Wait For Me' features several new originals written and produced by Tedeschi, as well as inspired readings of songs by Bob Dylan ("Don't Think Twice") and Paul Pena ("Gonna Move") among others. Veteran producer/engineer Tom Dowd (Aretha Franklin, Eric Clapton, John Coltrane) helmed some of the `Wait For me' sessions, and contributors on the album include Tedeschi's husband and young guitar hero Derek Trucks; southern music stalwart Col. Bruce Hampton; and legendary pianist, Chuck Berry collaborator, and rock & roll architect Johnnie Johnson.

Customer Reviews:

Who says it won't burn.......2005-10-18

An awesome Cd. The disc opens with the Al Green influenced memphis soul number Alone, which alone is worth the price of the disc. Followed by the late Paul Pena's Gonna Move featuring some tasty slide by husband Derek Trucks. (Must be nice to call on the best slide player in the world for your CD) Other highlights include a wicked version of Don't Think Twice It's All Right and a blistering I Fell In Love. Also included are a tip of the hat to Atlanta music legend Bruce Hampton and a smoky Blues on a Holiday.

Though this has been out for a year or more, if you don't own it you should get it today.

No Problem.......2005-09-08

No Problem...that's what I like in a sale. The used CD I purchased was perfect condition and was on time.

Dam girl - you are good!.......2005-05-05

Ok, i love Susan's music. seen her in person, loved her. i'm an all out fan. her first CD was awesome, and this is good too. (ok, maybe i like the first one better, not sure why) she is blues and rock and jazz, and so very hot. buy it, you'll be glad.

Tedeschi picks up the slack... I want more! .......2004-12-24

October 23, 2002
Artist; Susan Tedeschi
Title: Wait For Me
Rating: Very Good

In 1989 a six-year sober Bonnie Raitt bedazzled a beleaguered music industry with the multi- platinum, multi-Grammy album, `Nick of Time.' After more than twenty years, Raitt had finally struck gold. The "sound" of Raitt's wagon-load of Grammy album was not new - her refreshed pop sense with a blues base got her on the radio airplay but it was the ballads that struck a nerve with listeners. For the next decade Raitt would be the world's darling lending her bully pulpit to social & environmental causes.

Upon the death of Stevie Ray Vaughan in August 1990, Raitt would add the weight of being the blues only major cross-over artist on her slim shoulders. Thanks to the momentum of Stevie Ray Vaughan, `the blues' art-form was vibrant throughout the `90's. As the impact of downloading and burning began to reverberate, major labels sang the blues over financial losses. As result, labels cut artists and ad budgets. Consequently the blues' popularity has been on the down-swing since the new millennium.

Tone Cool's Susan Tedeschi may provide the thumb in the dike to stem the blues' ebbing popularity. For a blues album to sell 50,000 units is a smashing success. Tedeschi's last album, Just Won't Burn, sold more than ½ million albums. With the release of her newest effort (November 19th), Wait For Me, Tedeschi will surely substantially best her last effort. It's a terrific album jam packed with superb vocal performances, strong songs, and excellent arrangements. Included on the album are two previously released tracks. `In the Garden' appeared on Double Trouble's latest release (along with a cover of Led Zeppelin's, `Rock -n- Roll.' `Baby You're Right' appears on Tedeschi's husband Derek Trucks' latest stellar release, Joyful Noise.' A nephew of Allman Brothers bass player `Butch' Trucks, Derek Trucks played with the Allman Brothers Band for much of last year with Tedeschi's band opening. Consequently, Tedeschi's sound has matured substantially into a more rock oriented sound. Like Raitt's, Nick of Time, Tedeschi has mixed tasty ballads with upbeat rockers. Tedeschi is backed by a smoking guitar and humping organ (players unknown at this time). Also covered on the album is Dylan's, 'Don't Think Twice.' While blues purists continue to embrace Tedeschi, `Wait for Me' is sure to be a cross-over hit that rock fans are going to relate. While today's helter-skelter music world leaves it up to anyone's guess, it will be interesting to see if radio `gets it' and hops on board a sure thing early in the cycle or will it wait?

really sucks.......2004-11-01

If you really liked JUST WONT BURN then this could be a
major disappointment like it was for me. Susan leaves the Blues
for a smoother sound and leave's the fire and passion behind.
Now there's nothing special about her. Susan please go back to
the Blues.

Average customer rating:

Like a greatest hits!
Great sound, great energy
These guys rock!

Don't Make Me Wait
Locksley
Manufacturer: Feature Records
ProductGroup: Music
Binding: Audio CD

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Rent a Crowd

ASIN: B000M2E3EA
Release Date: 2007-01-09

Tracks:

Don't Make Me Wait
Let Me Know
All Over Again
All Of The Time
She Does
Why Not Me
My Kind Of Lover
The Past And The Present
Into The Sun
Up The Stairs
It Won't Be For Long
For You (Part I)
For You (Part II)

Album Description

Timeless songs and a contagious youthful optimism are the foundations of Wisconsin raised, Brooklyn based, Locksley, who have achieved more as an unsigned band in the last year than most major label acts will in a career.

This album received a 4/5 from Alternative Press in their December 2006 issue and led them to herald Locksley one of the best unsigned acts in the country. The band was honored as "one of the 25 best bands on MySpace" (out of 1700 nominated) by Rolling Stone and earlier the songs "She Does" and "Don't Make Me Wait" were licensed for two Payless Shoes national television spots.

MTV quickly recognized the band's potential using Locksley's "Why Can't I Be You (Why Not Me)" as the theme for a new show on the network. The video for the song (funded by MTV, a first) beat out other major label artist's videos in MTVU's the Freshmen, based on fan votes, and was placed in rotation on MTV and MTVU, making Locksley the only unsigned band with this distinction.

The band has completed two full US tours and one UK tour, playing with OkGo, We Are Scientists, The Dandy Warhols, and The Rapture along the way. The coming months will see an MTV exclusive digital release of the album featuring the band on the main page of MTV.com as well as increased Locksley appearances, opening for The Killers and The Rapture, performing on various late night shows, in an 8 page photo layout in ELLE magazine, and as a featured artist in SPIN.

Customer Reviews:

Like a greatest hits!.......2007-02-02

I've been fortunate to catch Lockley's live act a couple of times. Hard to believe that these guys are unsigned, as they're light years ahead of others.
This CD epitomizes what makes them great! It plays like a greatest hits, and leaves the listener wanting to hear more. I suspect it won't be long before Locksley tops the charts.

Great sound, great energy.......2007-01-29

I have to agree with the other review on this page; I'll be endlessly surprised if these guys don't become hugely popular within the next year.

They sound like "pop when it was rock" and pull it off very well. Though they remind me of the Beatles, they definitely make their songs their own.

These guys rock!.......2007-01-24

I may start my own label to sign these guys and cash in.

The Essential Michel Legrand Film Music Collection

Average customer rating:

A Beautiful Re-Creation of Over-Exposed Legrand Material
"one of the greatest film composers of the 20th Century ~ Michel Legrand"

The Essential Michel Legrand Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Les Parapluies De Cherbourg: Highlights (1964 Film)

ASIN: B000B5XSSA
Release Date: 2005-10-04

Tracks:

Les Parapluies de Cherbourg
Les Demoiselles de Rochefort
Summer of 42
Never Say Never Again
How Do You Keep The Music Playing
The Thomas Crown Affair
What Are You Doing The Rest Of Your Life?
Les Trois Mousquetaires
Wuthering Heights
Brian's Song
Dingo
Yentl
Le Messager - Variations 1-2-3-4-5-7

Customer Reviews:

A Beautiful Re-Creation of Over-Exposed Legrand Material.......2006-02-10

Michel Legrand is one the biggest artists of music entertainment, a sensitive composer and arranger.

Here you'll find a correct selection of Legrand's material with unnecessarily new arrangements though with an impeccable performance.

Many of the songs in the repertoire are still available in CDs you can find here @Amazon and the best Legrand is the original Legrand.

This album stands only for those who doesn't care about original takes and wishes just for a selection of the best Legrand.

"one of the greatest film composers of the 20th Century ~ Michel Legrand".......2005-10-26

Silva Screen has released a collection that will set you on your ear "The Essential Michel Legrand Film Music Collection"...Legrand's score sets the tone and mood you experience a sense of power and freedom, so exhilarating...Legrand's genius in composition and orchestration, puts the listener smack dab in the middle of each film he scores as it serves up a generous helping of heaven for all "film-score-buff" collectors

Michel Legrand was born in Paris on February 24th, 1932...attended the Paris Conservatory Progressing...worked in various jazz bands, later a staff arranger and composer...an orchestrator in the '50s...scored films in the early '60s with "THE UMBRELLAS OF CHERBOURG" (1964)..."THE THOMAS CROWN AFFAIR" (1968)..."THE GO-BETWEEN" (1970)..."SUMMER OF '42" (1971)..."THE THREE MUSKETEERS" (1973)...and three Oscars from the Academy Awards for "THE WINDMILLS OF YOUR MIND" for best music and original song in 1969 , "SUMMER OF '42" for best original song and original dramatic score in 1972... "YENTL for best music and original song score in 1984...then in 2003 nominated for Broadway's Tony Awards for Best Original Music Score for the Musical "Amour", there's no letting up for this hard working composer.

The Flemish Radio Orchestra featuring conductor composer Michel Legrand on piano and harpsichord, Philippe Chayeb on bass, Thierry Chauvet on drums and Bruno Caviglia on guitar...all in all did a magnificent job in bringing the music of a composer who wrote for a multitude of films, receiving recognition from the industry and fans which is long over-due ~ his work is in constant demand.

This collection contains an overlay of each cue in Legrand's distinctive style of legendary scoring ~ the man who made this possible, a tremendous asset to every project he undertakes is Reynold da Silva [executive producer of the album] ~ symphonic suites with full orchestra fullfilling the "film-score-buffs" cravings for more of the same, just the way we like 'em!

Total Time: 77:55 ~ Silva America 1185 ~ (10/04/2005)

Average customer rating:

Wait for Me
The Pigeon Detectives
Manufacturer: Hk
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Favourite Worst Nightmare
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An End Has a Start
Colour It In
Good Shoes

ASIN: B000O5AY3O
Release Date: 2007-06-04

Tracks:

Romantic Type
I Found Out
Don't Know How to Say Goodbye
Caught in Your Trap
I Can't Control Myself
I'm Not Sorry
You Know I Love You
Stop or Go
You Better Not Look My Way
Take Her Back
Wait for Me
I'm Always Right

Average customer rating:

Michel Legrand
Sunlight on his fingertips
all the stars you've got
Maestro Legrand , at last !
For Jazz piano purest... Only!

Michel Legrand by Michel Legrand

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

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Summer of 42

ASIN: B00005YW0W
Release Date: 2002-04-16

Tracks:

I Will Wait For You
The Windmills Of Your Mind
The Summer Knows
How Do You Keep The Music Playing?
Watch What Happens
What Are You Doing The Rest Of Your Life?
His Eyes, Her Eyes
The Hands Of Time
Ordinary Man
Summer Me, Winter Me
You Must Believe In Spring
Once Upon A Summertime
L'Amour Fantome
Yentl Medley: Papa Can You Hear Me/The Way He Makes Me Feel/A Piece Of Sky

Amazon.com

If the American pop culture profile of French composer-jazz pianist Michel Legrand doesn't seem what it once was, don't be misled: his European indie film scores continue six decades on, now numbering nearly 200. But Legrand's most beloved work remains the lovely, evocative themes he created in the '60s and '70s, including "I Will Wait for You" from The Umbrellas of Cherbourg, The Thomas Crown Affair's "Windmills of Your Mind," the theme from Summer of '42, and his work on Barbra Streisand's Yentl. This collection marks Legrand's first solo piano recordings, presenting those and other film score highlights in spontaneously improvised performances that offer a glimpse of Legrand's musical soul. If, as in "Windmills," his enthusiasm gets the best of him and he occasionally lapses into flights of melodramatic pianistic self-parody, there are more than enough sublime moments here to compensate, especially on lesser-known songs like Best Friends' "How Do You Keep the Music Playing?," "What Are You Doing the Rest of Your Life?" from The Happy Ending, and Brian's Song's "Hands of Time." --Jerry McCulley

Customer Reviews:

Michel Legrand.......2007-03-12

This is a great CD! Sound is awesome. I highly recommend it.

Sunlight on his fingertips.......2005-08-10

Sunlight on his fingertips

The very bright talent of Michele Legrand you can feel especially when Maestro is playing piano himself.

I heard some orchestra performance of Legrand before, that was good, but I was still thinking about him just like about pop music composer.

Now I think different - he is Genius!

all the stars you've got.......2005-01-29

Bill Evans once said that technique in jazz "is the ability to translate your ideas into sound through your instrument." If that's the case, Legrand possesses technique in spades.

Before commenting on this rewarding disc, a few words about Legrand himself:

Is there a better songwriter or a more versatile all-around musican alive today? I think you have to go back to people like Gershwin and Billy Strayhorn to find a rough parallel to Legrand's multifaceted, genre-crossing genius. A pupil of Nadia Boulanger (who studied with Faure and taught many important American composers, including Aaron Copland and Philip Glass), Legrand is an heir of the great French tradition of music--but one who has chosen to express himself through popular songs, film scores, and jazz. He possesses that rare combination of an absolutely rigorous theoretical knowledge of music and an intuitive, spontaneous instinct for both melody and improvisation. He combines exquisite refinement with a popular touch, a need to communicate directly with all who love music. To me, his work represents the most perfect expression of such typically French traits as lightness, insouciance, wit, melodic charm, and direct emotional expression since Poulenc.

Here you'll find many of Legrand's signature songs--"I Will Wait for You," "The Windmills of Your Mind," "What Are You Doing the Rest of Your Life?," "The Hands of Time," "You Must Believe in Spring," etc.--reharmonized and enriched in stunningly beautiful solo recreations. Those unfamiliar with Legrand's pianistic abilities will probably be surprised by what they hear, for he's no part-time piano tickler. He can easily hold his own in the company of the best modern jazz pianists. He has a wonderfully refined touch that is incapable of making a harsh sound and a profusive sense of fantasy that keeps you constantly guessing as to where the music will go next. Yet you always feel satisfied when you find out, because Legrand possesses a composer's comprehension of harmony and form. And his own style is in no way compromised by an occasional nod here and there toward Bill Evans, Erroll Garner, Rachmaninoff, and so on. (Please: disregard the Amazon reviewer's remark about "flights of melodramatic pianistic self-parody." It's called a stride chorus, and it's just one example of Legrand's surprising way of recasting these songs--and of his encyclopedic command of jazz styles.)

This disc represents the essence of Legrand. It really should have been recorded a long time ago, but the fact that it has captured his undiminished abilities as he enters his twilight years lends it an added poignance--a sense of "just in time!"--that makes it all the sweeter. If you're already a Legrand fan, it should be a self-recommending treasure, and if you're a fan of great piano playing or of sophisticated jazz treatments of great songs, odds are you'll find this a very rewarding disc indeed. For me, the highlight is this version of "What Are You Doing the Rest of Your Life?" in which every note seems inevitable--not at all an easy thing to make happen in an improvisation.

Miles Davis once said of a Duke Ellington recording, "Give that one all the stars you've got." That's the way I feel about this disc, and I thought that phrase "all the stars you've got" was appropriate because it almost sounds like the title of a Legrand song.

Maestro Legrand , at last !.......2004-10-10

Legrand has recorded at last one of his more intimate renditions to himself with his most remarkable themes along his brilliant career .
From a summer of 42 , The windmills of your mind (The Thomas crown afair) , what are you doing the rest of your life or the romantic Umbrellas of Cherbourg ; all those unforgettable themes are played in this album for piano solo in the real intimacy between him and the listener .
Legrand is the golden master of soundtracks in France and one of the top in the world . He owns that inner vision to catch the spirit of every movie he accompains . He composes music as he was a real director movie . The psychological concerns , the romantic efluvies and the precise and lyrical atmosphere , with that touch of class, artistic elegance and sublime eloquency .
Think also in the important recordings with Miles Davis . That issue will give you the size of that artist and anothe point to remark . In 1954 , Legrand made a golden jewel : I lvoe Paris (See my review) that has become through the years in the most famous and the best album of instrumental music ever recorded .
What other background do you need to acquire this gem ?

For Jazz piano purest... Only!.......2002-09-07

I love the music of Michele Legrand! It is a rich mixture of
graceful tones and notes, that create memories of a certain
time and place in each of our own lives.
When accompaned with great orchestration Its wonderful. When done in a jazz piano style, its not as good. Not to take anyting away from the talents of Mr Legrand as a pianist. Its just that like hearing a lusher, grander version of his music. So if you like jazz piano music, and Michele Legrand.
Then this is the cd for you!

Nielsen: Symphonies no 1-3 / Blomstedt, San Francisco Symphony Orchestra

Average customer rating:

Definitive Danish Music
Nielsen - a much neglected composer
These be the symphonies, this be the conductor
Part One Of Blomstedt's Great Nielsen Symphony Cycle
Some of the 20th Century's Finest Symphonism

Nielsen: Symphonies no 1-3 / Blomstedt, San Francisco Symphony Orchestra

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001X5A0
Release Date: 1999-10-12

Tracks:

Symphony No. 1, FS 16: I. Allegro orgoglioso - Carl Nielsen
Symphony No. 1, FS 16: II. Andante - Carl Nielsen
Symphony No. 1, FS 16: III. Allegro comodo - Carl Nielsen
Symphony No. 1, FS 16: IV. Finale: Allegro con fuoco - Carl Nielsen
Symphony No. 2, FS 29 'The Four Temperaments': I. Allegro collerico - Carl Nielsen
Symphony No. 2, FS 29 'The Four Temperaments': II. Allegro comodo e flemmatico - Carl Nielsen
Symphony No. 2, FS 29 'The Four Temperaments': III. Andante malinconico - Carl Nielsen
Symphony No. 2, FS 29 'The Four Temperaments': IV. Allegro sanguineo - Carl Nielsen

Tracks:

Symphony No. 3 'Sinfonia espansiva': I. Allegro espansivo - C. Nielsen
Symphony No. 3 'Sinfonia espansiva': II. Andante pastorale - C. Nielsen
Symphony No. 3 'Sinfonia espansiva': III. Allegretto un poco - C. Nielsen
Symphony No. 3 'Sinfonia espansiva': IV. Finale: Allegro - C. Nielsen
Maskarade - Overture - C. Nielsen
Aladdin, FS 89 - Suite (1919): I. Oriental Festive March - C. Nielsen
Aladdin, FS 89 - Suite (1919): II. Aladdin's Dream And Dance Of The Morning Mist - C. Nielsen
Aladdin, FS 89 - Suite (1919): III. Hindu Dance - C. Nielsen
Aladdin, FS 89 - Suite (1919): IV. Chinese Dance - C. Nielsen
Aladdin, FS 89 - Suite (1919): V. The Marketplace In Ispahan - C. Nielsen
VI. Dance Of The Prisoners - C. Nielsen
Aladdin, FS 89 - Suite (1919): VII. Negro Dance - C. Nielsen

Customer Reviews:

Definitive Danish Music.......2006-04-05

The most famous Danish composer, Carl Nielsen, is represented here in the first of two, 2-disk collections of his symphonies and smaller orchestral works conducted by Herbert Blomstedt. Symphonies 1-3, Aladdin Suite, and Maskarade Overture show youthful independence and optimism, Romantic tendencies, and solid compositional skills: interesting melodic and harmonic material.

The Maskarade Overture has a scherzo-like feel, often playful, with a loveable and catchy opening melody, and engaging secondary melody; dramatic and witty, at 4 minutes long, the overture is a charming and fun-loving experience. The 25-minute Aladdin Suite, like the Overture, is based off of a stage work; the story taken from 1001 Arabian Nights. In seven parts, the various sections exploit dance in many forms: Oriental Festival March, Aladdin's Dance and Morning Mist Dance, Hindu Dance, Chinese Dance, Marketplace in Ispahan, Prisoner's Dance, and Negro Dance. The opening is a plodding and menacing march, very Russian sounding, while the Morning Mist Dance is quite the opposite; a fantastical waltz. Of the Hindu and Chinese dance, the former is modal and slinky, while the latter has a moderate bounce to it, but all are overshadowed by the Marketplace following. Ingeniously, Nielsen splits the orchestra in to four ensembles, each overlap each other with contrasting ideas, including a nasal wordless chorus, a chamber drone, all very exotic and unique. The final two parts feature a ragged dance and the finale, a return of the wordless chorus, and a frenetic conclusion. The works are colorful and in some cases experimental, but of a Romantic tradition.

The three symphonies, each just over thirty minutes, show Nielsen's growth as a composer. Symphony No. 1 has an oscillating texture that is carried throughout the work; from the boisterous opening Allegro, to the second movement string chorale, with its murky undertone, to the gently rocking third movement, exhibiting exotic, Russian sounding modes and brass chorales, to troubled, but brash finale, Nielsen's first symphonic outing shows his musical moodiness, but love of varying colors and melodic styles. Symphony No. 2 "Four Temperaments" is based on a painting Nielsen saw at a village inn. Depicting the four human characteristics: Impetuous, indolent or lazy, melancholy, and naïve, each movement describes and combines these states of being. The fiery opening, featuring unexpected syncopations and outbursts, is both heroic and romantic, but the sudden mood changes are expounded through dynamics and texture. The lumbering, flowing second movement has a slight lilt, not to mention occasional humorous orchestrations; while the third movement is set as a funeral ode, tragically serious with throbbing motives. The final movement is like a pioneer dance, with unbridled joy, athletic optimism, and rhythmic vitality, ending the work brilliantly. The Third Symphony, subtitled "Sinfonia Expansiva", uses ideas surrounding the word expansive. The bold orchestra hits open the work, an athletic leaping melody is used in various settings and textures. The second movement calls for soprano and baritone soloists, a calm evocation. A moody scherzo makes up the third movement, and a stuffy procession brings the work to a close. Altogether, the works display ingenious melodies, old forms (such as fugue), Russian orientalism, occasional jazzy inflections, and swiftly changing mood conflicts and shifts.

This compilation performed by Herbert Blomstedt and the San Francisco Symphony is considered the definitive performances of Carl Nielsen's orchestral works. Enthusiastic performances all around, good ensemble work, and a swaggering brass sound make these performances first class. The Decca digital sound from the late 80's to 90's is pretty good, with clear, balanced sounds. The chorus is good, although it is slightly overmiked, and the vocal soloists, although a small role, perform well. At a 2 for1 price, 130 minutes of music, and stellar performances, this is a super bargain. If you like late Romantic sounds, with great melodies and interesting harmonic settings, the CD is a steal. Highly Recommended!

Nielsen - a much neglected composer .......2005-04-17

This set has changed the way I see Scandinavian music. Nielsen is a great composer and all his symphonies are up there among the very best of their era. He is bolder than the well-known Grieg and Sibelius and his music has something fresh. The playing of the SFSO under Herbert Blomstedt (have you hear the recording of Mahler's 2nd with the same contributors? One of the very best...) and the Decca sound really add to the great experience. A must for all music lovers.

These be the symphonies, this be the conductor.......2004-03-10

If Nielsen had practiced his craft in Vienna or Munich, his symphonies might be better known. This two-CD set shows he was a master of the big Romantic symphony. His brass choruses make this "Bruckner meets Charles Ives."

Although the "Inextinguishable" (No. 4 on the second set in this series) is the most well-known of the six symphonies, Symphony No. 3 "Sinfonia espansiva" deserves a more prominent place in the repertory. In this performance it yelps and leaps with delight all the way to a dramatic conclusion.

Herbert Blomstedt led the San Francisco Symphony for a happy decade before turning over the reins to Michael Tilson Thomas. This is a world-class orchestra and Herb channels his inner Nielsen in this set. It's hard to believe that a better Nielsen cycle exists--or will ever exist.

Part One Of Blomstedt's Great Nielsen Symphony Cycle.......2002-04-17

This excellent Decca/London two CD set includes Blomstedt's splendid interpretations of Nielsen's first three symphonies and the Aladdin Suite. Those who say that Michael Tilson Thomas is responsible for the San Francisco Symphony Orchestra's stature as an internationally renowned ensemble should hear Blomstedt's recordings with the San Francisco Symphony; his Nielsen symphony cycle is widely acclaimed as among his best. Blomstedt emphasizes the Romantic qualities inherent in these early Nielsen scores, leading the San Francisco Symphony Orchestra in brisk, vibrant performances. The sound quality is absolutely first rate for these early digital recordings; I doubt they could be enhanced further with the latest digital image-bit remastering.

Some of the 20th Century's Finest Symphonism.......2001-08-13

Great sound, great performances, great music. (Long version follows.)

For years, all I knew of Nielsen's work was the brilliant clarinet concerto. I can't give a good answer to the question, "Why haven't you sought ought his other music sooner?" Especially now that I have heard all six symphonies, and the other concerti.

Tracks:

Prologue-Theme From City Of Angels
Double Talk
What You Don't Know About Women
You Gotta Look Out For Yourself
The Buddy System
With Every Breath I Take
The Tennis Song
Ev'rybody's Gotta Be Somewhere
Lost And Found
All You Have To Do Is Wait
You're Nothing Without Me
Stay With Me
You Can Always Count On Me
Alaura's Theme
It Needs Work
L.A. Blues
With Every Breath I Take-Duet
Funny
I'm Nothing Without You
Epilogue-Theme From City Of Angels
Double Talk Walk

Amazon.com

Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David Horiuchi

Customer Reviews:

Fun Show, Average Score.......2007-02-21

Fun show, ingenuos concept, so-so score, with one exception. The ballad With Every Breath I Take is brilliant. One of Coleman's best pieces.

Cleverness personified.......2006-10-16

A duet between an author and the character he created, each claiming "you're nothing without me," is just one example of how sharp, witty and clever show is, with an unusual score, jazzy and bluesy and very 1940s, and some of the best lyrics I know.

Fantastic Jazz Musical That's FUN!!!.......2006-04-14

City of Angels is an incredibly fun, classy, and jazzy musical that delivers. Stellar vocal performances are provided by the entire cast, particularly the female end. The fact that Randy Graff was the only female from this cast nominated at the Tony Awards that year floors me. Kay McClelland and Rachel York deserved nods for their powerful solos, With Every Breath I Take and Lost Found, alone. These two songs are also the type of sultry, jazz solos that one would expect in the 40's, which is why the show works. The music is completely period with when the show takes place, and that's why I love it. The best tracks are:

3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)

Great Jazz-Oriented Score.......2005-06-25

1990 Tony winner for Best Musical, "City Of Angels" contains a great score, filled with jazz-oriented melodies & torch songs. Not all the songs are terrific, but most of the score lends itself to repeat listenings. Best tracks include:

Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny

Great cast ... great buy!

I love it!.......2005-02-22

This is one of my favorite soundtracks ever! Since I'm going to be working on music for the show, I'm happy that this is the case. It has been in my CD player for a few weeks now, and there's enough variety for it not to get old. But having read through the script makes the lyrics infinitely wittier. Musicals are supposed to rely partially on the lyrics and partially on the script. This show does that perfectly. Without the script, the lyrics are (apparently) lacking. But without the lyrics, the script is missing something. When you put the two pieces together, however, it's really easy to see why this show won a Tony.

Average customer rating:

An Enjoyable Christian Pop/Rock Project
Pleasant pop, great voice
Great Lyrics, Beautiful Voice, Good Sound
You'd never guess this was Adie's first solo cd either musically or lyrically
Same amazing voice and message

Don't Wait
Adie
Manufacturer: Bec Recordings / Emd
ProductGroup: Music
Binding: Audio CD

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ASIN: B000HT36DW
Release Date: 2006-09-26

Tracks:

Your Way
When It's Over
Sufficient
Don't Wait (Lazy Day)
Overwhelm Me
Time
If I'll Ever
What Have I Done
Broken
Turn, Turn, Turn

Customer Reviews:

An Enjoyable Christian Pop/Rock Project.......2007-07-15

I enjoyed Adie's album. It has a little rock edge, but is more pop. Besides good music, its lyrics reflected thought and introspection.

It closes with the token deca-annual remake of "Turn, Turn, Turn" by a Christian female vocalist (done by former 700 Club co-host Sheila Walsh in the '80's and Pam Thum in the 90's). My favorite cuts on it were "Your Way", "Overwhelm Me", "Time", and "What Have I Done".

Pleasant pop, great voice.......2007-06-26

Adie, wife of Jeremy Camp and former lead singer of the band "The Benjamin Gate", releases her solo debut. This is lighter music than the energetic power-pop of BG, but Adie's ethereal voice makes it a great listen. She sings strongly and passionately, yet maintains vulnerability. Highlights include the up-tempo "Your Way" and "When It's Over', and the title track. The album also features an Aaron Sprinkle produced cover of the Byrds' "Turn, Turn, Turn."

Great Lyrics, Beautiful Voice, Good Sound.......2007-05-27

Adie's first solo album is a beautiful compilation of songs sung with Adie's exceptional voice. Some of the songs are co-written with her husband, Jeremy Camp.

Lyrically, this CD focuses on Jesus. It is clear that Adie is an unabashed follower of Christ. The songs are quite mellow. I would have preferred to hear a bit more of an edginess in some of them. Nevertheless, they are well written and sound very good.

If you haven't heard any of her music before and want a sampler first, I would recommend checking out 'Your Way' and 'When It's Over' on ITunes. Those two are very enjoyable and will give you an idea of her talent.

You'd never guess this was Adie's first solo cd either musically or lyrically.......2007-04-17

After The Benjamin Gate called it quits in 2003, South African native and lead singer Adrienne Camp opened a clothing store in Indiana and secretly dreamed of recording a cd on her own. Then out of the blue, husband and singer Jeremy Camp suggested, "Honey, I think it would really cool if you did a solo album." Adie says, "I was thrilled, because I was thinking the same thing. It's been scary stepping out on my own without the band guys. The Benjamin Gate was all about pushing boundaries, no holding back. This cd fits me so much better."

Jeremy Camp's fingerprints are all over this project, helping with backup vocals in "Broken" and co-writing many of the other songs with Adie. Although a lot more mellow than the albums she did with The Benjamin Gate, Adrienne's strong rock vocals are still there. Her clear voice nails each note and is backed by a crisp, sometimes acoustic sound that's rich with texture---a long journey from the aggressive rock sound of her former band.

You'd never guess this was Adie's first solo cd either musically or lyrically, as each cut seems to flow easily to the next. My favorite has to be "When It's Over", a touching number about how much she longs to see Jesus one day. The piano opening gives way to an electric-guitar-backed-chorus with her own harmonies, reminding me a little bit of Joy Williams minus the pop element. "Your Way" deals with trusting God and going His way and not our own. It's a simple blend of electric and acoustic guitar, well suited for the lower range of her voice. There's a pure hymn-like tune, "What Have I Done", where Adie's voice becomes airy and angelic (Amy Grant's "Breath of Heaven" comes to mind.) The final touch is her catchy, updated version of The Byrd's "Turn, Turn, Turn".

Don't Wait has a simplicity that is refreshing, with enough variety within her folk/rock genre to keep you eager for the next track, although Benjamin Gate fans might be slightly disappointed with it's lack of edginess. Several cuts are radio friendly, and I can already see them soaring to the top of the charts. Go Adie! I have a feeling you won't have much time anymore for that boutique of yours.

--Reviewed by Tracy Darlington

Same amazing voice and message.......2006-10-03

For fans of The Benjamin Gate, this has been a long-anticipated release. However, Adie's sound is quite different from what it was when she was part of The Benjamin Gate. Her voice is of course still beautiful and amazing, but it has more of a continual sound to it on this disc, whereas, when she sang with The Benjamin Gate, there were much more dynamics to her vocals.

I can definitely hear the influence of her husband, Jeremy Camp, in this album - stylistically, while it leans more towards a pop/trip-hop style, it's still quite similar to Jeremy's music. I think she could have done more to be creative with it, stylistically, which is why I gave it 4 instead of 5 stars. A lot of the songs have the same types of sounds in them, and it's not a very dynamic album.

All of that said, this album has a wonderful message and should definitely be listened to, and sung along with. The lyrics are meaningful and easy to relate to, and her words are easy to understand, in spite of a slight South-African accent. This album has a very high quality sound to it, and it's easy to listen to... there are no songs on this CD that I ever want to skip over or would rather not hear.

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