| 1. Liebe Heißt das Lied |
| 2. Sie War Nur Ein Wintermärchen |
| 3. So Bist Du |
| 4. Josie |
| 5. Ein Bild Kann Nicht Lachen So Wie Du |
| 6. Dein Gesicht |
| 7. Hattest Keine Tränen Mehr |
| 8. Sonne und Erde |
| 9. Es War Sommer |
| 10. My Love |
| 11. Liebe, Tief Wie das Meer |
| 12. Bist Anders |
| 13. Der Wind Erzählt Ein Lied |
Liebeslieder,Peter Maffay,Ariola,Euro-Pop,Pop/Rock,Rock/Pop,World Music
Average customer rating:
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The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002439O Release Date: 2003-03-11 |
Tracks:
- Sheep May Safely Graze - Sir Neville Marriner
- Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
- Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
- Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
- Miserere Mei, Deus - Stephen Cleobury
- Schindler's List - Tasmin Little
- Traumerei - Dame Moura Lympany
- Dance Of The Sylphs - Sir Neville Marriner
- Water Music - Berlin Philharmonic Orchestra
- Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
- Jean De Florette - Toots Thielemans
- Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
- Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
- Waltz No.15 In A Flat - Dame Moura Lympany
- Romance - Piers Lane
- Pavane - Maurice Handford
- Woodbrook - Micheal O Suilleabhain
- Time To Say Goodbye - Orchestra
Tracks:
- The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
- Dance Of The Blessed Spirits - New Philharmonia Orchestra
- Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
- Prelude No.7 In A Op.28 No.7 - Tzimon Barto
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- The Lark Ascending - Hugh Bean
- 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
- Pie Jesu - Choir Of King's College, Cambridge
- Salut D'Amour - Richard Hickox
- La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
- The Coventry Carol - Medeval Babes
- Pavane For A Dead Princess - New Philharmonia Orchestra
- Liebestraum No.3 In A Flat - John Ogdon
- Panis Angelicus - Elisabeth Schwarzkopf
- Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
- Agnus Dei - Peter Barley
- Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
- My Heart Will Go On - Orchestra
Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Great music listein to while you read in bed.......2005-08-21
A must buy for the non-snobbish classical music fan........2004-10-22
A bliss of spirit........2004-09-18
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
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The Story Of Brahms
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KDB Release Date: 1995-04-16 |
Tracks:
- Symphony No. 3 In F Major, Op. 90: Allegro con brio
- Piano Concerto No. 2 In B-Flat Major, Op. 83: Allegro appassionato
- Quintet in E-flat Major, Op. 83: Rondo
- Symphony No. 2 In D Major, Op. 73: Adagio non troppo
- Serenade, Op. 106: No. 1
- Violin Concerto in D Major. Op. 77: Allegro giocoso, ma non troppo vivace
- Symphony No. 2 In D Major, Op. 73: Allegro con spirito
- Capriccio in B Minor, Op. 76: No. 2
- Hungarian Dance No. 6 in D-flat Major
- Symphony No. 1 In C Minor, Op. 68: Andante sostenuto
- Piano Concerto No. 1 In D Minor, Op. 15: Maestoso
- Lullaby, Op. 49: No. 4
- Hungarian Dance No. 1 in G Minor
- Variations On A Theme By Paganini, Op. 35: Book II
- Rinaldo, Op. 50
- Waltz in A-flat Major, Op. 39: No. 15
- Love Song Waltzes, Op. 52: No. 1
- Hungarian Dance No. 5 in F-sharp Major
- Variations on a Theme by Haydn: Op. 56a
- Symphony No. 1 In C Minor, Op. 68: Excerpts
- Symphony No. 2 In D Major, Op. 73: Allegro non troppo
- Violin Concerto In D Major, Op. 77: Op. 77
- Academic Festival Overture: Op. 80
- Piano Concerto No. 2 in B-flat Major: Allegro non troppo
- Symphony No. 3 In F Major, Op. 90: Allegro
- Clarinet Quintet In B Minor, Op. 115: Allegro
- Tragic Overture: Op. 81
- Academic Festival Overture: Op. 80
- 9 Hungarian Dances: No. 1 in G Minor
- 9 Hungarian Dances: No. 2 in F Major
- 9 Hungarian Dances: No. 10 in E Major
- 9 Hungarian Dances: No. 5 in F-sharp Major
- 9 Hungarian Dances: No. 6 in D-flat Major
- 9 Hungarian Dances: No. 7 in A Major
- 9 Hungarian Dances: No. 17 in F-sharp Minor
- 9 Hungarian Dances: No. 19 in B Minor
- 9 Hungarian Dances: No. 21 in E Minor
Customer Reviews:
great series.......2007-01-10
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Brahms: Liebeslieder Waltzes
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CZ2 Release Date: 1993-04-27 |
Tracks:
- No.1 Rede, Madchen, Allzu Liebes
- No.2 Am Gesteine Rauscht Die Flut
- Liebeslieder-Walzerm, Op. 52: O die Frauen
- No.4 Wie Des Abends Shone Rote
- No.5 Die Grune Hopfenranke
- No.6 Ein Kleiner, Hubscher Vogel
- No.7 Wohl Schon Bewandt War Es
- No.8 Wenn So Lind Dein Auge Mir
- No.9 Am Donaustrande
- No.10 O, Wie Sanft Die Quelle
- No.11 Nein, Es Ist Nicht Auszukommen
- No.12 Schlosser Auf, Und Mache Schlosser
- No.13 Vogelein
- No.14 Sieh, Wie Ist Die Welle Klar
- No.15 Nachtigall, Sie Singt So Schon
- No.16 Ein Dunkeler Schacht Ist Leibe
- No.17 Nicht Wandle, Mein Licht
- No.18 Es Bebet Das Gestrauche
- No.1 Vezicht, O Herz, Auf Rettung
- No.2 Finstere Schatten Der Nacht
- No.3 An Jeder Hand Die Finger
- No.4 Ihr Schwarzen Augen
- No.5 Wahre, Wahre Deinen Sohn
- No.6 Rosen Steckt Mir An Die Mutter
- No.7 Vom Gebirge Well Auf Well
- No.8 Weiche Graser Im Revier
- No.9 Nagen A Herzen Fuhl Ich
- No.10 Ich Kose Suss Mit Der Und Der
- No.11 Alles, Alles In Den Wind
- No.12 Schwarzer Wald
- No.13 Nein, Geliebter, Setze Dich
- No.14 Flammenauge, Dunkles Haar
- No.15 Nun, Ihr Musen, Genug!
- Waldesnacht, Op.62 Nr.3
- Der Abend, Op.64 Nr.2
- Nachtens, Op.112 Nr.2
- Abendstandchen, Op. 42 Nr. 1
- O Schone Nacht, Op.92 Nr.1
- Abendlied, Op.92 Nr.3
- Rote Abendwolken, Op.103 Nr.11
Customer Reviews:
Simply Amazing.......2007-02-14
Brahms Waltzes.......2006-03-31
Brahms' Liebeslieder Waltzer are made up of 18 settings of texts by Georg Friederich Daumer; the texts usually speak of courtly love in various moods. Written for two pianos and voices ad libitum, Robert Shaw chooses the choral route, as opposed to solo voices. Most are SATB settings with women and men often answering each other, waltzes for just women and just men alone, as well as the occasional solo. There are many points of interest in these waltzes: the first being the great variety of settings; they never get old or repetitive. A gift of melodic writing and daring harmonic progressions, along with formulaic hemiolas; each are very descriptive of the moods they are portraying. Both the classical chamber settings and the lush Romantic sweep of the harmonies and melodies are evident in these charming works; the entirety at about 23 minutes, each waltz, none much over 2 minutes each. The popularity of the Liebeslieder Waltzer led to more: Neue Liebeslieder Waltzer. 14 of the texts are by Daumer, the final setting is by Goethe. The texts are a bit more serious, unrequited love and the dichotomy of misery and joy involved with love. The change in tone of text is apparent in the musical setting; less fluffy waltzes, and more emotionally-wrought settings. Again, there are advanced Romantic harmonies, but less chatting between men's and women's voices, but still featuring solos and gender waltzes. Again for two pianos, the quality of composition seems to rise in this new set of waltzes, less formulaic hemiolas and more singing qualities. Of particular note is the amazingly beautiful, haunting Waltz No. 13 for women's voices and the emotional final waltz, the only waltz not set in 3/4, with a cappella moments, evoking the depth of Romanticism and the clean classicism Brahms represented. At 21 minutes, each waltz continues the standard form: opening idea, contrasting idea, with an occasional return of the opening.
Also on this disk are seven part songs written by Brahms on the theme of Evening, filling out the CD with an additional 17 minutes: Waldesnacht, Der Abend, Nachtens, Abendstandchen, O Schone Nacht, Abendlied, and Rote Abendwolken. Spanning from Opus 42-112, these works represent Brahms' great choral writing in the German tradition. Each feature vivid and descriptive poetry about the night, along with sumptuous choral writing.
Robert Shaw and the Robert Shaw Festival Singers present an outstanding recording of the two sets of Liebeslieder Waltzer. Shaw does not add any over-Romanticized techniques, and rubato is nearly non-existent, for some clear choral renderings of these works. The textures and moods are brought out of the score by simply following Brahms' score markings, not by manufacturing interpretations. The addition of lieder experts John Wustman and Norman Mackenzie at the pianos, makes this a first-class performance. While the Zigeunerlieder would have been a better coupling, the seven evening songs are a welcome addition to the disk, and beautifully sung. The vocal quality is spot-on, and achieves expressiveness as well as clarity; the Festival Singers succeed here as opposed to other OK Festival Singers recordings. For solo editions of the Waltzes, look to EMI or DG, but for choral versions, this beats all. While a total of 62 minutes seems slim for a CD, these works have never sounded so fresh and committed; a must-have.
Brahms's choral music done by Shaw - YOU KNOW IT IS GREAT!.......2002-07-19
They are short, charming, and emotionally satisfying pieces. The technical demands are not severe, but require performers of some experience if not extensive training. The kind of people who would have existed in some quantity in Germany at the time these were written. Remember, Brahms actually made a living from the sales of his published music! That is very rare in the history of music. But the relative sophistication of the time created the demand for such pieces and Brahms provided them with absolute gems.
This disk contains both sets of the Liebeslieder Waltzes (love-song waltzes) and the set of seven Abendlieder (evening songs).
As you would expect the Robert Shaw Festival Singers sing beautifully and the pianists support the singing very well. The Liebeslieder sets are charming and fun and BEAUTIFUL. I was fortunate to sing the second set with the Ann Arbor Cantata Singers this past year. It is quite fun. There is nice variety in the character of the pieces and there is enough solo work for the strong voices in the group to step out (NOT ME!).
The Abendlieder are utterly gorgeous. Emotionally rich and lush in sound and texture. A nice end to the disk.
The disk also includes a nice booklet with the lyrics of the songs and provides an English translation.
My only quibble, and it is a small one - and is getting smaller upon each re-hearing is that the recording sounds a bit too wet for my tastes. I would have like to have heard the parts a tad more clearly. But you will love this disk. So, don't worry about my little squawk.
Feel free to let me know what you think of the music and the disk.
The Songs Are Truly Stunning -- A Treasure Trove.......2001-02-28
But listen, do you want to know a secret? It's the final seven tracks, which Shaw has called "Evening Songs." You can immediately hear that these are REAL choral pieces (that is to say, they wouldn't work at all with solo voices). They were selected from different eras in Brahms' life, and taken together they make a stunning impression. They have as their unifier texts about nighttime reveries and meditations. They stand with the best music Brahms ever wrote. You may find yourself cool to the frothy delights of the Waltzes (I don't; I think they're grand!), but you will not be able to deny the wonder of Brahms' - and Shaw's - achievement in these seven songs. Only 17 minutes they are, but they occupy a lifetime of taste!
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Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLIS Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Average customer rating: |
The Songs of Robert Schumann, Vol. 6
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y0N6 Release Date: 2002-03-12 |
Amazon.com
The previous issues in this Hyperion series have picked up a clutch of awards, and you do not need a crystal ball to predict that this one will be going the same way. The combination of four fresh young voices, Hyperion's superb sound quality, and the endlessly talented Graham Johnson guarantees another winner. Providing a marathon complete recording of Schubert's songs has clearly not diminished Johnson's energies one bit. Schumann's work springs fresh off the page, with six songs by Clara Schumann for good measure. Johnson's warmly crafted accompaniment aside, he must be applauded for consistently finding first-class singers, not to mention his comprehensive and thought-provoking program notes. But it is the singers that most people go for, and no one will be disappointed here. In duets and quartets they blend mellifluously, creating the kind of organic sound that typified the golden years of Johnson's lauded vocal group the Songmakers' Almanac. None of this repertoire is especially well known, but this is a disc where you can dip in virtually anywhere and be instantly captivated. Into the bargain we also get Stephen Hough joining Johnson for two short piano duets. --Keith Clarke
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Brahms: Four Hand Piano Music, Vol.2
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014D2 Release Date: 1998-01-30 |
Tracks:
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 1 in Gm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 2 in Dm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 4 in Fm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F#m
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in Db
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 7 in A
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 8 in Am
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 9 in Em
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 10 in E
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in Dm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 12 in Dm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 13 in D
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 14 in Dm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 15 in Bb
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in Fm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 17 in F#m
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 18 in D
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 19 in Bm
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 20 in Em
- Four Hand Piano Music Vol. 2: 21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in Em
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 1
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 2
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 3
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 4
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 5
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 6
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 7
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 8
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 9
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 10
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 11
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 12
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 13
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 14
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 15
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 16
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 17
- Four Hand Piano Music Vol. 2: 18 Liebeslieder Waltzes, Op. 52 a : Liebeslieder Waltz No. 18
Customer Reviews:
Brahms with four hands. .......2004-12-22
Beautiful And Authentic Sounding.......2004-08-28
Exquisite.......2001-07-10
I like my Liebeslieder Waltzes sung, but these are a real treat as well.
Music by Brahms that everyone will like.......1998-11-02
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Songs Ring Out to the Heavens: Brahms's Choral Works
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000037HQ Release Date: 1997-10-07 |
Tracks:
- Four Songs, Op.17: Harp Notes Ring Fourth
- Four Songs, Op.17: Song Of Shakespeare
- Four Songs, Op.17: The Gardener
- Four Songs, Op.17: Song From 'Fingal'
- Three Songs, Op.42: Evening Ser
- Three Songs, Op.42: Vineta
- Three Songs, Op.42: Dirge For Dar-Thula
- Four Qts, Op.92: Oh Beautiful Night, Op.92, No.1
- Four Qts, Op.92: Late Autumn, Op.92, No.2
- Four Qts, Op.92: Evening Song, Op.92, No.3
- Four Qts, Op.92: Why?, Op.92, No.4
- Two Motets, Op.29: A Saviour Is Come To Us
- Two Motets, Op.29: From Psalm 51
- Op.112, Nos.1 and 2: Yearning, Op.112, No.1
- Op.112, Nos.1 and 2: At Night, Op.112, No.2
- Five Songs, Op.104: Night Watch I
- Five Songs, Op.104: Night Watch II
- Five Songs, Op.104: Last Happiness
- Five Songs, Op.104: Lost Youth
- Five Songs, Op.104: In Autumn
- Neue Liebeslieder, Walzer, Op.65, No.15
Customer Reviews:
A TREASURE HOUSE.......2005-01-01
There are 24 members of the Kansas City Chorale, not including the conductor or the instrumentalists. Their singing is excellent, and their sense of style likewise. Britten also wrote a good deal of vocal music for chamber-ensembles, but he liked to keep the technical requirements of the music within the scope of amateurs. Brahms's stuff seems to me more demanding, music for off-duty professionals. There is not a lot that calls for criticism, and if I could have imagined a touch more subtlety here or there, heartiness is a better fault than artiness in music of this kind. One problem that the chorus-master and the recording consultants between them might have given some attention to (the poets seeming not to have) is some very sibilant s-sounds. Tennyson was acutely aware of this problem in his poetry, and took care to `kick the geese out of the boat' as he put it. It doesn't greatly detract from my enjoyment, and what I remember much more is the delectable sound right at the beginning of the record.
For once I can report a really first-rate liner-note. It highlights what it ought to, namely the composer's early interest -- from childhood -- in the traditional methods and techniques of German music down the centuries. Schumann had preceded Brahms in this respect, but he took it to nothing like the same extent. It does not make Brahms any `conservative', as Schoenberg was at pains to point out. He was as deeply original as Wagner himself, but a scholar of minute and profound learning that fired his special creative sense. Texts are given with translations into English and the occasional misprint, and the recording is admirable generally. I hope the Kansas City Chorale will be encouraged in their project of bringing this marvellous music to the active notice of the musical public.
Heavenly.......2000-07-15
The four songs for women's chorus accompanied by two horns with harp (Op. 17) is especially noteworthy. I have four recordings of this piece, and the one on this disc is far and away my favorite. The voices are ravishing, and the accompaniment is absolutely first rate.
It should be noted that several of the selections on this disc were set by Brahms for vocal quartet, not for choir, and he never endorsed their performance by larger forces. But the marvelous renditions presented here should calm the nerves of even the most curmudgeonly purist.
If you love choral music, you will love this recording.
Etheral, moving, and polished!.......1999-09-29
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Brahms - Liebeslieder-Walzer Op. 52 & Op. 65 / E. Mathis, Fassbaender, Schreier, Fischer-Dieskau, K. Engel, Sawallisch
Johannes Brahms , Edith Mathis , Dietrich Fischer-Dieskau , Wolfgang Sawallisch , Karl Engel , Brigitte Fassbaender , and Peter Schreier Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001G8S Release Date: 1990-10-25 |
Tracks:
- Liebeslieder, Walzer Op. 52: Rede, Mhen, allzuliebes
- Liebeslieder, Walzer Op. 52: Am Gesteine rauscht die Flut
- Liebeslieder, Walzer Op. 52: O die Frauen
- Liebeslieder, Walzer Op. 52: Wie des Abends schR
- Liebeslieder, Walzer Op. 52: Die grpfenranke
- Liebeslieder, Walzer Op. 52: Ein kleiner, hr Vogel
- Liebeslieder, Walzer Op. 52: Wohl schewandt
- Liebeslieder, Walzer Op. 52: Wenn so lind dein Auge
- Liebeslieder, Walzer Op. 52: Am Donaustrande, da steht ein Haus
- Liebeslieder, Walzer Op. 52: O wie sanft die Quelle
- Liebeslieder, Walzer Op. 52: Nein, es ist nicht auszukommen
- Liebeslieder, Walzer Op. 52: Schlosser auf! und mache Schlr
- Liebeslieder, Walzer Op. 52: Vein durchrauscht die Luft
- Liebeslieder, Walzer Op. 52: Sieh, wie ist die Welle klar
- Liebeslieder, Walzer Op. 52: Nachtigall, sie singt so sch
- Liebeslieder, Walzer Op. 52: Ein dunkler Schacht ist Liebe
- Liebeslieder, Walzer Op. 52: Nicht wandle, mein Licht
- Liebeslieder, Walzer Op. 52: Es bebet das Gestrhe
- Neue Liebeslieder, Walzer Op. 65: Verzicht, o Herz, auf Rettung
- Neue Liebeslieder, Walzer Op. 65: Finstere Schatten der Nacht
- Neue Liebeslieder, Walzer Op. 65: An jeder Hand die Finger
- Neue Liebeslieder, Walzer Op. 65: Ihr schwarzen Augen
- Neue Liebeslieder, Walzer Op. 65: Wahre, wahre deinen Sohn
- Neue Liebeslieder, Walzer Op. 65: Rosen steckt mir an die Mutter
- Neue Liebeslieder, Walzer Op. 65: Vom Gebirge, Well' auf Well'
- Neue Liebeslieder, Walzer Op. 65: Weiche Grr im Revier
- Neue Liebeslieder, Walzer Op. 65: Nagen am Herzen
- Neue Liebeslieder, Walzer Op. 65: Ich kose s der und der
- Neue Liebeslieder, Walzer Op. 65: Alles, alles in den Wind
- Neue Liebeslieder, Walzer Op. 65: Schwarzer Wald, dein Schatten ist so d
- Neue Liebeslieder, Walzer Op. 65: Nein, Geliebter, setze dich
- Neue Liebeslieder, Walzer Op. 65: Flammenauge, setze dich
- Neue Liebeslieder, Walzer Op. 65: Zum Schlu Nun, ihr Musen, genug!
- Drei Quartette Op. 64: An die Heimat
- Drei Quartette Op. 64: Der Abend
- Drei Quartette Op. 64: Fragen
Customer Reviews:
The Best of Brahms.......2007-05-07
An all-star cast but lacking in charm.......2006-11-16
The reviewer below has gone overboard about this starry recording. Despite the presence of Peter Schreier and Fischer-Dieskau, the male side of the quartet lacks charm, and although Fassbainder and Mathis make up for that, I didn't find myself smiling very often. This is supposed to be joyous music, the epitome of friends gathered around the parlor piano. Here it sounds like professional singers reading a score, very well to be sure, but without much love, which is the theme of these dances. I'll stick with the Marlboro recording on Sony and the historic EMI set that features the incomparable Dinu Lipati and Nadia Boulanger as pianists.
A Charming Evening in Vienna.......1999-04-12
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Brahms: German Requiem; Choral Works
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006CJNZ Release Date: 2002-11-05 |
Tracks:
- I Selig Sind, Die Da Leid Tragen - Jessye Norman
- II Denn Alles Fleisch Es Ist Wie Grass - Jessye Norman
- III Herr, Lehre Doch Mich - Jessye Norman
- IV Wie Lieblich Sind Deine Wohnungen - Jessye Norman
- V Ihr Tragt Nun Traurigkeit - Jessye Norman
- VI Denn Wir Haben Hier Keine Bleibende Statt - Jessye Norman
Tracks:
- VII Selig Sind Tie Toten - London Philharmonic Choir
- Chant Funebre (Begrabnisgesang), Op.13 - Roger Norrington
- Es Ist Das Heil Uns Kommen Her, Op.29 N.1 - Philip Ledger
- Schaffe In Mir, Gott, Op.29 N.2 - Philip Ledger
- Warum Ist Das Licht Gegeben Dem Muhseligen, Op.74 - Philip Ledger
- Fest-und Gedenkspruche, Pour Choeur Mixte A 8 Voix A Cappella, Op.109 - Eric Ericson
- Rhapsodie Pour Contralto, Choeur D'Hommes & Orchestre, Op.53 - Janet Baker
Tracks:
- Nanie Pour Choeur & Orchestre, Op.82 - Wilhelm Pitz
- I Lebhaft Und Feierlich: 'Halleluja' - Dietrich Henschel
- II Massig: 'Lobet Unsern Gott' - Dietrich Henschel
- III Lebhaft: 'Und Ich Sahe Den Himmel Aufgethan' - Dietrich Henschel
- I Langsam Und Sehnsuchtsvoll: 'Ihr Wandelt Droben Im Licht' - Ernst-SenffChor Berlin
- II Allegro: 'Doch Uns Ist Gegeben' - Ernst-SenffChor Berlin
- Chant Des Parques (Gesang Der Parzen) Pour Choeur A 6 Voix & Orchestre, Op.89 - Ernst-Senff Chor Berlin
Tracks:
- Zu Dem Strande! Zu Der Barke! - Steve Davislim
- Stelle Her Der Gold'nen Tage - Steve Davislim
- Ja, So Sei's! Ich Will Mich Fassen - Steve Davislim
- Zuruck Nur! Zurucke - Steve Davislim
- Zum Zweiten Male - Steve Davislim
- Und Umgewandelt - Steve Davislim
- Choeur Final: Auf Dem Meere - Steve Davislim
- I Es Tont Ein Voller Harfenklang - London Symphony Chorus
- II Lied Von Shakespeare - London Symphony Chorus
- III Der Gartner - London Symphony Chorus
- IV Gesang Aus Fingal - London Symphony Chorus
- Nachtwache I, Op.104 N.1 - Michaela Kramer
- Nachtwache II, Op.104 N.2 - Michaela Kramer
- Letztes Gluck, Op.104 N.2 - Michaela Kramer
- Rosmarin, Op.62 N.1 - Extr. De 'Des Knaben Wunderhorn' - Michaela Kramer
- Abendstandchen, Op.42 N.1 - Michaela Kramer
- Es Geht Ein Wehen, Op.62 N.6 - Michaela Kramer
- All Meine Herzgedanken, Op.62 N.5 - Michaela Kramer
- Darthulas Grabesgesang, Op.42 N.3 - Michaela Kramer
- Dein Herzlein Mild, Op.62 N.4 - Michaela Kramer
- Der Bucklichte Fiedler, Op.93a N.1 - Michaela Kramer
Tracks:
- Rede, Madchen - Elsie Morison
- Am Gesteine Rauscht Die Flut - Elsie Morison
- O Die Frauen - Elsie Morison
- Wie Des Abends Schone Rote - Elsie Morison
- Die Grune Hopfenranke - Elsie Morison
- Ein Kleiner, Hubscher Vogel - Elsie Morison
- Wohl Schon Bewandt - Elsie Morison
- Wenn So Lind Dein Auge Mir - Elsie Morison
- Am Donaustrande - Elsie Morison
- O Wie Sanft Die Quelle - Elsie Morison
- Nein, Es Ist Night Auzukommen - Elsie Morison
- Schlosser Auf - Elsie Morison
- Voglein, Durchrauscht Die Luft - Elsie Morison
- Sieh', Wie Ist Die Welle Klar - Elsie Morison
- Nachtigall, Sie Singt So Schon - Elsie Morison
- Ein Dunkeler Schacht Ist Liebe - Elsie Morison
- Nicht Wandle, Mein Licht - Elsie Morison
- Es Bebet Das Gestrauche - Elsie Morison
- Nerzicht, O Herz - Elsie Morison
- Finstere Schatten Der Nacht - Elsie Morison
- An Jeder Hand Die Finger - Elsie Morison
- Ihr Schwarzen Augen - Elsie Morison
- Wahre, Wahre Deinen Sohn - Elsie Morison
- Rosen Steckt Mir, An Die Mutter - Elsie Morison
- Vom Gebirge, Well Auf Well - Elsie Morison
- Welche Graser In Revier - Elsie Morison
- Nagen Am Herzen - Elsie Morison
- Ich Kose Suss - Elsie Morison
- Alles, Alles In Den Wind - Elsie Morison
- Schwarzer Wald - Elsie Morison
- Nein, Geliebter, Setze Dich - Elsie Morison
- Flammenauge, Dunkles Haar - Elsie Morison
- Zum Schluss: Nun Ihr Musen, Genug! - Elsie Morison
- Nr.1 - He, Zigeuner - Marcel Couraud
- Nr.2 - Hochgeturmte Rimaflut - Marcel Couraud
- Nr.3 - Wisst Ihr, Wann Mein Kindchen - Marcel Couraud
- Nr.4 - Lieber Gott, Du Weisst - Marcel Couraud
- Nr.5 - Brauner Bursche - Marcel Couraud
- Nr.6 - Roslein Dreie - Elsie Morison
- Nr.7 - Kommt Dir Manchmal In Den Sinn - Marcel Couraud
- Nr.8 - Horch, Der Wind - Marcel Couraud
- Nr.9 - Weit Und Breit - Marcel Couraud
- Nr.10 - Mond Verhullt Sein Angesicht - Marcel Couraud
- Nr.11 - Rote Abendwolken - Marcel Couraud
Customer Reviews:
Hope You Can Read French.......2006-12-13
Just a warning.
PARADIESE NOCH EINMAL.......2005-09-06
Choral music makes up the largest part of Brahms's output, as of Bach's. My impression is that at the big end the biggest item of all, the Requiem, is the best known along with the Alto Rhapsody. The Song of Destiny seems to get reasonably frequent performances, Naenie and the Song of the Fates less frequent, and the Triumphlied and Rinaldo very few indeed. The grand and sombre motets appear to be for an audience of determined Brahmsians and the academic market in the main. At the smaller extreme there is a generous offering of pieces in generally lighter vein. The two sets of Liebeslieder waltzes with piano duet accompaniment can be called reasonably popular, as can the Zigeunerlieder with their single piano, but I would not be sure these days how well known the other works for small choir with various small instrumental ensembles or with none may be, even to devotees of the composer's instrumental works and solo songs. For anyone with a compulsion, or even just moderate curiosity, to understand this towering master better, the first thing that I commend about this particular set is the actual selection.
The second point I ought to make is that the better-known items here receive the most controversial performances. I had better get out the way immediately my reluctant opinion that I don't like Janet Baker as soloist in the Alto Rhapsody. I feel now as I felt when I heard her from a good seat in the Festival Hall that her voice is too bland for it. I really want more heart in the final rendering of the hymn, but above all this is not a piece for a mezzo at all. It needs a contralto. Other mezzos at least make more of an effort than Dame Janet seems to on the extraordinary low notes at Das Grass steht wieder auf, but for me nothing short of the great boom Ferrier lets out at this point will do. The performance is full of taste, musicianship and general understanding I quite admit and you may like it better than I do, but I should say sample it first. The Requiem from Tennstedt is even more of a specialised taste - good heavens is it ever slow! He takes more than a quarter of an hour longer over it than Previn does in my own favourite account, from 2000 with the LSO, taking it on to the second disc for Selig sind die Toten, which takes nearly a quarter of an hour by itself. And Previn's speeds are very average, slower overall than Klemperer's for one. I couldn't help recalling what Shaw said about Brahms's Requiem being tolerable only to the corpse. That said, Tennstedt knows what he is doing, his account has full consistency of approach, and the sepulchral (though quite distinct) quality of the recording is all part of the effect, still exercising that hypnotic quality that Brahms commands. I was a little disappointed by Wie lieblich, where Previn's dry-eyed approach, although again part and parcel of his view, left me hankering for a slower beat, but somehow Tennstedt misses the magic. What complicates the issue is the soprano solo from Jessye Norman. It's slow again, but when that great laser-beam of a voice pealed out with Ihr habt nun Traurigkeit I don't mind who knows that tears were rolling down my face. Contrast may have something to do with it, but this is the greatest account of that great aria that I have ever heard.
The Liebeslieder waltzes are from 1959, and the sound has been very well updated, although you may need to dampen the volume. The soloists are straight from performances of The Messiah conducted by Sargent in the Albert Hall with the `Oodersfield Choral Society, and the pianists are none other than Vronsky and Babin, names I had thought as mythical as Hansel and Gretel or as saints Cosmas and Damian. Unfashionable or not, they could sing and play, the songs are free from the boredom that many performances inflict, and I have never heard them done better. In the Zigeunerlieder the style is more arty and less hearty, making a pleasant contrast, and each set of songs features a fine tenor solo.
The least familiar of the items get the best performances. Three of the great motets are given by Ledger in a style less austere than Herreweghe's, and the Festive and Commemorative choruses, a cappella but less severe, are again rightly given by a different group taking a style that is more outgoing. There are 10 unaccompanied part-songs plus the 4 songs with horns and harp, all beautifully done although I still miss the sumptuous sound that the Kansas City Chorale bring to the latter set. Both the Song of Destiny and the Song of the Fates are superb, but for me the glittering prizes are the Triumphlied and Rinaldo, both rare birds on the earth and given in performances to rival Sinopoli's. Part of Brahms's complex makeup was a penchant for taking on his predecessors at their greatest, such as the passacaglia from the fourth symphony vs Bach's chaconne, the romanze from the first quartet vs Beethoven's cavatina and the scherzo of the piano quintet vs that in Beethovens fifth, and it always brings out the best in him. In the Triumphlied he even mimics Handel's Purcell-inspired declamation of `Hall-eh-EH-lu-JAH, and what a superb piece it is, with a fine soloist in Dietrich Henschel. Rinaldo seems to me one of the greatest things Brahms ever did, and we lost a lot by his failure to write an opera. Steve Davislim is worthy of Kollo in Sinopoli's version, and Plasson even outdoes Sinopoli at that marvellous start and above all at the heart-stopping music for the diamond shield - is there a Leitmotiv, or indeed a piece of orchestration, in all Wagner to equal this?
Such are the contents of what I venture to think one of the most significant choral issues in many years.
Average customer rating: |
The Telarc Collection, Vol. 9
Clifford Brown , Stefan Schyga , Junior Wells , Erich Kunzel , Yoel Levi , John O'Conor , Michael Murray , Rolf Smedvig , Kondonassis, Yolanda , Butler, Deana , and Bryson, Jeanie Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D6G Release Date: 1993-06-29 |
Tracks:
- Non-Stop Polka Op.112 - Erich Kunzel/Cincinnati Pops Orch
- Alla marcia: Moderato from Karelia Suite, Op.11 - Yoel Levi/Atlanta SO
- The Lord gave the word (from Messiah) - Martin Pearlman/Boston Baroque Orch & Chor
- Fur Elise - John O'Connor
- Schlosser auf, und mache, Schlosser from Liebeslieder-Walzer, Op.52 - Robert Shaw/Robert Shaw Festival Sgrs
- Te Deum - Rolf Smedvig/Michael Murray
- Largo from Xerxes - Keith Clark/Les Concerts du Monde
- Aquarium from Carnival of the Animals - Yoel Levi/Atlanta SO
- Allegro (excerpt) from Con No.5, BWV 1050 - Martin Pearlman/Boston Baroque
- Now is the month of Maying - Quink Vocal Ens
- Arabesque No.1 - Yolanda Kondonassis
- Pie Jesu from Requiem - Empire Brass
- Walk Him Up from Pulie - Deana Butler/Erich Kunzel/Cincinnati Pops Orch/Central State University Chor...
- Bebop (excerpt) - Slide Hampton and the JazzMasters
- I Feel So Smoochie - Jeanie Bryson
- Daahoud - Ahmad Jamal/John Heard/Yoron Israel
- Tu Sonrisa - Stefan Schyga/Mario Otero
- Messin' With The Kid - Junior Wells
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