A U.S.-dwelling Brit of Irish descent, John Whelan is one of Celtic music's premier performers. He elevates the genre with a sensitivity to melody uninhibited by overpreciousness. The self-taught, nimble-fingered accordion player and tunesmith engages his audience with warmth, clarity, and a joyful liveliness too seldom encountered. Come to Dance, recorded live with no overdubs in his hometown church, marries Whelan's delightfully airy squeezebox meanderings to his band's equally skilled guitar, mandolin, bass, and fiddle, underscored by whistle and Cillian Vallely's pipes as featured on track 14's medley--a moment of rare and genuine beauty. Captured herein is the generosity of spirit and playful electricity of soulful worship, community gathering, and celebration of the creative life force. Traditionals, including the first song Whelan ever learned ("Father Flynn") and the tune he played for his first All-Ireland Championship ("The Concert Reel"), are interspersed with captivating originals that showcase not only Whelan but the band as elements of a contiguous whole. --Paige La Grone
Come To Dance: A Celtic Tradition,John Whelan,Narada,Celtic,Celtic/Irish,Int'l & World Music,Irish Folk,Pop,World Music
Average customer rating:
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Come To Dance: A Celtic Tradition
John Whelan Manufacturer: Narada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I417 Release Date: 1999-02-23 |
Tracks:
- Jackie Coleman's/Bag Of Spuds/Bird In The Bush
- The Broadstone Inn/Big Snugs/Beth Patterson's
- The Turning Of The Season
- The Crooked Road To Dublin/Dinkey Dorina/Gan Aimn (Traditional, Title Unknown)/The Copperplatet
- Frances O'Neill's/Fesse And Franchesca's Miracle/Stop The Car
- Tracks In The Snow/The Nightlight
- Fermoy Lasses/The Old High Reel
- Queen Esther's/What Daddy? April's Polka
- Simone
- Crossing The Shannon/Man Of The House/The Five Mile Chase
- Mary O'Neill's Bank Of Ireland/Ballinamore
- Bob's Garden Of Earthly Delights/Broderick's
- Concert Reel/Flogging Reel
- Dowd's Favourite/O'Gorman's Salute/My Cup Of Coffee
- Ten Penney Bit/Trip To Athlone/Callaghe's Frolics
- Newtown Bridge/The Kerryman
- Father O'Flynn/Father Tom's Wager/Lilting Fisherman
- Spellan The Fiddler/Gan Aimn/Deacon Hary Doyle
Amazon.com
A U.S.-dwelling Brit of Irish descent, John Whelan is one of Celtic music's premier performers. He elevates the genre with a sensitivity to melody uninhibited by overpreciousness. The self-taught, nimble-fingered accordion player and tunesmith engages his audience with warmth, clarity, and a joyful liveliness too seldom encountered. Come to Dance, recorded live with no overdubs in his hometown church, marries Whelan's delightfully airy squeezebox meanderings to his band's equally skilled guitar, mandolin, bass, and fiddle, underscored by whistle and Cillian Vallely's pipes as featured on track 14's medley--a moment of rare and genuine beauty. Captured herein is the generosity of spirit and playful electricity of soulful worship, community gathering, and celebration of the creative life force. Traditionals, including the first song Whelan ever learned ("Father Flynn") and the tune he played for his first All-Ireland Championship ("The Concert Reel"), are interspersed with captivating originals that showcase not only Whelan but the band as elements of a contiguous whole. --Paige La GroneCustomer Reviews:
The closest thing to a great, live performance........2003-03-06
Whelan the great!.......2002-02-18
A Return Home.......2000-01-07
My particular favorite would probably be the flying set of reels on track 4 - with, I might add, a deft key switch smack in the middle of the third reel in the set, which would call for a good 'whoop' from a seisiún hopping girl like myself. Well done, John. :)
Oh, by the way, you can also make plans for kicking up some dust with The Fermoy Lasses and The Old High Reel on 7.
And there's a grace about the album as a whole, too. Mr. Whelan doesn't insist upon keeping the spotlight to himself when he's quite obviously joined by some fine players. I got to witness this personally in September 1999 in Bethlehem, PA when he cut loose the All Ireland fiddling champion on us. :) He's perfectly content to sit back and let others play, which is as it should be. Lovely guitar work on track 5, and some fine mandolin on 6, and citern (something you don't hear every day) on track 16. Never mind the show stopping piping and fiddling on 14.
And there's a great instrumentation savvy as well. It's nearly Bothy Band-ish in orchestral quality. (mind you, coming from me, that's a compliment and a half) Catch some of that on tracks 11 and 12. There's a lovely sonic raport between the acordion and low whistle that I've always loved, and that's brilliantly displayed on tracks 8 and 9.
So leave Danny Boy to the reviewer at the bottom of this page. If it's truly fine traditional playing you're after, then just buy the album. I promise, it'll have you "dancing to a lot of time." :)
Good Celtic dance music.......1999-10-05
Absolutely Brilliant !!!!!!.......1999-04-07
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