| 1. An Impossible Place |
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| 20. We've Almost Surprised Me |
Dicks,Fila Brazillia,23 Records/Circul8tion
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Berg: Lulu; Wozzeck
Karl Christian Kohn , Karl-Ernst Mercker , Kurt Böhme , Leopold Clam , Loren Driscoll , Martin Vantin , Patricia Johnson , Robert Koffmane , and William Walther Dicks Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD  All Works by Berg
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ASIN: B00000E53D Release Date: 2003-04-08 |
Tracks:
- 1. Akt, 1. Szene- Langsam, Wozzeck, Langsam!
- Verwandlung. Orchester-Nachspiel
- 2. Szene- Du, Der Platz Ist Verflucht!
- Verwandlung. Orchester-Nachspiel Und Beginnende Militmusik Im Hintergrund
- 3. Szene- Tschin Bum ! Hst Bub- Da Kommen Sie!
- Verwandlung. Orchester-erleitung
- 4. Szene- Was Erleb' Ich, Wozzeck-
- Verwandlung. Orchester-Einleitung
- 5. Szene- Geh Einmal Vor Dich Hin
- 2. Akt- Orchester-Einleitung. 1. Szene- Was Die Steine Glzen!
- Verwandlung. Orchester-Nachspiel
- 2. Szene- Wohin So Eilig, Geehrtester Herr Sargnagel-
- Verwandlung. erleitende Takte U. Kammerorchester-Einleitung. 3. Szene- Guten Tag, Franz - Ich Seh
- Verwandlung. erleitende Takte Und Orchester-Vorspiel (Ldler)
- 4. Szene- Ich Hab' Ein Hemdlein An, Das Ist Nicht Mein
- Verwandlung. Orchester-Nachspiel (Walzer)
- 5. Szene- Oh! Oh! Andres! Ich Kann Nicht Schlafen
- 3. Akt, 1. Szene- Und Ist Kein Betrug In Seinem Munde Erfunden Worden
- Verwandlung. Orchester-Nachspiel
- 2. Szene- Dort Links Geht's In Die Stadt
- Wozzeck- 3. Akt.- Verwandlung. Orchester-erleitung (H) [B]
- 3. Szene- -Tantzt Alle; Tanzt Nur Zu !-
- Verwandlung. Orchester-Nachspiel. 4. Szene- -Das Messer- Wo Ist Das Messer--
- Verwandlung. Orchester-Epilog- Invention er Eine Tonart (D-Moll)
- 5. Szene- -Ringel, Ringel, Rosenkranz, Ringelreih'n!-
- Lulu- Prolog. -Hereinspaziert In Die Menagerie-
- 1. Akt, 1. Szene- -Darf Ich Eintreten-- - -Mein Sohn!-
- Introduktion (Zum Canon). -Gnige Frau Frau Medizinalrat -; Canon- -Sie Bekommen Mich Noch Lange N
Customer Reviews:
The worst Lulu ever.......2007-01-20
Two masterworks from the years between the wars in a recording from the sixties.......2005-10-17
Scholars have analyzed these works extremely closely and have discovered all kinds of symbolic patterns in the notes. For example, the music occurring around Marie as she dies seems rather chaotic, yet one scholar has shown that the music consists of ten fragments of music heard from and around her earlier in the opera. So, her life is passing before her as she dies.
There is always a debate about how much of this deep meaning one can actually hear and it does vary for each listener. This kind of discussion goes on in all the arts, but is particularly so in music because it is the most abstract of the arts. How abstract and how removed from the surface can any "meaning" be and still be heard? This was a discussion we had many times in music school and I have met no more than a very few who convinced me they could actually hear this deeply (and this is more than recognizing a given row or its transformation or hearing the most fleeting tonalities in atonal works).
For me, just as some of the ultra late romantic become somewhat over composed with a level of detail that seems to be there for its own sake, some of this minutiae is like going to a restaurant for a meal and being given an essay about a photograph of a painting of a pork chop. It may be interesting, informative, and even beautiful, but you still leave hungry.
"Wozzeck" and "Lulu" are powerful and affecting works. They do sound much more like highly chromatic, but tonal works than the abstractions of Webern. "Lulu" is the more severe and, well, bleak of the two. I have heard more than a few praise these works for telling the truth about human life and getting to the true center of the human heart. To me, they seem more like artworks that were above all anti-bourgeois and seem proud of that stance. They seem to invoke not only the materialist views of the world of Marx, but also of Freud, and other now long forgotten apostles of deterministic thought. Is it possible to still see these works eighty years on as modern? They are as much prisoners of their time as are any other opera and less transcendent than I expect great works of art to be.
Franz Wozzeck is a powerless man who has a child out of wedlock with a woman named Marie. He subjects himself to crackpot scientific experiments with a Dr. Schoen for a bit of extra money for Marie and their son. Marie feels oppressed by the social stigma of being an unwed mother, but also has eyes for other men. She is particularly attracted to a Drum Major who looks so wonderfully masculine, but is really a mere surface of a person. She has an affair with the Drum Major, which Wozzeck discovers. Since Wozzeck is already teetering on the edge of sanity from his impotence and the experiments, he falls off and stabs Marie after she tells him that she would rather be stabbed than beaten. He leaves her body and tosses the knife in a pond. Later, crazed even more deeply by guilt, he goes into the pond after the knife and drowns. The last moment of the play involves Marie's and Wozzeck's orphan at play and running off the stage oblivious that he is alone in the world.
So, is this the true heart of us all? Is that last moment poignant, sharp irony on the human condition, or mere kitsch? I mean, dealing with the world view of this drama might benefit from as much detachment and irony as you can bring to it.
"Lulu" is even harsher. She is married to a professor of medicine who has a heart attack when he sees her with a painter he has commissioned to paint her portrait. She marries the painter at the urging of another doctor, who is engaged to another, with whom Lulu has had a long term love affair (such as love is in this work). Finally, the doctor understands that the painter really is blind to Lulu's true nature and tells him of her past. He kills himself. Under threat the doctor marries Lulu. She then takes up with a Countess who is enamored of her. Lulu ends up killing him with a revolver he has given her. She is arrested and sentenced to prison.
However, the countess arranges to take her place in prison to aid Lulu's escape. The Countess, the doctor's son, and an athlete help her escape abroad. Lulu then ends up with a wealthy man who ends up being a pimp and sells her to Cairo.
While the opera was incomplete at Berg's early death at fifty, the outline and sketch let us know that she is living in London with the doctor's son and the athlete. When the Countess arrives without money, Lulu is reduced to becoming a streetwalker. She goes through a series of clients who are the musical reincarnations of her various husbands. One of them kills the doctor's son, and the last kills both Lulu and the Countess, since he is Jack the Ripper (!).
The music is powerful and worth knowing because it is so personal to Berg and works its magic quite well. However, I have been at a symphonic concert when the Lulu Suite has been played and seem people get up and leave because they find it so harsh and intense.
Berg was indeed a major composer of the twentieth century. He cannot be merely dismissed. If you want to understand the serious art of that century you must come to terms with these works. You don't have to love them, but you cheat yourself if you don't know them at least a bit. Certainly, the morality of these operas, shocking in their time, is roughly equal to the "normal" behavior in any two episodes of "Friends" and "Law and Order". So, it must be the music that continues to affect people so strongly.
These recordings by Karl Böhm are masterfully done with great sound and solid singing. Some would prefer a different style of Sprechstimme (the half-singing) done here, but I find it appropriately chilling with the singing voice sliding around above the simultaneously sounding singing voice. I have no idea how it is done, but it sounds wonderfully insane.
first of all you have to understand a role.......2004-11-12
The worst version you can choose if you really "UNDERSTAND" Berg. Good singers for the wrong repertoire.
Martin Pitchon
Canada
This is an amazing opera.......2003-11-23
As you know, Alban Berg couldn't finished this opera, the 1-297 measures of the 3rd Act was being finished, but later, Berg, was written last (approx.) 700 measures without orchestration (only with a Piano part and libretto).
In 1970's, Friedrich Cerha was orchestrated this measures and with this version, complete Three Acts was performed in Paris Opera, conducted by Pierre Boulez, in 1979. (The recording of this performance is available on DG Classics)
But, this performance is better than the version of Boulez's. (I have listened both of two recordings). And, even so, this is a live recording from Berlin, Deutsche Oper, in 1968. So, there isn't 3rd Act, instead of this, (with the same affairs) they were performed the last movements of Lulu-Suite (Symphonic Pieces from Opera). These movements are, 4th movement - Variations on Wedekind's Theme for Lute-, and 5th movement - The Last Scene (Jack the Ripper kills Lulu and Countess Geschwitz)...Even so, Berg was wanted this movements to be perform (to think that, if he can't finish the 3rd Act).
The soloists are excellent, especially Evelyn Lear (as Lulu), Dietrich Fischer-Dieskau (as Dr. Schön), Loren Driscoll (as Painter) and Donald Grobe (as Alwa). It is an interesting condition that, actually Karl Böhm isn't a conductor of 20th Century Music. We know with his historic Mozart and R. Strauss recordings. But in this set, he is amazing in both of Wozzeck and Lulu.
Another an interesting condition that, in "Wozzeck", the composer was used a large ensemble (ex. A quadruple orchestra, plus choir) and this is an atonal opera, isn't a 12-tone music at all. In "Lulu", Berg was used a little small ensemble than in Wozzeck (tripled orchestra, no choir), but this is a full 12-tone music. So, this opera is more difficult to reading the partition (of opera) or listen this music with understands than Wozzeck (it is interesting, but, Berg was written more difficult music with a little small ensemble and his first opera "Wozzeck" is more easy to understand or reading the partition but this is scored for large ensemble). Because, Berg was used 12-tone system at all, so, perhaps, this is more difficult to listen, but if you listen more and more, you will enjoy (!) with this music.
And there is a very amazing music in this opera: Interlude - Film Music (in 2nd Act between 1st and 2nd Scenes). In last minutes of 1st Scene, Lulu kills Dr. Schön and she arrests by police with help of Alwa (Doctor's Son). With a fast fall of curtain, Interlude - Film Music starts and there is a show that a (black-white, without colouring and without sound) short film tells, that Lulu's fortune in one year. Because of subject of film, in the music, starts and moves forwards, than music reaches to a centre (of music) and than, the music moves backwards! (This music was used once again in Lulu-Suite as the 1st movement of suite)...
Best tracks: Act 1
No. 2 Canon, No. 4 Melodram - The Death of Professor, No. 5 Arioso of The Painter (this is a very mysterious music), No. 10 Monoritmica (The Rhythm of Death, this rhythm was used in whole opera, in every passages!), No. 12 (Sonata Development)
Act 2:
No. 6 and 7 (Lulu kills Dr. Schon and arrests), No. 8 Film Music (of course!)
Instead of Act 3 (from Lulu-Suite): Variations (because of the Third act wasn't be found yet) and Adagio (Lulu, Countess Geschwitz...Jack the Ripper!)
Highly recommended for any Alban Berg, 20th Century Music or opera admirers.
El mejor Wozzeck en la discografía.......2003-09-28
Karl Böhm realiza una interpretación llena de detalles y el sonido de DG es en ésta grabación digno de mencionarse, con un buen balance y sin la tendencia a los agudos típico de las grabaciones de DG.
Esta grabación es el punto de referencia para las otras que existen y ni la versión de Abbado ni Dohnanyi estan a su altura.
Este set de CDs consta de dos óperas, la ya comentada Wozzeck y Lulú en su versión original incompleta con sólo los dos primeros actos y la suite de Lulú como complemento, pero a pesar de ser una buena interpretación, en esta última ópera recomiendo la versión de Boulez en DG, con la reconstrucción del tercer acto por Friedrich Cerha y con Teresa Stratas como protagonista principal.
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Dicks
Fila Brazillia Manufacturer: 23 Records UK ProductGroup: Music Binding: Audio CD Ambient
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ASIN: B0002T8DPI Release Date: 2004-12-07 |
Tracks:
- An Impossible Place
- Sidearms & Parsnips
- Shellac
- D'Avros
- Great Attractor
- Kiss My Whippet
- Ballon
- Lullaby Berkowitz
- Cubist News
- Goggle Box
- Heil Mickey
- Doggin'
- 708-7606-19
- And Flesh
- Curveball for the 21st Century
- The Hull Priests
- Sugarplum Hairnet
- Furball Shindig
- The Third Tendril of the Squid
- We've Almost Surprised Me
- VD
- Nutty Slack
- Septentrion
Album Details
Their 10th album.Customer Reviews:
I'VE GOT FILA BRAZILLIA'S 'DICKS' IN MY HAND--"SNIGGLE"!!!.......2005-12-06
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Weber: Der Freischütz
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Weber
| Weber, Carl Maria von
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ASIN: B000005GUL Release Date: 1993-01-12 |
Tracks:
- Ov
- First Act, No.1: Intro: 'Viktoria! Viktoria! Der Meister Soll Leben'
- First Act, No.1: Peasants' March
- First Act, No.1: 'Schau Der Herr Mich An Als Konig!'
- First Act, No.1: Dialogue
- First Act, No.2: Trio With Chor: 'Oh, Diese Sonne Furchtbar Steigt Sie Empor!'
- First Act, No.2: Dialogue
- First Act, No.3: Bohemian Waltz
- First Act, No.3: Scene And Aria: 'Nein, Langer Trag' Ich Nicht Die Qualen-Durch Die Walder...
- First Act, No.3: Dialogue
- First Act, No.4: Song: 'Hier Im Ird'schen Jammertal'
- First Act, No.4: Dialogue
- First Act, No.5: Finale I: 'Schweig, Schweig, Damit Dich Niemand Warnt!'
- Second Act, No.6: Duet: 'Schelm, Halt Fest!'
- Second Act, No.6: Dialogue
- Second Act, No.7: Arietta: 'Kommt Ein Schlanker Bursch Gegangen'
- Second Act, No.7: Dialogue
- Second Act, No.8: Scene And Aria: 'Wie Nahte Mir Der Schlummer-Leise, Leise, Fromme Weise!'
Tracks:
- Second Act, No.8: Dialogue
- Second Act, No.9: Trio: 'Wie? Was? Entsetzen!'
- Second Act, No.10: Finale II (Die Wolfsschlucht): 'Milch Des Mondes Fiel Auf's Kraut! 'Du Weisst...
- Third Act, No.11: Entre-Akt
- Third Act, No.11: Dialogue
- Third Act, No.12: Cavatina: 'Und Ob Die Wolke Sie Verhulle'
- Third Act, No.12: Dialogue
- Third Act, No.13: Romance And Aria: 'Einst Traumte Meiner Sel'gen Base-Trube Augen'
- Third Act, No.13: Dialogue
- Third Act, No.14: Chor: 'Wir WInden Dir Den Jungfernkranz'
- Third Act, No.14: Dialogue & Uberleitung
- Third Act, No.15: Huntsmen's Chor: 'Was Gleicht Wohl Auf Erden Dem Jagervergnugen?'
- Third Act, No.15: Dialogue
- Third Act, No.16: Finale III: 'Schaut, O Schaut! Er Traf Die Eigne Braut!'
Customer Reviews:
MAGIC, like the bullets!.......2007-06-07
Already read other opinions and reviews of "Der Freischutz"?
Well, FORGET Eric and Carlos Kleiber, Davis, Furtwangler, Heger, Sawallisch.....hold on to Kubelik, and definately rush out and grab a copy of this fabulous recording with Keilberth at the helm! Wow! First Place is not an option for this recording...it's an inevitable necessity!
All soloists in this effort shine like the stars. Particularly the lovely (as always) Elisabeth Grummer...my God this lady was wonderful, and is, I am sure, greatly missed by all the great German opera houses today. Hermann Prey...truly one of the greatest German tenors of the recent past. Is there anything that this man could not sing and truly make it his own!? Gottlob Frick...just look at his output in the realm of "German" operatic recordings! Truly the man stands at the top of the pile, approached perhaps most closely by George London. Joseph Keilberth...what was it that this man had! And how wonderful that he is having a golden rebirth with the release of his truly stupendous "Ring" this past year, and the re-issue of so many of his truly benchmark recordings! Let's not kid ourselves, this man ranked up there with Knappertsbusch.
As in so many cases, we owe EMI many thanks for the foresight to preserve these artists' efforts for us to enjoy forever. There are MANY good recordings of "Der Freischutz", and a FEW great recordings of it, and ONE top-notch (Kubelik) recording of the work. Then, there is this recording...the SUPREME testament to Carl Maria von Weber's great masterpiece!
As I said in the title of this review, this is the MAGIC recording of this wonderful work, concerning magic bullets, and redemption, the First great example of German national opera.......carried on later, of course, by the supreme master, Richard Wagner.
Pick up this recording, and allow it's supreme greatness to wash over you, and delight your heart with the lovely efforts of all the participants...a benchmark, desert island disc. Do Enjoy! ~operabruin
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Ultimate Cult Themes
Manufacturer: Crimson Productions ProductGroup: Music Binding: Audio CD All Works by Herrmann
| Herrmann, Bernard
| ( H )
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| Schifrin, Lalo
| ( S )
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ASIN: B000066I7T Release Date: 2005-06-07 |
Tracks:
- Thunderbirds (Theme)
- Prisoner
- Mission Impossible (Theme)
- Man from U.N.C.L.E. (Theme)
- Randall and Hopkirk (Deceased) (Theme)
- Avengers (Theme)
- Persuaders (Theme)
- Champions (Theme)
- Twin Peaks (Theme)
- X-Files (Theme)
- Tomorrow People (Theme)
- Doctor Who
- Twilight Zone (Theme)
- Quantum Leap (Theme)
- Time Tunnel (Theme)
- Dragnet (Theme)
- Bewitched (Theme)
- Catweazle/Busy Boy
- Space 1999 (Theme)
- Vision On/Left Bank
Tracks:
- Lost in Space (Theme)
- Total Recall (Theme)
- Close Encounters of the Third Kind (Theme)
- Star Trek (Theme)
- Fifth Element (Theme)
- Logan's Run (Theme)
- Blade Runner (Theme)
- Alien Resurrection (Theme)
- Scream (Theme)
- Psycho (Theme)
- Tubular Bells [The Exorcist]
- Thing
- Friday the 13th (Theme)
- Pet Semetary (Theme)
- Carrie (Theme)
- Vertigo (Theme)
- Salem's Lot (Theme)
- Howling (Theme)
- Silence of the Lambs (Theme)
- Nightmare on Elm Street (Theme)
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Dicks Picks 28, Salt Palace, SLC, 2/28/73
Manufacturer: Grateful Dead Records ProductGroup: Music Binding: Audio CD General
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ASIN: B000FPCVRU |
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Live From the Masque, Vol. 3: Dicks Fight Banks Hate
Various Artists Manufacturer: Ulg Records ProductGroup: Music Binding: Audio CD Hardcore
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ASIN: B000005QYZ Release Date: 1996-07-23 |
Tracks:
- Eniwetok - The Eyes
- Take That Quaalude Now - The Eyes
- Go-Go Bee - The Eyes T
- The Happy Song - The Eyes
- She's Dead - The Eyes
- Disneyland - The Eyes
- I'm OK, You're OK - The Dickies
- Shake And Bake - The Dickies
- Shadow Man - The Dickies
- Canyon - The Dickies
- You Drive Me Ape (You Big Gorilla) - The Dickies
- Hideous - The Dickies
- Let's Get Rid Of New York - The Randoms
- Tricia - The Randoms
- ABC - The Randoms
- Let's Get Rid Of L.A. - The Randoms
- Idi Amin - Black Randy & The Metro Squad
- Randy's Intro - Black Randy & The Metro Squad
- Loner with A Boner - Black Randy & The Metro Squad
- Trouble At the Cup - Black Randy & The Metro Squad
Customer Reviews:
She's Dead..........1999-06-12
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Tony Scott and & The Three Dicks: Complete Milt Hinton & Osie Johnson Quartet
Tony Scott & The Three Dicks Manufacturer: Lone Hill Jazz ProductGroup: Music Binding: Audio CD Bebop General
| Bebop
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ASIN: B0007Q171I Release Date: 2005-02-21 |
Tracks:
- Mean to Me
- Pick 'N Pat
- Over the Rainbow
- Milt to the Hilt
- Don't Blame Me
- Katz' Meow
- Upstairs With Milt
- Ebony Silhouette
- Cantus Firmus
- These Foolish Things
- Everything Happens to Me
- Counterpoint Pleasant
- East Coast, West Side
- You and I
- You're So Right for Me
- Hey, Madame
- Give It All You've Got
Album Description
This phenomenal release features Tony Scott's Quartet in the Complete 1958 MFM 'Oh, Captain!' session for the first time ever on CD and features Dick Hyman. Next there is Milt Hinton's Quartet in The Complete 1955 Bethlehem 'East Coast Jazz Series #5' featuring Tony Scott & Dick Katz and Tony Scott's Quartet in The Complete 'New York 1956 RCA Sessions' which feature Dick Garcia. Lone Hill Jazz. 2005.Album Details
This Phenomenal Release features Tony Scott's Complete Quartet Recordings with the Unparalleled Bassist Milt Hinton and Drummer Osie Johnson. Rounding Out the Quartet Are Three Different Chordal Accompanists from Three Different Sessions; Pianists Dick Katz and Dick Hyman and Guitarist Dick Garcia.|
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Working Man's Dick
Supreme Dicks Manufacturer: Freek Records ProductGroup: Music Binding: Audio CD General
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ASIN: B000025539 Release Date: 1994-09-13 |
Tracks:
- Ranada's Demon
- Language You Learnt
- All That Returns
- In the Whippoorwill's Sad Orchard
- Blue Elephant
- Pear Thripe
- Flaming Day of the Locusts
- Andy Herman Song
- For Now
- Descension Song
- Pusher
- Hyacinth Girls
- Arise! Life Giving Seagull
- Talking Mody Dick Blues
- Sround-Like Remains
- Baal Shem
- Searcher
- Night at the Opera
- Chateaux Banana!, Pt. 13-16
- Viva la Speedy Orgone
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Grateful Dead: Dick's Picks Volume 25 (5/10/78)
Manufacturer: Grateful Dead Records ProductGroup: Music Binding: Audio CD General
| Folk
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ASIN: B000FGJ1NG |
Product Description
4 CD set with the bulk of the material from two shows in their May 1978 tour: Veteran's Memorial Coliseum show in New Haven, Connecticut on 5/10/78 and Springfield Civic Center in Springfield, Massachusetts on 5/11/78. HDCD. Disc 1: Jack Straw (6:51) (Weir, Hunter) They Love Each Other (7:45) (Garcia, Hunter) Cassidy (5:22) (Weir, Barlow) Ramble On Rose (7:30) (Garcia, Hunter) Me and My Uncle (3:00) (Phillips) Big River (6:56) (Cash) Peggy-O (7:52) (Trad. Arr. By Grateful Dead) Let It Grow (9:40) (Weir, Barlow) Deal (7:05) (Garcia, Hunter) Bertha (8:07) (Garcia, Hunter) Good Lovin (6:20) (Clark, Resnick) Disc 2: Estimated Prophet (12:04) (Weir, Barlow) Eyes Of The World (12:18) (Garcia, Hunter) Drums (18:00) (Hart, Kreutzmann) The Other One (16:31) (Weir, Kreutzmann) Wharf Rat (10:14) (Garcia, Hunter) Sugar Magnolia (9:33) (Weir, Hunter) Disc 3: Cold Rain and Snow (7:03) (Grateful Dead) Beat It On Down The Line (3:31) (Fuller) Friend Of The Devil (8:36) (Garcia, Dawson, Hunter) Looks Like Rain (9:13) (Weir, Barlow) Loser (7:48) (Garcia, Hunter) New Minglewood Blues (5:47) (Trad. Arr. By Bob Weir) Tennessee Jed (8:47) (Garcia, Hunter) Lazy Lightnin (3:21) (Weir, Barlow) Supplication (6:31) (Weir, Barlow) Scarlet Begonias (9:41) (Garcia, Hunter) Fire On The Mountain (8:35) (Hart, Hunter) Disc 4: Dancing In The Streets (15:12) (Stevenson, Gaye, I. Hunter) Drums (19:53) (Hart, Kreutzmann) Not Fade Away (10:21) (Petty, Hardin) Stella Blue (8:46) (Garcia, Hunter) Around and Around (9:15) (Berry) Werewolves Of London (8:30) (Marinell, Wachtell, Zevon) Johnny B. Goode (4:15) (Berry)|
Average customer rating:
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Chicks With Dicks & Splatter Flicks
Conspiracy of Noise Manufacturer: Never ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Punk Revival
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
ASIN: B000005ATG Release Date: 1996-11-11 |
Tracks:
- Losing My Grip
- Business Is Business
- Content And Contempt
- Jerkoff
- Hurt
- Henry
- I'd Love To Plug You In
- F.L.D
- Young, Dub And Full Of Cum
- E: Meriker
Rock Music:
- Dust to Gold
- Essential Guide to Salsa [Box set]
- Est-Ce Que Tu Le Sais: Best of [Import]
- Everything I Am [Import]
- Femmes de Paris, Vol. 3 [Import]
- Gold Music Story: Dylan [Original recording remastered] [Import]
- Grandes Sucessos [Import]
- Happy to Be [Import]
- Hippjokk
- I Grandi Successi Originali [Import]
Recommended Music:
Matt Mays + El Torpedo [Import]
Mozart and Dvorák: Wind Serenades
With a Little Help from Our Friends
Ma Plus Belle Histoire d'Amour c'est Vous [Import]