Die Gute Seite [Import]

1. Wie Lange Sollen Wir Noch Warten

2. Komm Schon

3. Ein Kompliment

4. Sportbeat

5. Auf Der Guten Seite

6. Independent

7. International

8. 7 Tage 7 Naechte

9. Tage Wie Dieser

10. 10:1

11. Hurra

Die Gute Seite,Sportfreunde Stiller,Universal,World Music

Average customer rating: Sehr gute Musik (Very good musik) Schoen Album

Die Gute Seite Sportfreunde Stiller Manufacturer: Universal ProductGroup: Music Binding: Audio CD Germany | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music International | Imports | Stores | Music Similar Items: So Wie Einst Real Madrid You Have To Win Zweikampf Es Ist Juli Die Reklamation Von Hier an Blind ASIN: B00005YW5C Release Date: 2004-04-02

Tracks:

1. Wie Lange Sollen Wir Noch Warten?
2. Komm Schon
3. Ein Kompliment
4. Sportbeat
5. Auf Der Guten Seite
6. Independent
7. International
8. 7 Tage, 7 Nte
9. Tage Wie Dieser
10. Der Fortschritt
11. 10:1
12. Hurra, Wir Fliegen!

Customer Reviews:

Sehr gute Musik (Very good musik).......2006-08-24

This music is very good, and is my favorite German group. Even though i speak very little German, I still enjoy listening to them whenever I get the chance. My favorite song is "Ein Kompliment", which is very popular in Germany!!! This is Definately a good buy

Schoen Album .......2004-11-28

Die gute seite is the good side. Great music, although it feels like it has an eighty's tint to the piano and guitar which makes it come of a bit old. Aber ob du kannst nicht deutsch sprechen dan du wirst das nicht moegen. if ya can't speak german than it's not gonna be worth listening to.. but if you do than it's great.

Average customer rating: Highly Enjoyable A Recording that is original, authentic, and enjoyable Singspiel as it should be done Finally ! die Entfurung treated seriously ! Sterile conducting; some interesting singing

Mozart - Die Entführung aus dem Serail / Y. Kenny · L. Watson · P. Schreier · Gamlich · Salminen · Reichman · Zürich Opera · Harnoncourt Wolfgang Amadeus Mozart , Nikolaus Harnoncourt , Yvonne Kenny , Lillian Watson , Chor und Mozartorchester des Opernhaus Zürich , Peter Schreier , Wilfried Gamlich , Matti Salminen , Wolfgang Reichman , "Product Details" shows harnoncourt as composer , and mozart as composer, etc. yvonne kenny as conductor Manufacturer: Teldec ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Gahmlich, Wilfried | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music ASIN: B000000SB6 Release Date: 1989-05-18

Tracks:

1. Die Entfuhrung Aus Dem Serail: Ouverture
2. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 1 Aria 'Hier soll ich dich denn sehen'
3. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog 'Aber wie soll ich in den Palast kommen'
4. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 2 Lied und Duett, 'Wer ein Liebchen hat gefunden' - 'Verwunscht seist du samt deinem Liede!'
5. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Konnt' ich mir doch noch so einen Schurken'
6. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 3 Aria, 'Solche hergelauf'ne Laffen'
7. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Geh nur, verwunschter Aufpasser'
8. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 4. Recitativo ed Aria, 'Konstanze! dich wieder zu sehen! - O wie angstlich, o wie feurig'
9. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Geh nur, verwunschter Aufpasser'
10. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 5b Chor der Janitscharen, 'Singt dem grossen Bassa Lieder'
11. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Immer noch traurig, geliebte Konstanze?'
12. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 6 Aria, 'Ach ich liebte, war so glucklich!'
13. Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Ihr Schmerz, ihre Tranen, ihre Standhaftigkeit'
14. Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 7 Terzett, 'Marsch! Marsch! Marsch! trollt euch fort'
15. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 8 Aria, 'Durch artlichkeit und Schmeicheln'
16. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Zartlichkeit! Schmeicheln!'
17. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 9 Duetto, 'Ich gehe, doch rate ich dir'
18. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Wie traurig das gute Madchen daherkommt'
19. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 10 Recitativo ed Aria, 'Welcher Wechsel herrscht in meiner Seele' - 'Traurigkeit ward mir zum Lose'
20. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ach mein bestes Fraulein!'
21. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 11 Aria, 'Martern aller Arten'
22. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ist das ein Traum?'

Tracks:

1. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Kein Bassa, keine Konstanze mehr da?'
2. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 12 Aria, 'Welche Wonne, welche Lust'
3. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog 'Ah, dass es schon vorbei ware!'
4. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 13 Aria, 'Frisch zum Kampfe! Frisch zum Streite!'
5. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ha! Geht's hier so lustig zu?'
6. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 14 Duetto, 'Vivat Bacchus! Bacchus lebe!'
7. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Wahrhaftig, es geht doch nichts uber den Wein!'
8. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 15 Aria, 'Wenn der Freude Tranen fliessen'
9. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ich hab' hier ein Schiff in Bereitschaft'
10. Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 16 Quartetto, 'Ach Belmonte! ach mein Leben!'
11. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'O Konstanze! Wie schlagt mir das Herz!'
12. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 17 Aria, 'Ich baue ganz auf deine Starke'
13. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Alles liegt auf dem Ohr'
14. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 18 Romance, 'In Mohrenland gefangen war'
15. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Sie macht auf Herr!'
16. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Gift und Dolch! Was ist das?'
17. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 19 Aria, 'O, wie will ich triumphieren'
18. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Was gibt's, Osmin, was gibt's?'
19. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 20 Recitativo e Duetto, 'Welch ein Geschick!' - 'Meinetwegen sollst du sterben!'
20. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Zitterst du?'
21. Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 21a Vaudeville, 'Nie werd' ich deine Huld Verkennen'

Customer Reviews:

Highly Enjoyable.......2005-12-19

Ths recording has its faults, but is still extremely enjoyable. I have have to agree with one of the previous reviewers about the conducting. It does sound quite detached and lacks all spontaneous quality, but the singers still manage very nicely. The recording sound also comes across as being far away, but it really doesn't make a difference because it isn't bad at all. The singers are all very good. Much as it pains me to say, you can tell that as far coloratura goes, this is just about Kenny's limit. She nevertheless has such an exquisite and full voice that she easily makes up for it, especially in the quartet. Highly reccomended.

A Recording that is original, authentic, and enjoyable.......2005-07-17

THE ABDUCTION FROM THE SERAGLIO (DIE ENTFUHRUNG AUS DEM SERAIL) was both a critical and popular success in Mozart's lifetime and while it is not revived as often as the three Da Ponte Operas (Marriage, Giovanni, and Cosi) or THE MAGIC FLUTE, it has never been completely out of the repertoire. Its overture is a popular work in symphonic concerts and a few of its arias find their way into the concert arena.

In some respects the opera was revolutionary as is the case in so many Mozart works. The music has what is called a "Turkish" flair which was quite popular in Mozart's day. The Arabic world was seen as mysterious and exotic and anything Arabic was all the rage. Mozart does his best to give the music of the opera what was believed to be an authentic Arabic sound and used a wide variety of instruments to achieve this effect. It was also one of the first masterful scores for the German opera form known as singspiel where the arias are separated by spoken dialogue rather than musical recitative. The music worked for the stage, was loved by the audience, and sets a higher standard for music of the stage.

Many times recordings from "period instruments" can sound strange to the modern ear because we are used to a fuller symphony orchestra than would have been the case in Mozart's day. Nikolaus Harnoncourt is able to use period instruments to make this recording sound as authentically Mozartarian (I'm not sure there is such a word but I'm using it anyway) and pleasing to the modern listener. The soloists do a great job, the spoken dialogue is not jarring as it can be in some recordings, and it is an overall appealing set.

There are a number of good solid recordings of this work available. Two of the standards are the set under the direction of Ferenc Fricsay and another set directed by Sir Geog Solti. Both are highly praised and can provide an enjoyable listening experience, but if you are a Mozart buff, or want to hear a fresh recording of a great yet often neglected work, the Harnoncourt set is just for you.

Singspiel as it should be done.......2000-07-10

Certainly Harnoncourt is a controversial director. But what do we have here? A rather outdated story which in its own time was already particularly implausible. The comic effect would not even qualify for the laughing track of our modern sitcoms. Yet the music is just too good to dismiss it. Harnoncourt found the redemption key. A rather crisp tempo over all, a choice of bright and raw sonorities allows us not to dwell too much on the unlikely story. A few excellent singers, well directed, allow us to appreciate the wonderful pyrotechnics of the Mozart arias. The result? We do not force our laughter anymore and we leave with a wonderful sense of optimism. The all is well that ends well shines thorough the performance. What is even better, we leave this performance finally realizing that technically this was the first of the great Mozart operas, that some of the arias have nothing to envy the subsequent works. Then again Mozart fans knew this secret all along. It is the merit of this performance to show this to the newcomer. And to the critic of Harnoncourt to consider that perhaps he does have a valid point, that Mozart never intended this opera to be a mellifluous work, but a dynamic romp.

Finally ! die Entfurung treated seriously !.......2000-01-11

And it is an eye opener ! For starters, Harnoncourt costum built the turkish instruments that the score calls for, and that creates such a diversity in sound, that it is as though the dust and old varnisch has been lifted of an old stuffy painting to reveal the Rembrand underneath. Very precise, and extremely exciting is the way Harnoncourt chooses his tempi, justified by years of thorough musical research and a rich understanding of performance practice of the 18th century. Excellent soloists, particularly Matti Salminen sticks out. Extreme contrats in the characters also creates an extremely HUMAN story, what Mozart is all about in the end. If you play this stuff as background music, do NOT buy this disc.

Sterile conducting; some interesting singing.......1999-11-27

To my ear, Harnencort's conducting sounds detatched, like he's not enjoying the music much, even though he tries to sound playful with fast tempi and lots of percussion in the overture. The tenors and the women sound overrehearsed, sacrificing fun for precision.

Matti Salminen's Osmin is very interesting, in that it is the most Wagnerian-sounding available Osmin on record. Matti Salminen puts Hagen-like murder into every syllable, even the coloratura sections. It's awesome, but the phrase "bull in a china shop" keeps coming to mind.

Average customer rating: A very good example of 19th century organmusic in NL A very good example of 19th century organmusic in NL

De orgelmakers Witte Manufacturer: Lindenberg ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Reger, Max | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Rheinberger, Joseph | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Reger, Max | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B00000JFTX Release Date: 1999-12-07

Customer Reviews:

A very good example of 19th century organmusic in NL.......1999-09-30

These disks (4) give a broad view / sound to what organmusic was about in the 19th century. And not only that, but also a very good example of the organs built in the central netherlands in this period. When you're hearing the sound, you will be impressed by the very special sound of Witte.

A very good example of 19th century organmusic in NL.......1999-09-30

These disks (4) give a broad view / sound to what organmusic was about in the 19th century. And not only that, but also a very good example of the organs built in the central netherlands in this period. When you're hearing the sound, you will be impressed by the very special sound of Witte.

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