Master Musicians of Jajouka

Amazon.com
The Master Musicians of Jajouka entered the international spotlight from the unlikely environs of Morocco when they jammed with the late Rolling Stones guitarist Brian Jones, who thereafter released the venerated 1971 album Brian Jones Presents the Pipes of Pan at Jajouka. The group finally embarked on their first U.S. tour in 1996, garnering press accolades along the way. This latest Jajouka release features the producing, drumming, and DJ skills of the acclaimed Talvin Singh. With Singh's assistance, Bachir Attar and the Master Musicians cleverly mix up organic originals (recorded in the field) with electronica- influenced collaborations (done in the studio), spotlighting both their folkloric history and their brave new future. On several cuts, acoustic instruments such as oboe-like ghaitas, tablas, flute, and conch shell sympathetically share sonic space with edgy rhythm programming, electric bass, and sparingly used keyboards and record scratching. From a production standpoint, the field recordings sound thin compared with their grooving, beefed-up studio counterparts, which are fresher in their ethno-techno and ethno- ambient qualities. That said, the acoustic tracks are historically important to a familial group whose torchbearers are dwindling. Even so, the inclusion of a repetitive 10-minute track of drums and ghaitas is no easy initiation and would have worked better near the album's end rather than as its second cut. Given the mesmerizing vibe that runs through this music, these compositions tend to be circular in nature, but the whole point is to blissfully trance out, and Singh's input generally keeps the album engaging and gives it a strong crossover potential to a hipper, younger audience. Techno fans should dig the nine-minute dance remix at the end. --Bryan Reesman

Product Description
Produced by Talvin Singh and features Bachir Attar.

Master Musicians of Jajouka,Various Artists,Philips,African,Club/Dance,Electronica,Ethnic,Experimental Rock,Int'l & World Music,Jungle/Drum'n'bass,Middle East,Morocco,North Africa,Pop,Traditional,Trance,Trip-Hop,World Music,Worldbeat

Average customer rating: Instant Classic "Nothing is true, everything is permitted" Take Me With You, My Beloved A fitting memorial to Brian The Master Musicians

Brian Jones Presents: The Pipes of Pan at Jajouka The Master Musicians of Jajouka Manufacturer: Philips ProductGroup: Music Binding: Audio CD Morocco | Africa | International | Styles | Music General | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Classical | Styles | Music Similar Items: The Master Musicians of Jajouka Apocalypse Across the Sky Brian Jones, Who Killed Christopher Robin?: The Truth Behind The Murder Of A Rolling Stone Stone Alone: The Story of a Rock 'n' Roll Band Performance ASIN: B0000040UX Release Date: 1995-09-26

Tracks:

1. 55
2. War Song/Standing & One Half
3. Take Me With You My Darling, Take Me With You
4. Your Eyes Are Like A Like A Cup Of Tea
5. I Am Calling Out
6. Your Eyes Are Like A Cup Of Tea (Reprise)

Amazon.com

Brian Jones's trip to Morocco in 1968 included a trip to the mountain village of Jajouka guided by painter Brion Gysin. What he recorded there introduced the world at large to the Master Musicians of Jajouka, initially released in 1971. Their music is based on ritual, but is still playful. The horns, chanting, and drums of this field recording are completely trancelike. It's a shame that phasing and panning has been added to the sound in an attempt to make it even more psychedelic because it stands perfectly well by itself without the effects. (You also have to wonder whether titles like "Your Eyes Are Like a Cup of Tea" are really literal translations from Aramaic). Still, this is perfectly classic stuff, celebrating the weeklong Rites of Pan festival and offering an almost religious experience to the listener. Anyone who doubts that music has the power to transport should begin here. A classic of world music. --Chris Nickson

Customer Reviews:

Instant Classic.......2004-03-17

This is the record that started the interest in Jajouka. Since most was already said, I will just add what I think is missing from other reviews. The Jajouka village is Arabic-speaking, not Berber, and definitely not "Aramaic". Their traditions are typical of whole Morocco, which is an amalgalm of Andalusian/Arabic influence, Islam, and of course the ancient traditions of Berbers of North Africa. I think this is the best record about Jajouka since it sounds like a live recording of what could have been an eternal night. The instruments are solely ghaita (Moroccan oboe) as well as tbel and bendir percussions.
Many Jajouka records have sprung after this one, some are good and some are not, but this one is a must have.
If you like this music, check out other Berber records and make sure you go to Morocco to attend the various traditional music festivals throughout the year!

"Nothing is true, everything is permitted".......2004-03-10

Hassan i Sabbah's phrase, as translated by Brion Gysin, makes a fitting review for this album -- just as the other reviews reveal, everyone will find something different in this strange, hypnotic music. The album is a field recording made in Morocco by Brian Jones and Brion Gysin in 1968, an edited document of ancient Lupercalia rituals dedicated to the god Pan that are hours, and sometimes days, long. (These rituals echo through every springtime rite, from Mardi Gras and Carnival to Easter.) Although the recording has been given a psychedelic gloss it doesn't really need, the result is powerful music, if the listener is open to it. This is an old, old trip -- and the album, originally released in 1971, is considered the first of its kind.

Take Me With You, My Beloved.......2004-02-25

I don't know if Brion Gysin and Brian Jones and/or the Master Musicians of Jajouka made these recordings sound so strange on purpose, or if they just turned out that way. In any case the bizarre echo and phasing effects make this recording unlike any of the 5 or 6 other Jajouka recordings. But Bachir Attar loves it, so that's one high recommendation.

This music will scare ... many people. Others will be annoyed. Other people will fall in love with it, as I did. To hear this music as it is meant to be heard, you have to give yourself over to it completely, in whatever way that is best accomplished for you. Then you will abe able to hear the relationships of the repeated patterns in the 3 or 4 musical layers. These relationships can be extraordinarily complex, but sound as beautiful as a living arabesque unfolding itself would appear to the eyes.

The purpose of this music is to take you away. You can only find out where you are going if you take the journey.

A fitting memorial to Brian.......2003-02-26

This album...the very pipings of Pan, the ancient and forgotten rites of Lupercalia, discovered in 20th Century Morocco by Beatnicks, Junkies and Hippies? ABSOLUTELY.

The sounds made in this album send chills up my spine. This album reminds us that not only is the world stranger than we know, it is weirder than we CAN know. Everything is True. Nothing is Forbidden. These tapes will cause cold winds to blow through the canyons of your mind. The state of Pan is that of "Panic", and that is what you hear in these "songs."

Mick Jagger and Keith Richards caused this album to be posthumously released after Brian Jones unfortunate drowning/murder in the swimming pool of the house where A.A. Milne wrote Winnie-the-Pooh. Brian recorded these tapes several months before his death, intending to release them.

The Master Musicians.......2002-09-28

Recorded by Brian Jones with his friend, superhippie Brion Gysin, in July 1968, the tapes were edited in London by Brian. This was the first record released by the new Rolling Stones Records label in 1971 (after Brian died). Several authors claim the album started the world music movement that integrated non-Western music into the mainstream of rock.

The music is part of an ancient festival that has been linked by anthropologists to the Roman Lupercalia and the truly ancient prehistoric festivals of pan. It celebrates an ancient, pagan-Muslum tradition in the Moroccan village of Jajouka that is detailed in the linear notes by Gysin and Jones. You need to be prepared to appreciate the anthropological context of this music to enjoy it (and although Brian was on a different plane of reality when he recorded this music, he did have a genuine appreciation of the cultural context, as did Keith when he worked with the Master Musicians of Jajouka many years later).

Average customer rating: Dark, panic-stricken sounds from the mountains of Morrocco Endurance Music

Apocalypse Across the Sky The Master Musicians of Jajouka featuring Bachir Attar Manufacturer: Axiom ProductGroup: Music Binding: Audio CD General | Africa | International | Styles | Music Morocco | Africa | International | Styles | Music General | International | Styles | Music General | Middle East | International | Styles | Music 1990s | By Decade | Pop | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music Similar Items: The Master Musicians of Jajouka Brian Jones Presents: The Pipes of Pan at Jajouka The Master Musicians of Jajouka Featuring Bachir Attar Avant Garde - Experimental Cinema of the 1920s & 1930s Forbidden Planet (Two-Disc Special Edition) ASIN: B000000GAO Release Date: 1992-03-17

Tracks:

1. Gabahay
2. A Habibi Ouajee T'Allel Allaiya
3. El Medahey
4. Bujloudia 'Bujloudia Dancing With Aisha Qandisha'
5. Alalilla 'About The Night'
6. The Middle Of The Night
7. Bujloudia
8. Jajouka Between The Mountains
9. Memories Of My Father
10. Mohamed Diha Utalla Fiha (Take Care Of Her Or Leave Her)
11. Sbar Yagelbi Sbar
12. On Horseback
13. Talaha L'badro Alaina

Amazon.com

Although they'd recorded for the Rolling Stones' Brian Jones and played with jazz supremo Ornette Coleman, Morocco's Master Musicians had never really been caught in true sonic clarity until producer Bill Laswell visited them in their village of Jajouka to document their music. And clear it is; the interplay of instruments, drums, and voices is captured with stunning fidelity, bringing their particular brand of trance music right into your living room. The musicians, under the leadership of Bachir Attar, are in superb form, doing what's been done for almost as long as history itself. They feel the music, making for a natural flow on Attar's compositions, which sound as old as the Rif Mountains where they're performed. If you want to hear the Master Musicians as they really are, this is the record to buy. --Chris Nickson

Customer Reviews:

Dark, panic-stricken sounds from the mountains of Morrocco.......2000-07-16

I first heard this music in my friend's basement surrounded by a thick cloud of pot smoke. My God! Since then I've had the privilege to see them live at the Montreal Jazz Festival and now I'm hooked.

The people of Jajouka perform this incredible music in reverance to the Horned God Pan. The tracks range from mellow to manic, but always with a dark tinge. They use a type of horn that they play with sustained notes, nice and eerie sounding. And of course, rhythms to danse yourself into a frenzy.

This is some of the finest ritualistic music I've ever heard. Check out their other CDs as well.

Endurance Music.......1998-05-18

This music requires strength. The musicians must have the stamina to maintain extended notes and rhythms that can last for hours in their native performances. Using simple drums, pipes, and strings, the Master Musicians of Jajouka are legendary for their trance-induction ceremonies of wild abandon. These tracks are but tiny samples of their wares; still, they are rich, complex, and other-worldly.

Average customer rating: Not as good as the first one Another gem for my Middle East music collection ~!

The Master Musicians of Jajouka The Master Musicians of Jajouka Manufacturer: Genes Records ProductGroup: Music Binding: Audio CD General | Africa | International | Styles | Music Morocco | Africa | International | Styles | Music General | International | Styles | Music 1960s | By Decade | Pop | Styles | Music 1970s | By Decade | Pop | Styles | Music 1960-1969 | Decades | Compilations | Miscellaneous | Styles | Music 1970-1979 | Decades | Compilations | Miscellaneous | Styles | Music General | Blues | Indie Music | Stores | Music General | International | Indie Music | Stores | Music Africa | International | Indie Music | Stores | Music Similar Items: Brian Jones Presents: The Pipes of Pan at Jajouka Apocalypse Across the Sky Joujouka Black Eyes The Master Musicians of Jajouka Featuring Bachir Attar ASIN: B000003TK7 Release Date: 1995-11-28

Tracks:

1. Prayer
2. Sidi Hamid Sherk
3. Waving
4. Jajouka Black Eyes
5. Brain Jones
6. Jajouka Black Eyes
7. Teasing Boujeloud
8. Jajouka Black Eyes
9. Brain Jones
10. Boujeloud
11. Boujeloud
12. Boujeloud

Album Description

This is considered the definitive recording of this legendary, historic ensemble.

"When this album was recorded, during the summer and fall of 1972, the Master Musicians were confronting the survival struggle head on. Brian Jones Presents the Pipes of Pan at Jajouka had been released the year before and had done little to improve the lot of the community. The musicians were determined to reach an audience in the West and it was decided at the outset that the extended ritual music which was captured by Jones, and which is so overwhelming under a full moon with bonfires blazing, lost much of its power and purpose when transferred to records. Accordingly, the musicians collapsed their long forms (which are rather like infinitely expandable telescopes) and set about putting concise statements of their heritage on tape...the tune 'Jajouka Black Eyes' is a particularly effective example of the spiritual and psychic powers of the rhaitas. Toward the end of the piece one player hits a continuous drone (maintained by circular breathing, in which the musician blows out and breathes in at the same time, storing air in his lungs as if they were bags of a bagpipe) while the other inserts graceful, semi-improvised punctuations. The horns naturally create many partials or overtones and when two or more play together, as here, these almost sub-audible harmonics build stacked celestial structures which seem to be related to ideas of mathematical perfection deriving from ancient Arabic numerology. In fact, one rhaita piece represents 'the perfection of the factors' and would probably tell us a great deal about the sciences of antiquity if we had a Rosetta Stone to help us decipher its meaning." - Robert Palmer

Customer Reviews:

Not as good as the first one.......2004-03-17

This is another recording of the Jajouka tribe from northern Morocco. For some reason people think they are Berbers, while in fact they are not. Their music can be found all over the Kingdom, whether it's the Aissawa of the Tafilelt or the Berbers of the High-Atlas. The music itself is hypnotic and transe-inducing. The main instruments used are drums (tbel and bendir) and oboe (ghaita). There is also violin (kamanja) and Berber lute (louthar), but they are only present during short interludes between the main songs. I personally prefer the first recording from Jajouka, which is the classic "Brian Jones presents the Pipes of Pan at Jajouka". when the first one sounded more compact and uniform, this one sounds more artificial and non-uniform: merely a collection of typical Berber sounds. Berber tribes usually use either louthar or kamanja during a jam session, not both at the same time. Also there are few tribes that play the ghaita as their main instrument.

Another gem for my Middle East music collection ~!.......2003-02-28

I love this CD. It is very primal and earthy. Extremely pleasing for the true lover of the pure sound of the middle east and north africa. Highly recommended!

Average customer rating: Give it a listen or two... Give it a listen or two... Give it a listen or two... lost potential Successful downtempo trip to Morocco.

The Master Musicians of Jajouka Featuring Bachir Attar The Master Musicians of Jajouka Featuring Bachir Attar Manufacturer: Philips ProductGroup: Music Binding: Audio CD Drum & Bass | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Trance | Dance & DJ | Styles | Music Trip-Hop | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Africa | International | Styles | Music Morocco | Africa | International | Styles | Music General | International | Styles | Music General | Middle East | International | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Similar Items: Apocalypse Across the Sky The Master Musicians of Jajouka Brian Jones Presents: The Pipes of Pan at Jajouka ASIN: B00004TVUV Release Date: 2000-08-29

Tracks:

1. Up To The Sky, Down To The Earth
2. The Truth Forever
3. Searching For Passion
4. Taksim
5. You Can Find The Feeling
6. The Blessing For The World From God Only
7. Jamming In London
8. The House Of Baraka
9. Above The Moon
10. The Magic Of Peace
11. The Magic Of Peace (Remix)

Amazon.com

The Master Musicians of Jajouka entered the international spotlight from the unlikely environs of Morocco when they jammed with the late Rolling Stones guitarist Brian Jones, who thereafter released the venerated 1971 album Brian Jones Presents the Pipes of Pan at Jajouka. The group finally embarked on their first U.S. tour in 1996, garnering press accolades along the way. This latest Jajouka release features the producing, drumming, and DJ skills of the acclaimed Talvin Singh. With Singh's assistance, Bachir Attar and the Master Musicians cleverly mix up organic originals (recorded in the field) with electronica- influenced collaborations (done in the studio), spotlighting both their folkloric history and their brave new future. On several cuts, acoustic instruments such as oboe-like ghaitas, tablas, flute, and conch shell sympathetically share sonic space with edgy rhythm programming, electric bass, and sparingly used keyboards and record scratching. From a production standpoint, the field recordings sound thin compared with their grooving, beefed-up studio counterparts, which are fresher in their ethno-techno and ethno- ambient qualities. That said, the acoustic tracks are historically important to a familial group whose torchbearers are dwindling. Even so, the inclusion of a repetitive 10-minute track of drums and ghaitas is no easy initiation and would have worked better near the album's end rather than as its second cut. Given the mesmerizing vibe that runs through this music, these compositions tend to be circular in nature, but the whole point is to blissfully trance out, and Singh's input generally keeps the album engaging and gives it a strong crossover potential to a hipper, younger audience. Techno fans should dig the nine-minute dance remix at the end. --Bryan Reesman

Album Details

Produced by Talvin Singh and features Bachir Attar.

Customer Reviews:

Give it a listen or two..........2002-05-04

This is one of those albums that you only like a track or two at first, but once you give it a couple run-throughs, it is very pleasant to the ear. I really have been enjoying most of the tracks. It is very danceable - taxsim, veil, group, solo - most of the songs are very useable.

Give it a listen or two..........2002-05-04

This is one of those albums that you only like a track or two at first, but once you give it a couple run-throughs, it is very pleasant to the ear. I really have been enjoying most of the tracks. It is very danceable - taxsim, veil, group, solo - most of the songs are very useable.

Give it a listen or two..........2002-05-04

This is one of those albums that you only like a track or two at first, but once you give it a couple run-throughs, it is very pleasant to the ear. I really have been enjoying most of the tracks. It is very danceable - taxsim, veil, group, solo - most of the songs are very useable.

lost potential.......2001-06-01

Both T.Singh and B. Attar are too timid on this cd. They tiptoe along trying not to "step on" the ethnic vitality of the Jajouka Musicians. While there are moments of brillance the cd feels unfinished at best, psychotic at worst. Neither the cuts or cd (as a whole) have any kind of flow. Either take the traditional music to a modern level or just leave it all traditional! They should take a hint from the fellow who remixed the wonderful bonus track..."the magic of peace"...

Successful downtempo trip to Morocco........2000-09-10

This disc offers up a palate of unique sounds concocted by the Master Musicians of the Jajouka, a group of monks from the mountains of Morocco. It is produced by Talvin Singh. He was born in England but matured as a musician in a classical tabla academy in India. Later he would make dance music that fused what he had learned through his experiences with Indian music with contemporary dance music. It makes sense that the Master Musicians of the Jajouka would choose him to produce an album for them. Bachir Attar states in the cd insert that the sound of the album was from a new generation of musicians of the Jajouka. This contrasts with the prior work by the Master Musicians that had been with classic rock stars. Rock and Roll dinosaurs Mick Jagger and Keith Richards both get thank you's in the cd insert. Talvin Singh's earlier work under the Future Sound of India moniker was mostly drum-and-bass music with his signature speedy tabla play. Later Talvin Singh would play tabla on albums by The Future Sound of London, Bjork, and others. He has recently remixed Madonna's "Nothing Really Matters" and collaborated with the material girl on "Cyberragga" the b-side to her single "Music". It contrasts with the previous work of Talvin Singh in its approach. There is much more organic instrumentation of indigeonous instruments. About half of the tracks on this disc are recordings from the jam sessions with Master Musicians and Bachir Attar with some input on the tabla from Talvin Singh. These tracks succeed in acheiving an authentic third world timbre, but little else. Many ethnic or indideonous instruments from the bendir to the conch shell are present here. Each is more or less comprised of a repeated horn, vocal, or other instrument melody and complicated percussion work. This is shown on the ten minute track "The Truth Forever" and on "The Blessing for the World from God Only". The other tracks have Talvin Singh adding a synthetic studio touch to the organic music of the monks. Talvin Singh adds synthesizers, vocoders, and programmed drums into a potent mix. " You Can Find the Feeling" and "The Magic of Peace" fit into this mold. These tracks are easier for me to listen to and nearly resemble Talvin's earlier work. This work, however, does not stand up to Talvin Singh's earlier albums "Anokha: Soundz of the Asian Underground" or "OK", which had more vocals and faster beats. This album seems content to settle for the type of world music that can be heard at a local farmers market. In conclusion I would suggest this album for older people who want some eclectic music to play in the backgound of an office.

Average customer rating:

Master Musicians of Jajouka (Arabic) Japanse Release Manufacturer: Point Music Japan ProductGroup: Music Binding: Audio CD ASIN: B0006GTDEC

Product Description

"To the Pure, all thngs are Pure"... Arabic proverb. 12 tracks.

Average customer rating: The Real Long Night

Jajouka Between the Mountains The Master Musicians of Jajouka Featuring Bachir Attar Manufacturer: Womad Select ProductGroup: Music Binding: Audio CD General | Africa | International | Styles | Music Morocco | Africa | International | Styles | Music General | International | Styles | Music General | International | Indie Music | Stores | Music Africa | International | Indie Music | Stores | Music ASIN: B00000F1F3 Release Date: 1996-06-18

Tracks:

1. My God My Love Has Come
2. Bughudia
3. The Real Long Night Is Jajouka

Customer Reviews:

The Real Long Night.......2004-04-13

Of all the Jajouka albums, this one either my first or second favorite. I like first of all the chance to hear the compositions in fuller, more fleshed out, form. Each is around 20 minutes long and includes an introduction, the main composition (usually with a sung text) and a section where the Musicians attempt to outdo each other with their variations and melodic/rhythmic inventions. Each of the three tracks is also in a different style, the first featuring stringed instruments, the second the flutes, and the third the raitas (oboe-like instruments). Each style articulates its melodies in different ways.

But none of that would matter if the Musicians weren't feeling it, and they are feeling it very deeply here. You can tell that they are presenting the audience witnessing this concert with a true gift. At very least, it's their most joyful recording.

The Master Musicians of Jajouka are planning a new release for later in 2004. Be sure to look for it.

Average customer rating:

Bets Ov Volume 1 hop-frog's drum jester devotional Manufacturer: Urck Records ProductGroup: Music Binding: Audio CD General | Miscellaneous | Styles | Music Experimental Music | Miscellaneous | Styles | Music ASIN: B000ORMU7K

Product Description

Debut album from hop-frog's drum jester devotional, a member of the hop-frog kollectiv. "tabla samples, moroccan flutes or eastern melodies. Washes of vocals from Gypsies, Indians or some other corner of the world-this is true one-world music"-Vital Weekly. Compared to Muslimgauze, Sun City Girls, Bill Laswell, Tabla Beat Science. Experimental, Post-Asiatic, MIDI-Eastern, Broken-Dub Madness! "one of the best dance albums of the year"-Animal Psi

Average customer rating:

Brian Jones Presents: The Pipes of Pan at Jajouka The Master Musicians of Jajouka Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Morocco | Africa | International | Styles | Music General | International | Styles | Music General | Rock | Styles | Music ASIN: B000008QOZ Release Date: 1996-03-19

Tracks:

1. 55 [Hamsa Oua Hamsine]
2. War Song/Standing + One Half [Kaim Oua Nos]
3. Take Me With You Darling, Take Me With You [Dinimaak a Habibi Dinimaak]
4. Your Eyes Are Like a Cup of Tea [Al Yunic Sharbouni Ate]
5. I Am Calling Out [L'afta]
6. Your Eyes Are Like a Cup of Tea (Reprise) [Reprise with Flute]

Average customer rating:

Harmony & Interplay - Ensembles - Global Meditation Gnawa Musicians Of Marrakesh , Javanese Gamelan Orchestra , Musicians Of The Gambia , Master Musicians Of Jajouka , Sali Sidibe , Nusrat Fateh Ali Khan , U Srinvas , Soliman Gamil , and Hendry Saimo with Krido Suworo Manufacturer: Ellipsis Arts ProductGroup: Music Binding: Audio CD General | International | Styles | Music ASIN: B000ENQW5A

Product Description

Harmony & Interplay - Ensembles - Global Meditation // 1. Chabako - Gnawa Musicians Of Marrakesh 2. Suling/Degung Instrumental - Javanese Gamelan Orchestra 3. Hamaba - Musicians Of The Gambia 4. A Habibi Ouajee T'Allel Allaiya - Master Musicians Of Jajouka 5. Wale Gnouma Don - Sali Sidibe 6. Haq Ali Ali Haq - Nusrat Fateh Ali Khan 7. Ghananayakam - U Srinvas 8. Sufi Dialogue - Soliman Gamil 9. Kuda Lumping - Hendry Saimo with Krido Suworo

Average customer rating:

Jajouka Between the Mount Master Musicians of Jajou Manufacturer: Mfs ProductGroup: Music Binding: Audio CD Morocco | Africa | International | Styles | Music ASIN: B00000B0OO Release Date: 1996-05-05

Rock Music:

1. Meine Hohepunkte [Import]
2. Michel Fugain - Les Plus Belles Chansons [Import]
3. Midnight Flight [Import]
4. Migration [Import]
5. Mino-nibaa Abinoojiins: Native American Lullabies
6. Nomad Soul
7. O Samba da Minha Terra [Import]
8. Ondekoza
9. Paka Ua (Raindrops)
10. Pasión [Import]

Rock Music

rock music

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