Alto En La Fiebre De La Rumba (A Calm in the Fire of Dances)

Editorial Reviews

Amazon.com
This is a sequel to 1998's Esta Noche En Una Rumba, and it's another profound investigation of the roots and possibilities of Afro-Cuban rhythms and the rumba tradition by producer Kip Hanrahan and drummer Horacio "El Negro" Hernandez. Hanrahan is a master at creating studio fireworks by mixing and matching percussionists. Here, he often has Hernandez and Robbie Ameen anchoring the rhythmic dialogue with two drum kits. He then adds congas, coros, and timbales and elaborates the seething, pulsating results with tenor saxophonist Charles Neville and several vocalists who cover the sensual and the ceremonial. Haila Monpie is especially good on the driving "Quimbara 2000." Along with the potent drum-centric tracks, a series of brief musical vignettes takes the CD in different directions. Xiomara Lougart's voice is breathily intimate on the unaccompanied "Besame Mucho," and there's warm tenor-bass dialogue between Neville and Andy Gonzalez on "Science of Voodoo." The concluding mix of telephone conversation and percussion sculptures signals another direction altogether. This is passionate, fiery work that plumbs a tradition and breaks new ground. --Stuart Broomer

Alto En La Fiebre De La Rumba (A Calm in the Fire of Dances),Deep Rumba,Justin Time Records,Cuban,Int'l & World Music,Latin Pop,Pop,Rhumba,World Music
Alto En La Fiebre De La Rumba (A Calm in the Fire of Dances)
Average customer rating: 5 out of 5 stars
  • An Aquired Taste For Rhythm
Alto En La Fiebre De La Rumba (A Calm in the Fire of Dances)
Deep Rumba
Manufacturer: Justin Time Records
ProductGroup: Music
Binding: Audio CD

CubaCuba | Caribbean & Cuba | International | Styles | Music
GeneralGeneral | International | Styles | Music
GeneralGeneral | Latin Music | Styles | Music
Latin PopLatin Pop | Latin Music | Styles | Music
RhumbaRhumba | Latin Music | Styles | Music
Latin JazzLatin Jazz | Jazz | Styles | Music
GeneralGeneral | International | Indie Music | Stores | Music
Similar Items:
  1. Robby and Negro at the Third World War (La Timba No Es Como Ayer)

ASIN: B00004WFH4
Release Date: 2000-10-31

Tracks:

  1. Cubana
  2. Medley: Robby And Negro Opening Time/Pensamiento
  3. Bom Bom Bom Bom
  4. Prelude To Un Golpecito Na' Ma
  5. Kip Quest
  6. Quimbara 2000
  7. Charles And Andy Discuss The Science Of Voodoo And The Voodoo Of Science
  8. Besame Mucho
  9. Tradicion
  10. Sugar And Cotton (Black Hands In White Labor)
  11. Cantar Maravillioso
  12. Giovannito
  13. Arabian Nights
  14. El Solo Nino
  15. Yambu De Las Cocas
  16. Work And Play (Real Life Dramas)

Amazon.com

This is a sequel to 1998's Esta Noche En Una Rumba, and it's another profound investigation of the roots and possibilities of Afro-Cuban rhythms and the rumba tradition by producer Kip Hanrahan and drummer Horacio "El Negro" Hernandez. Hanrahan is a master at creating studio fireworks by mixing and matching percussionists. Here, he often has Hernandez and Robbie Ameen anchoring the rhythmic dialogue with two drum kits. He then adds congas, coros, and timbales and elaborates the seething, pulsating results with tenor saxophonist Charles Neville and several vocalists who cover the sensual and the ceremonial. Haila Monpie is especially good on the driving "Quimbara 2000." Along with the potent drum-centric tracks, a series of brief musical vignettes takes the CD in different directions. Xiomara Lougart's voice is breathily intimate on the unaccompanied "Besame Mucho," and there's warm tenor-bass dialogue between Neville and Andy Gonzalez on "Science of Voodoo." The concluding mix of telephone conversation and percussion sculptures signals another direction altogether. This is passionate, fiery work that plumbs a tradition and breaks new ground. --Stuart Broomer

Customer Reviews:

5 out of 5 stars An Aquired Taste For Rhythm.......2005-09-22

You'll enjoy Deep Rumba if you're interested in the many styles of Latin music.
Excellent rhythms and percussion, a good choice for the percussionist in your life.
Lots of spacious melody lines and traditional vocal harmonies.
I play bass and I'm learning quite a bit about rhythm from these folk.
Dig it!

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