La Vita E [Import]

Track Listings

 
1. Ci Sei Tu
2. Miami
3. La Vita E
4. Il Nostro Giorno In Piu
5. Pieno D'energia
6. Sul Treno
7. Sana Gelosia
8. Mi Piace Vivere
9. Meglio Esserci
10. Credo
11. Missile Speciale
12. Tu Mi Dai
13. Con La Terra Sotto Di Me
14. Ci Sei Tu (Chitarra E Voce)

Editorial Reviews

Product Description
2000 Release from the "Italian Sting". He is Very Popular Not Only in Italy but also in South America, Spain and Europe.

La Vita E,Nek,Wea,Latin Music,Latin Pop/Rock,World Music
Sometimes I Dream
Average customer rating: 4.5 out of 5 stars
  • Just a powerful soft touch to your ears!
  • One just isn't enough
  • A first - rate recital!
  • A Star Performance
  • Sometimes I Dream
Sometimes I Dream
Mario Frangoulis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006FRN6
Release Date: 2002-09-17

Tracks:

  1. Vincero, Perdero
  2. Buongiorno Principessa
  3. Sometimes I Dream
  4. Luna Rossa
  5. Naturaleza Muerta
  6. Nights in White Satin (Notte Di Lucce)
  7. Ton Eafto Tou Paidi
  8. Non Sara'
  9. Hijo De La Luna
  10. Night Wants To Forget
  11. Canzone Arrabbiata
  12. A La Luna De Valencia
  13. Vincero, Perdero

Amazon.com

Forget the age of battling boy bands, the era of dueling young tenors is upon us. Hot on the heels of Josh Groban's dizzyingly successful, Ally McBeal-fueled debut comes this first international release from African-born, Greek-raised tenor Mario Frangoulis. There are some clear parallels between Groban's debut and this Frangoulis release, but some distinctive differences as well. While Groban coated his slick, David Foster-molded pop sense with a veneer of classical respectability, Frangoulis has effectively turned the formula inside out. With similar classical training--but a few crucial years of experience on his American rival--Frangoulis treats the classics reverently but not slavishly, with the title track effectively turning an aria from Puccini's Tosca into romantic Europop. Elsewhere, the international flavor is further expanded by three melody-rich songs ("Hijo de la Luna," "La Luna de Valencia," and "Naturaleza Muerta") by Spanish singer-songwriter Jose Maria Cano and a sing-along-ready take on the 1950s Neapolitan chestnut "Luna Rossa."

Like Groban, Frangoulis and producer Steve Woods also plumb the music of la cinema italiana for inspiration, turning Nicola Piovani's bittersweet Life Is Beautiful theme into the ponderous "Buongiorno Principessa," but faring better with a moody, dramatic take on Rota-Wertmuller's "Canzone Arribiata." The obligatory rock-pop cover here is the flamenco-inflected "Nights in White Satin", with Frangoulis joined in a bilingual duet with original Moody Blue Justin Hayward that's surprisingly effective. Less showy perhaps than Groban's debut, but a more nuanced and emotionally satisfying album overall. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Just a powerful soft touch to your ears!.......2007-08-04

When I brought this CD, at the beginning I was doubtful about it because this tenor is relatively new and he is young too, but when I heard the songs I was impressed because the quality of his voice is just like a soft touch to your ears, is very comfortable and the selection of the songs and the arrangements of the song "sometimes I dream" was delightful and powerful at the same time, I really recomend this item, if you like great tenors definitely you have to buy this CD!!!

5 out of 5 stars One just isn't enough.......2007-08-01

We had to buy two of these CD's. One for the car and one for the house!

5 out of 5 stars A first - rate recital!.......2007-07-28


Mario Frangoulis, faithful to the Romantic traditin, this young raising talent made his international debut in the beautiful outdoor Theatre of Thessaloniki, with a vivd and charismatic presence, an absolute domain about every piece he sang, conferring them an imaginative lyric flight with that special candor and sublime expressiveness.

Particularly emotive was the nice surprise he had reserved the viewer and spectators when just in the final coda of Nights in white stain, he Justin Hayward, the original member of Moody Blues making with Mario a very emotive duo, loaded of vibrant emotion and rewarding memories.

The orchestra, support accompaniment, and enlightenment was superb. The repertoire included three recital!well known pieces of Mecano: the sensitive A la luna de Valencia, Hijo de la luna and Naturaleza muerta, sung with passionate ardor, but there were admirable entries such as Buongiorno Principesca from the film "Life is beautiful", the classic Luna Rossa and Night wants to forget was croned with a adaptation of Tosca "sometimes I dream."

The Italian people have a smart word when they are happy and wish you the best they can; they say Auguri , so I would wish from this humble position, the same hopes for this new promise of the song; Mario Frangoulis.

5 out of 5 stars A Star Performance.......2007-02-28

When I purchased Mario's DVD I had never heard of him. I was actually browsing Josh Groban items when I noticed the [...] suggested items below and had a look.
What a find. Mario Frangoulis is an outstanding performer with an incredible voice. The quality of his concert is excellent with a full orchestra and top notch audio quality. I have watched this performance 7 times and can't wait to see it again.



5 out of 5 stars Sometimes I Dream.......2007-01-19

A wonderfull full tenor voice with the ability to sing, popular, ethnic and opera. You cannot go wrong with this album.
Life Is Beautiful (La Vita E Bella)
Average customer rating: 4.5 out of 5 stars
  • La Musica E Bella
  • This is a great cd for a great movie!
  • Absolutely Charming and Memorable
  • Lo mejor de las BSO
  • Exceptional soundtrack!
Life Is Beautiful (La Vita E Bella)
Nicola Piovani
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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  5. Malena (2000 Film)

ASIN: B00000DCES
Release Date: 1998-10-20

Tracks:

  1. Buon Giorno Principessa
  2. La Vita E Bella
  3. Viva Giosue
  4. Grand Hotel Valse
  5. La Notte Di Favola
  6. La Notte Di Fuga
  7. Le Uova Nel Cappello
  8. Grand Hotel Fox
  9. Il Treno Nel Buio
  10. Arriva Il Carro Armato
  11. Valse Larmoyante
  12. L'Uovo Di Struzzo-Danza Etiope
  13. Krautentang
  14. Il Gioco Di Giosue
  15. Barcarolle
  16. Guido E Ferruccio
  17. Abbiamo Vinto

Amazon.com

One of 1998's better soundtracks also follows the most simple of formulas. Nicola Piovani's score for Life Is Beautiful is an impressionistic soundtrack at its finest--a delicious mix that sounds inspired by both simple folk melodies and Morricone's Cinema Paradiso score. Throughout, Piovani's themes are like a kid in candy store: bright-eyed and innocent. Tension is gradually introduced on tracks like "Il Treno Nel Buio," but ultimately this score is light and pleasant. The lone vocal cut, Monserrat Caballe singing on "Barcarolle," just makes this disc seem all the more Italian. Piovani hasn't created an epic score, but he has accentuated the difficult themes of Life Is Beautiful exceptionally well. --James Hendrickson

Customer Reviews:

5 out of 5 stars La Musica E Bella.......2005-07-01

Piovanni made a masterpiece with this soundtrack. This music won the Oscar of Best Dramatic Music in 1998. All the tracks of the CD have a special feeling. Through the seventeen tracks the CD shows a great range of feelings. It serves to create a perfect atmosphere for an Italy of the SWW. Next the highlights of the soundtrack:

*BUON GIORNO PRINCIPESSA shows a lethargic, romantic and beautiful theme for the movie, the solo of guitar are really nice. This is one of my favorites.
*LA VITTA E BELLA, well this track is a masterpiece, the main theme of the movie. It shows a colorful atmosphere, it demonstrates a pretty sense of the italic provinces of that time. It is wonderful, and it is one of my favorites.
*VIVA GIOSUE is a really nice variation of the main theme, with a little bit of innocence feeling. This variation appears also in IL GIOCO DI GIOSUE and GUIDO E FERRUCCIO, this second with a piano addition really nice.
*GRAND HOTEL VALSE, this is the first dancing track of the CD. This waltz uses an orchestra, so the music is more colorful, also it has a bit of magnificence. The track has a very good rhythm, and it is one of my favorites.
*GRAND HOTEL FOX, the second dancing track, a really good fox trot. This melody initiates the dance in the Grand Hotel. Is a really nice piece, it has all the elements to be an excellent track. This is another of my favorites.
*ARRIVA IL CARRO ARMATO is a piece that gives a winner feeling. It is a march variation of the main theme. Also it serves as a tribute to the American soldiers that ended the cruelty of the fascism. The innocence feeling appears again, one of my favorites.
*VALSE LARMOYANTE is another masterpiece of the CD. It is a more lethargic and romantic variation of GRAND HOTEL VALSE, with more string instruments. The opening with the violins is really beautiful and romantic. It is marvelous and beautiful, one of my favorites.
*L'UOVO DI STRUZZO (DANZA ETIOPE) this track makes a really oriental atmosphere. It is so colorful and beautiful, and the magnificence appears again. It is one of my favorites.
*KRAUTENTANG, this track shows a German march. It makes a really Germanic atmosphere. It is a really good track, and one of my favorites.
*BARCAROLLE, the Offenbach's piece has a good arrangement.
*ABBIAMO VINTO, the final track in the CD and in the film. It is a variation of the main theme with a peaceful and hope sense. The first part is really moving, and the second part is the main theme. It is a masterpiece and one of my favorites.

5 out of 5 stars This is a great cd for a great movie!.......2002-02-07

My Grade 9 English class just watched this movie in class, and the music caught my attention. I'm an ice skater and i thought hey, maybe I'll skate to this. I think this is a wonderful cd, the music conveys the emotion of the movie excellently, and the movie was very good too. I recommend seeing the movie, and buying the cd!

5 out of 5 stars Absolutely Charming and Memorable.......2001-12-27

Before I listened to this, I held Edward Scissorhands in high esteem as the most beautiful score of all time. Life is Beautiful proved otherwise. Nicola Piovani made a charming score with heartfelt themes while still retaining the Italian nature of the film and its controversial subject. There are two innocent-sounding main themes that make up the film, one which is a deep somber theme for the theme of the film, and the other which is a light-hearted charming theme for Benigni's character. Both are used equally in the film and with great effect. Besides listening to the wonderful themes, I enjoyed listening to the Italian-influenced music, such as "Grand Hotel Valse" or "Grand Hotel Fox", which create the time and place of the movie without being intrusive. The music throughout the film is happy but tracks such as "La Notte Di Fuga", "Il Treno Nel Buio", and "Il Gioco Di Giosue" still remind the listener of the Holocaust-influence in the film. After the dark music, the CD ends with an absolutely moving rendition of the main theme, the best rendition of it in the whole film. Anyone who holds foreign films and their music in disregard should see Life is Beautiful. It's the perfect marriage between music and visuals, and it is not the same without Piovani's wonderful score.

5 out of 5 stars Lo mejor de las BSO.......2001-10-09

La mejor banda sonora, para la mejor película. No hay calificativos para esta preciosidad. Roberto Benigni es nada más que un simple genio del 7º arte.

Muy recomendado

5 out of 5 stars Exceptional soundtrack!.......2001-08-16

One of 1998's best soundtracks following the most simple of formulas. Piovani's score is an impressionistic soundtrack at its finest, not necessarily an epic score, but he has accentuated the difficult themes of Life Is Beautiful exceptionally well. This soundtrack goes hand in hand with the one for Schindler's List by John Williams.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Nino Rota: Music For Film
Average customer rating: 5 out of 5 stars
  • You've never heard "The Godfather" like this
  • Italian Scala and Muti feels Rota!
Nino Rota: Music For Film
Nino Rota , and Riccardo Muti
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Nino Rota: Concerto for Strings; "La Strada" Suite; Dances from "Il Gattopardo"
  2. The Essential Nino Rota Film Music Collection
  3. Nino Rota: La Strada; Il Gattopardo; Concerto Soirée
  4. Fellini Rota: Music from the Classic Films of Federico Fellini
  5. Film Music of Nino Rota

ASIN: B0000029ZF
Release Date: 1998-01-13

Tracks:

  1. The Godfather: I. Sicilian Pastorale
  2. The Godfather: II. The Immigrant (The Godfather II)
  3. The Godfather: III. The Pickup
  4. The Godfather: IV. Kay (The Godfather II)
  5. The Godfather: V. Love Theme
  6. The Godfather: VI. A New Carpet (The Godfather II)
  7. The Godfather: VII. Godfather's Waltz
  8. The Godfather: VIII. End Title (The Godfather II)
  9. 8 1/2: La passerella di addio
  10. La Dolce Vita: La tromba di Polydor
  11. Prova D'Orchestra: I. Risatine Maliziose (Malinconiche)
  12. Prova D'Orchestra: II. I Gemelli allo Specchio
  13. Prova D'Orchestra: III. Valzerino No. 72
  14. Prova D'Orchestra: IV. Attesa
  15. Prova D'Orchestra: V. Galop
  16. Prova D'Orchestra: VI. Risatine Maliziose (Finale)
  17. Rocco E I Suoi Fratelli: I. Titoli
  18. Rocco E I Suoi Fratelli: II. Canzone Barese ('Paese mio')
  19. Rocco E I Suoi Fratelli: III. Milano e Nadia
  20. Rocco E I Suoi Fratelli: IV. Terra Lontana
  21. Rocco E I Suoi Fratelli: V. Finale - Nadia
  22. IL GATTOPARDO: I. Titoli
  23. IL GATTOPARDO: II. (No.6) Viaggio a Donnafugata
  24. IL GATTOPARDO: III. (No.19) Angelica e Tancredi
  25. IL GATTOPARDO: IV. (No.11) Angelica e Tancredi
  26. IL GATTOPARDO: V. (No.7) I Sogni del Principe
  27. IL GATTOPARDO: VI. (No.3) Partenza di Tancredi
  28. IL GATTOPARDO: VII. (No.21) Amore e ambizione
  29. IL GATTOPARDO: VII. (No.22) Quasi in porto
  30. IL GATTOPARDO: IX. Finale

Customer Reviews:

5 out of 5 stars You've never heard "The Godfather" like this.......2003-08-13

For me the highlight of this disc is a short suite from "Rocco and His Brothers," with some pungent accordion work and 1950's jazz influences. This is glorious and rarely performed music, and conductor Riccardo Muti and the fine La Scala musicians should be thanked for presenting it so beautifully. (The film itself, available on DVD, is one of Visconti's best and well worth seeking out.) But there isn't a stale moment anywhere.

The melancholy themes from "The Godfather" have probably never been played so well. The famous opening trumpet solo, combining loneliness and menace in equal parts, is beautifully done, as are the relatively upbeat selections from "8-1/2" and "La Dolce Vita." Throughout the production, it is marvelous to hear these scores played with such passion and commitment, and the La Scala musicians sound sweepingly involved.

But for many listeners the highlight will be the dazzling and haunting waltzes from "The Leopard," with their melodic arcs echoing the grand scale of Visconti's masterpiece. This is truly evocative film writing.

An excellent introduction to Rota's music, played with suave intensity by one of the best conductors in the world. (For those interested, Muti and La Scala recorded another Rota CD with additional dances from "The Leopard," as well as music from "La Strada" and the "Concerto for Strings" -- also highly recommended.)

5 out of 5 stars Italian Scala and Muti feels Rota!.......2001-07-25

Perhaps this is the most powerfull collection of film music of Nino Rota, and Muti knows and feel this music. Splendid perfomance and sound.
Bella Ragazza
Average customer rating: 5 out of 5 stars
  • Brow Italiano
  • Who else, but Buti
Bella Ragazza
Carlo Buti
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006L82Q
Release Date: 2002-11-26

Customer Reviews:

5 out of 5 stars Brow Italiano.......2007-01-10


It is great to have this material to play in any motor vehicle. Most newer vehicles do not have cassette any more. My new Kia Amanti has both a cassette and a CD making all my old favorites possible to play.

5 out of 5 stars Who else, but Buti.......2003-01-18

Among opera singers there is often a role associasted with a singer (for example, Callas/Tosca, Bastianini/Carlo Gerard, Gobi/Scarpia)..But in time others attempt the same role with various degrees of success, and sometimes even unseat the front runner!...Not so with Carlo Buti...there will never be another popular song interpreter like him, who has been imitated but never equaled. Every song in this collection - some of which are very hard to find - is recommended 100% by one who has heard him in person as well as in recordings. Bravo Buti, Bravissimo!
Andrea Bocelli: Verdi
Average customer rating: 3.5 out of 5 stars
  • Not as good as Amore
  • a voice teacher and early music fan
  • Verdi
  • The triumph of mediocrity
  • no expert
Andrea Bocelli: Verdi
Zubin Mehta , Israel Philharmonic Orchestra , and Zubin Mehta
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004X16D
Release Date: 2000-09-12

Tracks:

  1. Il Trovatore: Di quella pira (Il Trovatore)
  2. Il Trovatore: Ah si, ben mio (Il trovatore)
  3. Rigoletto: La donna e mobile (Rigoletto)
  4. Un Ballo in Maschera: Di'tu se fedele (Un ballo in maschera)
  5. Un Ballo in Maschera: Ma se m'e forza perditi (Un ballo in maschera)
  6. Rigoletto: Ella mi fu rapita (Rigoletto)
  7. Rigoletto: Possente amor mi chiama (Rigoletto)
  8. Aida: Celeste Aida (Aida)
  9. La Traviata: De' miei bollenti spiriti (La traviata)
  10. La Traviata: oh mio rimorso (La traviata)
  11. I lombardi: La mia letizia infondere vorrei (I lombardi)
  12. Ernani: Merce, diletti amici (Ernani)
  13. Don Carlo: Io la vidi e il suo sorriso (Don Carlo)
  14. Luisa Miller: Quando le sere al placido (Luisa Miller)
  15. La forza del destino: La vita e inferno all'infelice (La forza del destino)

Amazon.com Classical Music Reviews

With this CD devoted solely to operatic arias--by none less than Giuseppe Verdi, the greatest Italian opera composer of all time--pop crossover phenomenon Andrea Bocelli throws his hat into the operatic ring with the big boys. The hat occasionally fits, and occasionally it doesn't. The beauty of the voice is undeniable, as is the relative ease in all registers. But, regardless of what the engineers do, it is clearly a small voice. For "Celeste Aïda"--Radames's great aria from Aïda--Bocelli opens with fine, as-big-as-possible exclamation and sounds confident; the long diminuendo on the aria's final high B-flat is stunning (whether or not the engineers were twiddling with the knobs, we'll never know). The tenor is more at home with Alfredo's Act Two music from La Traviata; he sings with grace and charm, ending the rarely performed cabaletta (a brief and showy piece that usually follows an aria) with one of the longest, most solid high Cs ever recorded. Elsewhere, there are mixed results: "Di' tu se fedele" from Un ballo in maschera is so free of feeling that it seems digitally produced. A big, unnecessary high D at the close of the Duke's cabaletta "Possente amor" from Rigoletto is screamed, and Bocelli sounds at times as if he's about to collapse from exhaustion during a heavy aria from Ernani. But "Ah si, ben mio" from Il Trovatore is beautiful, as is the Luisa Miller aria; Don Carlo also seems to fit Bocelli well. Needless to say, the singer's fans will certainly want to have this--and it might encourage them to try other recordings of music by Verdi. Newcomers and the curious will find plenty to admire, too. The sound itself remains alluring, and Bocelli has taken steps also towards improving his technique. In short, some nice surprises for the opera lover, and many for the Bocelli fan. --Robert Levine

Customer Reviews:

5 out of 5 stars Not as good as Amore.......2007-03-24

This CD came perfectly, I just prefer the Amore CD better.

4 out of 5 stars a voice teacher and early music fan.......2007-02-14

It is said that from the age of eleven years, Guiseppe Verdi (1813-1901) wanted to write operas. He left his post as organist to study music in Milan, a move made possbile by his patron,Barezzi, whose daughter he eventually married in 1836. Shortly thereafter he composed his first opera 'Oberto" which was so successful that his future seemed secure. However, the death of his wife and two babies some time later forced him into a state of depression. The impressario Mirelli gave him the book 'Nabucco' (Nebuchadnezzar) to read, and he immediately began to write music for it. Therewith he embarked on the career which eventually made him the "Grand Old Man" of Italian opera. In modern slang, he was a "natural".From "Oberto", written in his twenties, to "Falstaff", completed when he was eighty, his characteristic integrity and intensity persisted; as he wrote his 30 operas, his powers of expression broadened and deepened. By the time he wrote 'Aida', commissioned by the Khedive of Egypt, Verdi was 56. 'Aida' is often named as his greatest opera. The live elephants used in the production, the authentic costumes and musical instruments copied from ancient Egyptian tombs made an attractive picture, and his music made a "Celeste Aida" of the whole.
Lets face it; Bocelli is no Pavoratti, and perhaps it was not wise to choose some of the arias associated with tenors of his ilk, but Bocelli makes the best of his talents, which are considerable. And he has done a lot to create interest among young voice students,(male) and as a voice teacher I make use of his appearance and his youthfulness to engage their interest, and he does that!!!!I think his record sales tell the tale.

5 out of 5 stars Verdi.......2007-01-03

Excellent Verdi selections. As usual, top tonal quality with excellent breath control. The best tenor to come along with such diversification as to sing just about anything presented to him. A superb choice for the connoisseur of italian operas.

1 out of 5 stars The triumph of mediocrity.......2006-02-04

No, Bocelli is not an awful singer, he is an awful OPERA singer, and it shows here. His colorless, uneducated and bland voice make me wonder why people like him so much. As a baritone in training I'm able to say that my voice teacher's STUDENTS sing much better than this guy.
His tessitura is nowere near adequate for singing any of the arias from Rigoletto, "La donna è mobile" sounds much like a kid would sing it. "Celeste Aida" is one of the worst selections, and one of the most electronically enhanced, as it requires a precise voice placement (which Bocelli doesn't posses) since much of it lies very high in the register, and a heavier, rounder voice; if the role is not adequate for many REAL tenors, it is much less adequate for a pop singer. The "feeling" raving reviewers talk about is nothing more than a voice coming (incorrectly) from the throat, and the "beautiful" high D in "Possente amor" is a beautifully screamed falsetto, the same could be said about "Di quella pira"'s C; what's amazing about all this is the fact that electronic enhancement doesn't make his voice sound better. Some have ludicrously compared him to the likes of Vargas, Domingo, and Corelli, even saying he's better; this is nothing more than ignorance and bad taste.
Maybe his fans are tired of detractors bringing out the big names in their defense, so let's be honest: he's one of the WORST opera interpreters out there, I wish great singers like Mariusz Kwiecen, Matthew Polenzani, and René Pape received the publicity he gets, though it won't happen; at least some consolation lies in the fact that these people are true artists willingly and GLADLY offering their art to the people in order to make a living; I'm sure if Andrea didn't make so much $$$$ with his opera experiment, he would've dropped this travesty long ago.

4 out of 5 stars no expert.......2005-12-17

I'm not a genuine, dyed-in -the-wool opera fan. The sound of the soprano voice makes me grit my teeth. Some of the great tenors are very pleasing, but mostly I'm just not especially enthusiastic or impressed. Actually, I think it's rather stupid for good singers to abuse their voices by bellowing. This was necessary before the invention of amplification, but not any more.
So, obviously, I'm not in the position to compare Bocelli's arias to those of the tenors considered the greats. I can hear that his voice lacks the robustness of the Pavarottis of this world. BUT - I like many of the famous arias, and to my ear, Bocelli's performances, electronically enhanced or not, are melodic and pleasant to the ear. As a result of listening to Bocelli, I've become familiar with some great music that I would otherwise be likely to ignore.
So I listen and enjoy and really don't care about all the criticism.
Salvatore Licitra - The Debut
Average customer rating: 3.5 out of 5 stars
  • Verdi is rolling in his grave
  • Nice sound, but an all time great?
  • Oh dear oh dear...
  • You're kidding, right?
  • The New Pavarotti
Salvatore Licitra - The Debut
Giuseppe Verdi , and Carlo Rizzi
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000068TL8
Release Date: 2002-07-02

Tracks:

  1. Puccini: Tosca: E lucevan le stelle
  2. Puccini: Turandot: Nessun dorma
  3. Puccini: La Fanciulla Del West: Ch'ella mi creda
  4. Puccini: Tosca: Recondita armonia
  5. Puccini: Manon Lescaut: Donna non vidi mai
  6. Puccini: Madama Butterfly: Addio fiorito asil
  7. Verdi: Aida: Celeste Aida
  8. Verdi: La Forza Del Destino: La vita e inferno...Oh tu che in seno
  9. Verdi: Simon Boccanegra: Sento avvampar nell'anima
  10. Verdi: Un Ballo In Maschera: Baccarole: Di tu se fedele
  11. Verdi: Un Ballo In Maschera: Forse la soglia attinse
  12. Verdi: Macbeth: Ah! La paterna mano
  13. Verdi: Il Trovatore: Manrico? Che?...Di quella pira

Amazon.com

Tenor Salvatore Licitra recently made headlines when he stepped in at the last moment for the, sad to say, probably finished Luciano Pavarotti at the Metropolitan Opera's final Toscas of the season. In fact, there's little Licitra could have done wrong under the circumstances, but he was a great success, and judging from his recent Trovatore and this recital CD, he will be most welcome. The good-sized, somewhat dark-hued voice is appealing--and truly Italian--with an innate caressing quality and sense of line, even from top to bottom (he takes the very low option in the Ballo Barcarolle, which most tenors take up an octave), and nice and free on top. He has no trouble sustaining the high tessitura (or big sound and broad phrases) of Alvaro's aria from Forza; he sounds sincerely regretful as the caddish Pinkerton, and might even be the Dick Johnson (in Fanciulla) we've been looking for. This is an impressive debut recital, recommended for those who have been waiting for Italian opera to fall back into the hands of an Italian tenor. --Robert Levine

Customer Reviews:

1 out of 5 stars Verdi is rolling in his grave.......2007-02-24

Untrained, flat singing. Crap! Anyone who thinks this man can sing better than Luciano Pavarotti needs hearing aids and needs to go back and listen to tenors starting with Caruso and all the great tenors who came after him
As a voice teacher, conductor and tenor I can tell you that he CAN NOT SING!!!!

3 out of 5 stars Nice sound, but an all time great?.......2007-01-09

I am hardly an expert, but I have mixed reactions to this CD. First, I think that Licitra's voice has a nice smooth sound to it. But it is also overmatched by some of the music.

I always love hearing tenors take a shot at Verdi's "Di quella pira" from "Il Trovatore." Once, in a moment of madness, I taped 10-15 tenors, back to back, singing this. What a range of singers! Caruso, Tucker, Corelli, and so on, and so on. Some great, some not so great, some poor. But you can really divide up the singers by listening to one after the other (ad nauseam). Truthfully, Licitra can't handle this work, compared with the greatest of those luminaries. His light voice is overwhelmed at the end by the orchestra and chorus. While his technique seems okay, he just doesn't have the voice to make this memorable. A Franco Corelli or Richard Tucker or Mario del Monaco just soars over the orchestra and chorus.

I thought he did much better in "Nessun Dorma" and the two Tosca arias, "E Lucevan le stella" and "Recondita armonia," and others. To me, his voice seemed to fit those more compellingly.

Again, keep in mind that I am not an expert, but his "Celeste Aida" featured (is this the right term?) scooping as he went from "celeste" to "Aida." I have a clear memory of listening to Richard Tucker singing this (I can't get my hands on the tape right now) where he went from one note to the other without a scoop. Same with "forma divina," if I understand aright.

All in all, "Debut" is a nice work, a promising start to a career, but we all ought to hold off on any comparisons with the greats until Licitra has a chance to grow and earn such accolades.

1 out of 5 stars Oh dear oh dear..........2006-10-29

It gives me no pleasure at all to say that anyone with half an ear for good singing can tell within a few seconds that this is a voice going nowhere -as the last few years since this debut recital album have proved. This makes the previous rave reviews even more inexplicable; where do these people keep their ears? Licitra's technique is fundamentally faulty: he has a slow wobble even in the lower reaches of the voice and as he goes up the tone becomes cloudy and throaty - real problems around the so-called "passaggio" where a tenor can easily crack into the falsetto. The overall effect is of an ugly, unharmonious, effortful sound made by an improperly registered voice. He needs to start from scratch and listen to some better voices -as there are virtually no teachers who can help. That's how Del Monaco and Corelli got it right. Robert Levine is usually a very reliable critic - but his mind cannot have been focused on the job in hand if he truly believed what he wrote in the official Amazon review; NJ Keith, on the other hand, is spot on.

1 out of 5 stars You're kidding, right?.......2006-08-22

I'm sorry, but those of you swooning over Licitra simply cannot have heard recordings from the true greats. If your idea of the pinnacle of operatic tenors begins and ends with Bocelli, may I introduce you to the likes of Franco Corelli, Mario Del Monaco, Jussi Bjoerling, Luciano Pavarotti (though not my favorite, still heads and shoulders above what's out there now), and Giuseppe DiStefano. These men were at the top of their profession when their profession was filled with talent, unlike today where any hack with more than one useful octave and a decent tone are considered "star material". It's a very sad commentary to the level of talent today that this man is considered a star.

5 out of 5 stars The New Pavarotti.......2005-10-13

It's fair to say that today's reigning tenor is Salvatore Licitra from Sicily. He won instant, overnight fame when he subbed for Luciano Pavarotti, who, to the dismay of fans who regard him as a god, is way past his prime and can't sing or record full length operas anymore in the thrilling freshness of his youth. As Pavarotti's star faded, Licitra's ascended. He has already sung the great tenor roles in various American opera houses and his debut as the Met as Cavaradossi in Tosca was a relevation. This is debut album and already he has gone above and beyond. It is pretty amazing for a first album. He sings jucity tenor roles that have been the staple arias for Pavoratti, Domingo and Carreras. This is however not the first time his voice has been recorded. There is a full-length studio recording of Verdi's Trovatore in which he sins opposite Dolora Zajick. That Verdi is phenomenal and all fans of Licitra should own it.

Licitra opens the album with a stunning "E Lucevan La Stelle" from Tosca, still the opera he is most famous for interepreting. His Cavaradossi is a welcome change from past interpretors, though Licitra is more along the lines of Pavarotti's lyric bravura and razzle-dazzle than the more cerebral portrayals of Corelli, Domingo or Carrerras. Other impressive arias on here include "Di Quella Pira" from Trovatore, another successful Verdi venture of his. He has the right tone for Manrico's bravura and even passion. I foresee that this tenor's career will be composed of Verdi, Puccini, (perhaps Wagner if he trains hard for it) and certainly he has the voice for Mozart and French repertoire (possibly Hoffman is in his future or Romeo or Des Grieux if he hasnt already sung Des Grieux). His Calaf from Turandot is outstanding. He is more like Franco Corelli in some respects but his biggest influence is Pavarotti, no doubt about it. It's possible he will parallel the career of Roberto Alagna but any comparisons would be unfair since both singers bring in something different to the table. Let's hope the press doesn't pull the wool over our eyes and have Licitra and Alagna portrayed as rivals. If youre a fan of Licitra, this recording is a must have. I highly recommend it. It's gorgeous and he has a sexy, strong presence on stage. His eyes are the handsomest blue I have ever seen. He is the new Pavoratti and better too.







Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
Average customer rating: 5 out of 5 stars
  • Opera
  • Best All-Around Boheme
  • Tebaldi=95% perfect, Freni=110% perfect!!!
  • Incredible!
  • a great recording, but what about Beecham?
Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]
Giacomo Puccini , Elizabeth Harwood , Nicolai Ghiaurov , and Rolando Panerai
Manufacturer: Decca
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ASIN: B0000041TR
Release Date: 1990-10-25

Tracks:

  1. La Boheme, Act 1: Non sono in vena
  2. La Boheme, Act 1: Che gelida manima
  3. La Boheme, Act 1: Si. Mi chiamano Mimi
  4. La Boheme, Act 1: O soave fanciulla
  5. La Boheme, Act ll: La commedia e stupenda.... Quando me'n vo'
  6. La Boheme, Act lll: O mia vita!... Donde lieta usci
  7. La Boheme, Act lll: Dunque e proprio finita
  8. La Boheme, Act IV: In un coupe?... O mimi, tu piu non torni
  9. La Boheme, Act IV: Vecchia zimarra
  10. La Boheme, Act IV: Sono andati
  11. La Boheme, Act IV: Che avvien?

Amazon.com essential recording

These excerpts were taken from the recording that has established itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuosic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is a wonderfully high-strung Musetta, with the vocal talent to support her many moods. After hearing these highlights, you won't be able to resist the whole set, which is the greatest recording ever of the world's most beloved opera. --Barbara Eisner Bayer

Customer Reviews:

5 out of 5 stars Opera.......2007-07-07

I ordered this after I heard Paul Potts perform a song from this opera on "Britain's Got Talent". He won, by the way, performing it beautifully.

5 out of 5 stars Best All-Around Boheme.......2007-04-11

Karajan's 1973 stereo version is the best all-around Boheme available. It stars his favorite soprano, Mirella Freni, and a young Luciano Pavarotti at his peak (unlike his post-climatic self these last decades). There is no faulting this version and an ideal way to explore Puccini and Italian opera generally.

5 out of 5 stars Tebaldi=95% perfect, Freni=110% perfect!!!.......2003-10-12

I second what Des Greux said, although I own a set of highlights of Tebaldi (with Bergonzi) in Boheme and feel that it is very close to ideal. In my mind Freni will always be the perfect Mimi, with her perfect phrasing, vocal acting, and pure tones. What more the timbre of her voice optimally suggests a character of vulnerability. Tebaldi sings Mimi very well, but one can't help feeling her big, full voice to suggest health rather than tuberculosis. I enjoy both Freni and Tebaldi in the role of Mimi, but Freni is a step higher. As for Beecham/Bjorling/De Los Angeles. I'd say that version is 90% perfect. I like Los Angeles as Mimi, but she really doesn't hold a candle to Freni OR Tebaldi (or even Callas).

5 out of 5 stars Incredible!.......2003-04-06

The reviewer that criticized Freni doesn't know anything about singing. Freni can sing circles around Tebaldi. This is the best Boheme available. However, get the complete recording. You won't want to miss anything!

5 out of 5 stars a great recording, but what about Beecham?.......2001-09-18

there is little doubt that this is a great recording, but don't let the editorial review blind you to the fact that there is considerable dispute over whether this is the "greatest recording ever" of this opera. Beecham's classic 1950s recording with De Los Angeles and Bjorling is very much in contention. Beecham's vocal performances are superior, and even though it is in mono this does not detract from the sheer quality of the recording. I have both sets, and enjoy the differing qualities of each, Karajan's orchestra is better, but then again opera is all about voice....listen to both sets, it will give you more perspectives of this wonderful opera.
Beniamino Gigli: Historical Recordings 1927 - 1951
Average customer rating: Not rated
    Beniamino Gigli: Historical Recordings 1927 - 1951

    Manufacturer: Gala
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000001XLX
    Release Date: 2000-06-06

    Tracks:

    1. Rigoletto: Bella Figlia Dell'Amore
    2. Les pecheurs de perles: Mi Par D'udir Ancora
    3. Xerxes: Fronde Tenere... Ombra Mai Fu
    4. Lelisir d'amore': Una Furtiva Lagrima
    5. I Pagliacci: No, Pagliaccio Non Son!
    6. Cavalleria Rusticana: Mamma Quel Vino E Generoso
    7. Andrea Chenier: Si Fui Soldato
    8. TOSCA: E Lucevan Le Stelle
    9. Carmen: Il Fior Che Avevi A Me
    10. Aida: Se Quel Querrier
    11. La Boheme: O Soave Fanciulla
    12. Don Giovanni: Il Mio Tesoro Intanto
    13. Il Trovatore: Di Quella Pira
    14. La forza del destino: La Vita E Inferno All'infinito O Tu Che In Seno Agli Angeli
    15. Andrea Chenier: Come Un Bel Di Maggio
    16. La Juive: Rachel, Quand Du Seigneur
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    The Very Best of Giuseppe di Stefano
    Average customer rating: Not rated
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      Manufacturer: EMI Classics
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000A5BXQ
      Release Date: 2003-09-02

      Tracks:

      1. Addio, Mignon
      2. Ah! Non Credevi Tu
      3. Io Son Solo...Ah! Dispar, Vision
      4. E La Solita Storia (Lamento Di Federico)
      5. Lunge Da Lei...De' Miei Bollenti Spiriti
      6. Fra Poco A Me Ricovero
      7. Tu Che A Dio Spiegasti L'Ali
      8. Son Gia Lontani!...Corre A Valle
      9. Intanto Amici Qua...Viva Il Vino Spumeggiante
      10. Mamma, Quel Vino E Generoso
      11. Recondita Armonia
      12. E Lucevan Le Stelle
      13. Dovunque Al Mondo
      14. Addio, Fiorito Asil
      15. Recitar!...Vesti La Giubba
      16. La Vita E Inferno...O Tu Che In Seno Agli Angeli
      17. Una Parola Sola...Or Son Sei Mesi
      18. Ch'ella Mi Creda Libero
      19. Avete Torto!...Firenze E Come Albero
      20. Non Piangere, Liu
      21. Nessun Dorma

      Tracks:

      1. Questa O Quella
      2. Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
      3. La Donna E Mobile
      4. Ah Si, Ben Mio
      5. Di Quella Pira
      6. Di' Tu Se Fedele
      7. Teco Io Sto...Non Sai Tu Che Se L'Anima Mia...Oh, Qual Soave Brivido - Maria Callas
      8. Forse La Soglia Attinse...Ma Se M'e Forza Perderti
      9. Che Gelida Manina
      10. In Un Coupe?...O Mimi, Tu Piu Non Torni - Rolando Panerai
      11. Donna Non Vidi Mai
      12. Oh, Saro La Piu Bella - Maria Callas
      13. No! Pazzo Son! Guardate!
      14. A La Barcillunisa
      15. Cantu A Timuni
      16. 'O Sole Mio
      17. Marechiare
      18. Core 'Ngrato
      19. Torna A Surriento

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