| 1. Cancion de todo va mal |
| 2. Buenos dias, corazon |
| 3. El amor |
| 4. Aqui Vivia Yo |
| 5. No vino, estaba enferma o de vacaciones |
| 6. Balalaika |
| 7. La princesita |
| 8. Yin Yang |
| 9. Papa Negro |
| 10. No me abrumes, amor |
| 11. Una mujer expansiva |
| 12. Mi novela autobiografica |
| 13. Ay que triste estoy! |
| 14. Sic transit gloria mundi |
Editorial Reviews
With Le Mans' penchant for pop arrangements and gorgeous vocal melodies, all sung in Spanish, comparisons to Brazil's Os Mutantes are hard to resist. And it's an apt comparison. But while Os Mutantes took their cues from the upbeat psychedelic music of their era (the Beatles), Le Mans prefer their music to be understated, with shades of lounge, jazz, and salsa. There are many standout tracks on Aquí Vivía Yo--the wistful "Papa Negro" and the slinky groove of "Mi Novel Autobiografica"--but it's the strikingly low-key affect of the album as a whole that gives it its charm. Many of the instruments that appear here are more suggestive than fully utilized--a wah-wah guitar slides in for only two bars of a song, five notes of harmonica, three notes of trombone, a little Hammond organ, all never to be heard from again--and it's this patchwork of ideas that affords the music so much of its appeal. --David A. Kulczyk
Product Description
"Aqui Vivia Yo" translates as "Here is where I used to live", and has been widely acclaimed in Spain as Le Mans' best album, ever.
It is Le Mans' 4th and final release. Over the years the band has developed their jazz-bossa-ennui sound to the assured masterpiece that is their melancholic swan song. The almost eight minute long opening track, "Cancion de todo va mal" ("Everything Goes Wrong tune") is a song which is constantly growing: over a mysterious, almost tribal electronic drum section, more and more instruments - trombones, mandolins, guitars, pianos - are subtly added in progression, until the voice comes in at the end. This is the tone of the album: no radical rupture with their preceding works, yet everything is more effective and successful than ever.
Aqui vivia yo
Aqui vivia yo,Le Mans
Average customer rating:
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Aqui vivia yo
ProductGroup: Music Binding: Audio CD ASIN: B00000JGM8 Release Date: 1999-06-01 |
Tracks:
- Cancion de todo va mal
- Buenos dias, corazon
- El amor
- Aqui Vivia Yo
- No vino, estaba enferma o de vacaciones
- Balalaika
- La princesita
- Yin Yang
- Papa Negro
- No me abrumes, amor
- Una mujer expansiva
- Mi novela autobiografica
- Ay que triste estoy!
- Sic transit gloria mundi
Amazon.com
With Le Mans' penchant for pop arrangements and gorgeous vocal melodies, all sung in Spanish, comparisons to Brazil's Os Mutantes are hard to resist. And it's an apt comparison. But while Os Mutantes took their cues from the upbeat psychedelic music of their era (the Beatles), Le Mans prefer their music to be understated, with shades of lounge, jazz, and salsa. There are many standout tracks on Aquí Vivía Yo--the wistful "Papa Negro" and the slinky groove of "Mi Novel Autobiografica"--but it's the strikingly low-key affect of the album as a whole that gives it its charm. Many of the instruments that appear here are more suggestive than fully utilized--a wah-wah guitar slides in for only two bars of a song, five notes of harmonica, three notes of trombone, a little Hammond organ, all never to be heard from again--and it's this patchwork of ideas that affords the music so much of its appeal. --David A. KulczykAlbum Description
"Aqui Vivia Yo" translates as "Here is where I used to live", and has been widely acclaimed in Spain as Le Mans' best album, ever.It is Le Mans' 4th and final release. Over the years the band has developed their jazz-bossa-ennui sound to the assured masterpiece that is their melancholic swan song. The almost eight minute long opening track, "Cancion de todo va mal" ("Everything Goes Wrong tune") is a song which is constantly growing: over a mysterious, almost tribal electronic drum section, more and more instruments - trombones, mandolins, guitars, pianos - are subtly added in progression, until the voice comes in at the end. This is the tone of the album: no radical rupture with their preceding works, yet everything is more effective and successful than ever.
Customer Reviews:
If my ears could cry, they'd be tears of joy!.......2002-03-19
Soothing, inventive, poppy.......2002-02-08
the best uplifting sad songs ever.......2000-12-17
PRETTY, YES, BUT..............2000-11-15
*.......2000-04-03
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