Full

1. Of The Divine

2. Full Woman

3. Praises

4. Yemaya

5. Yin Yang

6. Divine Percussion

7. How Do You Love?

8. Forgiveness

9. Fulla Yes

10. Gratitude

11. There Is A Way

Full,Rachel Bagby,Outta the Box,A fragrant world fusion of rhythmically-rich chants. Formerly of Bobby McFerrin's Voicestra, Rachel serves up chants as dance music, chants of the earth, chants for daughters, for healing, for birth, with virtuoso percussionists and vocalists.,Int'l & World Music,Pop

Average customer rating: I can't dance to this music(?). Great so far McCartney . . .makes you wanna dance tonight memory almost full so good, I want more!

Memory Almost Full Paul McCartney Manufacturer: Hear Music ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Traveling Wilburys (2 CD / 1 DVD) Instant Karma: The Amnesty International Campaign to Save Darfur Live In Dublin Icky Thump Lost Highway ASIN: B000P2A242 Release Date: 2007-06-05

Tracks:

1. Dance Tonight
2. Ever Present Past
3. See Your Sunshine
4. Only Mama Knows
5. You Tell Me
6. Mr. Bellamy
7. Gratitude
8. Vintage Clothes
9. That Was Me
10. Feet In The Clouds
11. House of Wax
12. The End Of The End
13. Nod Your Head

Amazon.com

"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "Vintage Clothes," and from the sound of things, that may not be just wishful thinking. What's past is prologue; if we're lucky, what to come may be McCartney's late renaissance. --Benjamin Lukoff

Album Description

The 13 new songs on Memory Almost Full are performed entirely by Paul McCartney (excluding strings) and produced by Grammy Award-winner David Kahne (The Strokes, Sublime, Bruce Springsteen and more).

More Paul McCartney

Band on the Run

Ram

Wingspan: Hits and History

Customer Reviews:

I can't dance to this music(?)........2007-08-06

It's hard to believe this is the man who wrote "Here, there and everywhere", "Elenor Rigby", "Things we said today" and all those gems back in the 60's. I've been a huge fan of Paul and the Beatles for over 30 years, but I must say this album is really, really bad. According to some reviewers, those who don't like it are fools. I must be one of those fools. Frankly, I could find nothing positive in any of these songs. Music is bad, his singing isn't what it used to be, and his playing of different instruments is amateurish at best. Almost all his solo albums have disappointed me so far, that is for the past 30 years! I think he should have retired long ago or should have stuck to his good old tunes just to please fans. I don't think he has "it" anymore.

Great so far.......2007-08-03

To say this album is bad or even not listen-able is foolish. One has to make a conscience effort not to like Memory Almost Full. Right off the bat the listener is reminded of McCartney's first solo effort with Dance Tonight, which is simplistic, uplifting and honest. Next, Ever Present Past hits with the punch of an instant classic not unlike My Brave Face or even Band On The Run. This song deserves air play! See Your Sunshine is a wonderful love song that is lyrically, one of the better songs from McCartney's catalogue. By the end of track three the audience has been given a lesson in Macca history with just solo McCartney sounds. When Mama Only Knows sounds, the audience is transported to the heyday of Wings with a number that truly rocks. After the adrenaline rush left over from Only Mama Knows, Macca slows things down with the contemplative You Tell Me. Not one of the better tracks but better than a lot of the songs in McCartney's catalogue. Next track that is sequenced is Mr. Bellamy which is essentially this album's Eleanor Rigby. This is probably the best song on the album. Gratitude comes next with a soulful passion that sounds like it would have fitted perfectly on Chaos And Creation In The Backyard and ends the first part of the album.
What's next is a sequence of songs that Macca hasn't attempted since Red Rose Speed Way (his fourth solo project, and second with Wings). Though this isn't as memorable as the sequence of songs that appeared on Abbey Road's latter, the songs themselves are no less than great songs. The most interesting one being Feet In The Clouds which sounds very much to be like as if it were from Abbey Road. The album ends with a song that questions McCartney's death and how he would want people to react. The End Of The End is a song that is sorrowful and yet hopeful. Other than Mr. Bellamy, this is the best song on the album. But! If that leaves the audience depressed, Macca rocks them to the top with Nod Your Head. The song is just another rocker that is fun to listen to. Memory Almost full is not how some people feel, a disappointing follow up to Chaos And Creation In The Backyard, it's just different. It is full to the bring of five star material and is actually more consistent than the former. Definatley one of my favorite of Mr. McCartney's albums.

McCartney . . .makes you wanna dance tonight.......2007-08-01

For fans of Paul McCartney . . .this is one of his best, a mixture of whimsical, rock and lyrics that are some of his best.

memory almost full.......2007-08-01

Some Beatlesque songs that bring back the true Mccartney- a nice cover
and product in good shape. So far I believe this is Paul's best solo work as of yet. Yet there are a few songs that are unlike anything Paul has done before, i give it a thumbs up.

so good, I want more!.......2007-07-27

I can't believe Paul McCartney is still releasing really good power pop. All these years later, and he doesn't seem to show *any* signs of stopping! What's more amazing is that the man is going into his mid 60's- he seems to have an unlimited amount of creative power. For years he's been making pop/rock music that's instantly enjoyable because he has a talent for making it SO melodic and always sounding so fresh, and this album continues that trend. You really need to hear some of the songs from Memory Almost Full to hear a man that's focused and ready for more. The pop songs are poppy, and the rock songs rock. Just like it's always been. No, his memory is NOT almost full- there's a lot more left in his tank.

Average customer rating: PAUL HAS STILL GOT THE GOODS Mom's happy Better Than "Chaos" but not a great Macca effort McCartney the Magician Awesome!

Memory Almost Full [Deluxe Limited Edition] Paul McCartney Manufacturer: Hear Music ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: Traveling Wilburys (2CD/1DVD, Deluxe Edition) Traveling Wilburys (2 CD / 1 DVD) Instant Karma: The Amnesty International Campaign to Save Darfur Paul McCartney - The Space Within US The U.S. vs. John Lennon ASIN: B000PMLFRU Release Date: 2007-06-05

Tracks:

1. Dance Tonight
2. Ever Present Past
3. See Your Sunshine
4. Only Mama Knows
5. You Tell Me
6. Mr. Bellamy
7. Gratitude
8. Vintage Clothes
9. That Was Me
10. Feet In The Clouds
11. House of Wax
12. The End Of The End
13. Nod Your Head

Tracks:

1. In Private
2. Why So Blue
3. 222
4. Paul talks about the music of Memory Almost Full

Amazon.com

"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "Vintage Clothes," and from the sound of things, that may not be just wishful thinking. What's past is prologue; if we're lucky, what to come may be McCartney's late renaissance. --Benjamin Lukoff

Album Description

The 13 new songs on Memory Almost Full are performed entirely by Paul McCartney (excluding strings) and produced by Grammy Award-winner David Kahne (The Strokes, Sublime, Bruce Springsteen and more).

This beautifully-packaged, deluxe limited edition also comes with a 2nd disc that contains 3 unreleased bonus tracks and audio commentary by Paul McCartney describing the music, 6 foldout color postcard-sized photos, and full lyrics.

More Paul McCartney

Band on the Run

Ram

Wingspan: Hits and History

Customer Reviews:

PAUL HAS STILL GOT THE GOODS.......2007-08-06

Long live Paul McCartney, who proves with this new CD that he still has a true genius for melody and catchy music bridges.

Mom's happy.......2007-08-05

Gave this to my mom (huge Beatles/McCartney fan) as a surprise "just because" gift and she loved it. She had heard the single before and said that the entire album was just as good. Haven't heard it myself yet, but she's pretty picky. :)

Better Than "Chaos" but not a great Macca effort.......2007-08-03

The days of excellent McCartney tunes are long past. I love "Junior's Farm" and "Venus and Mars." I think the album "Flowers in the Dirt" was Paul's best effort in the past 20 years. "Memory Almost Full" is full of reminiscence and reflection. Not all of it is interesting or fun to listen to.
Tops in my opinion are "Mr. Bellamy" (an "Uncle Albert" cousin) and the "End of the End" with some great imagery in the lyrics. I also enjoy the guitar work on "House of Wax." "Only Mama Knows" starts quietly with strings and then rocks out. It's good to hear Macca can still rock and roll.
Disappointments include the weak opener "Dance Tonight." Why does Paul insist on playing the mandolin, as he did on his last live tour in tribute to his former bandmate George? "Feet in the Clouds" sounds like a Jeff Lynne production. "See Your Sunshine" is light and inconsequential. On "Vintage Clothes" Paul sings "Check the rack/What was out is coming back." I wish Paul's songwriting prowess of the Beatles' or Wings' era was coming back, but maybe that's not realistic in the twilight of his career. MAF is nothing great and nothing terrible.

McCartney the Magician.......2007-07-29

The best McAbracadabra album for a long, long time.

The worst Paul McCartney artwork ever.

Awesome!.......2007-07-29

I mean, what else can you say about the legendary Sir Paul?! Go get it!!!

Average customer rating: This is not a come back. Bone Thugs #1 Lead Me, Guide Me Good Album OK

Strength & Loyalty Bone Thugs-N-Harmony Manufacturer: Full Surface / Interscope ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Bone Brothers 2 Epiphany Double Up T.I. vs T.I.P. Because Of You ASIN: B000O58ZQW Release Date: 2007-05-08

Tracks:

1. Flow Motion
2. Bump in the Trunk - feat. Swizz Beatz
3. Wind Blow
4. I Tried - feat. Akon
5. Lil Love - feat. Mariah Carey & Bow Wow
6. C-Town - feat. Twista
7. Order My Steps (Dear Lord) - feat. Yolanda Adams
8. Streets - feat. the Game & will.i.am,
9. 9mm
10. Gun Blast
11. Candy Paint
12. So Good So Right - feat. Felecia
13. Sound the Same
14. Never Forget Me - feat. Akon

Amazon.com

It doesn't happen much, but there are times when the departure of a group's most prominent player inspires the rest of the act to get seriously bizzy. Strength & Love, a tight disc that skitters from track to shiny track with imagination and a renewed sense of rap's widened boundaries, makes Bone Thugs-N-Harmony a prime example. Without Bizzy Bone to layer a drizzle of Midwestern vocal weirdness over their sound, Layzie, Krayzie, and Wish Bone call in a crew of hard-hitting helpers: Akon delivers twice, first on the melting "I Tried" and again on the weepy "Never Forget Me," Mariah Carey flits through "Lil Love" alongside Bow Wow, and Twista and Yolanda Adams also make reputation-enhancing appearances (Twista by barreling through "C-Town" at breakneck speed and Adams by giving it up gorgeously for God on "Order My Steps (Dear Lord)"). Best of all about this proud-making comeback disc is its clever use of samples: "Wind Blow" pins the Fleetwood Mac chestnut "The Chain" down to urban pavement without wrecking its spirit, and the smartly produced "The Streets" updates the vibe of Bobby Womack's timeless "Across 110th Street" while preserving its grit-covered class. --Tammy La Gorce

Customer Reviews:

This is not a come back........2007-08-06

I have listened to Bone Thugs back in the days from their first album "Faces of Death". In comparison to their older albums (their first five albums) this album "Stenght & Loyalty" cannot compete. There is a lot of R&B incorporated which is not what most RAP/Hip-Hop listeners are looking for; R&B that is not top of the chart worthy (with the exception of "Lil' Love). Bone Thugs don't need to drop the R&B, but they need to start making more RAP/Hip-Hop style melodies/beats. I am sorry to say, in exception to a few songs on this album this album is a disappointment just like their other albums after "BTNH Resurrection".

Bone Thugs #1.......2007-07-24

Every track on this cd is good ive been a bonethugz fan ever since i could listen to music i grew up with most of there music so i was excited when i found out they where comin out with a new cd if you like bone thugs at all you should get this.

Lead Me, Guide Me.......2007-07-21

This track & "I Tried" are two of the best tracks I've heard from anyone in years.
I would compare them to DMX & 2Pac.
Keep up the great work guys.

JBL --> REPPIN' LAKE COUNTY OHIO!!!

Good Album.......2007-07-14

Bone Thugs come back strong with this latest addition. Their sound has been updated, but is still recognizable as uniquely Bone Thugs

OK .......2007-07-13

I was a bit disapointed because there are only two or three songs on the CD that I play. I guess my expectations were too high and too reminiscent of their old stuff. My son plays it non stop, hence the reason 3 stars!

Average customer rating: A Beautiful Wedding Wonderful! Good CD for Wedding A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers great choice!

A Day to Remember - Instrumental Music for Your Wedding Day O'Neill Brothers Manufacturer: O'Neill Brothers ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music General | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music General | New Age | Indie Music | Stores | Music Similar Items: A Day to Remember vol II Classical Wedding 25 Wedding Favorites Heart Beats: Now & Forever - Timeless Wedding Songs I Will Be Here: 25 of Today's Best Wedding & Love Songs ASIN: B000066RG3 Release Date: 2002-04-25

Tracks:

1. Falling in Love - Tim and Ryan O'Neill
2. Wachet Auf - J.S. Bach
3. Air on a G String - J.S. Bach
4. Air (from Water Music) - Handel
5. Reminiscent Joy - Tim and Ryan O'Neill
6. Canon in D - Pachelbel
7. Jesu, Joy of Man's Desiring - J.S. Bach
8. The Wedding Song (There is Love) - Stookey
9. Ave Maria - Schubert
10. I Will Be Here - Steven Curtis Chapman
11. The Gift of Love (Water is Wide melody)
12. Spring (from The Four Seasons) - Vivaldi
13. Ode to Joy - Beethoven
14. From This Moment On - Shania Twain
15. The Way You Look Tonight - Kern
16. Forever in Love - Kenny G

Album Description

After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.

It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance

Customer Reviews:

A Beautiful Wedding.......2007-07-10

This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.

Wonderful!.......2007-03-23

This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.

Good CD for Wedding.......2007-03-21

All great music for weddings. It really does have all the music I want to use!

A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07

The music was just perfect for our wedding--not too formal, not too simple.

great choice!.......2007-01-10

There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!

Average customer rating: What more could one ask for? Definitive Is Right Definitive Recordings of Copland's Popular Ballet Scores From Bernstein, NYPO American Music at its Highest The best of Copland

Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Marches | Miscellaneous | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Copland, Aaron | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bernstein, Leonard | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Bernstein Century - Gershwin: Rhapsody in Blue, etc Bernstein: Candide; West Side Story; On the Waterfront; Fancy Free Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris Gershwin: Rhapsody In Blue/An American In Paris Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony ASIN: B0000029XG Release Date: 1997-10-28

Tracks:

1. Appalachian Spring: Very Slowly
2. Appalachian Spring: Allegro
3. Appalachian Spring: Moderato
4. Appalachian Spring: Fast
5. Appalachian Spring: Subito Allegro
6. Appalachian Spring: As At First (Slowly)
7. Appalachian Spring: Doppio movimento
8. Appalachian Spring: Moderato - Coda
9. Rodeo: Buckaroo Holiday - Allegro con spirito
10. Rodeo: Corral Nocturne - Moderato
11. Rodeo: aturday Night Waltz - Introduction - Slow Waltz
12. Rodeo: Hoe-Down - Allegro
13. Billy The Kid: Introduction. The Open Prairie
14. Billy The Kid: Street In A Frontier Town
15. Billy The Kid: Mexican Dance And Finale
16. Billy The Kid: Prairie Night (Card Game At Night)
17. Billy The Kid: Gun Battle
18. Billy The Kid: Celbration (After Billy's Capture)
19. Billy The Kid: Billy's Death
20. Billy The Kid: The Open Prairie Again
21. Fanfare for the Common Man: Molto deliberato

Amazon.com essential recording

Happy is the composer who has an advocate as passionate and talented as Leonard Bernstein. These Copland performances have been the preferred versions since they were first issued--better even than the composer's own, later recordings. Originally they were spread over two discs, but thanks to the extended playing time of the compact disc, you can now get all three great Copland ballets together, along with the ever popular Fanfare for the Common Man. Bernstein brings to this music the right sharpness of rhythm but also a typically open-hearted warmth. He coaxes a virtuoso response from the New York Philharmonic, which knows this music as well (or better) than anyone. Self- recommending. --David Hurwitz

Customer Reviews:

What more could one ask for?.......2007-06-27

Aaron Copland's masterful works are here interpreted by Bernstein. Nothing says the American sound like Copland, and there is no better interpreter than Bernstein. This recording is one of the best in my collection. I would recommend this to anyone (even non-classical music fans).

Definitive Is Right.......2007-02-27

I have the SACD version of these recordings (except for the "Fanfare" which, in this case, is the version taken from Bernstein's recording of Copland's Third Symphony) and I must agree with others here that the performances are definitive. The "Rodeo" has more energy than any other recording I know of, in fact it can almost go over the top! "Billy the Kid" is quiet and tender, dramatic and bold and "Appalachian Spring" is dead-on. The last section of this ballet is one of my very favorite pieces of music and Bernstein's tempo and phrasing here could well be called perfect.

Definitive Recordings of Copland's Popular Ballet Scores From Bernstein, NYPO.......2007-02-11

Without question, this splendid CD is my favorite recording of some of Aaron Copland's most popular orchestral ballet scores. In Leonard Bernstein he had both a good friend and a devout ally, who successfully championed Copland's music, helping to ensure his reputation as one of the greatest - if not the greatest - 20th Century American composer. Sony has done a superb job in digitally remastering this recording, offering some of the best sound I've heard from a vintage Leonard Bernstein/New York Philharmonic recording. But more importantly than the recording's superb sonic quality is the quality of these performances of Copland's scores. Bernstein leads in New York Philharmonic in these virtuoso performances, replete with lush, vibrant playing from the winds, horns and strings. His warm, truly heart-felt interpretation of "Applachian Spring" is truly mesmerizing, and the best I have heard from a recording. And yet, I am am just as impressed with his conducting of both "Rodeo" and "Billy the Kid"; the latter replete with superb solos from the orchestra's timpanist. An elegant performance of "Fanfare for the Common Man" closes out this CD recording. Fans of Aaron Copland, Leonard Bernstein, and the New York Philharmonic Orchestra shouldn't hesitate in acquiring this superb CD.

American Music at its Highest .......2007-02-04

If I was forced to recommend one CD of American music, I would feel very safe in backing this one. These interpretations have yet to be surpassed, and not even Copland himself could muster the same type of perfection that Bernstein and the New York Philharmonic did in this recording. Bernstein's way with Rodeo is unbelievable, and this alone is worth the price of the disc. The music on this recording has a lot to do with why, as Americans, we can all be proud of our place in the history of western music.

With 39 reviews under me, I will dispense with the adjectives to try and describe each interpretation of each piece on this disc, and simply say that these performances have been recommended by almost everyone (professional critics included of course) since they appeared; get it and find out why.

The best of Copland.......2007-01-09

For the Aaron Copland fan, this CD has the essentials: the most popular and easy listening of the Copland body of creations. Enjoy!

Average customer rating: good yes but .... Another great album from the "Master".

Duke Robillard's World Full of Blues Duke Robillard Manufacturer: Stony Plain Music ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music General | Jazz | Styles | Music Similar Items: Power of the Pontchartrain Moment of Truth Katrina Was Her Name Solid Ice Breakin' It Up & Breakin' It Down ASIN: B000PFU8GG Release Date: 2007-06-26

Tracks:

1. Jump the Blues For You
2. Everything Is Broken
3. Treat Me So Lowdown
4. Slam Hammer
5. You're Killin' Me Baby
6. Slim Jenkins Joint
7. Sweet Thing
8. You Won't Let Me Down
9. Six Inch Heels
10. World Of Blues
11. Look Out
12. Stoned

Tracks:

1. Gonna's Get You Told
2. Monkey Arms
3. Who Do You Love
4. Low Side Of the Road
5. Too Much Stuff
6. Blues Nightmare
7. Bounce For Billy
8. Bright Lights, Big City
9. Steppin' Out
10. Anything It Takes
11. Stretchin'

Amazon.com

If there's such a thing as narrow-focus versatility, this set's a prime example. Duke Robillard has cut jazz, swing, rock, and instrumental albums, and he was Tom Waits's 2006 tour guitarist. Now the virtuoso returns to his true love--the music that first brought him acclaim as founder of Roomful of Blues--with two CDs that explore all aspects of the style. Dirty Chicago grinds like "You're Killin' Me Baby" tumble into gentle swingers like Robillard's take on T-Bone Walker's "Treat Me So Lowdown" and the hushed Wes Montgomery-influenced "Stoned." He conjures a raw Mississippi-juke-joint sound to interpret "Everything Is Broken," a tune penned by another former employer, Bob Dylan. And electric and acoustic guitars, plus some lute-like sax, are used to magnify the hoodoo vibe of Waits's "Low Side of the Road." Robillard also experiments with his voice, dropping to his lowest register to echo Bo Diddley's brawny growl as he covers the rock godfather's "Who Do You Love." These 23 numbers culminate with "Stretchin'," a nine-minute guitar-and-organ showcase that evokes the soul-jazz style invented by Jimmy Smith, concluding a "World" tour that'll please blues guitar lovers. --Ted Drozdowski

Customer Reviews:

good yes but ...........2007-07-31

have been listening to the blues for 30+yrs. Robillard's a fine player but it all sounds too artificial to me.The samples I listened to lack spontaneity and feeling.

Another great album from the "Master"........2007-07-29

Duke Robillard is in my opinion one of the best white blues guitarists around. He is able to play every style of blues effortless always with stunning results. Both in his solo carrier and with the groups he played with, he has always been able to deliver extremely good results, playing the blues with his own personality and feeling but at the same time with great respect for the masters of the past. Having said that, I believe that if you love the blues you cannot go wrong when you decide to purchase a Duke's album. "World full of blues" is a kind (a bit as Guitar groove-a-rama) of celebration of all the different areas of blues and blues related music that have influenced his sound throughout the years. The entire album, more that 115 minutes of music, is played extremely well by all the musicians involved in the project, most of who have been played with Duke Robillard for years: Mark Teixeira, Doug James, Al Basile, Marty Ballou, "Sax" Gordon Beadle and "Sugar" Ray Norcia contribute, among many others, to the brilliant final result. In conclusion another Duke's great performance that surely deserve the attention of all the blues aficionados.

Average customer rating: Really more like four and a half, I guess it doesn't get much better than this Petty's first solo hit ranks behind most of his other discs Pretty good... Outstanding Work From Petty - With the Help of Some Wilburys

Full Moon Fever Tom Petty Manufacturer: Mca ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Classic Rock | Styles | Music CDs $7 - $10 | Album-Oriented Rock (AOR) | Classic Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Album-Oriented Rock (AOR) | Classic Rock | Today's Deals in Music | Formats | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Classic Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Into the Great Wide Open Damn the Torpedoes Wildflowers Hard Promises Southern Accents ASIN: B000002O5L Release Date: 1990-10-25

Tracks:

1. Free Fallin'
2. I Won't Back Down
3. Love Is A Long Road
4. A Face In The Crowd
5. Runnin' Down A Dream
6. Feel A Whole Lot Better
7. Yer So Bad
8. Depending On You
9. The Apartment Song
10. Alright For Now
11. A Mind With A Heart Of Its Own
12. Zombie Zoo

Amazon.com essential recording

Ten years had passed since Petty's last solid outing (Damn the Torpedoes in 1979), and Full Moon Fever fully resuscitated the artist's career, which--some would say "arguably"--had been losing steam. With the album's four major hits and rave reviews from the critics (these things do not always go hand-in-hand), Petty must have breathed a sigh of relief. He left the Heartbreakers behind, hooked up with musician, writer, and producer Jeff Lynne, and rocked out with "Runnin' Down a Dream," got mellow and introspective on "Free Fallin'" and "A Face in the Crowd," and paid tribute (finally) to the Byrds with a cover of "Feel a Whole Lot Better." He perfected the sing-along guitar-pop song on "Yer So Bad" and had a wild time on "Zombie Zoo." Pure Petty perfection! --Lorry Fleming

Customer Reviews:

Really more like four and a half, I guess.......2007-07-22

Tom Petty's solo albums are somewhat hard to distinguish from his "and the Heartbreakers" efforts. Jeff Lynne's production is different, cleaner and a little glossier, I suppose. But the style is essentially the same, and Heartbreakers Mike Campbell, Howie Epstein and Benmont Tench play on the album, too, along with Lynne and guest start George Harrison.

Tom Petty has written or co-written every song, most of them with Jeff Lynne, with the exception of one cover, a great rendition of the Byrds' "Feel A Whole Lot Better". And "Full Moon Fever" is filled with pleasant, radio-friendly roots rock, folkish mid-tempo shuffles, ballads and R&B.
The track list is remarkably strong, too; nothing here is bad, even if there are a handful of tracks which stand out: "Free Fallin'", "I Won't Back Down" and the garage rocker "Runnin' Down a Dream" were all hit singles, and they stand alongside the aforementioned Byrds cover and the wistful "A Face in the Crowd" as the most remarkable songs on "Full Moon Fever". But lesser-known songs like "Depending on You" and the wonderful, swinging roots rocker "The Apartment Song" are equally delightful.

This is probably my favourite Tom Petty and/or Tom Petty & the Heartbreakers album, alongside "Damn the Torpedoes". It has dated a little bit since 1989 (man, I feel old!)...but not nearly as bad as many other 80s rock records. "Full Moon Fever" is certainly one of three or four must-have CDs if you're into Tom Petty.

it doesn't get much better than this.......2007-03-08

I recently started to listen to Tom Petty's music and i have to say this record is fantastic. from the heartbreakers to bob dylan to george harrison to Jeff Lynne its all here and its an amazing creative piece of work.

Petty's first solo hit ranks behind most of his other discs.......2006-11-05

This is one catchy album which saw Tom step away from the Heartbreakers brand of rock and roll and venture into a more pop orientated scene. Jeff Lynne co wrote tracks and produced this album, one of a string of his successes as a producer.

This album, is catchy from start to finish, some of the songs are below par but such as the musical spirit, lightheartedness and joy, they come across, each as catchy radio hits.

Free Fallin', I Won't Back Down and Running Down a Dream were solid hits from this release and are up there with his most popular songs especially for the 2nd generation of Petty fans. They are concert staples and are songs that gained him further respect as a songwriter and thrust him to the top, all over MTV, he was hip again and rode the wave of success well into the 90's.

The Apartment Song was a left over from the early to mid 80's and the rest of the songs were written with Jeff. Initially rejected by the record company, this album turned out to be his 2nd highest charting and one of his best selling albums that was nominated for album of the year at the Grammy's.

This album for me ranks in the middle of his catalogue, there are alot of better albums, including his most recent and his earlier works. Pop fans will love this for the songs they always heard on radio, it is a good introductory/early album to buy for new fans. This album is in need of a remaster.

Pretty good..........2006-11-05

Unlike most of the other reviewers, I didn't think this album was 100% gold. In fact, it seemed to me the album (side A) started out with the strongest material (the three big singles are all in the first 5 songs) and then it went downhill for me. Overall, side B was kind of bla for me, and sounded rather unfinished (notice the average song on side A is much longer than side B, and Mike Campbell's contributions are all on side A). There wasn't much guitar work, maybe owing to the fact that this was more a solo effort, and songs like "A Mind With a Heart of Its Own" and "Zombie Zoo" replace Mike Campbell's guitars with organs and excessive backing vocals. "Alright for Now" is a really short lullabye that never really goes anywhere, stays in the lull it begins with and has some pretty uninspired lyrics. "Depending on You" and "The Apartment Song" are the same for the entire song and has the same drums and guitars the whole way through and are very repetitive, along with "A Mind With a Heart of its Own."

Needless to say, the strong points of this album make it worth getting, but if you already have "Anthology" you have every really good song on this album. Personally, although I thought the follow-up "Into the Great Wide Open" did not have as many really strong tracks, it was more consistent overall and had the catchy riffs which would have made up for what is lacking here. Clearly he developed a new style on this record and an ability to not take himself so seriously, but I just thought side B left a lot to be desired and each song kind of ended where it started staying the same throughout with some very throwaway lyrics ("I'm all right. I just feel a little lonely tonight. I'm OK most of the time. I just feel a little lonely tonight").

Check out "Echo" and the soundtrack to "She's the One" for some of TP's most underrated work, this I would say is a tad overrated.

Outstanding Work From Petty - With the Help of Some Wilburys.......2006-10-12

As the music scene progressed in the 1980s, things began to change in the pop music landscape. The synth-pop sound that had dominated the 1980s was now being replaced by a more "natural" guitar-laden sound. This trend was promoted by such artists like John Mellencamp and John Fogerty who would enjoy commercial success as well as critical acclaim. Five musicians in the 1980s would also find themselves at the center of this movement on the music landscape. Jeff Lynne of ELO was working with George Harrison on his "Cloud Nine" album. At the same time Lynne was working with Roy Orbison.. The story goes that Lynne, Harrison, and Orbison all agreed to sing on Orbison's song. They needed a place to record, so they contacted Bob Dylan to use his studio. Meanwhile word is that George's guitar was with Tom Petty (who was also working with Lynne). The rest is history and a supergroup called "The Traveling Wilburys" was born. The Wilburys would enjoy enormous success. While some people felt that Lynne was the weak member of the Wilburys, he was the man who also brought them all together. As mentioned, Lynne was also working with Tom Petty at the time on a "solo project". That project would turn out to be his highly successful 1989 album, "Full Moon Fever". "Full Moon Fever" not only encapsulates the guitar-laden sound that had now taken over the landscape, but it also brings 3 of the 4 other Wilburys (the exception being Bob Dylan) into the fold.

The Traveling Wilburys would release two albums - "Volume 1" and "Volume 3". There was no "Volume 2". However over the years, "Full Moon Fever" has unofficially become "Volume 2". In fact there is a Russian Import version that actually labels "Full Moon Fever" as "Volume 2". As mentioned this was technically a "solo album" by Tom Petty. For years, Petty had recorded with his band - "Tom Petty and the Heartbreakers". While this was a "solo album", there are many of the Heartbreakers that are present on this album. Howie Epstein lends background vocals to two songs - "Love is a Long Road" and "I Won't Back Down". Benmont Tench lends his piano for "The Apartment Song". Finally, Mike Campbell - possibly one of the most sought after musicians in the business contributes throughout the whole "Full Moon Fever" collection - including guitars, mandolin, bass, and keyboards.

When Tom Petty and the Heartbreakers burst on the music scene - they appealed to a wide variety of musical styles including Classic Rock, New Wave, and even Punk. However, I feel that Petty's roots were still in Southern Rock. "Full Moon Fever" definitely isn't rooted in Southern Rock, but it does have a strong incorporation of the guitar-laden sound mentioned. This isn't an album where you are going to hear horns or a string section. While you hear some keyboards, it will be the guitars that are going to be the story of this album - whether it's electric or acoustic, every song will make an integral use of the guitar. On top of that, given Petty's unique voice - this really becomes something special. I give a lot of credit to Lynne for putting this all together. It's kind of ironic that Lynne was able to pull off producing both "Full Moon Fever" and the Traveling Wilburys. Lynne was known for his intricate orchestral arrangements with ELO, yet Lynne finds a way to make the natural guitar-laden sound work for Petty on this collection.

"Full Moon Fever" is known for the "hits" that were spurned off this album - these songs being: "Free Fallin", "I Won't Back Down", and "Runnin' Down a Dream (to a lesser extent "Yer So Bad" and "A Face in the Crowd" were also hits). These are good songs, but surprisingly, I found the "other songs" to be the strong points of this collection. Songs such as "Love is a Long Road", "Feel a Whole Lot Better", "Depending on You", "The Apartment Song", "Alright for Now", "A Mind With a Heart of It's Own", and "Zombie Zoo" were the albums strongest songs. Any of these songs could have easily been released as singles and could have achieved a high level of commercial success.

As mentioned, three of the Wilburys make contributions to this album Roy Orbison lends his background vocals to "Zombie Zoo". George Harrison lends Acoustic Guitar and Background Vocals to "I Won't Back Down". Lynne, while lending his hand at co-producing this album with Petty and Mike Campbell also lends Vocals, Bass, Guitar, and Keyboards to the effort. Who can forget the terrific vocal jam between Petty, Harrison, and Lynne on "I Won't Back Down" - i.e. the classic "Hey Baby!". While Harrison didn't directly contribute to the track "Feel a Whole Lot Better", I'd like to think he had some influence on the cover of the Byrds' "Feel a Whole Lot Better". This cover gives the song a distinct Beatle-sque quality. I give Petty a lot of credit for being able to pull this off. At the same time, Petty also remains true to his Southern Rock roots. "A Mind With a Heart of It's Own" definitely sounds like something Petty would have done with the Heartbreakers. Finally, if you want to hear Tom Petty do a lullaby, listen to "Alright for Now".

Perhaps the most interesting part is when Petty puts an interruption prior to the start of "Feel a Whole Lot Better". This interruption tells CD listeners to "wait" until LP or Cassette listeners are able to flip over their media on their player - most humorous.

The liner notes do include all of the lyrics and all of the musician credits and acknowledgements. Overall, fans of Tom Petty and the Wilburys will not be disappointed with this effort. Although this collection does have a guitar-laden sound, it will have a lot of appeal to the mainstream. This is one collection I highly recommend.

Average customer rating: NOT EXACTLY WALTER TROUT! I Have Waited So Long.... Full Circle Very, very good release Great CD

Full Circle Walter Trout Manufacturer: Ruf (Idn) ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music Similar Items: You & Me 10 Days Out (Blues from the Backroads)/ (CD/DVD) Dirty Deal Blues Deluxe Blue Me ASIN: B000FGFUX6 Release Date: 2006-06-20

Tracks:

1. She Takes More Than She Gives
2. Workin' Overtime
3. Firehouse Mama
4. Who's Listenin' In
5. Slap Happy
6. Wrapped Around Your Finger
7. A Busy Man
8. Highway Song
9. When Will It Ever Change
10. Can't Help Falling Apart
11. After Hours
12. Clouds On The Horizon
13. Full Circle

Amazon.com

Guest-star projects can be such tiresome affairs. Too often, the high-profile "friend" is nothing more than the record label's idea of someone they can feature on the front cover to generate additional sales. Additionally, these performances are frequently overdubbed, so the artist and the guest never actually come in contact with each other. Thankfully, neither is the case on Walter Trout's first studio album of new material since 2001's Go the Distance. Not only has the hotshot guitarist worked and maintained friendships with these players, but they convened in the same studio at the same time to nail these tunes. Not surprisingly, the vast majority of Trout's friends are guitarists who--like him--prefer to charge through songs with the intensity of a salmon swimming upstream. Joe Bonamassa, Bernard Allison, Guitar Shorty, Jeff Healey, Junior Watson, and Coco Montoya all share guitar-duel duties, and while the results aren't exactly subtle, there's enough explosive firepower here to level a small building. Even an acoustic session with Eric Sardinas--a neighbor of Trout's--attacks like an unplugged Rory Gallagher on a hot Belfast night. John Mayall (keyboards/vocals), James Harman (harp), Finis Tasby (vocals), Deacon Jones (Hammond B3 organ), and Little Feat drummer Richie Hayward also bring their game faces, and sometimes songs, contributing to various tracks with energy and intensity. Trout plays with his usual all-stops-out bluster, but there is an obvious affection for his guests on every track, which both energizes and spurs him on to new heights on what is arguably his best and most diverse effort yet. --Hal Horowitz

Album Description

With the release of FULL CIRCLE, Walter Trout has realized a long held dream - to invite musician friends from his 35+ year career together to compose and play together. His first new studio release in five years, FULL CIRCLE reflects Walter Trout's remarkable story, from his humble beginnings as a sideman in many a blues legends' band through his rising solo star, arriving as one of blues music's beloved interpreters.

The project is a full circle in time and place, a journey through the range of styles that represent the blues music genre - a celebration of where the blues world is, where it has been and where it's going.

Among the 25 musicians appearing are John Mayall, Coco Montoya, Bernard Allison, Jeff Healey, Joe Bonamassa, Eric Sardinas, Guitar Shorty, Finis Tasby, Junior Watson, James Harman and Deacon Jones.

FULL CIRCLE is the most accomplished and satisfying release of Walter Trout's discography, and demonstrates his passion for music is just as great today as it was when he started playing as a teenager more than 35 years ago. He considers the new album a tribute to the people and the times that have helped shape his musical appreciation, demonstrating how the many styles within the blues genre can co-exist and mutually enhance each other without fight for rank or authenticity.

Customer Reviews:

NOT EXACTLY WALTER TROUT!.......2007-06-29

This CD is for Walter Trout fans who want all his stuff, even if he is joined by other artists. If you are expecting that nice raw heavy blues that is Walter's trademark, you will be in for a big letdown. He is so much better than his guests! His singing--and even his speed guitar playing--saves this offering from the garbage heap. WORKING OVERTIME, with Jeff Healey, and CLOUDS ON THE HORIZON, with Joe Bonamassa, are standouts: Trout's kind of material. WHEN WILL IT EVER CHANGE, WRAPPED AROUND YOUR FINGER, and CAN'T HELP FALLING APART sound good to me. Some bad points: Eric Sardinas, who's great with his Johnny Winter style, is wasted on a boring acoustic cut. The last track is a DJ taking, with some backgroung music. You see what I mean. We are the ones who have to pay for these throw away selections! The audio is very good. Buy it to complete your Trout collection. If you're new to Walter's music, get GO THE DISTANCE, it may be his best effort.

I Have Waited So Long...........2007-06-09

for two things concerning this CD #1 At last Walter Trout has shown what those who have seen him live already knew, yes he is a blues guitarist but he can rock with the best of them and here we at last see his wonderful range #2 a blues rock album that is just that both the best of blues and sizzling, crackling rock. I have rarely after 35 yrs of adult listening felt so completely satisfied after a hearing a cover-to-last cut banquet. The players you can tell by the listening are having a very good time with each other and the music. The back-up folks are simply the best there are out there for this music. The best addition to the main players I felt was the velvet steel train power and riding platform layed down by Richie Hayward, lifetime Little Feat drummer and in my opinion the best rock/blues (and the all inclusive Little Feat sound) drummer alive today. I remember Lowell George use to tell him to slow down or play softer he didn't then and does not now. The cuts that he plays on are the best ones and his drumming on the Trout/Bonamassa (shades of Hendrix) is worthy of the Rock Drummers Medal of Honor. Walter Trout was always a brilliant guitarist and there are always creamy sweet master blues cuts on all his releases but finally he has given us a top to bottom, 1st cut to last, put it all on the HardDrive immediately, lifelong go to when you want to Bop CD, and I humbly thank him and the best gang of blues players gathered together because they wanted to be. A Masterpiece that resides comfortably in the #1 spot of my Blues/Rock collection.

Full Circle.......2007-05-12

Greatly surprised! Would recommend this cd to any blues fan. Walter Trout must be in anyone's blues collection.

Very, very good release.......2007-05-07

Hot licks by Walter, and I love the guest appearances by Guitar Shorty and Coco Montoya.

Great CD.......2007-03-12

I have seen Joe many years ago when he had played in a group called bloodline and he is even better now.

Average customer rating:

Full Circle Drowning Pool Manufacturer: Eleven Seven Music ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Untitled Kill the Headlights Famous Angels and Devils Libertad ASIN: B000RGSOH8 Release Date: 2007-08-07

Tracks:

1. Full Circle
2. Enemy
3. Shame
4. Reborn
5. Reasons I'm Alive
6. Soldiers
7. Paralyzed
8. Upside Down
9. 37 Stitches
10. No More
11. Love X2
12. Duet
13. Rebell Yell

Average customer rating: Universal music Long-Time Favorite Best Copland Album I've Ever Listened To Test of Time--Passed with honors! the PERFECT Bernstein recording

Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Marches | Miscellaneous | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Copland, Aaron | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bernstein, Leonard | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Gershwin: Rhapsody In Blue/An American In Paris Copland: Rodeo/Billy The Kid Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite Barber's Adagio ASIN: B0000025MO Release Date: 1990-10-25

Tracks:

1. Appalachian Spring: Very Slowly
2. Appalachian Spring: Allegro
3. Appalachian Spring: Moderato
4. Appalachian Spring: Fast
5. Appalachian Spring: Subito allegro
6. Appalachian Spring: As At First (Slowly)
7. Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
8. Fanfare For The Common Man
9. El Salon Mexico
10. Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.

Rock Music:

1. Go Too [Import]
2. Goodnight Ladies and Gents: The Creole Music of Lionel Belasco
3. Greatest Hits [Import]
4. Hydrophonic
5. Jalilah's Raks Sharki, Vol. 6: In a Beirut Mood
6. Je Suis Comme Je Suis
7. Jucal
8. Koola Lobitos 1964-1968/The '69 Los Angeles Sessions
9. L' Homme a Tete De Chou [Original recording remastered] [Import]
10. L'orient Est Rouge [Import]

Rock Music

rock music

Recommended Music:

Call It Conspiracy [Import]

Johan Helmich Roman: Songs

Homage

Untitled Island

Hot in Herre [CD-single] [Import]

Inside Out

Forro Do Comeco Ao Fim [Import]

Lowrider/Psychodelic/Superstar [CD-single] [Explicit Lyrics]

Inta Omri

Le Secret

Little Lost Soul

Jingo [CD-single]

Rap Music rap_music_51

Mendelssohn: Symphony No.3 'scottish', Symphony No.4 'italian'

Soundbombing, Vol. 2