Paris 87 [Import]

Track Listings

 
1. Tus Ojillos Negros
2. Sonidos Negros
3. Pañuelo a Rayas
4. Como el Agua
5. Yo Pienso Como el Ciprés
6. Pañuelo a Rayas 2
7. Más Duro Que el Acero
8. Tirititando de Frío

Paris 87,Camaron & Tomatito,Universal Int'l,Int'l & World Music,Pop,World Music
Haydn: Paris Symphonies
Average customer rating: 4.5 out of 5 stars
  • Overview of the Paris symphonies
  • No Need to Look Further!
  • Thank heaven ...
  • Cleansing the Palate
  • A gorgeous new set!!!!
 Haydn: Paris Symphonies

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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Orchestra of the Age of EnlightenmentOrchestra of the Age of Enlightenment | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music
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Similar Items:
  1. Haydn: Symphonies Nos. 88 - 92
  2. Haydn: The London Symphonies, Vol. 1
  3. Haydn: The London Symphonies, Vol. 2
  4. Haydn: String Quartets Op. 76, Nos. 1-3
  5. Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6

ASIN: B000031WJC
Release Date: 2000-04-11

Tracks:

  1. Sym No.82 in C 'L'Ours': I. Vivace Assai
  2. Sym No.82 in C 'L'Ours': II. Allegretto
  3. Sym No.82 in C 'L'Ours': III. Menuet - Trio
  4. Sym No.82 in C 'L'Ours': IV. Finale: Vivace
  5. Sym No.83 in g 'La Poule': I. Allegro Spiritoso
  6. Sym No.83 in g 'La Poule': II. Andante
  7. Sym No.83 in g 'La Poule': III. Menuet: Allegretto - Trio
  8. Sym No.83 in g 'La Poule': IV. Finale: Vivace
  9. Sym No.84 in E flat: I. Largo - Allegro
  10. Sym No.84 in E flat: II. Andante
  11. Sym No.84 in E flat: III. Menuet: Allegretto - Trio
  12. Sym No.84 in E flat: IV. Finale: Vivace

Tracks:

  1. Sym No.85 in B flat 'La Reine': I. Adagio - Vivace
  2. Sym No.85 in B flat 'La Reine': II. Romance: Allegretto
  3. Sym No.85 in B flat 'La Reine': III. Menuet: Allegretto - Trio
  4. Sym No.85 in B flat 'La Reine': IV. Finale: Presto
  5. Sym No.86 in D: I. Adagio - Allegro Spiritoso
  6. Sym No.86 in D: II. Capriccio: Largo
  7. Sym No.86 in D: III. Menuet: Allegretto - Trio
  8. Sym No.86 in D: IV. Finale: Allegro Con Spirito
  9. Sym No.87 in A: I. Vivace
  10. Sym No.87 in A: II. Adagio
  11. Sym No.87 in A: III. Menuet - Trio
  12. Sym No.87 in A: IV. Finale: Vivace

Customer Reviews:

3 out of 5 stars Overview of the Paris symphonies.......2007-06-27

Franz Joseph Haydn could be called the father of the symphony. He composed 108 of them in his lifetime. The latter symphonies fall into two groups, the London and Paris symphonies, and refer to where he was residing in when he composed them. This 2-disc set contains all the Paris symphonies, are they are typical of works from this era of classical music; beautifully orchestrated with minimal evocative effects or emotional gusto. The sound quality is great though, along with the recording. For fans of classical music, this is a good buy for under $10.

5 out of 5 stars No Need to Look Further!.......2007-03-17

There are commendable period instrument sets of the 'Paris' symphonies available - Bruggen(Phillips) with the Orchestra of the 18th Century who has the most romantic view of the works, Roy Goodman(individual discs from his complete set on the budget Hyperion Helios)with the Hannover Band and Kurt Weil. Kuijken's, without doubt, is the one to have. Superb sound, plenty of panache and drama. He has spent many years as a Hadyn interpretor and this is in evidence throughout all 6 symphonies. Smart tempos and clean cut phrasing is effectively coupled with poignant delicacy in the slow movements. The hapsicord is never obtrusive and all departments of his fine orchestra excell themselves.
The symphonies, written in 1785-6 for the renowned Concert del la Loge Olympique, are a triumph of the classical symphony. So are these performances!

4 out of 5 stars Thank heaven ..........2007-01-01

My daughter purchased this for my birthday last year. Knowing that I admire Haydn, she searched Amazon and took confidence in the all positive reviews. Well, I thank my daughter and the other reviewers -- this is truly a collection to own.

5 out of 5 stars Cleansing the Palate.......2006-10-16

Haydn's symphonies are refreshingly clean, natural, unpretentious and in general a welcome palate cleanser for the concertgoer despite the preference for the dramatic or the grand or the edgy contemporary fare. Such is certainly the case for the so-called Paris symphonies (Nos. 82 - 87), models of elegance and refinement.

Case in point: at a recent concert with Esa-Pekka Salonen and the Los Angeles Philharmonic, the opening work was the Haydn Symphony No 82 - at first a seemingly odd choice for a program that was to include the local premiere of a commissioned Viola Concerto by Brett Dean and a celebration of Mussorgsky's 'Pictures at an Exhibition'. But hearing Haydn in this context provided that reminder that Papa Haydn started it all!

This CD with Sigiswald Kuijken conducting the Orchestra of the Age of Enlightenment traverses all of the Paris symphonies with aplomb. The quality of interpretation is immaculate, the sound of the recording is superb, and in general this is one of the finest 'sets' of these symphonies available today. It is an utter joy to listen to all of the works in one sitting, or to place them as aperitifs through the listening day. Highly recommended. Grady Harp, October 06

5 out of 5 stars A gorgeous new set!!!!.......2005-01-30

A beautiful set at a cheap price of Haydn's Paris Symphonies! Symphonies 84 and 87 particularly sparkle and the comic effects are fully exploited in 82 (The Bear) and 83 (The Hen). I compared this set to the Karajan and legendary Bernstein. This new set is fresh and lively, also because of period instruments. Bravo!!!
Tous Les Matins du Monde/Dix Ans Apres
Average customer rating: 4.5 out of 5 stars
  • Beware - this is NOT the right version!
  • Disc one is great....disc two doesn't exist...beware
  • Hauntingly Beautiful
  • Vive Savall and M. Sainte Colombe
  • French Baroque Performed by The Absolute Master of the Viola Da Gamba
 Tous Les Matins du Monde/Dix Ans Apres

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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  4. Marin Marais: Pièces de Viole du Second Livre, 1701
  5. Villancicos y Danzas Criollas

ASIN: B00005S0MD
Release Date: 2002-03-12

Tracks:

  1. Marche pour la ceremonie des Tures (Jean-Baptiste Lully)
  2. Improvisations sur les folies d'Espagne (Marin Marais) - extraits
  3. Prelude pour Mr. Vauquelin (Improvisation d'apres le Prelude en Sol mineur de Mr. de Sainte Colombe le fils)
  4. Gavotte du Tendre (Mr. de Sainte Colombe)
  5. Une jeune fillette (melodie populaire- arranged by Jordi Savall)
  6. Les Pleurs (Mr. de Sainte Colombe) - solo version by Jordi Savall
  7. Concert a deux violes " Le Retour" (Mr. de Sainte Colombe)
  8. La Reveuse (Marin Marais) 4th book of Pieces de viole
  9. Troisieme Lecon de Tenebres a 2 voix (Francois Couperin)
  10. L'Arabesque (Marin Marais) 4th book of Pieces de viole
  11. Fantaisie en Mi mineur (arranged by J. Savall d'apres Mr. de Sainte Colombe le fils)
  12. Le Pleurs (Mr. de Sainte Colombe) version for 2 viols
  13. Le Badinage (Marin Marais) 4th book of Pieces de viole
  14. Tombeau pour Mr. de Sainte Colombe (Marin Marais)
  15. Muzettes I-II (Marin Marais) 3rd book of Pieces de viole
  16. Sonnerie de Ste. Genevieve du Mont-de- Paris (Marin Marais)

Album Details

The Original Motion Picture Soundtrack to the Film by Jordi Savall.

Customer Reviews:

1 out of 5 stars Beware - this is NOT the right version!.......2007-07-07

This is a fantastic CD and all, but as of July '07, what they're shipping is not the "10 Years After" (Dix Ans Apres) version, which includes a bonus disc and has all 33 pieces listed on this page. I got a single 16-song disc, the same one I bought 3 or 4 years ago. Buyer beware.

5 out of 5 stars Disc one is great....disc two doesn't exist...beware.......2007-07-05

I have the original 16-track version of this recording and couldn't agree more with the glowing comments left by others. However, this listing is somewhat misleading as the reviews mention that it is a newer release with a bonus disc containing 17 extra tracks. Since other reviews and the Alia Vox website itself mention that such a thing exists, I went ahead and ordered it, only to receive the same single disc version I already had. Amazon tells me the double one isn't available, so beware.

It's still great music though.

5 out of 5 stars Hauntingly Beautiful.......2006-06-11

I was introduced to this utterly, utterly gorgeous soundtrack via a "friend of a friend", to whom I am eternally grateful. I listened to this on cassette tape too many times to count. The music is hauntingly beautiful and atmospheric, dark and moody, tragic and deep. This is music from the Baroque period but nothing like Bach, or Purcell, or Handel.

5 out of 5 stars Vive Savall and M. Sainte Colombe .......2006-04-27

I saw the film and was enthralled by the portrayals of Sainte Colombe and Marin Marais. (Depardu was superb as always.) Some reviewers thought the film dull or tedious. I suppose in today's film culture where there is so much action without much substance there are those who would concur. I thought is was an excellent study of the characters and the music, which is rarity even in films about musicians.

5 out of 5 stars French Baroque Performed by The Absolute Master of the Viola Da Gamba.......2005-10-09

In addition to French Baroque being generally and wrongly relegated to secondary status compared to Italian or German Baroque, there are probably less than 200 professional players who specialize in the viola da gamba as an instrument which was used mostly by French Baroque composers. Out of those few 200 performers, Jordi Savall is the undisputed master of his craft not only in performing French Baroque but really any Baroque piece for the viola da gamba. This soundtrack is a fine example on the diversity and depth of not only the viola's range but on works of various composers during the French Baroque period: especially the works of Marais and Sainte-Colombe. This album is also a great sample of the simply exemplary talent of Jordi Savall as a violist.

The double album primarily contains solos or duets for viola da gamba by Marais and Sainte-Colombe but has pieces by other contemporaries such as Lully. This album is a great sample of the variety of works and composers of the unique French Baroque tradition that continued to use the viola while other musical styles in Europe had virtually abandoned it for the cello. The viola da gamba has a lot more range, depth, and resonance than the cello and so the music is moodier and more contemplative than cello works such as Bach's magnificent cello suites. Solo music for viola from the French Baroque also allows freer interpretation than conventional compositions for orchestra or other chamber pieces. The jewel in this album is Marais' haunting but divine Sonnerie de Ste-Genevieve in which the dynamics of the violas and violins are truly a spiritual voyage into one's soul; at points serenely docile to demonically ferocious as if phantasms both luring and forbidding the listener to follow. The intricate complexity and resonance of this exquisite piece makes it one of the most spiritually moving Baroque sonet variations I have ever heard and it's one of my personal favorites. Both Marais and Sainte-Colombe were probably the pinnacle of achievement in terms of expressive techniques for the viola da gamba during the French Baroque period while later contemporaries such as Forqueray and Couperin became more formulaic although no less accomplished.

Jordi Savall has many priceless performances apart from this soundtrack and he is really the only competent artist for both viola da gamba specifically and primarily all French Baroque interpretations. There are no other viola players who can even compare to Savall as they really sound as little else than amateurs in comparison to his applied skills and passion of playing. I strongly recommend for anyone looking for music for viola da gamba or really any French Baroque to buy Savall/Le Concert Des Nations' performances exclusively as there's simply nothing else to look for or find that's in his caliber. Apart from a few other performnances by groups such as Les Arts Florissants, I guarantee you that the performances of all others in this style will rise to no further than being mediocre at best such as Harncourt or even Koopman who often plays with Savall. Most other viola performers quickly descend to atrocious standards in comparison to those of Savall. Even though Savall's recordings tend to be on the more expensive side, he's worth every penny take my word for it: you won't regret it! What you will regret is having bought a mediocre viola peformance after you hear Savall's as the differences will be very significant.
Tous les matins du monde [Bande Originale du Film] [Hybrid SACD]
Average customer rating: 5 out of 5 stars
  • A wonderful and ethereal work!
 Tous les matins du monde [Bande Originale du Film] [Hybrid SACD]

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LullyAll Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MaraisAll Works by Marais | Marais, Marin | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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  5. Mussorgsky: Pictures at an Exhibition, A Night on Bald Mountain, and Other Russian Showpieces [Hybrid SACD]

ASIN: B00064X3KY
Release Date: 2006-03-06

Tracks:

  1. Marche Pour La Ceremonie Des Tures
  2. Imorovisations Sur Les Folies D' Espagne
  3. Prelude Pour Mr. Vauqelin
  4. Gavotte Du Tendre
  5. Une Jeune Fillette
  6. Les Pleurs
  7. Concert A Deux Violes "Le Retour"
  8. Reveuse ( Marin Marais ) 4eme Livre De Pieces De Viole
  9. Troisieme Lecon De Tenebres A Voix
  10. L' Arabesque ( Marin Marais ) 4eme Livre De Pieces De Viole
  11. Fantaisie En Mi Mineur
  12. Les Pleurs ( Mr. De Sainte Colombe ) Version A 2 Violes
  13. Le Badinage ( Marin Marais ) 4eme Livre De Pieces De Viole
  14. Tombeau Pour Mr. De Sainte Colombe ( Marin Marais ) 2eme Livre De Pieces De Viole
  15. Muzettes I-Ii ( Marin Marais ) 3eme Livre De Pieces De Viole
  16. Sonnerie De Ste. Genevieve Du Mont-De-Paris ( Marin Marais )

Customer Reviews:

5 out of 5 stars A wonderful and ethereal work!.......2005-03-30

THis album is as stunning and beautiful as the film. The operatic works and the pieces for Viol are absolutely some of the best. Jordi Savall is wonderful.
Candlelight/Favourite Melodies
Average customer rating: 5 out of 5 stars
  • The Exquisite Sound of Mantovani
 Candlelight/Favourite Melodies

Manufacturer: Dutton Vocalion UK
ProductGroup: Music
Binding: Audio CD

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  5. Music from the Films/Film Encores

ASIN: B000067URW
Release Date: 2002-09-10

Tracks:

  1. Candlelight
  2. You Stepped Out of a Dream
  3. Blue Fantasy
  4. Merry-Go-Round
  5. Stradivarius
  6. Gold and Silver Waltz
  7. Brass Buttons
  8. Longing
  9. Heart of Paris (I Left My Heart in the Heart of Montmartre)
  10. Take My Love
  11. Spring in Montmartre
  12. Song of Sorrento
  13. Lonely Ballerina
  14. Dusk
  15. Ma Ch Amie
  16. June Night
  17. Deserted Ballroom
  18. Na [Waltz] - Stanley Black, The Mantovani Orchestra
  19. Lazy Gondolier [Voice Introduction] - Mantovani
  20. Lazy Gondolier
  21. Begin the Beguine
  22. Intermezzo from "Cavalleria Rusticana"
  23. Dream, Dream, Dream
  24. Edelma
  25. Come Back to Me (Reviens)

Customer Reviews:

5 out of 5 stars The Exquisite Sound of Mantovani.......2002-09-14

This is a Vocalian re-release of two of the most elegant and exquisite LPs recorded by the original Mantovani Orchestra in the 1950's. All of the hallmarks of the Mantovani sound were launched in these early recordings of the large orchestra that made Mantovani a household name. Seven of the tracks were written by Mantovani including the title melody Candlelight, a truly remarkable orchestration. The Gold and Silver Waltz became a mainstay of many Mantovani's concert appearances and it, along with Song of Sorrento and Spring in Montmartre are soaring arrangements that will absolutely delight those already enamoured to the lushness of his music. Begin the Beguine will delight old and new listeners as well. Capture the essence of Mantovani's musical genius by acquiring this collection of outstanding music.
Joseph Haydn: The "Paris" Symphonies
Average customer rating: 5 out of 5 stars
  • You cannot go wrong with Dorati
  • Haydn and Dorati - A Legendary Combination
 Joseph Haydn: The "Paris" Symphonies
Franz Joseph Haydn , Antal Dorati , and Philharmonia Hungarica
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000004280
Release Date: 1996-04-09

Tracks:

  1. Synphony 82 in C major 'L'Ours: 1 Vivace assai
  2. Synphony 82 in C major 'L'Ours: 2 Allegretto
  3. Synphony 82 in C major 'L'Ours: 3 Menuetto e Trio
  4. Synphony 82 in C major 'L'Ours: 4 Finale: Vivace
  5. Symphony 83 in G minor 'La Poule': 1 Allegro spiritoso
  6. Symphony 83 in G minor 'La Poule': 2 Andante
  7. Symphony 83 in G minor 'La Poule': 3 Menuetto e Trio: Allegretto
  8. Symphony 83 in G minor 'La Poule': 4 Finale: Vivace
  9. Symphony 84 in E flat major: 1 Largo - Allegro
  10. Symphony 84 in E flat major: 2 Andante
  11. Symphony 84 in E flat major: 3 Menuet e Trio: Allegretto
  12. Symphony 84 in E flat major: 4 Finale: Vivace

Tracks:

  1. Symphony 85 in B flat major: 1 Adagio - Vivace
  2. Symphony 85 in B flat major: 2 Romance: Allegretto
  3. Symphony 85 in B flat major: 3 Menuetto e Trio: Allegretto
  4. Symphony 85 in B flat major: 4 Finale: Presto
  5. Symphony 86 in D major 'La Reine': 1 Adagio - Allegro spiritoso
  6. Symphony 86 in D major 'La Reine': 2 Capriccio: Largo
  7. Symphony 86 in D major 'La Reine': 3 Menuet e Trio: Allegretto
  8. Symphony 86 in D major 'La Reine': 4 Finale: Allegro con spirito
  9. Symphony 87 In A Major: 1 Vivace
  10. Symphony 87 In A Major: 2 Adagio
  11. Symphony 87 In A Major: 3 Menuet e Trio
  12. Symphony 87 In A Major: 4 Finale: Vicace

Customer Reviews:

5 out of 5 stars You cannot go wrong with Dorati.......2004-12-23

Antal Dorati's legendary traversal of the Haydn symphonies was for many years the only complete set (by one conductor and orchestra) of the symphonies. Today, although there are some other complete sets as well as many great period performances, Dorati's cycle still reigns supreme. Dorati manages to make these works still sound fresh and vibrate after two hundred years. There is a level of spontaneity, as well as an ever obvious sense of joy that make the Dorati traversal the best. It may seem like hyperbole, but Dorati is as close as you will get to "perfect" when it comes to Haydn.

In this CD, the popular "Paris" symphonies are glowing showcased. Although these performances were recorded in the 70s, the sound is crystal clear. I strongly suggest buying this CD not only for the fantastic music but also for the chance to become acquainted with Dorati. Soon you will find yourself purchasing the complete 33 disc set.

5 out of 5 stars Haydn and Dorati - A Legendary Combination.......2003-07-03

One of the great feats in all recorded music is Antal Dorati's complete set of Haydn's Symphonies with the Philharmonia Hungarica made during the 1970s, and currently available as a 33-CD set. But if you are like me and can't quite bring yourself to spend that kind of money on a box set (one of these days though!), why not settle on this Double Decker title in the meantime. This two-for-the-price-of-one CD set, along with the Penguin Classics disc with three of the London Symphonies (see my review), are the only Haydn-Dorati Symphony performances currently available domestically. And if you could care less about Dorati and the legendary value of these recordings, and are just looking for a good Haydn CD, then this is for you too. The "Paris Symphonies" are among the most famous of all 104 numbered Haydn Symphonies, and these particular performances are equal to others I own by Bernstein, Ansermet and Karajan among others. In all, this is a great title to buy, or at the very least, to keep a space warm for that box set!
Baroque Favorites
Average customer rating: 4 out of 5 stars
  • Crossover compromise
  • Baroque Favourites is a fantastic CD!
  • Make It 4 1/2 Stars
  • Great jazz--great music
  • Not his best - but worthwhile
 Baroque Favorites
Jacques Loussier Trio , Marin Marais , Alessandro Marcello , Johann Pachelbel , Domenico Scarlatti , and Tomaso Albinoni
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
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Similar Items:
  1. Jacques Loussier Plays Bach
  2. Plays Debussy
  3. Jacques Loussier Trio: Bach's Goldberg Variations
  4. Solo Piano: Impressions on Chopin's Nocturnes
  5. The Four Seasons

ASIN: B00005Q5LU
Release Date: 2001-10-23

Tracks:

  1. Sarabande And Variations From Suite No.11: Variation No.1
  2. Sarabande And Variations From Suite No.11: Variation No.2
  3. Sarabande And Variations From Suite No.11: Variation No.3
  4. Sarabande And Variations From Suite No.11: Variation No.4
  5. La Sonnerie De Sainte-Genevieve Du Mont
  6. Sonata No.33 In B Minor
  7. Sonata No.32 In F Sharp Minor
  8. Largo (From Xerxes)
  9. Canon In D Major
  10. Concerto In D Minor For Oboe: I. Andante Spiccato
  11. Concerto In D Minor For Oboe: II. Adagio
  12. Concerto In D Minor For Oboe: III. Presto
  13. Adagio
  14. Concerto In F Major For Organ: I. Larghetto
  15. Concerto In F Major For Organ: II. Allegro
  16. Concerto In F Major For Organ: III. Andante
  17. Concerto In F Major For Organ: IV. Larghetto
  18. Concerto In F Major For Organ: V. Allegro

Amazon.com

The Jacques Loussier Trio has recorded numerous albums applying European jazz sensibilities to classical material, following and refining the path laid down by Dave Brubeck in his crossover material of the '50s. Combining a feathery piano touch with a swinging rhythm section, Loussier reveals the affinity between the two worlds. Loussier reworks pieces by Scarlatti, Marcello, Albinoni, and three by Handel (including the lengthy Concerto in F Major for Organ) effectively, more concerned with subtly outlining harmonic contours than exhibiting the ornamentation usually associated with baroque music. This approach produces tasteful and elegant French jazz, ideal for the cozy pub or the luxury-liner lounge. Additionally, the trio deserves a warm round of applause for rendering Pachabel's over-worked Canon in D Major in a fresh manner. --Wally Shoup

Customer Reviews:

3 out of 5 stars Crossover compromise.......2007-01-04

When I first heard individual cuts from this CD I was intriqued by the synthesis of jazz and classical styles. I was also pursuaded initially by the reviews from Loussier's fans who contextualized this album as a gem within his larger body of work. Unfortunately, upon hearing the cuts all the way through, I found it to be another classic crossover compromise. Loussier is neither a good jazz pianist nor a respectable classical pianist. Combining the genres does not make him any better.

5 out of 5 stars Baroque Favourites is a fantastic CD!.......2003-07-17

Jacques Loussier has evolved only faintly in the more than 40 years he has Played Bach. This version displays a mellow style only vaguely aged. The trio's current bass player, Benoit Dunoyer De Segonzac, has a particularly tantalizing way of interpreting the Baroques. In this effort Loussier has successfully recreated the pop Pachelbel Cannon in D into another hit. I particularly like the Handel tracks at open, midway and close. (and would too purchase Loussier's Water Music & Royal Fireworks CD). And this would have to be the coolest version of Albinoni's also popular Adagio. As expected, Telarc's crew of sound engineers and hifi techno gurus have created a flawless recoding. Buy it! You won't be disappointed.

4 out of 5 stars Make It 4 1/2 Stars.......2002-08-24

Wally Shoup has pretty much nailed it in his review. I just want to add that it is remarkable how consistent Loussier has remained over a span of more than four decades.

Last night I played "Baroque Favorites" back-to-back with a reissue LP of his 1959 debut. I was struck by the similarity of sound and style between the two. I don't know if it's intentional, but with the latest bass player Loussier has nearly recreated the sound of the original trio. At the same time, the playing is more refined and subtle. "Play Bach" was very much a hit in 1959, but "Baroque Favorites" shows the concept is still fresh and that it is possible to grow without abandoning old ideas.

At first, like reviewer Dan Cohen, I thought that Loussier's treatment of other composers wasn't as strong as his Bach work. I've changed my mind, however. There's a smoother integration of Jazz and Baroque here than in "The Bach Book." The music has fewer non-Baroque parts grafted onto it, and the bass and drum solos are shorter and fit better. I also like the selection of pieces and their sequence, and I agree with Shoup about the Pachelbel Canon in D Major. I had hesitated to buy "Favorites" because of the inclusion of this Top 40 chestnut, but fortunately Loussier gives it a fresh spin.

5 out of 5 stars Great jazz--great music.......2002-05-28

It had been a long time since I heard Jacques Loussier. Most of it devoted to the baroque music he so beautifully paraphrases in this album. Although his Bach is great, the disscovery of his Haendel is one of the great plusses of this opus. The French baroque musicians almost forgotten today, whose work I discovered recently, sound great when played as jazz.
A trully enjoyable musical experience to anyone who likes jazz and wants to hear more baroque music.

4 out of 5 stars Not his best - but worthwhile.......2001-11-23

Loussier is at his best when he plays Bach. His rendition of Vivaldi's Four seasons is also excellent, and he is quite efficient in handling his Baroque favorites on this CD, but something is missing.
Loussier made his career on Bach because (and he said so himself) Bach makes the most Jazz-effective classical compositions. Perhaps these baroque compositions didn't go through Loussier's jazz-converter as well or as brilliantly as those others. Perhaps Loussier just coughed this CD without too much effort.
In any case - I bought it, and I am quite pleased I did (and this is the best bottom line possible...)
Haydn: The Paris Symphonies Nos. 82-87
Average customer rating: 4.5 out of 5 stars
  • Lively, Fresh Performances of these Great Haydn Symphonies
  • Exploring the Haydn Symphonies -- the Paris Symphonies
  • An absolute must-have.
  • Haydn at his very best
  • Lovely music, but that's not all you hear . . .
 Haydn: The Paris Symphonies Nos. 82-87

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Academy of St. Martin in the FieldsAcademy of St. Martin in the Fields | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Haydn: The London Symphonies, Vol. 1
  2. Haydn: The London Symphonies, Vol. 2
  3. Haydn: The 12 "London" Symphonies
  4. Haydn: Symphonies Nos. 88 - 92
  5. Schumann: The 4 Symphonies

ASIN: B00000417K
Release Date: 1994-01-18

Tracks:

  1. Symphony No. 82 In C (The Bear): 1. Vivace assi - J. Haydn
  2. Symphony No. 82 In C (The Bear): 2. Allegretto - J. Haydn
  3. Symphony No. 82 In C (The Bear): 3. Menuet - J. Haydn
  4. Symphony No. 82 In C (The Bear): 4. Finale (Vivace) - J. Haydn
  5. Symphony No. 83 In G Minor (The Hen): 1. Allegro spirtoso - J. Haydn
  6. Symphony No. 83 In G Minor (The Hen): 2. Andante - J. Haydn
  7. Symphony No. 83 In G Minor (The Hen): 3. Menuet (Allegretto) - J. Haydn
  8. Symphony No. 83 In G Minor (The Hen): 4. Finale (Vivace) - J. Haydn
  9. Symphony No. 84 In E Flat: 1. Largo - Allegro - J. Haydn
  10. Symphony No. 84 In E Flat: 2. Andante - J. Haydn
  11. Symphony No. 84 In E Flat: 3. Menuet (Allegro) - J. Haydn
  12. Symphony No. 84 In E Flat: 4. Finale (vivace) - J. Haydn

Tracks:

  1. Symphony No. 85 In B Flat (The Queen): 1. Adagio vivace - Joseph Haydn
  2. Symphony No. 85 In B Flat (The Queen): 2. Romance (allegretto) - Joseph Haydn
  3. Symphony No. 85 In B Flat (The Queen): 3. Menuet (allegretto) - Joseph Haydn
  4. Symphony No. 85 In B Flat (The Queen): 4. Finale (presto) - Joseph Haydn
  5. Symphony No. 86 In D: 1. Adagio - Allegro spiritoso - Joseph Haydn
  6. Symphony No. 86 In D: 2. Capriccio (largo) - Joseph Haydn
  7. Symphony No. 86 In D: 3. Menuet (allegretto) - Joseph Haydn
  8. Symphony No. 86 In D: 4. Finale (allegro con spirito) - Joseph Haydn
  9. Symphony No. 87 In A: 1. Vivace - Joseph Haydn
  10. Symphony No. 87 In A: 2. Adagio - Joseph Haydn
  11. Symphony No. 87 In A: 3. Menuet - Joseph Haydn
  12. Symphony No. 87 In A: 4. Finale (vivace) - Joseph Haydn

Customer Reviews:

5 out of 5 stars Lively, Fresh Performances of these Great Haydn Symphonies.......2006-09-12

I am quickly coming to the realization that Haydn is one of the most overlooked composers in the history of Western music. His music is complex, lively, nuanced, always imaginative, and very humane. These performances of his "Paris" symphonies are wonderful; they are lively, fresh, warm and animated. They were recorded well and the Academy of St. Martins in the Fields does an excellent job of capturing the dynamic beauty of these symphonies. The orchestra sounds rich and deep, but not with a heavy and overbearing feel. The loud parts are not "harsh," and the quiet parts are not too quite so that you have to turn up the volume to hear it. I listen to these CD's frequently and I highly recommend them.

5 out of 5 stars Exploring the Haydn Symphonies -- the Paris Symphonies.......2005-03-11

Haydn's set of six "Paris" Symphonies, no. 82 --87, composed in 1785 -- 1786 represent a turning point in his career. Up to that time, Haydn had composed for the Esterhazy family. He was employed in the magnificent Esterhazy palace as the court composer. But his works had been circulated widely throughout Europe, and he enjoyed a great reputation as a composer. Thus, in 1784 the board of directors of the Concerts de la Loge Olympique, Paris, asked Haydn for six symphonies. This set is the result.

The Paris symphonies are larger more complex works than Haydn's earlier symphonies for the Esterhazy court. They use a variety of forms, explore many moods, make extensive use of winds and brass, and display a self-confidence and self-mastery that remain a revelation to hear. Yet, Haydn developed slowly and carefully as a composer. It is inspiring to remember how these symphonies were the outgrowth of Haydn's long years of development of the symphonic form.

I have been listening to many of Haydn's earlier symphonies on Naxos, but turned to this set on Phillips by the Academy of St. Martin in the Fields conducted by Sir Neville Marriner for the Paris symphonies. This is an outstanding compiliation, radiant, lively, and full of attention to detail. There are competitors to this CD, including low-priced disks, but you will not go wrong with this set.

Of the six Paris symphonies, three have nicknames, for better or for worse: the "Bear" no. 82, the "Hen" no. 83, and the "Queen" no. 85. The symphony no. 82 is a festive, joyful work with a great deal of brass, flute, bassoon and tympani enlivening the opening movement. The second movement is a set of variations, while the third movement is a stately minuet with a whimsical trio. The dancing "bear" appears in the finale in a drone in the lower strings.

The g-minor symphony, no.83, the only one of the set in a minor key, opens in a severe, serious manner its nickname of "hen" notwithstanding. The nickname derives from a theme in the oboe in the first movement. The slow movement is mostly serene and peaceful but takes a dramatic turn in the middle while the minuet is flowing and graceful. The finale is in the major key, and is lively and humorous in the style of a round.

The symphony no. 85, "La Reine" in B-flat major probably remains my favorite of this set. It opens with a slow introduction followed by a lively, graceful theme. Note how Haydn uses a rising scale figure both in the introduction and in the body of the movement. The second theme of the opening movement is based on the first movement of Haydn's earlier "Farewell" symphony. The second movement of "La Reine" is a theme and variations on a French folk song, while the third is a minuet, both graceful and regal. The finale, is a rapid triumphant vivace.

The symphony no 84 in E-flat also has a solemn slow introduction, featuring the horn followed by a quick light opening movement. The slow movement is based on simple variations of a sinuous theme stated in the lower strings. The third movement is a stately minuet which flows seamlessly into the trio, while the finale, vivace, brings the work to a galant close.

The symphony no. 86 in D is, together with "La Reine" the masterwork of the set. Haydn's sketches of this work survive and show the effort he put into the seemingly smooth surface of this symphony. The work begins with a lengthy slow introduction followed by a brisk allegro and a lyrical second theme. Haydn makes extensive use of winds in the symphony. The second movement bears the unusual marking "cappricio." It is in free-form and is serious in character. The minuet is rather uptempo with a trio that features a solo for the bassoon and is like a little dance. The Haydn scholar Karl Geringer has described the finale of this work as an "Italian opera buffa". "A musical comedy" he writes "with its flirtatous girl, its miserly old bachelor, and hilarious disguises seems to come to life in this amusing piece." (Geringer, "Haydn" at 300)

The final work of the set is the symphony no. 87 in A. The opening movement is in a galant, busy style. The lovely second movement features solo passages for flute, bassoon, and oboe. The stately minuet again features the use of winds in the trio while the finale begins quietly and works up to a big close.

These symphonies are great works of music and exemplify Haydn's hard-won maturity and success as a composer. Both the listener new to classical music and the lifelong music lover will treasure these performances.

5 out of 5 stars An absolute must-have........2002-03-04

These six symphonies, collectively called "Paris", are actually the first six which Haydn wrote to be played at the d'Olympique, with 88 - 92 following. (No. 92, "Oxford", is stylistically more often associated with the first "London" set, but was actually written for Paris.) I've owned this recording for about three years and it is one to which I often turn. The sound quality is remarkable for an analog recording, the tempi feel "just right", and the playing is superb. The Symphony no. 85 is particularly good here, with its powerful introduction and first movement, recalling the French Overture style, but with a difference (isn't that always the case with Haydn?): Here, Haydn injects the theme from his "Farewell" Symphony as a lead-in to his second subject set and to great effect! (Ironically, this was the favorite symphony of Marie Antoinette, someone to whom history would soon be bidding farewell...did Haydn know something?) Marriner makes the most of this and many other delicious moments in all these works. The wind playing is subtle, yet beautiful during solo sections and there is plenty of sound coming from the cello/bass/bassoon sections (which is often overlooked and underplayed in recordings of music prior to Beethoven). Overall, I prefer the sound and interpretation of this recording (and other Marriner/St. Martin recordings) to many of the heavy, ponderous recordings by modern symphony orchestras and to all of the shrill, glassy, deliberately thin-sounding recordings with "unmusical-because-we-know-better" interpretations made by period instrument groups.
I highly recommend this recording to anyone who enjoys music of this period and especially to those who love the beautiful, witty, and soulful Franz Joseph Haydn.

5 out of 5 stars Haydn at his very best.......2001-12-14

I have been a big Haydn "fan" for many years. Calling the music "beautiful" would be a gross understatement. I was particularly impresed by the less famous symphonies 84,86 and 87. When you write 104 symphonies, some might think the individual value of one symphony tends to decrease and some repetitions might occur. This is not the case with Haydn. Each piece has its own distinctive uniqueness. Every single piece on this CD (and by Haydn in general) is a masterpiece.
These 2 CDs are possibly some of the best Haydn recordings ever made. Sir Neville Mariner is doing a fabulous job and the orchestra is respnding superbly.
Technically - although the original recording is analog (and yes, there is some audible noise from the analog tape), the studio guys managed to keep the noise at an acceptable low level without inducing that boombox-like sound of over-processed tracks.
Overall, a must have for Haydn fans. Definitely 5 stars.

3 out of 5 stars Lovely music, but that's not all you hear . . ........2000-11-02

These are beautiful and uplifting pieces. The sound is wonderful, but on the third track of the first CD (Symphony 82, Menuet), one can hear someone audibly keeping time ("and five" or something like that). Aside from this, a good buy.
Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Average customer rating: 4.5 out of 5 stars
  • The original, original instrument take
  • The most complete set of Mozart symphonies ever recorded
  • Indispensable
  • Ok, but....
  • A milestone set, and worthy of all praise
 Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Beethoven - The Symphonies / Augér, Robbin, Rolfe Johnson, Reinhart, AAM, Hogwood
  2. Mozart - Requiem / Kirkby · Watkinson · Rolfe Johnson · D. Thomas · AAM · Hogwood
  3. Mozart: The Piano Concertos
  4. Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood
  5. Bach: Concertos

ASIN: B000004CYS
Release Date: 1997-06-24

Tracks:

  1. Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
  2. Symphony No. 1 In E Flat Major, K.16: II. Andante
  3. Symphony No. 1 In E Flat Major, K.16: III. Presto
  4. Symphony No. 4 In D Major, K.19: I. Allegro
  5. Symphony No. 4 In D Major, K.19: II. Andante
  6. Symphony No. 4 In D Major, K.19: III. Presto
  7. Symphony In F Major, K.19a-Anh.223: I. Allegro assai
  8. Symphony In F Major, K.19a-Anh.223: II. Andante
  9. Symphony In F Major, K.19a-Anh.223: III. Presto
  10. Symphony No. 5 In B Flat Major, K.22: I. Allegro
  11. Symphony No. 5 In B Flat Major, K.22: II. Andante
  12. Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
  13. Symphony In D Major, K.32: I. Molto allegro
  14. Symphony In D Major, K.32: II. Andante
  15. Symphony In D Major, K.32: III. Menuetto & Trio
  16. Symphony In D Major, K.32: IV. Finale
  17. Symphony In D Major, K.81-K.783l: I. Allegro
  18. Symphony In D Major, K.81-K.783l: II. Andante
  19. Symphony In D Major, K.81-K.783l: III. Allegro molto
  20. Symphony In D Major, K.97-K73m: I. Allegro
  21. Symphony In D Major, K.97-K73m: II. Andante
  22. Symphony In D Major, K.97-K73m: III. Menuetto & Trio
  23. Symphony In D Major, K.97-K73m: IV. Presto

Tracks:

  1. Symphony In D Major, K.95-K73n: I. Allegro
  2. Symphony In D Major, K.95-K73n: II. Andante
  3. Symphony In D Major, K.95-K73n: III. Menuetto & Trio
  4. IV. Presto
  5. Symphony No. 11 In D Major, K.84-K73q: I. Allegro
  6. Symphony No. 11 In D Major, K.84-K73q: II. Andante
  7. III. Allegro
  8. Symphony No. 10 In G Major, K.74: I. Allegro - Andante
  9. Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
  10. Symphony In D Major, K.87-K74a: I. Allegro
  11. Symphony In D Major, K.87-K74a: II. Andante grazioso
  12. Symphony In D Major, K.87-K74a: III. Presto
  13. Symphony In D Major, K.120-K.111-111a: I. Allegro assai
  14. Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
  15. Symphony In D Major, K.120-K.111-111a: III. Presto
  16. Symphony In C Major, K.96-K.111b: I. Allegro
  17. Symphony In C Major, K.96-K.111b: II. Andante
  18. Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
  19. Symphony In C Major, K.96-K.111b: IV. Allegro molto
  20. Symphony No. 13 In F Major, K.112: I. Allegro
  21. Symphony No. 13 In F Major, K.112: II. Andante
  22. Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
  23. Symphony No. 13 In F Major, K.112: IV. Allegro molto

Tracks:

  1. Symphony In C Major, K.35: Sinfonia: Allegro
  2. Symphony In D Major, K.38: Intrada: Allegro
  3. Symphony In D Major, K.200-K62a: I. Serenata: Allegro
  4. Symphony In D Major, K.200-K62a: II. Menuetto &Trio
  5. Symphony In D Major, K.200-K62a: III. Andante
  6. Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
  7. Symphony In D Major, K.200-K62a: V. Allegro
  8. Symphony No. 9 In C Major, K.73: I. Allegro
  9. Symphony No. 9 In C Major, K.73: II. Andante
  10. Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
  11. Symphony No. 9 In C Major, K.73: IV. Allegro molto
  12. Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
  13. Symphony In F Major, K.75: I. Allegro
  14. Symphony In F Major, K.75: II. Menuetto & Trio
  15. Symphony In F Major, K.75: III. Andantino
  16. Symphony In F Major, K.75: IV. Allegro
  17. Symphony No. 12 In G Major, K.110-K75b: I. Allegro
  18. Symphony No. 12 In G Major, K.110-K75b: II. Andante
  19. Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
  20. Symphony No. 12 In G Major, K.110-K75b: IV. Allegro

Tracks:

  1. Symphony No. 14 In A Major, K.114: I. Allegro moderato
  2. Symphony No. 14 In A Major, K.114: II. Andante
  3. Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
  4. Symphony No. 14 In A Major, K.114: IV. Molto allegro
  5. Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
  6. Symphony No. 15 In G Major, K.124: I. Allegro
  7. Symphony No. 15 In G Major, K.124: II. Andante
  8. Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
  9. Symphony No. 15 In G Major, K.124: IV. Presto
  10. Symphony No. 16 In C Major, K.128: I. Allegro maestoso
  11. Symphony No. 16 In C Major, K.128: II. Andante grazioso
  12. Symphony No. 16 In C Major, K.128: III. Allegro
  13. Symphony No. 17 In G Major, K.129: I. Allegro
  14. Symphony No. 17 In G Major, K.129: II. Andante
  15. Symphony No. 17 In G Major, K.129: III. Allegro

Tracks:

  1. Symphony No. 18 In F Major, K.130: I. Allegro
  2. Symphony No. 18 In F Major, K.130: II. Andantino grazioso
  3. Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
  4. Symphony No. 18 In F Major, K.130: IV. Molto allegro
  5. Symphony No. 19 In E Flat Major, K.132: I. Allegro
  6. Symphony No. 19 In E Flat Major, K.132: II. Andante
  7. Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
  8. Symphony No. 19 In E Flat Major, K.132: IV. Allegro
  9. Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
  10. Symphony In D Major, K.185-K167a: I. Allegro assai
  11. Symphony In D Major, K.185-K167a: II. Andante grazioso
  12. Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
  13. Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai

Tracks:

  1. Symphony No. 20 In D Major, K 133: I. Allegro
  2. Symphony No. 20 In D Major, K 133: II. Andante
  3. Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
  4. Symphony No. 20 In D Major, K 133: IV. Allegro
  5. Symphony No. 21 In A Major, K 134: I. Allegro
  6. Symphony No. 21 In A Major, K 134: II. Andante
  7. Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
  8. Symphony No. 21 In A Major, K 134: IV. Allegro
  9. Symphony In D Major, K 135: I. Molto allegro
  10. Symphony In D Major, K 135: II. Andante
  11. Symphony In D Major, K 135: III. Molto allegro
  12. Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
  13. Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
  14. Symphony In D Major, K 161 - K 163 - K141a: III. Presto

Tracks:

  1. Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
  2. Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
  3. Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
  4. Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
  5. Symphony No. 22 In C Major, K 162: I. Allegro assai
  6. Symphony No. 22 In C Major, K 162: II. Andantino grazioso
  7. Presto assai
  8. Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
  9. Symphony In D Major, K 181, K 162b: II. Andantino grazioso
  10. Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
  11. Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
  12. Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
  13. Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro

Tracks:

  1. Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
  2. Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
  3. Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
  4. Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
  5. Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
  6. Symphony No. 29 In A Major, K 201, K 186a: II. Andante
  7. Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
  8. Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito

Tracks:

  1. Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
  2. Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
  3. Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
  4. Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
  5. Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
  6. Symphony In D Major, K 203, K 189b: II. Andante
  7. Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
  8. Symphony In D Major, K 203, K 189b: IV. Prestissimo

Tracks:

  1. Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
  2. Symphony No. 28 In C Major, K 200, K 189k: II. Andante
  3. Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
  4. Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
  5. Symphony In D Major, K 121, K 207a: I. Allego molto
  6. Symphony In D Major,K 121, K 207a: II. Andante grazioso
  7. Symphony In D Major, K 121, K 207a: III. Allegro
  8. Symphony In D Majr, K 204,K 213a: I. Allegro assai
  9. Symphony In D Major, K 204, K 213a: II. Andante
  10. Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
  11. Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro

Tracks:

  1. Symphony In C Major, K 208, K 213c: I. Molto allegro
  2. Symphony In C Major, K 208, K 213c: II. Andantino
  3. Symphony In C Major, K 208, K 213c: III. Presto assai
  4. Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
  5. Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
  6. Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
  7. Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
  8. Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
  9. Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
  10. Symphony No. 32 In G Major, K 318: II. Andante
  11. Symphony No. 32 In G Majaor, K 318: III. Tempo primo

Tracks:

  1. Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
  2. Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
  3. Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
  4. Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
  5. Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
  6. Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
  7. Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
  8. Symphony No. 34 In C Major, K 338: I. Allegro vivace
  9. Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
  10. Symphony No. 34 In C Major, K 338: III. Allegro vivace

Tracks:

  1. March In D Major, K 408, No. 2, K 385a
  2. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
  3. Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
  4. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
  5. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
  6. Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
  7. Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
  8. Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
  9. Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto

Tracks:

  1. Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
  2. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
  3. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
  4. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
  5. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
  6. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
  7. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
  8. Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
  9. Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
  10. Symphony No. 38 In D Major, 'Prague', K504: III. Presto

Tracks:

  1. Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
  2. Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
  3. Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
  4. Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
  5. Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
  6. Symphony No. 40 In G Minor (First Version), K 550: II. Andante
  7. Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
  8. Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai

Tracks:

  1. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
  2. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
  3. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
  4. Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
  5. Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
  6. Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
  7. Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro

Tracks:

  1. Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
  2. Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
  3. Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
  4. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
  5. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
  6. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
  7. Symphony In F Major, K 76, K 42a: I. Allegro maestoso
  8. Symphony In F Major, K 76, K 42a: II. Andante
  9. Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
  10. Symphony In F Major, K 76, K 42a: IV. Allegro
  11. Symphony No. 6 In F Major, K 43: I. Allegro
  12. Symphony No. 6 In F Major, K 43: II. Andante
  13. Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
  14. Symphony No. 6 In F Major, K 43: IV. Allegro

Tracks:

  1. Symphony In G Major, 'Neue Lambach': I. Allegro
  2. Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
  3. Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
  4. Symphony In G Major, 'Neue Lambach': IV. Allegro
  5. Symphony No. 7 In D Major, K 45: I. Allegro
  6. Symphony No. 7 In D Major, K 45: II. Andante
  7. Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
  8. Symphony No. 7 In D Major, K 45: IV. Finale
  9. Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
  10. Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
  11. Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
  12. Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
  13. Symphony In D Major, K 51, K 46a: I. Molto allegro
  14. Symphony In D Major, K 51, K 46a: II. Andante
  15. Symphony In D Major, K 51, K 46a: III. Molto allegro
  16. Symphony No. 8 In D Major, K 48: I. Allegro
  17. Symphony No. 8 In D Major, K 48: II. Andante
  18. Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
  19. Symphony No. 8 In D Major, K 48: IV. Allegro

Tracks:

  1. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
  2. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
  3. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
  4. Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
  5. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
  6. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
  7. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
  8. Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
  9. Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
  10. Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
  11. Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai

Amazon.com essential recording

This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz

Customer Reviews:

4 out of 5 stars The original, original instrument take.......2007-05-03

A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!

Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.

Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.

There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."

The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.

5 out of 5 stars The most complete set of Mozart symphonies ever recorded.......2006-08-10

This massive 19 CD collection contains 71 symphonies!

Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.

I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.

Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))

This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.

5 out of 5 stars Indispensable .......2004-11-13

This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.

The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.

This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.

3 out of 5 stars Ok, but...........2004-06-30

I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:

Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.

I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.

5 out of 5 stars A milestone set, and worthy of all praise.......2004-04-29

In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.

Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.

Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.

There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.

The set is competitively priced, the sound is very good throughout, there is decent documentation.
Haydn: 6 "Paris" Symphonies
Average customer rating: 4.5 out of 5 stars
  • master performance of music with historic value as well!!
  • Too Romantic?
  • Haydn y Karajan
  • symphonies Parisiennes
 Haydn: 6 "Paris" Symphonies

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B000001GNT
Release Date: 1995-07-18

Tracks:

  1. Symphony In C Major Hob. I:82 'L'Ours': 1. Vivace assai
  2. Symphony In C Major Hob. I:82 'L'Ours': 2. Allegretto
  3. Symphony In C Major Hob. I:82 'L'Ours': 3. Menuet - Trio - Menuet
  4. Symphony In C Major Hob. I:82 'L'Ours': 4. Finale. Vivace
  5. Symphony In G Minor Hob. I:83 'La Poule': 1. Allegro spiritoso
  6. Symphony In G Minor Hob. I:83 'La Poule': 2. Andante
  7. Symphony In G Minor Hob. I:83 'La Poule': 3. Menuet. Allegretto - Trio - Menuet
  8. Symphony In G Minor Hob. I:83 'La Poule': 4. Finale. Vivace
  9. Symphony In A Major Hob. I:87: 1. Vivace
  10. Symphony In A Major Hob. I:87: 2. Adagio
  11. Symphony In A Major Hob. I:87: 3. Menuet -- Trio -- Menuet
  12. Symphony In A Major Hob. I:87: 4. Finale -- Vivace

Tracks:

  1. Symphony In E Flat Major, Hob. I: 84: 1. Largo - Allegro
  2. Symphony In E Flat Major, Hob. I: 84: 2. Andante
  3. Symphony In E Flat Major, Hob. I: 84: 3. Menuet. Allegretto - Trio - Menuet
  4. Symphony In E Flat Major, Hob. I: 84: 4. Finale. Vivace
  5. Symphony In B Flat Major Hob. I: 85 'La Reine': 1. Adagio - Vivace
  6. Symphony In B Flat Major Hob. I: 85 'La Reine': 2. Romance. Allegretto
  7. Symphony In B Flat Major Hob. I: 85 'La Reine': 3. Menuetto. Allegretto - Trio - Menuetto
  8. Symphony In B Flat Major Hob. I: 85 'La Reine': 4. Finale. Presto
  9. Symphony In D Major Hob. I: 86: I. Adagio - Allegro spiritoso
  10. Symphony In D Major Hob. I: 86: II. Capriccio. Largo
  11. Symphony In D Major Hob. I: 86: III. Menuet. Allegretto - Trio - Menuet
  12. Symphony In D Major Hob. I: 86: IV. Finale. Allegro con spirito

Amazon.com

Late in his career, Herbert von Karajan developed an interest in Haydn, a composer whose music he had virtually ignored. Actually, Karajan wasn't much of a Mozart conductor either; his interests began with Beethoven. And so when he conducted Haydn, he emphasized the connection with Beethoven, and it works very well. Beethoven owed a lot to his former teacher--more than he was willing to admit--and Karajan's interpretations are full of symphonic grandeur and performed with great enthusiasm. The music itself is glorious. Just listen to the trumpets and horns blaze out in the finale of Symphony No. 82, The Bear, and you'll be hooked. Promise. --David Hurwitz

Customer Reviews:

5 out of 5 stars master performance of music with historic value as well!!.......2006-11-16

First, note that i am a relative beginner in classical music, so as a result, my interpretation of this music is based on this recording alone.

Second, that being said, i am eagerly awaiting haydn's complete symphonies conducted by Dorati to arrive. this is how much of an impression these works have made on me! i look forward to comparing the two interpretations.

Third, symphony #85 "la reine" was one of Queen Marie-Antoinette's favorites. I mention this for a few reasons. One, I am a bit of a history buff and enjoy learning about history, thus this gives me a point of reference for the composer's contempories and a sense of what is happening on the streets of Paris while this wonderful music is being performed. Furthermore, at the time of writing this review, the movie, "Marie-Antoinette" was in theatres, and yes i did see this one; although, at the time of purchase, I did not know about the connection. This has given me a fresh desire to revisit some history.

Fourth, frankly, the only good review is the one written in spanish which may be an obsticle to some, however he does mention that the Bernstein recording with the NYP is good, so that may be one to compare as well. The snob and the french reviews require no explanation.

Now, to the music. In a word: glorious. the music is full, rich, and played with fervent emotion that stirs my soul. Being a novice, I must say that most of my preferences for various works result from what moves me and where my mind goes with the music. This 2 CD set is a gem and I highly recommend it.

I have given the piece 5 stars for three reasons: a) my personal response to the music itself, b) the paucity of reviews for this recording and c) the quality of the conductor and orchestra.

3 out of 5 stars Too Romantic?.......2002-09-25

Karajan's a great conductor, to be sure, but this rendition of Haydn's Paris symphonies leaves me unsatisfied. The tempos on some of the minuets are *way* too slow. Of course, I cut my symphonic-Haydn teeth on the Marriner/ASMF performances available on Philips DUO, which I recommend. It also sounds as if the Berlin Philharmonic might be a bit too big for these works, or maybe it's just the sonics of this 1981 recording. In any event, I find this interpretation much too Romantic for Joseph Haydn, the epitome of Classicism.
Karajan's and the BPO's performance of the Adagio of No. 87 is not bad, though.

5 out of 5 stars Haydn y Karajan.......2000-05-27

Este doble de las Sinfonías de Haydn por Karajan, nos demuestra una vez más la excepcional calidad interpretativa que Karajan desarrollo con los berlineses, es bien conocida versión de La Creación (Karajan-Berlín) y altamente alabada por los críticos de todo el mundo. La combinación realmente funciona maravillosamente en la obra de Haydn.

El Haydn de Karajan suena muy fino con trazos muy elegantes con un espíritu brillante y fresco, las cuerdas de la Berlín están sorprendentemente bien balanceadas y rítmicamente activas. Las obras de Haydn son más ligeras que las siguientes: 88, 89, 90, 91, 92 y las Sinfonías londinenses (93 a la 104) pero no de menor belleza, la Sinfonía No. 86 debe ser sin lugar a dudas una de las obras más briosas y optimistas del gran maestro.

PD.- Las versiones de Leonard Bernstein con la New York Philharmonic, son otra excelente opción de las Sinfonías Parisinas.

5 out of 5 stars symphonies Parisiennes.......2000-02-01

Monsieur Gerard Gaudicheau 1,rue du Poulfank 56470 Saint-Philibert (France)
Tracce della tradizione orale in manoscritti italiani del XIV, XV sec.
Average customer rating: Not rated
    		Tracce della tradizione orale in manoscritti italiani del XIV, XV sec.

    Manufacturer: Opus 111
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    GeneralGeneral | Classical | Styles | Music
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    GeneralGeneral | Opera & Vocal | Styles | Music
    ASIN: B00005UEBG
    Release Date: 2002-10-08

    Tracks:

    1. I Senti Matutino
    2. Culomba Amata
    3. Dolce Lo Mio Drudo
    4. Tribbiera
    5. Donna Fallante
    6. All Metitora
    7. Con Dogliosi Matiri
    8. Strenci Li Labri
    9. Stabat Mater
    10. Ogn'om M'entenda
    11. Alzando Gli Ochi
    12. Misericordia Altissimo Dio
    13. Stabat Mater
    14. Non So Qual'i Mi Voglia
    15. Su La Rivera
    16. Cavalcando Con Un Giovine Accorto
    17. E Vatende Segnor Mio

    Rock Music:

    1. Presents Hot Women Singers
    2. Pure Brazil: The Girls from Ipanema, Vol. 2
    3. Question [Import]
    4. Salma Har
    5. Samsara [Soundtrack]
    6. Senhora Do Destino Internacional [Import]
    7. Ses Plus Grands Succes [Import]
    8. Singing Bowls
    9. Songs of the British Isles [Import]
    10. Spirit Walk

    Rock Music

    rock music

    Recommended Music:

    Aquarius Let the Sunshine in [Import]

    Solflöjt

    Something to Sing About

    Country Picks, Vol. 44 [Karaoke]

    The Africans [Soundtrack]

    Seine Groben Erfolge [Import]

    Smiley Smile

    Root Down

    Succes des Annees 50-60, Vol. 1

    Seasons of Love

    Tarantula [Import]

    Reencontro: Serie Elenco [Import]

    SOUTH BOSS MAFIA [Explicit Lyrics]

    Moises Moleiro: Piano Music

    That's Him