Brasil 88 [Import]

1. Bridges

2. Water Of March

3. That's Enough For Me

4. Misturada

5. One More Lie

6. Midnight Lovers

7. Harley

8. Tiro Cruzado (Cross Fire)

9. Life Goes On

Brasil 88,Sergio Mendes,Bmg Int'l,Brazilian,Jazz,Latin,World Music

Average customer rating: Found at last more than samba Big & glossy but very enjoyable LOVE IT Great Music!

Brasil 88 Sergio Mendes Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music International | Imports | Stores | Music Jazz | Imports | Stores | Music Latin Music | Imports | Stores | Music Similar Items: Love Music Sergio Mendes/Magic Lady Vintage 74 Sergio Mendes & the New Brasil '77 Sergio Mendes ASIN: B00006LWH0 Release Date: 2002-01-08

Tracks:

1. Bridges
2. Water Of March
3. That's Enough For Me
4. Misturada
5. One More Lie
6. Midnight Lovers
7. Harley
8. Tiro Cruzado (Cross Fire)
9. Life Goes On

Customer Reviews:

Found at last.......2007-01-28

I was looking for this album to be recorded on CD for years!
I purchased this album almost 30 years ago on vinyl and after the CD format came out I couldnt find this particular album for years. Then a few months ago doing a search on your website I finally found out that this particular CD HAD been recorded back in 02.
The technical quality is excellent and it brings back fond memories.

more than samba.......2006-08-28

This album is a typical blend of brazilian music and modern jazz. The vocals are exquisite and to me this album is an evergreen. When it first came out - almost 20 years ago - I bought it on vinyl. Now, having acquired the CD, I am amazed how contempory the music is. Sergio Mendes has still got it indeed!

Big & glossy but very enjoyable.......2005-12-30

The liner notes on this Brasilian import CD state that the budget for this album was approximately $200,000, which is a staggeringly huge amount, especially for 1977-78. But this is definitely Sergio's lushest production from his Elektra years, so maybe it's correct.

Sergio maintains a fine balance between lush pop ("Bridges," which charted in the Philippines, and "Midnight Lovers," which includes some gorgeous multi-tracked harmonies), Brasilian jazz ("Misturada," one of his finest instrumental outings, and "Tiro Cruzado", a very funky piece previously done by Jobim and Miucha), as well as some proto-disco material ("One More Lie" and "That's Enough For Me.").

This album basically fell flat in the American market--by the time Sergio released his next, and last, Elektra album (the lamentable "Magic Lady"), he had been "demoted" from the Butterfly label to the budget standard red Elektra label. But this penultimate release from his first Elektra stint is a gorgeous and worthwhile album for all Mendes fans.

LOVE IT.......2005-06-26

I originally bought this album when it came out in 1985 or 1986. It was always one of my very favorite albums of all times. I still have the album, but nothing to play it on. I haven't heard it probably since 1987. I recently purchased the MP3 version, and I must say it still stands out as one of the best!!! And surprisingly so, I still remember the words. The vocals, harmonies still are some of the best I've ever heard on any song. "One More Lie" alone is worth the price, pure 80's pop/soul with that great Sergio Mendes Brazilian beat!

Great Music!.......2005-06-11

Late 70's came back to me like a flash. I used to hear this on the airwave when I was young. stuff like Waters of March, Bridges, Midnight Lover & That's enough for me are a tremendous vocal rhythm that made Sergio Mendez a fixture in Latin-Jazz and Soulful Samba. He's on top of his game.

Average customer rating:

Brasil 88: The Sound, The Music Various Artists Manufacturer: Buda Musique ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music Samba | Latin Music | International | Styles | Music Afro Brazilian | Latin Music | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Bossa Nova | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Lounge | Easy Listening | Pop | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music ASIN: B00008ESU7 Release Date: 1995-11-01

Tracks:

1. Um Ser de Luz - Alcione
2. Roque Santeiro
3. Chuva de Prata - Gal Costa
4. Na ABA - Martinho Da Vila
5. Recado Pro Meu Namorado - Joanna
6. Whisky a Go-Go - Roupa Nova
7. Onde Esta O Dinheiro - Gal Costa
8. Toque de Mala - Beth Carvalho
9. Leva - Tim Maia
10. NDa - Roupa Nova
11. Esta da Luz - Al Valen
12. Tue T Alcione

Average customer rating: There were greater talents. This Is No Lesson in Economics... CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST) It's actually not so expensive A Superb Reissue

The Rubinstein Collection (Limited Edition) [Box Set] Manufacturer: RCA ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Busoni | Busoni, Ferruccio | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chabrier | Chabrier, Alexis Emanuel | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | 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Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Szymanowski | Szymanowski, Karol | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Minneapolis Symphony Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music San Francisco Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B00001O2XZ Release Date: 1999-10-26

Amazon.com

A retail price of $1,600 for a box set? Granted, it's not something most of us can afford. But, for piano buffs and fans of Artur Rubinstein, this mammoth limited-edition 94-CD set might be an investment to consider. For starters, BMG has collected all of the approved studio recordings of Rubinstein (including 200 or so that have never been on CD) and added a handful of previously unreleased recordings and some interviews. The lot has been remastered for this collection using the latest technology (RCA's disc-and-a-half Highlights sampler actually showcases some of the more dramatic remasterings)--a good thing, when you consider that many of these master tapes have a lifetime's worth of surface noise. You get a lavishly illustrated book with essays and photographs and a nice case to store the works; everything but the credit plan is included, really. Of course, it's up to you to decide whether you want 706 recordings of 347 pieces played by the same great pianist. And, though owning Rubinstein's three complete cycles of Beethoven's concertos might sound tempting, will you really listen to each of them? Probably not, but if you need 'em, here they are. (His Chopin cycles, on the other hand, you will listen to repeatedly!) It's easily one of the most impressive and comprehensive box sets that classical music has seen: a true career overview with excellent remastering and handsome packaging that reflects the collection's price tag (unlike some box sets that are just that: CDs in boxes). Do you need it? Probably not. Will you want it? You bet. --Jason Verlinde

Customer Reviews:

There were greater talents........2005-05-30

I must confess that I hate Rubinstein's sound as a pianist, but his dedication and verve were notable. Think though of Claudio Aurru's gifts, remarkable... I feel that to love Rubinstein one must love a world of safe emotional borders and sameness; sorry A.R fans. jb

This Is No Lesson in Economics..........2004-10-10

It is a natural tendency when reviewing items in this price-point to contemplate cost-effectiveness first and foremost. Considering that CDs have no nutritional value and cannot keep kids off crack, I am uncomfortable recognizing, much less crossing, some line in the sand where space ordinarily reserved for record-reviews must yield to amateur musings on the evils of conspicuous consumption or macroeconomic conceptions of social justice. Let's assume for the moment that this box set is free, removing from our purview the materialistic thrill or global economic blight one might seek and/or wish to stave off in purchasing it.

Rubinstein's "official" recorded output is astounding. It spans 5 decades, and encompasses significant forays into the oeuvre of dozens of composers. Though technique is generally expected to decline with age, few pianists live to be 96 years old. Rubinstein the pianist and Rubinstein the musician reached their highest collective summit when Rubinstein the man was well into his 60s. The "late-bloomer" aspect of his career places a considerable quorum of his most polished recordings squarely within the stereo era. Some of this material had made its way onto CD prior to this release, most notably his Chopin. Unfortunately, Rubinstein's well-deserved public acclaim as Chopin's supreme torchbearer unjustly limits his reputation along "expresio unius est exclusio alterius" lines. For example, though Rubinstein chose to record only a small handful of Beethoven sonatas, it is doubtful that one might hear them better played, even by his Beethoven specialist contemporaries Schnabel and Kempff. Rubinstein also ardently championed French and Spanish music, and is said to have loved performing Brahms most of all. This release places many of his most accomplished recordings before the ears of the listening public for the first time since their original release on vinyl.

I am frequently intoxicated by the earliest recordings from the 30s and 40s. Some of them, like his first traversal of the Chopin scherzi, are bite-your-nails-til-they-bleed thrilling. On the other hand, the initial limitations of the recording process required this (and every) pianist to make bothersome compromises with respect to tempi and dynamics at times. Ultimately, it comes down to personal taste. I am more consistently drawn to Rubinstein the wise-master than Rubinstein the young Turk.

RCA invested undisclosed sums of time and money into restoring, remixing, and remastering all of the recordings for this release. Some of the earlier recordings have been available on CD for quite some time (e.g. Chopin's Op. 28 Preludes, the Ormandy/Philadelphia Grieg concerto). Despite the intervention of acoustical restorationist-par-excellence Ward Marston, the remastering undertaken in the course of this project has not dramatically improved the sound on these releases. Short of traveling several decades into the past and placing more sensitive microphones in more strategic locations, there was probably little else that could have been done. Marston's brilliance is far more obvious in restoring to near original luster many deteriorating tape recordings from the late 40s and early 50s. The stereo recordings also sound fuller.

I am pleased with my purchase because having access (and, most importantly, having listened to) all of these recordings is a moving experience. It allows me to contemplate this extraordinary artist as a man, whose performance is inevitably colored by the accumulation of experience, the expanding flexibility of the recording process, the onset of maturity, and (perhaps sadly) declining physical powers. There are multiple recordings of most pieces in this collection, but I rarely find it difficult to cull a favorite among them. At this point, I play some of the records frequently, and others rarely. If your aim is to hear Rubinstein at his best, this set provides the resources you need to make what are at turns obvious, and others hopelessly personal choices. This set includes detailed (and mostly newly written) liner notes for each record as a well as an engaging hardcover book providing no fewer than 3 complete indices to the recordings (by date of recording, Composer, and Volume number). The box itself is a work of art, looks stunning on a shelf, and never requires polishing. Most of the 81 volumes are sold separately, and have been made available for download on the Apple Music Store.

While I will not claim that Rubinstein's interpretations are equally effective, I cannot think of any other pianist, now living or forever deceased, who could approach such a broad repertoire with the unwaivering technical finesse and prophetic musicianship evident in the bulk of his recorded output. If you never see the likes of a "Rubinstein Collection" on the shelf again, do not dismiss it as another textbook illustration of price elasticity. To do so is to dwell on on the vagaries of consumerism when the more important issue is that the next Rubinstein may never be.

CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST).......2003-05-30

You have two choices: Starve the kids or skip the mortgage payments for a month or two. How else can you afford this 94 (!) disc set that captures every studio recording the classical icon ever recorded. Trust us: The kids are fat enough.

It's actually not so expensive.......2001-06-06

Provided you have the time, listening to this collection not only helps you better appreciate Rubinstein's supreme talent but also gives you some idea of his unfolding genius--how his technique and interpretation changed through the years. There's enough room in music for every kind of interpretation, as long as you take the music first, and all the interpretations Rubinstein offered are interesting. Of course this set is expensive, but it's nearly 100 CDs plus liner notes, so the price is not that bad. Besides, if you decide to really listen to this set the way it deserves, it's going to be years before you buy another CD.

A Superb Reissue.......2000-04-30

A friend of mine was able to aquire the Rubinstein Collection and I have been borrowing from it liberally.

RCA deserves to be commended on going the extra mile and releasing ALL of the authorized Rubinstein recordings, well organized and superbly remastered in this comprehensive edition. Hopefully, RCA will also release the individual volumes for those who are not completists or who simply cannot afford the entire set. True, this set is at full price. A source who was connected with this reissure has told me that RCA planned to issue the set at mid price, but the cost of this mammoth edition went far overbudget--and the full price was dictated by their production costs. Certainly, the money was well spent. The ramastering, particularly in the earlier recordings, must be heard to be believed. The packaging, documentation, and liner notes are all first class.

It is fascinating to trace Rubinstein's evolution as an interpreter--from the devil-may-care early days through the mature recordings of the 1950s, into the 1970s, when his playing on record tended to be a bit cautions.

Hopefully, the cost of producing this magnum opus and the reported slow sales it has been getting will not deter RCA from producing more boxed sets of Horowitz and many of the other artists in the RCA vaults. Bravo, RCA!

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5. Celtic Bagpipes
6. Ciranda [Limited Edition]
7. Comme Vous... [Import]
8. Cordes Et Ame
9. Dancing with Siva Mantra Music
10. Darwin [Import] [Limited Edition]

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