Temporal

Amazon.com's Best of 1998
One of the most fascinating world music albums of 1998 is by a group that, until success struck, did not really exist. Radio Tarifa are named after a fictitious radio station and play music that sounds indigenous to Iberia but is actually a remarkably organic hybrid of modern styles and ancient traditions. Temporal is a delightful, provocative surprise. Think border music for a borderless world. --Fernando Gonzalez

Amazon.com
With Mediterranean instruments like the oud, derbuka and ney, Radio Tarifa collapses recognizably Arabic sounds with flamenco rhythms, playing with a flair reminiscent of a traditional Balkan wedding band. (The Spanish ensemble also tackles a 16th-century Sephardic tune and a 12th-century French procession.) Central to Radio Tarifa's charm is the rough-edged voice of Benjamin Escoriza, whose throaty elocution makes his Spanish a terrific blur of clarity and wavering timbre. Aside from the Mediterranean percussion--supplied mainly by the differently-pitched hand drums--Radio Tarifa also dots its grooves with Afro-Cuban inflected bongos and an electric bass, making this global concatenation particularly delightful. --Andrew Bartlett

Tracks:

Temporal Analogues of Paradise: 1st Movement
Temporal Analogues of Paradise: 2nd Movement

Customer Reviews:

Fusion at its best.......2007-07-15

I bought 'Icon' several months ago and i have mixed feeling about it, Shawn Lane doesn't play enough on this album and i'm a little bored by the indian voices, the vocals take an important place on 'Icon' and i personally prefer to listen to the playing of the trio than some vocals - but i guess it is a matter of taste; on this album however, Shawn Lane plays an extraordinary (but very sad) guitar solo on 'Mirror'; that being said, i prefer to listen to by far 'Temporal Analogue of Paradise', the music is more joyous (there is a sad feeling going on throughout 'Icon'), the melodies are complex and hence, support repeated listenings where you always discover new interesting musical ideas; the album introduction also benefits from one of the most galvanizing guitar solo i have ever heard from a fusion record, turning thereafter into sweet melodic lines; the rhythm section is solid and the two tracks swings between experimental abstraction and melodic themes.

There is no other album quite like this one........2007-03-14

Well actually, it IS like ONE other album - this is the remastered Bardo Records version of the original 1996 Day Eight Records cd with Mao Tse-tung's picture hanging behind the three group members. Anyway, here you have three virtuosos so confident in their ability and vision that they have the canasters to put out a cd with just two long (32-minutes and 27-minutes) improvised jams done in a live setting. And it all works beautifully. The album art is stark, the booklet notes are practically nonexistent, yet the title is this precocious and cerebral "Temporal Analogues of Paradise" which focuses the listener's attention on the MUSIC, and nothing else. For good reason. Drummer Jeff Sipe (aka Apt. Q-258) has an eclectic background, with influences from Carl Palmer to the great jazz masters, and he's magnificent in this type of setting. Bass player Jonas Hellborg (arguably the most famous of the trio) has a great arsenal of styles and sounds, venturing from soft melodic to bop to growling fury - he's quite a talent. Together, they form a solid and knowing rhythm section that's not shy about taking their turns in the soloing spotlight. After those two, one might be tempted to slight Shawn Lane as just "icing on the cake". But the former Black Oak Arkansas guitar wunderkind from Memphis takes what is already GREAT to...well, EXCEPTIONAL. I'd love to have a video of him playing, as he tended to sound like two (or even three!) guitarists at once in places. He could fly as fast as a neo-classical metal shredder, or alternately add beautiful background colors to the other soloists. For many of us, it was the unique sound and talent of the late Shawn Lane that originally drew us to this cd. Tastefully done all around, this is phenomenal improvised jazz/rock fusion of the very highest order.

I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 9/10; Performance = 10/10; Production = 9/10; CD length = 9/10.
Overall score weighted on my proprietary scale = 9.3 ("5 stars")

Average customer rating:

amazing!
Beautiful, dreamy melodies
Towards the Future...
Subtle pleasantries.
SOMETHING SO GOOD

Temporal
Love Spirals Downwards
Manufacturer: Projekt Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003OP8Q
Release Date: 2000-01-11

Tracks:

Alicia (1999 Remix)
Misunderstood (I'll Always Love You - 1999 Remix)
Ring
Asleep
Madras
Amarillo
Above The Lone
Subsequently (Live)
Kykeon
Depression Glass
This Endris Night
Ladonna Dissima
Mediterranea

Amazon.com

A greatest-hits disc after only four albums? Apparently, when you're as good as Love Spirals Downwards, you can get away with it--especially if you throw in a few remixes and rare tracks to make it worth your fans' while. Working its way backward through the band's career, Temporal provides a highlight reel of vocalist Suzanne Perry's ethereal musings and multi-instrumentalist Ryan Lum's moody atmospheres. And while it's perhaps not too much of a stretch to go from the 4AD-style bliss of early tracks such as "Mediterrenea" and "This Endris Night" to the heavenly drum and bass of later songs such as "Alicia" and "Ring," LSD have never left their core audience behind, most of whom would heed Perry's siren call even if she sang in a heavy-metal band. Cocteau Twins fans, the torch has been passed. --Steve Landau

Customer Reviews:

amazing!.......2005-05-31

i decided to purchase this cd solely for the song "depression glass" that my older sister had introduced me to. i had no idea who the band was, i just knew i loved the song. since i am not too familiar with other works, i had decided to start off with this hits compilation, and i have not been able to stop listening to it since then. the melodies are so beautiful and the voices angelic. i love how guitars give a semi strong powerful/semi soothing mood to the music [depression glass, kykeon, mediterrenea] while some tracks are more techno-oriented, like in ring, asleep, and madras. i cannot get enough of this cd, and anyone not familiar with this group but interested in this genre of music should definitely start off here. you won't regret it!

Beautiful, dreamy melodies.......2004-06-04

Founded by Ryan Lum, Love Spirals Downwards has been around since the early 90s. They're sadly no longer together but he's still signed to projekt records with a band called Lovespirals with new singer Anji Bee. I believe their sound is somewhat similar to this but I can't say for sure...

'Temporal' is LSD's final release and is a collection of music past & present. I'd been wanting to check this group out for a while but have always been leery of anything ambient based as it tends to lull me to sleep, and not because it's soothing but because it's boring! This, however, has altered my seemingly narrow perception.

While this is a compiled album of previously available material by LSD there's also a sparse amount of new tracks as well as exclusive remixes included here on their "greatest hits". I've never heard the originals before but on here "Alicia" is mostly downtempo drum&bass and "Misunderstood (I'll Always Love You)" is purely trip hop with some jazzy saxophones sounding in from time to time (those are the two remixes provided here).

Some tracks are supported by electronics with lilting sirens spiraling upwards while others are slower paced, relying more on acoustic instruments. But, no matter what, the textures never lose the lush, full and sumptuous sound they permeate that is always rich in atmosphere. In the early years Suzanne Perry was the main vocalist for LSD but later on her sister Kristen Perry took over and so I'm assuming that both voices can be heard throughout this record. However, I'm not 100% clear on that fact for nowhere inside the booklet does it specify who sings what. Every song is amazing, though, and as a whole it flows rather nicely and the beats are, in a word, heavenly.

LSD kinda reminds me of a more toned down version of Chandeen with a dreamier, female-fronted likeness of Lycia thrown in for good measure. I therefore recommend this to anyone who wants hypnotic soundscapes and ethereal voices that neither overpower nor serve as background accents to entrance and relax you, but without driving you to boredom.

{I truly love them all but my favorite tracks include: "Ring", "Asleep", "Madras", "Above The Lone", and "Depression Glass"}

Towards the Future..........2003-05-30

Beautiful music! Love Sprials Downwards have managed to criss-cross and unite new age/moods/ambient and chill-out all in one. An eclectic masterpiece and a wonderful blueprint of newest instrumental music. We have come along way from the great foundations of Windham Hill, Narada and others. This is the future!

Subtle pleasantries........2000-10-01

This CD slows my world down. Or maybe it just softens the edges a little; I'm not really sure which. The soft, echoing guitars and vocals are conducive to writing; even after the CD's finished playing, the melodies remain in my head, helping to coax new descriptions out of the things around me.

Two paws up for the track arrangement, too; the drum 'n bass tracks in the beginning transition very nicely into the more ethereal-sounding tracks at the end. All together, the 13 tracks are more like one big, lavender, 66-minute mass. Kind of like the album cover, now that I think about it.

I'd compare Love Spirals Downwards to the Cocteau Twins, since that's what I'm most reminded of here, but I don't really see the point. LSD are similar, sure, but by no means derivative. Take my advice and appreciate this album for what it alone is... oh yeah, and for what it'll do to your mind. Trust me; you'll like it.

SOMETHING SO GOOD.......2000-04-13

Temporal is the only album by LSD I have ever heard, but not the only one I will ever buy. I discovered the band some weeks ago, and I haven't heard much of other music lately, because their music steals all my attention. I wouldn't be much wrong if I say they remind me a bit of Cocteau Twins and the moods I get in when I listen to them. I am looking forward to buy the other records they made, and in meanwhile I will enjoy this one.

Average customer rating:

Good, but first CD is better
My origens
Music you can taste smell and touch
Just as beautiful as Rumba Argelina -- their other cd
several good songs

Temporal
Radio Tarifa
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Africa | International | Styles | Music

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Rumba Argelina
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ASIN: B000006E4K
Release Date: 1998-04-28

Tracks:

La Tarara
Las Cuevas
Cancion Sefardi
Baile De Almut
Solea
Tangos De La Condicion
Conductus
Temporal
El Mandil De Carolina
Vestido De Flores

Amazon.com's Best of 1998

One of the most fascinating world music albums of 1998 is by a group that, until success struck, did not really exist. Radio Tarifa are named after a fictitious radio station and play music that sounds indigenous to Iberia but is actually a remarkably organic hybrid of modern styles and ancient traditions. Temporal is a delightful, provocative surprise. Think border music for a borderless world. --Fernando Gonzalez

Amazon.com

With Mediterranean instruments like the oud, derbuka and ney, Radio Tarifa collapses recognizably Arabic sounds with flamenco rhythms, playing with a flair reminiscent of a traditional Balkan wedding band. (The Spanish ensemble also tackles a 16th-century Sephardic tune and a 12th-century French procession.) Central to Radio Tarifa's charm is the rough-edged voice of Benjamin Escoriza, whose throaty elocution makes his Spanish a terrific blur of clarity and wavering timbre. Aside from the Mediterranean percussion--supplied mainly by the differently-pitched hand drums--Radio Tarifa also dots its grooves with Afro-Cuban inflected bongos and an electric bass, making this global concatenation particularly delightful. --Andrew Bartlett

Customer Reviews:

Good, but first CD is better.......2006-12-09

I have all four Radio Tarifa CDs. Like some other reviewers, I find the first - Rumba Argelina - the best. I think the cut "La Canal" is their very best effort. Temporal is certainly cool music, but in my opinion, it doesn't match up to its predecessor.

Regarding the comments that some of the songs on Temporal sound like they're performed by someone other the usual lead singer (Benjamin Escoriza), in fact they are. According to the insert, cuts 5 and 6 feature a guest vocalist called "Falo", whose voice I don't like very much.

Temporal certainly bears the unique Radio Tarifa sound, but given the fact that it only has ten tracks, and two feature a vocalist I don't like, I felt a bit short changed.

My origens .......2005-04-01

This music brings out the Mediterranean in me, it's good. If you like it check the other two albums there good too!

Music you can taste smell and touch.......2004-10-26

Although I don't think I can add too much to what has been said by others, I am compelled to tell you just how much this visceral recording grabs me. I feel like I am with the musicians.... I'm just not sure exactly where, on the map, that is! I know where Tarifa is, but the place this music takes me is pure fantasy. Wonderful carnal joy! If ever there was an advertisement for travelling to Spain, it is this recording. I like R. Argelina too, but this one you can taste, smell and touch. Pour a glass of full bodied red and enjoy!

Just as beautiful as Rumba Argelina -- their other cd.......2002-12-29

I just love this cd. It is more beautiful than the Rumba Argelina cd that I own. I got it for a friend. It really makes you immagine Spain when ruled by the North Africans. It is just a great mix of new and old, and thank god they don't use the stupid sax that they did on R.A.

several good songs.......2001-07-19

one reviewer likes the Rumba...cd better. i agree--the sound of the man's voice is a bit harsh this time. i wonder if its the same man. there are a few good songs on temporal. i like cancion sefardi....and i like tangos de la condicion and vestido flores. i program my cd player to play only these 3 songs. if you want to dance and dance and dance try rumba argelia--all the songs on that cd are great.

Poulenc: Sonata for Oboe and Piano; Trio for Oboe, Bassoon and Piano / Britten: Temporal Variations for Oboe and Piano; "Six Metamorphoses" (after Ovid) Op. 49; Two Insect Pieces; "Phantasy"

Average customer rating:

Ravishing

Poulenc: Sonata for Oboe and Piano; Trio for Oboe, Bassoon and Piano / Britten: Temporal Variations for Oboe and Piano; "Six Metamorphoses" (after Ovid) Op. 49; Two Insect Pieces; "Phantasy"

Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000007G9
Release Date: 1995-09-19

Tracks:

Son 'A La Memoire De Serge Prokofiev': I. Elegie
Son 'A La Memoire De Serge Prokofiev': II. Scherzo
Son 'A La Memoire De Serge Prokofiev': III. Deploration. Tres calme
Trio. Dedie A Manuel De Falla: I. Presto/Lento
Trio. Dedie A Manuel De Falla: II. Andante
Trio. Dedie A Manuel De Falla: III. Rondo
'Temporal Vars': I. Theme
'Temporal Vars': II. Oratio
'Temporal Vars': III. March
'Temporal Vars': IV. Exercises
'Temporal Vars': V. Commination
'Temporal Vars': VI. Chorale
'Temporal Vars': VII. Waltz
'Temporal Vars': VIII. Polka
'Temporal Vars': IX. Resolution
'Six Metamorphoses' D'Apres Ovide Op.49 : I. Pan
'Six Metamorphoses' D'Apres Ovide Op.49: II. Phaeton
'Six Metamorphoses' D'Apres Ovide Op.49: III. Niobe
'Six Metamorphoses' D'Apres Ovide Op.49: IV. Bacchus
'Six Metamorphoses' D'Apres Ovide Op.49: V. Narcissus
'Six Metamorphoses' D'Apres Ovide Op.49: VI. Arethusa
Two Insect Pieces: I.
Two Insect Pieces: II.
'Phantasy' (Qt-Fant): Andante Alla Marcia-Allegro Giusto-Andante-Sempre Piu Agitato-TI

Customer Reviews:

Ravishing.......2001-08-17

Coming out of the French school, I didn't expect much from this young oboist; however, upon hearing this CD I found out that I was gravely mistaken. Leleux has an amazing talent and a superior sound. His interpretation of the Britten and Poulenc are my favorites out of those on the market, even beating John Mack's. His ability to sing in the high register, bring warmth and richness to his tone, and phrase smoothly and effortlessly makes this recording absolutely ravishing. Leleux is truly one of the best oboists I've heard to date.

Average customer rating:

Britten: Complete Works with Oboe

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B00002R31C
Release Date: 2000-01-11

Tracks:

Phantasy Op. 2 For Oboe, Violin And Violoncello
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Pan
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Phaeton
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Niobe
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Bacchus
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Narcissus
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Arethusa
Two Insect Pieces, For Oboe And Piano: The Grasshopper
Two Insect Pieces For Oboe And Piano: The Wasp
Temporal Variations For Oboe And Piano

Britten: Simple Symphony; Temporal Variations; Suite on English Folk Tunes

Average customer rating:

An Important Britten Collection

Britten: Simple Symphony; Temporal Variations; Suite on English Folk Tunes

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006M4STG
Release Date: 2005-01-18

Tracks:

Boisterous Bourree
Playful Pizzicato
Sentimental Sarabande
Frolicsome Finale
Theme
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Sephestia's Lullaby
A Charm
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Variation 1: Allegretto, Andante Molto
Variation 2: Animato
Variation 3:Tranquillo
Variation 4: Allegro Con Moto
Variation 5: Largamente
Variation 6: Appassionato
Variation 7: Alla Valse Moderato
Variation 8: Allegro Marcia
Variation 9: Lento
Variation 10: L'istesso Tempo
Cakes And Ale
The Bitter Withy
Hankin Booby
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Lord Melbourne

Customer Reviews:

An Important Britten Collection.......2005-03-23

Another in the reissues from Naxos from the valuable Britten series on the now-defunct Collins Classics, this program was originally published in 1998. Steuart Bedford is undoubtedly the leading Britten conductor and this is left in no doubt in this delightful collection of Britten works that span forty years of his composing life, from the 1934 'Simple Symphony' to the gorgeous set of variations for viola and orchestra, 'Lachrymae,' from 1976. All are played with clarity and élan.

The 'Simple Symphony' for strings is probably the most familiar piece here. It was put together by Britten from pieces he had written in childhood and the movements have witty titles: Boisterous Bourrée, Playful Pizzicato, Sentimental Sarabande, and Frolicsome Finale. Bedford sorts it forth in appropriately simple fashion, letting the music speak for itself. The Northern Sinfonia strings play beautifully for him. 'Temporal Variations' from 1936 was originally for oboe and piano but the present oboe soloist, Nicholas Daniel, suggested to composer Colin Matthews about ten years ago that he arrange it for oboe and strings and that is the version heard here. It was premièred at the Aldeburgh Festival with Bedford leading the English Chamber Orchestra. It is a neoclassic theme and eight variations in the form of character pieces with titles such as 'March,' 'Oration,' 'Commination' (an archaic term meaning 'denunciation'), 'Resolution.' Daniel is fine advocate for this fourteen-minute miniature oboe concerto.

'A Charm of Lullabies' Op. 41 (1947) is also fairly well-known and has been recorded many times, but usually with the original piano accompaniment. Here we again have an arrangement by Colin Matthews, this time for chamber orchestra, done for the Indianapolis Symphony. It is sung here with simple intensity and wonderful diction by mezzo Catherine Wyn-Rogers. 'Suite on English Folk Tunes' Op. 90 (1974) subtitled 'A time there was ...' was Britten's last purely orchestral work. It combines some seventeenth-century folksongs from Playford's 'The Dancing Master' with songs collected in the twentieth-century from rural sources. This is vintage late Britten with rhythmic complexity, brilliant orchestration and open-faced tunefulness. One hears echoes of the 'Sea Interludes' and 'Prince of the Pagodas' in the creative orchestration.

For me the most riveting of the works recorded here is Britten's masterful 'Lachrymae' Op. 48a (1976) for solo viola and string orchestra. Originally written for viola and piano for William Primrose in 1950, Britten recast it for viola and strings in 1976 for a performance by Cecil Aronowitz and the ECO at Aldeburgh. It is a theme and variations based on two tunes of Dowland: primarily 'If my complaints could passions be' and, in the sixth variation, 'Flow my tears.' Of course the title 'Lachrymae' is taken from the latter song and generally reflects the overall tone of the piece, although Variation 8 is a lively march. It makes brilliant use of the melancholy timbre of the viola and is played movingly here by Philip Dukes. This is the astringent Britten familiar to us from such works as 'Phaedra' and 'Death in Venice.' For all its restriction of means, it is a brilliant and moving work.

We can only be grateful that Naxos has kept these wonderful performances of Britten's music alive by reissuing the Collins/Bedford series.

Highly recommended.

TT=71:46

Scott Morrison

Britten and Finzi - Works for Oboe & Strings - Robert Canter

Average customer rating:

Britten and Finzi - Works for Oboe & Strings - Robert Canter

Manufacturer: Carlton Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B00000DFXR
Release Date: 1998-10-20

Tracks:

Six Metamorphoses After Ovid, Op.49: Pan
Six Metamorphoses After Ovid, Op.49: Phaeton
Six Metamorphoses After Ovid, Op.49: Niobe
Six Metamorphoses After Ovid, Op.49: Bacchus
Six Metamorphoses After Ovid, Op.49: Narcissus
Six Metamorphoses After Ovid, Op.49: Arethusa
Phantasy, Op.2
Temporal Vars: Theme
Temporal Vars: Oration
Temporal Vars: March
Temporal Vars: Exercises
Temporal Vars: Commination
Temporal Vars: Chorale
Temporal Vars: Waltz
Temporal Vars: Polka
Temporal Vars: Resolution
Interlude in a, Op.21
Two Insect Pieces: The Grasshopper
Two Insect Pieces: The Wasp

Average customer rating:

Musik mit Oboe

Manufacturer: Sony / Bmg Japan
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B00000G5GY
Release Date: 1998-12-15

Tracks:

Phantasy For Oboe, Violin, Viola And Violoncello Op.2: Phantast For Oboe, Violin, Viola And Violoncello Op. 2
Temporal Variations For Oboe And Piano Op. Posth. (1936): Theme - Andante rubato
Temporal Variations For Oboe And Piano Op. Posth. (1936): Oration - Lento quasi recitative
Temporal Variations For Oboe And Piano Op. Posth. (1936): March - Alla marcia
Temporal Variations For Oboe And Piano Op. Posth. (1936): Exercises - Allegro molto e con fuoco
Temporal Variations For Oboe And Piano Op. Posth. (1936): Commination - Adagio con fuoco
Temporal Variations For Oboe And Piano Op. Posth. (1936): Chorale - Molto lento
Temporal Variations For Oboe And Piano Op. Posth. (1936): Waltz - Allegretto rubato
Temporal Variations For Oboe And Piano Op. Posth. (1936): Polka - Tempa di Polka-Allegro
Temporal Variations For Oboe And Piano Op. Posth. (1936): Resolution - Maestoso (non troppo lento)
Suite For Harp Solo Op. 83: Overture - Majestic
Suite For Harp Solo Op. 83: Toccata - Fast And Gay
Suite For Harp Solo Op. 83: Nocturne - Slow And Quiet
Suite For Harp Solo Op. 83: Fugue - Lively
Suite For Harp Solo Op. 83: Hymn (St. Denio) - Slow And Solemn
Two Insect Pieces For Oboe And Piano Op. Posth: The Grasshopper
Two Insect Pieces For Oboe And Piano Op. Posth: The Wasp
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Pan - Senza misura
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Phaeton - Vivace ritmico
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Niobe - Andante
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Bacchus - Allegro paesante
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Narcissus- Lento piacevole
Six Metamorphoses After Ovid For Oboe Solo Op. 49: Arethusa - Largamento
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Theme - Maestoso
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation I - Prestissimo scherzando
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation II - Moderato
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation III - Allegro con brio
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation IV - Grazioso
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation V - Canone - Vivace
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation VI - Specchio I - Lento tronquillo
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation VII - Cadenza
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation VIII - Appassionato
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation IX - Fanfara - Allegro
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation X - Marcia - La stesso tempo (Allegro)
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation XI - Specchio II - Misterioso
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Variation XII - Romanzo - Andante rubato
Gemini Variations. Twelve Variations And Fugue On An Epigram Of Zoltan Kodaly Op. 73: Fugue - Molto moderato