Il Tempo Dell'Amore

Product Description
Long Awaited Album from One of the Biggest Stars of the Italian Pop Scene.

Il Tempo Dell'Amore,Luca Carboni,BMG,Italian,Italian Pop,Italy,World Music

Average customer rating: One of my favorites An excellent sampling of Carboni's work... il tempo dell'amore

Il Tempo Dell'Amore Luca Carboni Manufacturer: Sony Bmg/RCA ProductGroup: Music Binding: Audio CD Italy | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Italian | Euro Pop | Pop | Styles | Music International | Imports | Stores | Music Similar Items: Giorgia - Greatest Hits: Le Cose Non Vanno Mai Come Credi The Best of Nek: l'Anno Zero Calma Apparente The Best of Laura Pausini: E Ritorno Da Te Ladra Di Vento ASIN: B000031WXG Release Date: 1999-10-15

Tracks:

1. Mia Ragazza
2. Ragazze
3. Colori
4. Inno Nazionale
5. Ni-Na-Na
6. Non
7. Storie d'Amore
8. Mare Mare (Bologna-Riccione)
9. Ci Vuole un Fisico Bestiale
10. Primavera
11. Persone Silenziose
12. Silvia Lo Sai
13. Vieni a Vivere Con Me
14. Farfallina
15. Sarn Uomo
16. Fragole Buone Buone
17. Ci Stiamo Sbagliando
18. Il Tempo Dell'amore

Album Details

Long Awaited Album from One of the Biggest Stars of the Italian Pop Scene.

Customer Reviews:

One of my favorites.......2001-04-15

I had heard a couple of the songs from this CD and fell in love with it. I'm not even sure as to how I stumbled upon Carboni, but I am so very happy that I did. I searched for 3 days in Rome, music store after music store. My efforts were fruitless. I was finally successful if Florence. I found a true treasure, and I listen to it every day. The messages that Carboni sends out in his music are beautiful, strong and honest. Listen to "La mia ragazza," and let it flow from your ears, through your imagination to find its home in your heart. Anyone who likes Italian music must have this CD.

An excellent sampling of Carboni's work..........2000-12-07

I have been a fan of Luca Carboni for many years and this album is a wonderful "best of" collection. Those who are unfamillar with his work will find a marvelous sampling of old and new hits. Diehard fans will love having all of these oldies but goodies on one CD (as well as enjoy a couple of new tunes). I highly recommend this CD.

il tempo dell'amore.......2000-02-08

I happened upon this CD while eating in a pleasant Enoteca in Florence this winter. The owner alternated between early Frank Sinatra and Lucca Carboni throughout the night. Carboni's voice weaves smokey, dreamlike love songs, then cries out in harsh and hard rythyms against prejudice and hate and hurt. Either way, he's one of the most popular Italian artists for good reason. I took the advice of the cab driver who drove me to the Florence airport that last day in Italy, "il tempo dell'amore" is his "ultimo" - best and newest. I discovered a whole new world of music in Italy...and thank Lucca Carboni for opening that door.

Average customer rating:

Tribute to Peter Maag Mozart , Beethoven , Schumann , Mendelssohn , and Maag Manufacturer: Arts Music ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music ASIN: B00007KMRQ Release Date: 2004-02-24

Average customer rating:

Vivaldi: Il Tigrane Manufacturer: Hungaroton ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music ASIN: B00070FV1Q Release Date: 2005-01-25

Average customer rating: If you had to have just one... A Stunningly Dramatic Don Carlo Don Carlo - my first love The most ravishing Don Carlo Viva Verdi!

Verdi: Don Carlo Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Freni, Mirella | Divas | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Similar Items: Verdi - Don Carlo / Domingo · Caballé · Raimondi · Milnes · Verrett · Estes · Giulini Bellini - Norma / Maria Callas, Ludwig, Corelli, Zaccaria, Teatro alla Scala, Serafin Bellini: I Capuleti e i Montecchi Verdi - Simon Boccanegra / Freni, Cappuccilli, Carreras, Ghiaurov, van Dam, Foiani, Teatro alla Scala, Abbado Matilde Di Shabran - Juan Diego Florez ASIN: B000002SDX Release Date: 1990-10-25

Tracks:

1. Don Carlo: Act 1: Scene 1: Carlo il sommo Imperatore (Coro, Un frate)
2. Don Carlo: Act 1: Scene 1: Io l'ho perduta! (Carlo)
3. Don Carlo: Act 1: Scene 1: Il duolo della terra (Un frate, Carlo)
4. Don Carlo: Act 1: Scene 1: E lui! desso! l'Infante! (Rodrigo, Carlo)
5. Don Carlo: Act 1: Scene 1: Ascolta! Le porte dell'asil s'apron gia (Rodrigo, Carlo)
6. Don Carlo: Act 1: Scene 1: Dio, che nell'alma infondere amor (Coro, Un frate, Rodrigo, Carlo)
7. Don Carlo: Act 1: Scene 2: Scene 2: Sotto ai folti,immensi abeti (Coro di Dame, Tebaldo)
8. Don Carlo: Act 1: Scene 2: Tra queste mura pie la Regina (Eboli, Coro di Dame)
9. Don Carlo: Act 1: Scene 2: Nei giardin del bello (Eboli, Tebaldo, Coro di Dame)
10. Don Carlo: Act 1: Scene 2: La Regina! (Coro di Dame, Eboli, Elisabetta, Tebaldo, Rodrigo)
11. Don Carlo: Act 1: Scene 2: Che mai si fa nel suol francese (Eboli, Rodrigo, Elisabetta)
12. Don Carlo: Act 1: Scene 2: Carlo ch'e sol il nostro amore (Eboli, Rodrigo, Elisabetta)
13. Don Carlo: Act 1: Scene 2: lo vengo a domandar (Carlo, Elisabetta)
14. Don Carlo: Act 1: Scene 2: Il Re!... Perche sola e la Regina? (Tebaldo, Filippo, Coro)
15. Don Carlo: Act 1: Scene 2: Non pianger, mia compagna (Elisabetta, Rodrigo, Coro, Filippo)
16. Don Carlo: Act 1: Scene 2: Restate! Presso alla mia persona (
17. Don Carlo: Act 1: Scene 2: O Signor, di Fiandra arrivo
18. Don Carlo: Act 1: Scene 2: Quest'e la pace che voi date al mondo?
19. Don Carlo: Act 1: Scene 2: Oso lo sguardo tuo penetrar il mio soglio (Filippo, Rodrigo)

Tracks:

1. Don Carlo: Act 2: Scene 1: A mezzanotte, ai giardin della Regina (Carlo, Eboli, Rodrigo)
2. Don Carlo: Act 2: Scene 1: Ed io, che tremava al suo aspetto! (Carlo, Eboli, Rodrigo)
3. Don Carlo: Act 2: Scene 2: spuntato ecco il di d'esultanza (Coro)
4. Don Carlo: Act 2: Scene 2: Corteo reale, Spuntato ecco il di d'esultanza (Coro)
5. Don Carlo: Act 2: Scene 2: Or la porta s'apra del tempio! (Un araldo, reale, Coro)
6. Don Carlo: Act 2: Scene 2: Nel posar sul mio capo la corona (Filippo, Coro, Elisabetta, Rodrogo, Carlo, Tebaldo)
7. Don Carlo: Act 2: Scene 2: Sir! egli e tempo ch'io viva!! (Carlo, Filippo, Elisabetta, Rodrigo)
8. Don Carlo: Act 2: Scene 2: O ciel! Tu! Rodrigo! (Carlo, Coro, Eboli, Filippo, Un voce dal cielo)
9. Don Carlo: Act3: Scene1: Ella giammai m'amo! (Filippo)
10. Don Carlo: Act3: Scene1: Il Grand'Inquisitor! (Il Conte di Lema, L' Inquisitore, Filippo)
11. Don Carlo: Act3: Scene1: Giustizia, giustizia, Sire! (Elisabetta, Filippo)
12. Don Carlo: Act3: Scene1: Ardita troppo voi favellate! (Filippo, Elisabetta, Eboli, Rodrigo)
13. Don Carlo: Act3: Scene1: Ah! sii maledetto, sospetto fatale (Filippo, Eboli, Rodrigo, Elisabetta)
14. Don Carlo: Act3: Scene1: Pieta! Pieta! perdon! (Eboli, Elisabetta)
15. Don Carlo: Act3: Scene1: O don fatale, o don crudel (Eboli)

Tracks:

1. Don Carlo: Act 3: Scene 2: Son io, mio Carlo (Rodrigo, Carlo)
2. Don Carlo: Act 3: Scene 2: Per me giunto e il di supremo (Rodrigo)
3. Don Carlo: Act 3: Scene 2: Io morro ma lieto in core (Rodrogo, Carlo)
4. Don Carlo: Act 3: Scene 2: Mio Carlo, a te la spada io rendo (Filippo, Carlo, Coro, Il Conte di Lema, Eboli)
5. Don Carlo: Act 4: Tu che le vanita (Elisabetta)
6. Don Carlo: Act 4: E dessa!...Un detto, un sol (Carlo, Elisabetta)
7. Don Carlo: Act 4: Ma lassu ci vedremo (Elisabetta, Carlo, Filippo, L 'Inquisitore, Un frate, Coro)

Customer Reviews:

If you had to have just one..........2007-07-11

It is almost impossible for an opera collector to own only one recording of Verdi's tragedy Don Carlo. The Carlo Maria Giulini rendering of the five-act Italian version with Plácido Domingo, Montserrat Caballé, Ruggero Raimondi, and Sherrill Milnes is a fine, panoramic work from EMI; Sir Georg Solti produced a similar recording for Decca with Carlo Bergonzi, Renata Tebaldi, Nicolai Ghiaurov, and Dietrich Fischer-Dieskau. However, this 1979 recording of the four-act Italian version with Herbert von Karajan at the helm of the Berlin Philharmonic is worth notice, if only for the wondrous cast.

Don Carlo, like most Verdi tenor roles, may be more appropriate for a larger voice. José Carreras was Karajan's favorite tenor of his later period and this same favoritism which led Carreras to a lukewarm performance as Radamès also produced this hearty and dramatically compelling depiction of the doomed Spanish Infante. He is appropriately agitated and distressed during his Act I remembrance ("Io l'ho perduta!") and is thrillingly ecstatic in his Act II duet with Baltsa ("`A mezzanotte, ai giardin della Regina'" ... "Ciel! Non è la Regina!"). Karajan once remarked that if he had been born a singer, he would have been born Mirella Freni. Her couplings with Karajan crafted masterful performances of Mimì, Madama Butterfly, Aida, and Desdemona, and this performance as Elisabetta di Valois is no less miraculous. Freni is a veritable dove during her tortured Act IV aria "Tu che le vanità" and the glum closing duet "Ma lassù ci vedremo" with Carreras (who is here, for the first time in the entire recording, somewhat fatigued and withdrawn).

Agnes Baltsa is, for obvious reasons, not as appropriate for the role of the exotic Princess Eboli as Shirley Verrett or Grace Bumbry. Nonetheless, the Greek diva provides a sensuous performance as the deceived courtesan; she always boasted an electrically-charged collaboration with Karajan at the helm, as is audible by her ravenous performance of the "Song of the Veil." Piero Cappuccilli gives one of his most excellent performances as Rodrigo, Marchese di Posa, and he easily bests Eberhard Wächter, Sherrill Milnes, Dietrich Fischer-Dieskau, and even Tito Gobbi. He harmonizes pleasurably with Carreras in their Act I duet ("Dio, che nell'alma infondere amor"), and is also excellent with Freni and Baltsa in the delightful, Verdian trio ("Che mai si fa nel suol francese" ... "Carlo ch'è sol il nostro amore"); however, he is most effective with Ghiaurov in Act II ("O Signor, di Fiandra arrivo") and in his impassioned Act III aria "Per me giunto è il dì supremo."

Nicolai Ghiaurov gives a disappointingly restrained performance as Filippo II. He is not the Spanish tyrant of his younger days; he is regretful and stricken with an ineffable fear of loneliness and death. He is a sad Filippo, rather than a thunderous one. Karajan's rather quick pacing also forces Ghiaurov to sound winded, especially during the Act II scene before the crowd ("Nel posar sul mio capo la corona"). The archetypal Verdi aria "Ella giammai m'amo" also suffers from a hasty tempo and Ghiaurov's implacable unwillingness to commit.

However, Ruggero Raimondi gives a memorable performance as the Grand Inquisitor. Raimondi is no Martti Talvela, thus he is not as ferocious and barbaric as the greatest Inquisitor-General. He is slimily deceitful and uses his slithery bass-baritone voice to project a decrepit old zealot. This coincides dramatically with Ghiaurov's perplexed, defeated old Filippo. Their duet ("Son io dinanzi al Re?"..."Nell'ispano suol") may not be as explosive as others', but it is claustrophobically constricted, and it produces an air of frenzied tension. Nonetheless, it would have been appropriate, given the time of the recording, for Ghiaurov and Raimondi to switch roles. (This was accomplished successfully with Claudio Abbado's subsequent recording of the five-act French version of the opera, with Plácido Domingo, Katia Ricciarelli, Lucia Valentini Terrani, and Leo Nucci.)

José van Dam produces a spine-tingling air of unease as the ghoulish Friar in Act I and Act IV. His performance in the former ("Ei voleva regnare sul mondo") seems to diffuse out of the whispers of the chorus. His closing lines during the explosive Act IV finale ("Il duolo della terra") are accentuated by three soul-shattering eruptions from the gong, a tribute to Karajan's meticulous eye for detail. Edita Gruberova provides a sweet sound for the tiny role of the page, Tebaldo. A Königin der Nacht in such a minor role provides little more than marquee value; this is hammy casting at its finest. Barbara Hendricks, much like Gruberova, provides superstar quality to a role generally left for smaller voices; the divine soprano is gorgeous as the soaring Voice from Heaven.

The recording's major flaw is the sound quality. The majestic choruses of the opera are rarely present or majestic. The charming chorus of the Spanish noblewomen in the garden ("Sotto ai folti, immensi abeti"); the opening of Act II with the populace of Madrid ("Spuntato ecco ildi d'estultanza"); and the following hisses of the monks of the Inquisition ("Il dì spuntò, dì del terrore") are almost inaudible over the orchestra. (One cannot be certain whether the poor mastering of Walter Hagen-Groll or the egotism of Karajan is to blame.) However, this is a minor hindrance to an otherwise superb and extremely atmospheric recording.

A Stunningly Dramatic Don Carlo.......2005-11-16

This 1970's recording serves a high-quality alternative to the far more popular EMI Legendary Recording conducted by Carlo Maria Giulini and starring Placido Domingo, Montserrat Caballe, Ruggero Raimondi, Sherill Milnes and Shirley Verrett, which is doubtless the most beautifully sung. This recording, however, is not only virtuosically sung but moreover dramatically rendered. This is the revised Italian version and the singers are in top shape and captured in their prime. It stars tenor Jose Carreras as the eponymous Spanish hero (and it helps that Jose is himself a Spaniard), the beautiful Italian lyric soprano Mirella Freni as the Queen Elisabeth Di Valois, dramatic mezzo soprano Agnes Baltsa as her rival Princess Eboli, the great bass Nicolai Ghiurov as the Inquisitor, baritone Piero Cappuccilli as King Phillip, and in minor roles Jose Van Dam and Edita Gruberova. It's an all-star cast folks! And each contribute individual greatness to this most dramatic of all Don Carlos recordings.

Rather than going on and on I will try to cut to the chase by pointing out the highlights. First of all, Jose Carreras' Don Carlo is an entirely different animal from Placido Domingo's. Domingo sings with utmost confidence. His is a secure and sensuous voice. Carreras, on the other hand, adds a new dimension to the character- passion masking his true insecurity. Carrerras was a modest man and his singing depicts heroes that are genuinely heroic but who struggle against themselves to believe in their own potential. His voice, is of course, perfectly suited to the Verdi music. Carreras is especially striking in the following scenas - Act 1's "Dio che ne'll alma" and his Fontainebleau Scene, his duets with Rodrigo are terrific, and the final act is spiritually uplifting. If only they had cast Katia Ricciarelli as Queen Elisabeth Di Valois, for her voice was gorgeous next to Carrreras' own tenor voce! Ricciarelli/Carrerras duets were nectars of the gods because these two were lovers and the music they make was passionate and inspirational. But I'm a fan of Mirella Freni and here she is singing a role that suits her like a glove. It is a lyric-spinto role but since she is a full lyric soprano without the shrill of coloratura sopranos or the growliness of a mezzo soprano. But the tessitura of the role presents no difficulty for her and she is a far better Elisabeth Di Valois than Tosca. This is her best work as far as singing a dramatic role. She is gorgeous in her Fountainebleau Scene, her duets with Carreras and her parts in ensembles and of course her "Tu Che La Vanita". Agnes Baltsa is a supremely dramatic Eboli, with a tigress-like demeanor, though she lacks the sexiness that such mezzos as Grace Bumbry and Shirley Verrett possessed. Baltsa makes up for this by singing a thrilling rendition of "O Don Fatale". Jose Van Dam and Edita Gruberova sing too beautifully for their minor parts. Van Dam's deep but character-driven bass voice is wonderful to hear on record and Gruberova's high coloratura voice is angelic. Piero Cappuccilli as the King is a revelation, and he sings this regal role with aplomb and I dare say much better than Sherill Milnes.
Terrific sound, awesome and electrifying singing and superbly performed music from the orchestral forces.Enough said! This is a Don Carlo that cannot be passed up.

Don Carlo - my first love.......2005-09-21

Don Carlo was actually my first encounter with opera ever. I heard José Carreras in "West Side Story" and was mesmerized by his voice. At that point I wasn't into opera, but I was so taken by his voice that as long as I could hear him sing it wouldn't matter what he was singing. So I went to the public library and asked for "anything that features José Carreras" and they came up with this Don Carlo recording.

I've heard people saying that they would not use Don Carlo as an introduction into opera - probably because it's a fairly long opera. To me that didn't matter the least. The longer the opera, the more I would hear of this fantastic voice. In the beginning I was stupid enough to think that I would just skip the arias not sung by Carreras.....!!?! But what happened was that I was so intrigued by the story and the voices that I listened straight through the entire opera several times. And at the same time I was also introduced to some of the finest opera singers in the world.

I just love Agnes Baltsa in the role as princess Eboli. The scene with Don Carlo in the queen's garden is wonderful. Her fury when she discovers that Don Carlo is in love with the queen instead of her (as she herself believed) is priceless. She's also giving us a fiery rendition of "O Don fatale".

The now late Piero Cappuccilli is a fantastic Rodrigo and one of my favourite opera singers. He possessed a very beautiful baritone and the scene where he visits Don Carlo in prison and also his death scene are very moving. His aria "Per me giunto e il di supreme" is beautiful beyond words. I'm almost expecting to hearing shouts of "bravo" and a round of applause after his rendition of this aria.

The wonderful basso Nicolai Ghaurov is really in command here. He's a king I personally wouldn't mess with.

Ruggero Raimondi is another favourite opera singer and he doesn't disappoint me here either. Always capable of spreading fear with his beautiful voice he is just perfect as the inquisitor.

Mirella Freni is a singer that I've come to like more and more. I prefer singers that are capable of involvement and emotion instead of just having a big voice. Freni gives a solid and moving performance throughout the entire opera. And her voice blends very well with Carreras's.

Carreras is perfect as Don Carlo if you ask me. He must be the sweetest sounding Don Carlo ever. In my opinion it's not enough singing the arias in this particular opera on full blast. The most important thing isn't how loud they can sing, but what they're doing with their voices; how capable they are of communicating with the listener, evoking emotions. In that respect José Carreras is unsurpassed. He's the "king of emotions" and he's pouring all his passion into this performance. The final aria "Ma lassu ci vedremo" with Carreras and Freni is a show-stopper; it's divine and almost sensual sounding. Just listen to Carreras' soft notes in this aria; out of this world and not to mention heart wrenching. It's those kind of notes (which he masters to the degree of perfection) that's destined to sending shivers down your spine and/or bring you to tears.

I love the conducting of Karajan. He creates great drama when needed, but when it comes to the scenes between the lovers no one can create such sweet and intimate moments in the music as he did.

Don Carlo was my first love in opera and so he holds a special place in my heart. In my opinion he is most definitely worth 5 stars.

The most ravishing Don Carlo.......2004-03-19

Others may dislike von Karajan's splendid recording of "Don Carlo" but I'm AWED. Carreras sounds FLAWLESS and passionate, Freni sounds regal as Elisabetta, Cappuccilli has never been surpassed as Posa and Ghiaurov rules as Filippo! ESSENTIAL!

Viva Verdi!.......2003-04-17

Wow, this is incredible. Always a fan of Karajan in opera, this one leaves me speachless. He conducts with such sweep and passion that his performance is worth hear alone! Baltsa is great as Eboli, though I prefer Lucia Valentini-Terreni's Veil Song to Baltsa.....she just sounds flat on some of her high notes. However, this is not an important part of Eboli's characterization. The rest is great!
Carreras is at his best as Carlo, only occasionally forcing his sweet tone. He is very sympathetic!
Freni is simply bliss as Elisabetta. She sings with dramatic strength and sincerity. I love it. The final duet will leave you in tears!
Ghiaurov is, predictably, without peer in the role of Philip. This is a set to enjoy and love.

Average customer rating:

Mondo Morricone Revisited, Vol. 1 Manufacturer: Royal Ear Force ProductGroup: Music Binding: Audio CD Italy | Continental Europe | Europe | International | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music ASIN: B0000ZFYNI Release Date: 2002-01-01

Tracks:

1. Lucertola [From a Lizard in
2. Bambola [From Veruschka]
3. Alegretto Per Signora [From le Foto Proibite di una Signora Per ...]
4. Foto Proibite Di Una Signora Per Bene [From le Foto Proibite di ...]
5. Ritratto d'Autore [From LA Donna Invisibile]
6. Doricamente [From ...]
7. In un Sogno il Sogno From the Invisible ... [From LA Donna Invisibile]
8. Alla Luce del Giorno [From Love Circle]
9. Una Voce Allo Specchio [From LA Stagione Dei Sense]
10. Metti Una Sera a Cena [From Love Circle]
11. Sauna [From Love Circle]
12. Belinda May [From Alibi]
13. Altro Mare [From Dirty Angels]
14. Donna Gattina [From Come Imparai Ad Amare LA Donne]
15. Moda From the Invisible Woman] [From LA Donna Invisibile]
16. Po d'Ironica Acida [From One Can Die of Love]
17. Immagini del Tempo [From Alibi]
18. Poesia Di Una Donna [From Veruschka]

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Il Tempo Dell'Amore Luca Carboni Manufacturer: Musicrama/Koch ProductGroup: Music Binding: Audio CD Italy | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Italian | Euro Pop | Pop | Styles | Music International | Imports | Stores | Music ASIN: B0000DEN56 Release Date: 1999-11-16

Tracks:

1. Mia Ragazza
2. Ragazze
3. Colori
4. Inno Nazionale
5. Ni-Na-Na
6. Non
7. Storie d'Amore
8. Mare Mare (Bologna-Riccione)
9. Ci Vuole un Fisico Bestiale
10. Primavera
11. Persone Silenziose
12. Silvia Lo Sai
13. Vieni a Vivere Con Me
14. Farfallina
15. Sarn Uomo
16. Fragole Buone Buone
17. Ci Stiamo Sbagliando
18. Il Tempo Dell'amore

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Il Tempo Dell'Amore Luca Carboni Manufacturer: Sony Bmg ProductGroup: Music Binding: Audio CD Italy | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Italian | Euro Pop | Pop | Styles | Music International | Imports | Stores | Music ASIN: B000F6ZPCW Release Date: 2006-04-14

Tracks:

1. Mia Ragazza
2. Ragazze
3. Colori
4. Inno Nazionale
5. Ni-Na-Na
6. Non
7. Storie d'Amore
8. Mare Mare (Bologna-Riccione)
9. Ci Vuole un Fisico Bestiale
10. Primavera
11. Persone Silenziose
12. Silvia Lo Sai
13. Vieni a Vivere Con Me
14. Farfallina
15. Sarn Uomo
16. Fragole Buone Buone
17. Ci Stiamo Sbagliando
18. Il Tempo Dell'amore

Album Details

First Dual Disc Album Available by Singer and Songwriter from Bologna, Italy Luca Carboni.

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Lebendige Vergangenheit: Adamo Didur Manufacturer: Preiser Records ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Ladino | Languages | Opera & Vocal | Styles | Music Similar Items: Lebendige Vergangenheit: Marcel Journet Lebendige Vergangenheit: Dusolina Giannini Lebendige Vergangenheit: José Mardones ASIN: B00003OSUN Release Date: 2000-08-29

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Les Lumières du Baroque: Une Encyclopédie Musicale (Box Set) Manufacturer: Harmonia Mundi ProductGroup: Music Binding: Audio CD Courantes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Gigue | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Sarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. 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Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Gambill, Robert | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music Vocal Works by J.S. Bach | Bach, Johann Sebastian | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music ASIN: B00005REQH Release Date: 2002-02-12

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Giuseppe De Luca, Vol.1 Manufacturer: Pearl ProductGroup: Music Binding: Audio CD All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B000000WPL Release Date: 1995-10-17

Tracks:

1. Adriana Lecouvreur: Bebe! Benissimo! (Act 1)
2. Caro Mio Ben
3. Il Re Di Lahore: O Casto Fior (Act 4)
4. La Favorita: Vien, Leonora, A Piedi Tuoi (Act 2)
5. Un Ballo In Maschera: Eri Tu Che Macchiavi (Act 3)
6. Amleto: Come Il Romito Fior (Act 5)
7. Dinorah: ... Stesso Di Dei Vendicata Assai (Act 3)
8. Don Giovanni: Deh, Vieni Alla Finestra (Act 2)
9. Don Pasquale: Bella Siccome Un Angelo (Act 1)
10. La Favorita: A Ogn'uom'vo' Noto... Ah! L'alto Ardor (Act 2)
11. Siberia: La Connobbi
12. Siberia: Gleby!... Alfin, E Cosi Qua... Quest 'Orgoglio (Act 1)
13. Siberia: O Bella Mia
14. La Dannazione Di Faust: Pel Vero Dio... C'era Una Volta
15. La Dannazione Di Faust: Su Queste Rose
16. La Dannazione Di Faust: Ed Or! Perche Si Perde... Che Fai Tui Qui
17. Zaza: Zaza, Piccola Zingara (Act 4)
18. Occhi Di Fata
19. Don Pasquale: Cheti, Cheti, Immantinente (Act 3)
20. Don Pasquale: Bella Siccone Un Angelo (Act 1)
21. Rigoletto: Pari Siamo! (Act 1)
22. La Dama Di Picche: Se All'egual (Act 3)
23. Pastorale
24. Il Trovatore: Il Balen Del Tup Sorriso (Act 2)
25. Un Ballo In Maschera: Eri Tu Che Macchiavi (Act 3)
26. Il Barbiere Di Siviglia: Largo Al Factotum (Act 1)

Tracks:

1. Ernani: O De'verd' Anni Miei (Act 3)
2. La Favorita: Giardini D'Alcazar!... Vien, Leonora (Act 2)
3. Don Giovanni: Eh, Eh!... Deh, Vieni Alla Finestra (Act 2)
4. Dinorah: In Questo Loco... Sei Vendicata Assai (Act 3)
5. Il Re Di Lahore: O Casto Fior (Act 4)
6. Erodiade: Vision Fuggitiva (Act 2)
7. La Favorita: A Tanto Amor (Act 3)
8. Un Ballo In Maschera: Alla Vita Che T'arride (Act 1)
9. Brilla La Luna
10. Dolce Madonna
11. Amleto: La Stanchezza... Come Il Romito Fior (Act 5)
12. La Mia Bandiera
13. La Gioconda: O Monumento! (Act 1)
14. La Traviata: mio Figlio!... Di Provenza (Act 2)
15. Lindo Di Chamounix: Ambo Nati In Queste Valle (Act 1)
16. Le Nozze Di Figaro: Bravo Signor Padrone!... Se Vuol Ballare (Act 1)
17. Le Nozze Di Figaro: Tutto E Disposto... Aprite Un Po' (Act 4)
18. Guglielmo Tell: Alla Sua Voce... Resta Immoblie (Act 3)
19. Ideale
20. I Due Ciabattini: Arsenico! Veleno!
21. E Voi Passate Nel Vial
22. Lungi E Amor
23. Zaza Buona Zaza Del Mio Buon Tempo (Act 2)
24. Germania: Ferito Prigionier (Act 1)
25. Tannhauser: La Splendi Tu... O Tu Bell'astro (Act 3)

Tracks:

1. Don Pasquale: Pronta Io Son... Vado, Corro (Act 1)
2. Don Pasquale: Alcun Viene... Zitto... Eccoli (Act 2)
3. La Gioconda: Cosi Mantien Il Patto? (Act 4)
4. La Traviata: Dite Alla Giovine
5. La Traviata: Imponete
6. Lucia: Chi Mi Frena In Tal Momento
7. Lucia: Chi Mi Frena In Tal Momento
8. Elisir D'Amore: Venti Scudi
9. Guillaume Tell: Quand L'Helvetie
10. Riggoletto: Bella Figlia Dell'Amore
11. Riggoletto: Bella Figlia Dell'Amore
12. Riggoletto: Il Nome Vostro Sitemi... Ah! Veglia, O Donna
13. La Gioconda: Enzo Grimaldo, Principe Di Sanafior
14. Aida: Ciel! Mio Padre!
15. Aida: Su Dunque
16. Aida: Pur Ti Riveggo
17. Aida: La Tra Foreste Vergine
18. Aida: Ah No, Fuggiamo!
19. Aida: Ma, Dimmi; Per Qual Via

Rock Music:

1. In My Hands
2. It's Hotter in Hawaii [Box set]
3. Japa
4. Joko: The Link
5. Ladra Di Vento [Enhanced] [Import]
6. Lan Duil
7. Landmarks
8. Latin Spirits
9. Les Chansons D'amour [Import]
10. Lost Souls

Rock Music

rock music

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