When Rokia Traore turned to non-Malian vocal styles on Wanita, she didn't opt for an obvious Western approach like fellow West African diva Angelique Kidjo, who steeps her songs in funk. Instead, Traore's multilayered singing has the delicate complexity of Zap Mama alumnus Sally Nyolo's Tribu plus the gentility of chamber music. Instrumentation hews to the traditional arsenal of her country's griot troubadours, though with a modern edge. Rokia contributes acoustic guitar to a solid ensemble of balafon marimba, ngoni ba four-string guitar, djemba hand drum, electric bass, and kora harp from whirlwind Toumani Diabate. "Souba," based none too obviously on an Indian raga, shows her willingness to stretch boundaries in unexpected directions while the title track lingers on lush harmonies seldom heard in African pop. The hushed atmosphere of her performances may lack the raw soulfulness of Mali's best-known female vocalist, Oumou Sangare, but Traore's melodic hooks and quiet acrobatics prove the truth of the old adage that a whisper can be more dramatic than a shout. --Bob Tarte.
Wanita,Rokia Traoré,Indigo (Harmonia),Africa,African,African Folk,Afro-Pop,Bombara,Ethnic Fusion,Int'l & World Music,Mali,Pop,World Music,Worldbeat
Average customer rating:
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Wanita
Rokia Traoré Manufacturer: Indigo France ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SPOL Release Date: 2000-07-11 |
Tracks:
- Kanan Neni
- Mouso Niyalen
- Souba
- Yere Uolo
- N'Gotolen
- Wanita
- Chateau De Sable
- Yaafa N'Ma
- Sako Be Ke
- Mancipera
- Tchwa
Amazon.com
When Rokia Traore turned to non-Malian vocal styles on Wanita, she didn't opt for an obvious Western approach like fellow West African diva Angelique Kidjo, who steeps her songs in funk. Instead, Traore's multilayered singing has the delicate complexity of Zap Mama alumnus Sally Nyolo's Tribu plus the gentility of chamber music. Instrumentation hews to the traditional arsenal of her country's griot troubadours, though with a modern edge. Rokia contributes acoustic guitar to a solid ensemble of balafon marimba, ngoni ba four-string guitar, djemba hand drum, electric bass, and kora harp from whirlwind Toumani Diabate. "Souba," based none too obviously on an Indian raga, shows her willingness to stretch boundaries in unexpected directions while the title track lingers on lush harmonies seldom heard in African pop. The hushed atmosphere of her performances may lack the raw soulfulness of Mali's best-known female vocalist, Oumou Sangare, but Traore's melodic hooks and quiet acrobatics prove the truth of the old adage that a whisper can be more dramatic than a shout. --Bob Tarte.Customer Reviews:
So far my favorite of her albums.......2007-01-13
Excellent and sensitive African artist.......2006-09-23
Rokia has a very attractive and expressive voice. Many of her songs are "ballads" and she sings them with great sensitivity and style. Her musical accompaniment features traditional Africa string instruments and percussion, as well as her Western acoustic guitar, which she plays to great effect in many songs, and some other Western instruments.
Unlike other African singers, like Angelique Kidjo or Brenda Fassie (two woman I admire greatly), Rokia Traoré's music is much more firmly rooted in traditional music.
Rokia Traoré is a great performer and a very fine singer and I admire her music a lot. I warmly recommend Wanita to any and every music lover, it is a superior collection of music from an extremely talented artist.
It is a pleasure and duty to give this CD five stars - every single one of them well deserved.
Rokia rules!.......2004-08-13
Great artist.......2003-01-19
Actually, I'm writing this review in hopes of bringing more attention to Rokia and her amazing musicians. If you get a chance to see them live, do not miss it. The band is one of the most exciting, talented, mesmerizing acts to come out of Africa.
The ngoni players are two of the most talented on the planet. Having the two together, with their interplay and range, is as good as it gets.
BEAUTIFUL MUSIC -- REFRESHINGLY UNADORNED.......2001-06-26
There is a delicate beauty at work here -- the arrangements are uncluttered (acoustic guitar, balafon, bass, kora and assorted percussives) and unadorned, leaving the vocals clear and unburied. The songs all have vital rhythmic cores, but without the over-produced power-pounding of commercial dance-oriented music.
The kora (an indigenous African harp-like instrument) is allowed to dominate many of the arrangements -- and its delicate sound is a good choice to complement Traore's expressive and unpretentious voice. It is the unforced, compelling emotion in her voice that demands our attention. The recording is first-rate and clear as a bell -- every little nuance of Traore and the other singers is there for us to appreciate.
Released under the Indigo imprint from Label Bleu out of France, the package is exceptionally attracive as well -- a quality-printed, oversixed booklet fits nicely inside the cardstock slipcase along with the cd jewelbox, filled with beautiful photographs, a bio of the artist and lyrics in original and translated forms.
There is an airy quality to this music, but it is powerful at the same time -- proving that louder isn't always better. The talent and production values brought together here make for a musical excursion of exceptional quality, taste and strength. I'll definitely keep my eyes -- and ears -- open for more from this gifted artist.
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