| 1. Bomben auf Engelland (choral) |
| 2. Bombenflieger Marsch (choral) |
| 3. Hermann Göring Marsch (choral) |
| 4. Fliegerkameraden (choral) |
| 5. Lied der Balloniere (choral) |
| 6. Militärsignal Marsch |
| 7. JU 88 Lied (Choral) |
| 8. Kampfgeschwader Immelmann |
| 9. Revere Marsch (choral) |
| 10. Aufwärts zur Sonne |
| 11. Flieger Empori (choral) |
| 12. Deutscher Flieger Marsch |
| 13. Flieger sind Sieger (choral) |
| 14. Flieger Fanfare |
| 15. Lied der Junkers Flugzeug und Motorenwerke choral) |
| 16. Jadgeschwader Richtofen |
| 17. Bruno Loerzer (choral) |
| 18. Prinz Max Brigade |
| 19. Schön bluhän die Sonne (choral) |
| 20. Marsch der Fallschirmjäger (choral) |
Editorial Reviews
Michael Kelly, November 20, 2003
This CD captures the elite fighting spirit of the Fallschirmjäger and the revolutionary Luftwaffe warriors of the skies!
Product Description
Share a moment in history with the German soldier on the front where the sound of rousing martial music gave new strength to flagging morale or in a bomb shelter with civilians where encouraging music calmed racing hearts. More then a CD its an audio history lesson of WWII, Adolf Hitler and his Nazi Third Reich. With quality you can trust, PzG nazi songs and marches are factory produced from ORIGINAL Third Reich recordings and professionally re-mastered for even listening with a musical balance between instrumental and choral marches. A Powerful musical collection for everyone interested in the heroic men and music of WWII.
Listeners also have an opportunity to hear the real thing in action during the one minute-forty second sound-bite from a German newsreel documenting the 1941 invasion of Crete. Among the most dramatic soundtracks ever recorded, Stukas scream during steep dives and bombs explode to the accompaniment of Wagner's "Ride of the Valkyries" (a dramatic device borrowed forty years later by Francis Ford Coppola for his film, "Apocalypse Now"), while an excited narrator describes the combined parachute assault. The effect on German audiences of the time, witnessing all this on a big screen, must have been overwhelming. Paratroopers featured in the newsreel clip are represented by "Schoen bluehn' die Heckenrosen" ("Beautiful bloom the hedgeroses"), "Marsch der Fallschirmjaeger" ("March of the Paratroopers"), and "Rot scheint die Sonne" ("Red shines the Sun").
The Stuka even has its own song, the final selection in this collection which opened with "Bomben auf Engelland" by Norbert Schultze, composer of the Second World War's most famous melody, "Lily Marlene". The chorus sings, "We're going to hunt the British lion in a final, decisive battle. We hold judgment on a world empire which will pass away. That will be our proudest day. Comrade, kiss the girls goodbye! The order now is, `Start your engines!' Comrade, rush at the enemy! Bomb England!" Schultze passed away just two years ago.
PZG 210 is not confined, however, to music from "Hitler's War", to borrow the title from one of David Irving's books. The "Bombenflieger Marsch" and "Revere Marsch" were favorites of the Condor Legion, which flew three years before in the Spanish Civil War. And the "Bruno Loerzer Marsch", "Jadgeschwader Richtofen Marsh", "Lied der Balloniere" ("Song of the Balloonists"), "Kampfgeschwader Immelmann", and "Prinz Max Brigade" all harken back much earlier, to World War One. So too, the "Herrmann Goering March" celebrates the man who began building the Luftwaffe in 1935.
The "JU 88 Lied" ("Song of the Ju 88") was sung by crews of one of the Second World War's most versatile aircraft, a twin-engine medium bomber that helped tip the scales for victory in Norway, and went on to serve as a deadly torpedo-plane against Allied convoys, flew in the reconnaissance mode, and served as a night-fighter, even a radio-controlled bomb. The Ju 88 was so successful in all these roles it generated songs like "Flieger sind Sieger" ("Flyers are Victors"), music filled with pride and self-confidence after the Luftwaffe trounced one Allied air force after another.
All of the selections featured by "Fallschirmjaeger & Flieger Marches" have a sound different from their other Wehrmacht counterparts, although it is nonetheless firmly rooted in traditional German military music. Certainly, there has never been heard anything before or since quite like the powerful "Deutscher Flieger Marsch ("German Flyer March") or "Flieger Fanfare", both scored for what must have been exceptionally large brass bands. They play with a weight, precision and, most crucially, a spirit unique to the times in which these recordings were made. As such, they are invaluable sound documentation of a unique period in modern history.
This CD captures the elite fighting spirit of the Fallschirmjäger and the revolutionary Luftwaffe warriors of the skies!
Product Description
Share a moment in history with the German soldier on the front where the sound of rousing martial music gave new strength to flagging morale or in a bomb shelter with civilians where encouraging music calmed racing hearts. More then a CD its an audio history lesson of WWII, Adolf Hitler and his Nazi Third Reich. With quality you can trust, PzG nazi songs and marches are factory produced from ORIGINAL Third Reich recordings and professionally re-mastered for even listening with a musical balance between instrumental and choral marches. A Powerful musical collection for everyone interested in the heroic men and music of WWII.
Fallschirmjäger & Flieger Marches,Original Third Reich Nazi Recordings,Independent Records
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Fallschirmjäger & Flieger Marches
Manufacturer: Independent Records ProductGroup: Music Binding: Audio CD  General
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ASIN: B00012KGCE Release Date: 2003-11-01 |
Tracks:
- Bomben auf Engelland (choral)
- Bombenflieger Marsch (choral)
- Hermann Gg Marsch (choral)
- Fliegerkameraden (choral)
- Lied der Balloniere (choral)
- Militignal Marsch
- JU 88 Lied (Choral)
- Kampfgeschwader Immelmann
- Revere Marsch (choral)
- Aufws zur Sonne
- Flieger Empori (choral)
- Deutscher Flieger Marsch
- Flieger sind Sieger (choral)
- Flieger Fanfare
- Lied der Junkers Flugzeug und Motorenwerke choral)
- Jadgeschwader Richtofen
- Bruno Loerzer (choral)
- Prinz Max Brigade
- Schluhdie Sonne (choral)
- Marsch der Fallschirmjr (choral)
- Fallschirmjr
- Rot scheint die Sonne (choral)
- Combat report of FJ assualt on Crete
- Stuka Lied (choral)
Album Description
Share a moment in history with the German soldier on the front where the sound of rousing martial music gave new strength to flagging morale or in a bomb shelter with civilians where encouraging music calmed racing hearts. More then a CD its an audio history lesson of WWII, Adolf Hitler and his Nazi Third Reich. With quality you can trust, PzG nazi songs and marches are factory produced from ORIGINAL Third Reich recordings and professionally re-mastered for even listening with a musical balance between instrumental and choral marches. A Powerful musical collection for everyone interested in the heroic men and music of WWII.Customer Reviews:
Quality of Cd .......2007-01-10
Invaluable sound documentation of unique period of history........2005-06-13
Listeners also have an opportunity to hear the real thing in action during the one minute-forty second sound-bite from a German newsreel documenting the 1941 invasion of Crete. Among the most dramatic soundtracks ever recorded, Stukas scream during steep dives and bombs explode to the accompaniment of Wagner's "Ride of the Valkyries" (a dramatic device borrowed forty years later by Francis Ford Coppola for his film, "Apocalypse Now"), while an excited narrator describes the combined parachute assault. The effect on German audiences of the time, witnessing all this on a big screen, must have been overwhelming. Paratroopers featured in the newsreel clip are represented by "Schoen bluehn' die Heckenrosen" ("Beautiful bloom the hedgeroses"), "Marsch der Fallschirmjaeger" ("March of the Paratroopers"), and "Rot scheint die Sonne" ("Red shines the Sun").
The Stuka even has its own song, the final selection in this collection which opened with "Bomben auf Engelland" by Norbert Schultze, composer of the Second World War's most famous melody, "Lily Marlene". The chorus sings, "We're going to hunt the British lion in a final, decisive battle. We hold judgment on a world empire which will pass away. That will be our proudest day. Comrade, kiss the girls goodbye! The order now is, `Start your engines!' Comrade, rush at the enemy! Bomb England!" Schultze passed away just two years ago.
PZG 210 is not confined, however, to music from "Hitler's War", to borrow the title from one of David Irving's books. The "Bombenflieger Marsch" and "Revere Marsch" were favorites of the Condor Legion, which flew three years before in the Spanish Civil War. And the "Bruno Loerzer Marsch", "Jadgeschwader Richtofen Marsh", "Lied der Balloniere" ("Song of the Balloonists"), "Kampfgeschwader Immelmann", and "Prinz Max Brigade" all harken back much earlier, to World War One. So too, the "Herrmann Goering March" celebrates the man who began building the Luftwaffe in 1935.
The "JU 88 Lied" ("Song of the Ju 88") was sung by crews of one of the Second World War's most versatile aircraft, a twin-engine medium bomber that helped tip the scales for victory in Norway, and went on to serve as a deadly torpedo-plane against Allied convoys, flew in the reconnaissance mode, and served as a night-fighter, even a radio-controlled bomb. The Ju 88 was so successful in all these roles it generated songs like "Flieger sind Sieger" ("Flyers are Victors"), music filled with pride and self-confidence after the Luftwaffe trounced one Allied air force after another.
All of the selections featured by "Fallschirmjaeger & Flieger Marches" have a sound different from their other Wehrmacht counterparts, although it is nonetheless firmly rooted in traditional German military music. Certainly, there has never been heard anything before or since quite like the powerful "Deutscher Flieger Marsch ("German Flyer March") or "Flieger Fanfare", both scored for what must have been exceptionally large brass bands. They play with a weight, precision and, most crucially, a spirit unique to the times in which these recordings were made. As such, they are invaluable sound documentation of a unique period in modern history.
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