Canadian experimental guitarist Brook and the late, "shining star of Qawwal" come together for a second time to bring the music of Pakistan into a creative new realm. If you are a traditionalist who wants nothing but Pakistani music, stay away. This album is soaked in ambient electronic guitar noises and some of Khan's most out-of-the-tradition singing. These experiments are not to be confused with lots of the electro-noodling, however. Both artists were devoted to their gods and their music, and it shows in the potency of these tracks. Brook seems to have been a natural match for Nusrat and has drawn out an unusual performance that probably fulfills the ideas that were only hinted at in their first collaboration, Musst Musst. --Louis Gibson
Night Song,Nusrat Fateh Ali Khan,Michael Brook,Real World,Asia,Int'l & World Music,New Age,Pakistan,Pop,Qawwali,Sufi,World Music,Worldbeat
Average customer rating:
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Josh Groban in Concert (with Bonus DVD)
David / Sager, Carole Bayer Foster , John Williams , Don MacLean , Johann Sebastian Bach , Walter / Crokaert, Lara Afanasieff , Adolphe Adam , Daniel Ezralow , Angie Stone , Lili Haydn , and David Foster Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000077ZIG Release Date: 2002-12-03 |
Tracks:
- Un Amore Per Sempre
- Alejate
- The Prayer (feat. Angie Stone)
- For Always
- Vincent (Starry, Starry Night)
- Jesu, Joy of Man's Desiring (feat. Lili Haydn)
- Broken Vow
- O Holy Night
Tracks:
- Alla Luce Del Sole (Video)
- You're Still You (Video)
- Vincent (Starry Starry Night) (Video)
- Gira Con Me Questa Notte (Video)
- Un Amore Per Sempre (Video)
- Alejate (Video)
- Broken Vow (Video)
- To Where You Are (Video)
- Cinema Paradiso (Video)
- For Always (Video)
- Home To Stay (Video)
- Jesu, Joy Of Man's Desiring (Video)
- Canto Alla Vita (Video)
- The Prayer (feat. Angie Stone) (Video)
- Let Me Fall (Video)
Amazon.com
Josh Groban in Concert has all the ingredients to be a long-running PBS staple: a young (21), good-looking performer with a golden voice; songs in Italian and Spanish for the crossover crowd (i.e., Andrea Bocelli and Sarah Brightman) and pop and movie songs for the mainstream; guest stars galore (David Foster, John Williams, Angie Stone, Andrea Corr, Lili Haydn); a large orchestra; and striking but not obtrusive visual effects. The centerpiece of this DVD-CD combo (also available in a DVD keepcase) is the 80-minute concert DVD, filmed in Pasadena in October 2002 and featuring numerous songs from Groban's debut CD, including "You're Still You," which catapulted him into stardom when he sang it on TV's Ally McBeal. There are also two new songs--the ballad "Broken Vow," with Groban accompanied by Foster, and "For Always," with the orchestra conducted by John Williams, who wrote the song for the Steven Spielberg film A.I..The 37-minute CD offers seven songs performed in the concert (including the two not on the previous CD, "Broken Vow" and "For Always"), plus "O Holy Night." The DVD has excellent picture and sound (PCM stereo, Dolby Digital 5.1, and DTS), interviews, and backstage footage, and the combination with the CD is an excellent value. Groban's fans, of course, will consider it a treasure at any price. --David Horiuchi
Customer Reviews:
In case you couldn't go to the concert. . ........2007-05-12
Young Josh .......2007-04-12
The Best I've Ever Heard Live!!.......2007-04-10
Josh Grobin DVD/CD.......2007-04-02
Fantastic concert....Josh Grobin is outstanding!.......2007-02-22
Highly Recommended!
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Classical Wedding
Various Artists Manufacturer: Spring Hill ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000V1V Release Date: 1996-04-30 |
Tracks:
- Hornpipe from The Water Music
- Ode to Joy
- Psalm XIX
- Jesu, Joy of Man's Desiring
- Trumpet Tune
- Arioso in A
- La Rejoissance from The Royal Fireworks
- Ave Maria
- Trumpet Voluntary
- Canon in D
- Air from The Water Music
- Rondeau from Sinfonies de Fanfares
- The Lord's Prayer
- Bridal Chorus
- Fanfare and Bridal Chorus
- Wedding March
Customer Reviews:
Great Wedding Music.......2007-07-26
just the music for her processional. Thank you again.
Yvonne Barrett
wedding music.......2007-07-18
Great Product.......2007-05-31
Excellent Classical Wedding Music.......2007-05-14
Traditional and wonderful.......2007-04-10
Average customer rating:
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25 Wedding Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6T1 Release Date: 2000-09-05 |
Tracks:
- Wedding March (Lohengrin)
- Allegro I (Water Music) - Stanislaw Skrowaczewski
- Trumpet Voluntary
- Minuet (Music For The Royal Fireworks)
- Canon in D Major
- Spring - Susan Lautenbacher
- Arrival Of The Queen Of Sheba (Solomon)
- Air (Water Music) - Stanislaw Skrowaczewski
- Sheep May Safely Graze (Cantana No. 208)
- Arioso
- Bist Du Bei Mir' (Anna Magdalena Notebook)
- Panis Angelicus
- Weichet Nur' (Wedding Cantata)
- Silent Worship (Tolomeo) - Mary Ann Hart
- Ave Maria
- Sehet In Zufriedenheit' (Wedding Cantata)
- Ave Maria
- Jesu Joy Of Man's Desiring
- Air On The G String - Mainz Chamber Orchestra
- Pastorale (Messiah) - Eastman Chorale
- Nocturne - Rochester Philharmonic Orchestra
- Wedding Day At Troldhaugen - Utah Symphony Orchestra
- Hornpipe (Water Music)
- Wedding March
- Toccata (5th Symphony)
Customer Reviews:
Best Music Ever for Home Wedding.......2007-07-20
Excellent resource for wedding planners.......2007-04-05
Great item!.......2007-03-29
Preview your wedding day.......2006-08-14
25 WEDDING FAVORITES.......2006-07-20
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The Essential Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q29G Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert LevineCustomer Reviews:
pure genius.......2007-05-21
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
first disc great- second a flop.......2007-04-12
Encore.......2007-03-31
The Versatile Yo-Yo Ma.......2007-03-29
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The Andrew Lloyd Webber Collection
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I0XW Release Date: 1999-06-01 |
Tracks:
- The Phantom Of The Opera: The Phantom Of The Opera
- Song & Dance: Unexpected Song
- Aspects Of Love: Chanson D'enfance
- The Phantom Of The Opera: All I Ask Of You
- Evita: Don't Cry For Me Argentina
- Evita: Another Suitcase In Another Hall
- Aspects Of Love: Love Changes Everything
- Friends For Life
- Cats: Memory
- Cats: Gus: The Theatre Cat
- Aspects Of Love: Anything But Lonely
- Cats: Macavity: The Mystery Cat
- Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
- The Phantom Of The Opera: Wishing You Were Somehow Here Again
- Requiem: Pie Jesu
- The Phantom Of The Opera: The Music Of The Night
Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason VerlindeAlbum Details
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.Customer Reviews:
The Andrew Lloyd Weber Collection.......2007-05-12
Andrew Lloyd Webber .......2007-02-12
The Andrew Lloyd Webber Collection.......2007-01-05
The Best You'll See from Sarah.......2006-09-09
I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!
The Angel of Music.......2006-03-13
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DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy
Nathan Gunn , and Kevin Murphy Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IWW3 Release Date: 1999-05-18 |
Tracks:
- Shenandoah
- Brother Can You Spare A Dime?
- Early In The Morning
- The Lordly Hudson
- At Howard Hawks' House
- Holding Each Other
- The Lass From The Low Countree
- Recuerdo
- Nocturne
- Sure On This Shining Night
- Fur (Murray The Furrier)
- Over The Piano
- Black Max (As Told By The De Kooning Boys)
- Slugging A Vampire
- Two Little Flowers
- General William Booth Enters Into Heaven
- The Lamb
- I Wonder As I Wander
- At The River
- Long Time Ago
- Lean Away
- American Anthem
Customer Reviews:
okay.......2007-01-05
A promise about to be fulfilled.......2006-12-17
Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.
Amazing collection - amazing voice........2006-02-22
Amazing recordings.......2006-01-02
Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.
Highly recommended.
First Rate Singing!.......2005-12-20
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
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Silk Road Journeys: When Strangers Meet
Yo-Yo Ma , and Silk Road Ensemble Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000641CG Release Date: 2002-04-16 |
Tracks:
- Mongolian Traditional longsong
- Legend of Herlen (Byambasuren Sharav)
- "Blue Little Flower" (Chinese Traditional)
- "Mido Mountain" (Chinese Traditional)
- Moon over Guan Mountain (Zhao Jiping)
- "Miero vuotti uutta kuuta" from Five Finnish Folk Songs (Michio Mamiya)
- "Joiku" from Five Finnish Folk Songs (Michio Mamiya)
- Avaz-e Dashti (Persian Traditional)
- Habil-Sayagy (In Habil's Style) for cello and prepared piano (Franghiz Ali-Zadeh)
- Blue as the Turquoise Night of Neyshabur (Kayhan Kalhor)
- Chi passa per'sta strada (Filippo Azzaiolo)
- Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon/Tan Dun) (Bonus Track)
Amazon.com
This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler
Customer Reviews:
The Versatile Yo-Yo Ma .......2007-07-24
As always, the versatile Yo-Yo Ma is quite soulful and technically brilliant in his musical exploration of the "Silk Road". The music, to me, captures the feeling of Asia. The liner notes are very educational in providing a context to the project.
I find Asian music to be very different from our "Western" traditions, but given time and an even chance, I think that you will find this CD to be very nice and enjoyable.
Not for the average listener.......2007-03-20
I was looking forward to this, but the music is plodding in many parts,
like a dreary symphony. There are fine moments, but I was looking for something a bit more accesible, rhymic, and lyrical. This is a mixed bag that seems to miss more often than hit.
A thoroughly enjoyable trip through Central Asia and a few other places........2007-03-15
Silk Road Journey.......2007-02-19
A Detailed Review From A Non-expert Music Lover.......2007-01-12
To anyone who has heard of the Silk Road in Ancient China, the title of this CD immediately brings up images of exotic peoples and their cultures in your mind. I think Yo-Yo Ma's efforts in creating such a culturally diversified recording are definitely welcomed in this era of globalization.
But after listening through this CD I felt that something was missing from the selections. One of the most important areas on the Silk Road is the Uyghur region in northwestern China. Their music is quite unique. Inclusion of their music in this CD would be really interesting. Also in this CD not all of the selections are chosen from those regions directly related to the Silk Road. So I guess the title is just a metaphor of "when strangers meet", but is not directly about the cultures along the Silk Road.
Now I will review each of the selections.
1. Mongolian Traditional Long Song
I am somewhat familiar with their culture and land. So to me this song is very beautiful and enchanting. One of the most important factors in conducting any cross-cultural communications is context! You really cannot take it out of context. The Mongolian Long Song might sound monotonous and drawling to a person who is more used to the Western tradition of chant, choral, or opera music. Yet if you know the traditional nomadic lifestyle of the Mongolian people on the vast rolling greens of the Mongolian grassland embellished with winding creeks and rivers, you would probably hear such long-singing voices reverberating between the green of the grass and the blue of the sky. The Mongolian people have some of the most beautiful songs that I know of.
2. Legend of Herlen
There are probably two broad categories of non-western ethnic musics. One is the authentic folksong tradition of the people, the other is westernized works composed by westernized local musicians. I guess Legend of Herlen might fall into the second category. It has some interesting tunes in it. But the overall listening experience is too dramatic. I guess the dynamics used in this piece might even go beyond the ppp and fff. In the Mongolian traditional music, dynamics are sometimes used quite dramatically, with sharp difference between two adjacent notes or phrases. So this piece here is probably not very surprising. Nonetheless I find it a little too dramatic, sometimes even disturbing. Again I am not familiar with the background of this piece, so that might explain the unusual drama.
3. Blue Little Flower
I am not sure what fusion should really sound like. But in this piece it does seem to me that a lot of musical traditions are intertwined in it: western music, Chinese folksong from Shaanxi, and probably Iranian or Indian drums. Somehow the only part of this song that I liked is the beginning line. It's very beautiful and delicate, reminding me of the theme music from the Couching Tiger, Hidden Dragon. But it is westernized, not authentic Chinese folksong. If this is still not a problem, then the drum used in this piece does cause a lot of funny effects. The drum sounds so distinctive and it represents some of the central or western Asia cultures. The images such drum beats conjure up are very incompatible with this northwestern Chinese folksong. So in this piece there are at least three threads: western, Chinese, and Iranian/Indian (I am not sure which one). But they do not converge. There is also the funny part of the singing included in this piece. It is out of place and unnecessary. The singing itself is just too frivolous to me.
4. Mido Mountain
I like this piece, especially the part played by the Sheng. Again there are some elements that sound a little bit too foreign to me, especially the percussion part. They use the same percussion/drum in this piece as in the previous one. But the overall effect of the arrangement does sound authentic and pleasant to me.
5. Moon Over Guan Mountains
If you know that Zhao Jiping is famous for his scores for films, you will probably understand this piece better. But of course understanding does not mean you will like it. This piece falls into the second category that I described above. For a lot of non-Western countries, the influence of western music is definitely immense. Many local composers are trained in both the western tradition and the local tradition. But there is probably a general feeling among composers in these countries that western music is richer in theory and methods. Many of these composers will use themes from folk songs to compose westernized music. I will give this piece a B+. It does include some themes from northwestern China, which sound really unique. As I said in this CD there is no selection from the Uyghur region in China, this piece might make up for that, since some of the themes seem to me to be from that region. But this piece is still too dramatic too, like a film score.
6. Five Finnish Folksongs No. 3
I love this one! The theme melody is so beautiful, and maybe a little bit nostalgic, and maybe a little bit romantic also? But this piece is straightly western music. There is nothing ethnic about it.
7. Five Finnish Folksongs No.5
This one is ok, but not very impressive. The overall structure of this piece sounds like very loose. There is not memorable melody either. But it does not have the maddening drama like in the two pieces I have just talked about. This is good.
8. Avaz-e Dashti
I am not familiar with Persian music. But there are indeed some very Persian melodies in this piece. The instruments used in this piece are all traditional Persian instruments. Maybe this is why it sounds so authentic to me. I like the haunting, floating tunes in this piece. They sound very ethereal to me.
9. Habil-Sayagy
Again this piece falls into the second category like the Legend of Herlen and Moon Over Guan Mountains. Such music is probably interesting to the performers, since they can let loose their inner floodgate of emotions and resort to pure artistic connections. But the problem for such music is that they are just too dramatic, and it's really hard to understand them without fairly good knowledge of the context and their unique cultural backgrounds. I am sure all these three pieces might sound profound, meaningful, and artistic once we know the cultural backgrounds better. But for the general listener, they are too abstract and too emotionally charged. Another problem for such western-traditional combination pure art form of music is that tradition might be distorted and represented in the wrong way.
10. Blue as the Turquoise Night of Neyshabur
I like this one better that the previous one, especially the middle part beginning at around 5 min 30 sec into the music. The melody is quite unique, and memorable. The bassline is very interesting too. It conjures up the image of merchants traveling on camel back through the desert. The pulse of the bass sounds like the steps of camels walking. One the instruments used, I am not sure which one, santur or kemancheh, is quite successful in bringing out the authenticity of the music style.
11. Chi passa per'sta strada
This one has the same problem as the Blue Little Flower: it does not sound like anything! It is not Italian, nor is it Iranian, nor Chinese, nor anything else. What is it? Who knows. The ethnicity of world music is tied to their unique musical instruments closely. I remember there was one year the Chinese traditional orchestra had a New Year's Concert at Vienna, and when they played the Radetzky March at the end of the concert, I was quite unimpressed.
12. Desert Capriccio
Tan Dun is similar to the composers I mentioned above like Zhao Jiping. Tan's music is unique and interesting to both western and Chinese audience, because of the same thing: they are both unfamiliar with Tan's music. To the Chinese audience, his music sounds western, but to the Western audience, his music sounds exotic. Nonetheless I still like some of this music, like the Couching Tiger and Hidden Dragon. Some of the melodies are really great. Again this piece makes up for the lack of Uyghur music in this album, since the "desert" in this piece is in the Uyghur region. But the music is not Uyghur at all.
There you have it. That's all for my detailed review of this CD. I would give it a B+ for its efforts and some of the really good tunes. As I am not an expert, I might be wrong in many of the points that I make in this review. So feel free to comment on my review.
Average customer rating:
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Silk Road Journeys: Beyond the Horizon
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007TFHEI Release Date: 2005-04-05 |
Tracks:
- Mohini (Enchantment)
- Oasis
- Distant Green Valley
- Akhalqalaqi Dance
- Echoes Of A Lost City
- Mountains Are Far Away
- Yanzi (Swallow Song)
- Battle Remembered
- Summer In The High Grassland
- Kor Arab (The Blind Arab)
- Shikasta (Minstrel's Song)
- Night At The Caravanserai
- Gallop Of A Thousand Horses
- Tarang (Currents)
- Sacred Cloud Music
Amazon.com
It is a perilous proposition when genres clash--and no such collaboration is more potentially fraught than when improvisation-trained folk musicians sit in with Western classical instrumentalists, who are taught to interpret a printed score. The renowned cellist Yo-Yo Ma has devoted much of his professional life to such intercultural experiments. But the traditions of nations situated along the ancient Silk Road, which began in the Far East, meandered through Asia and terminated in Europe, are especially dear to him. These lushly arranged pieces range from moody scenic vistas to percussive Turkish hip-shakers and they make very pleasant listening. If they owe more to the European canon than the ethnic sources that inspired them, they are also the result of respectful give-and-take between a team of acknowledged masters. And nobody is more of a team player than Maestro Ma, an impassioned, fearless musical seeker and a gracious, deferential colleague. --Christina Roden
Interview with Yo-Yo Ma
Yo-Yo Ma speaks about his latest adventures involved in this new installment of the ongoing Silk Road Project--an epoch-making collaboration among musical colleagues. Read our special interview to learn more about Ma's musical philosophy.
Amazon.com
It is a perilous proposition when genres clash--and no such collaboration is more potentially fraught than when improvisation-trained folk musicians sit in with Western classical instrumentalists, who are taught to interpret a printed score. The renowned cellist Yo-Yo Ma has devoted much of his professional life to such intercultural experiments. But the traditions of nations situated along the ancient Silk Road, which began in the Far East, meandered through Asia and terminated in Europe, are especially dear to him. These lushly arranged pieces range from moody scenic vistas to percussive Turkish hip-shakers and they make very pleasant listening. If they owe more to the European canon than the ethnic sources that inspired them, they are also the result of respectful give-and-take between a team of acknowledged masters. And nobody is more of a team player than Maestro Ma, an impassioned, fearless musical seeker and a gracious, deferential colleague. --Christina Roden
Interview with Yo-Yo Ma
Yo-Yo Ma speaks about his latest adventures involved in this new installment of the ongoing Silk Road Project--an epoch-making collaboration among musical colleagues. Read our special interview to learn more about Ma's musical philosophy.
Customer Reviews:
delightful experience.......2007-07-04
Excellent Compilation with Marvelous Tracks.......2007-01-20
Beyond the first Silk Road CD.......2006-11-23
The tracks are ordered into three parts: Enchantments (1-5), Origins (6-9) and New Beginnings. First track is strangely familiar (like it was used in some film, but there is no mention of this). In third track this theme gets Chinese interpretation. The style from one track to the other changes, so you can't get bored or overexcited. Second is simply very nice, the fourth great intro of Armenian wind instrument duduk (played by famous Gevorg Dabaghyan), accompanied by percussion mostly, albeit the piece is short. 5 is gentle with cello and xun (Chinese ocarina), 6 orchestral from slow to cool, 7 again gentle with cello and vocal, 8 starts with yearning duduk and turns into orchestral battle, 9 cello and percussion. Track 10 is the only one with prominent vocal (love song) and introduces us to the last part of CD, which are more like jam sessions of all instruments. 11 and 13 are very lively. The last one, track 15, brings us a new interpretation of very ancient Chinese melody played on pipa.
Some would probably say this CD is commercialized. Personally I don't see any wrongdoings in this as long the music stays a high quality one. For the more authentic Silk Road one can always buy The Silk Road: A Musical Caravan.
Excelent!!!.......2006-01-15
One of the Best !.......2005-12-06
Average customer rating:
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Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002ND9N Release Date: 1999-11-09 |
Tracks:
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Ges
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas MayCustomer Reviews:
Beautiful music.......2007-01-12
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.
Andrea Bocelli-Sacred Arias.......2006-08-25
An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28
amazing talent.......2006-03-25
Perfect arias for the perfect voice.......2006-03-04
I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?
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