As on Another Country (1992) and The Old Plank Road (2002), the venerable Irish acoustic band celebrates the shared sources of Celtic music and America's Appalachian folk/old-timey/bluegrass canon. That several of the guest players are veterans of all three sets lends a note of continuity to the palpable joy of discovery that fairly leaps from every track. Highlights are non-stop, but Allison Moorer's doom-laden vocal on "Hick's Farewell" raises goose-flesh, as does Emmylou Harris' "Lambs In The Greenfield," while Don Williams' treatment of an old Scottish ballad, "Wild Mountain Thyme," reveals a sturdy, unsentimental masculinity. The Chieftains are generous hosts throughout, often taking a back seat so their collaborators may shine. A poignant note: harpist and multi-instrumentalist Derek Bell, a longtime Chieftains member, died just after the Plank Road sessions were completed. That these were destined to be among his final recordings makes them all the more worthy of treasuring. --Christina Roden
Further Down the Old Plank Road,The Chieftains,RCA,Accordion,Appalachian Folk,Banjo,Bass (Upright),Bouzouki,British Folk,Celtic Folk,Celtic Fusion,Celtic/Irish,Clapping,Contemporary Celtic,Country & Western,Country-Folk,Dobro,Dulcimer (Hammer),Fiddle,Flute,Guitar (Acoustic),Harmony Vocals,Harp,Int'l & World Music,International Folk,Irish,Irish Folk,Mandolin,Penny Whistle,Percussion,Pop,Tin Whistle,Traditional Celtic,Traditional Country,Traditional Folk,Traditional Irish Folk,Uillean Pipes,Vocals
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Further Down the Old Plank Road
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ASIN: B0000ABGD3 Release Date: 2003-09-09 |
Tracks:
- The Raggle Taggle Gypsy
- Jordan Is A Hard Road To Travel
- Hick's Farewell
- Shady Grove
- The Girl I Left Behind
- Rosc Catha Na Nuimhain/Arkansas Traveller/The Wild Irishman
- Lambs In The Greenfield
- The Moonshiner/I'm A Gambler I'm a Rambler
- Wild Mountain Thyme
- Chief O'Neill's Hornpipe
- Bandit Of Love/The Cheatin' Waltz
- The Squid Jiggin' Ground/Larry O'Gaff
- Three Little Babies
- Fisherman's Hornpipe/The Devil's Dream
- Talk About Suffering/Man Of The House
- The Lily Of The West
Amazon.com
As on Another Country (1992) and The Old Plank Road (2002), the venerable Irish acoustic band celebrates the shared sources of Celtic music and America's Appalachian folk/old-timey/bluegrass canon. That several of the guest players are veterans of all three sets lends a note of continuity to the palpable joy of discovery that fairly leaps from every track. Highlights are non-stop, but Allison Moorer's doom-laden vocal on "Hick's Farewell" raises goose-flesh, as does Emmylou Harris' "Lambs In The Greenfield," while Don Williams' treatment of an old Scottish ballad, "Wild Mountain Thyme," reveals a sturdy, unsentimental masculinity. The Chieftains are generous hosts throughout, often taking a back seat so their collaborators may shine. A poignant note: harpist and multi-instrumentalist Derek Bell, a longtime Chieftains member, died just after the Plank Road sessions were completed. That these were destined to be among his final recordings makes them all the more worthy of treasuring. --Christina RodenCustomer Reviews:
Great second set of roots music from "The Plank Road Sessions".......2006-04-17
Chieftains Merge Irish & Bluegrass Influences.......2005-03-22
Highlights include Tim O'Brien's foot-stomping rendition of "Shady Grove, John Prine's plaintive "The Girl I Left Behind," Ricky Skaggs' "Talk About Suffering/Man of the House" and Nickel Creek's performance of the centuries' old "Raggle Taggle Gypsy."
Several of these songs were not originally recorded for this album. "Fishmerman's Hornpipe/The Devil's Dream," which features the lightning fingers of Doc Watson, was recorded in 1980-81. Four other tracks (9-12) were recorded in 1992, presumably during the sessions for the 1992 release ANOTHER COUNTRY.
Overall, this is a thoroughly satisfying album from Ireland's best ambassadors of Irish music. [Running time 55:06] HIGHLY RECOMMENDED
Way Down The Old Plank Road.......2003-12-09
Highlights on this one, for me, include John Hiatt's version of the Uncle Dave Macon song Jordan is a Hard Road, and Doc Watson with the Chieftains.
The Nickle Creek version of Raggle Tagle Gypsy doesn't do it for me -- I've been spoiled by listening to the Planxty version for years.
All in all a great listen, with an interesting historical connection.
further is better.......2003-10-01
I was surprised that there was no mention of the passing of Derek Bell in the liner notes of the cd. Perhaps a tribute to him will be made in an upcoming cd.
The Chieftains turn out another winner.......2003-09-21
This album has a wide variety of both Irish and American pieces on it, opening with the old standard "The Raggle Taggle Gypsy", performed with Nickel Creek to stunning results. Next comes the American folk song "Jordan is a Hard Road to Travel" with John Hiatt, and if it weren't for Hiatt's superbly raspy old-time voice this would pass as a traditional dance from back over on the Emerald Isle. Following this upbeat tune comes a mournful Southern song with Allison Moorer, the solemn "Hick's Farewell", her voice backed quietly by Paddy and his boys and attended to by the sorrowful wailing of Matt Molloy's flute. "Shady Grove" with Tim O'Brien has lyrics that are very American in nature but a tune that, like much of the material on this album, could have come right out of Ireland itself.
The incomparable John Prine accompanies The Chieftains on "The Girl I Left Behind", employing his once-twangy but now warmer and deeper voice to a song that sounds like a lot of his other work - not a bad thing, mind you. The following set with Jerry Douglas contains the Irish tunes "Rosc Catha Na Mumhain" and "The Wild Irishman", both played superbly, as well as an unexpected treat - "The Arkansas Traveler", undoubtedly one of the best-known old-time folk songs that transforms the track from a set of Celtic tunes to a sort of Irish hoedown, as the liner notes put it. After that comes a superbly sad/sweet Irish song, "Lambs in the Greenfield", played with a past Chieftains collaborator Emmylou Harris, to lovely results. In the space of Band 8 Joe Ely shows up with his roguishly rambling voice, singing two tunes that suit his demeanor well - "The Moonshiner" and "I'm a Rambler".
Country legend Don Williams turns up on this album to sing that beautiful old Irish ballad, "Wild Mountain Thyme" with his virtually-trademark deep country voice that gives the classic air a new dimension. Chet Atkins plays on "Chief O'Neill's Hornpipe", which if memory serves was actually recorded back on The Chieftains' first bluegrass/country endeavor, "Another Country", and could be considered the single cheap shot on the album, even though the collaboration is still very high quality. Band 11 contains Carlene Carter's "Bandit of Love" from 1980, sung by the composer and The Chieftains' own "The Cheatin' Waltz", the former taking up a much longer time slot than the latter. The famous Nitty Gritty Dirt Band gives a spirited performance of "The Squid-Jiggin' Ground", a lively little song rather peculiar in subject but catchy in tune, its words having been set to the Irish Larry O'Gaff's Jig by immigrants to Newfoundland, Canada.
Patty Loveless delivers a wailing rendition of "Three Little Babes", an anguish-filled variant of an old English air sung in the Appalachian Mountains. On track 14 Doc Watson plays a sprightly hornpipe popular on both sides of the Atlantic, "The Fisherman's Hornpipe", followed by another famous tune, "Devil's Dream." Long-time friend of The Chieftains Ricky Skaggs lays down another soulful Southern song, "Talk About Sufferin'", written in the gospel singing tradition of the American southeast. The final tune, "The Lily of the West", has been sung by The Chieftains on a past album, "The Long Black Veil", in collaboration with Mark Knopfler. But sung here to a different tune with somewhat altered lyrics by Rosanne Cash, Johnny "The Man in Black" Cash's daughter, the song takes on an entirely different feel, to my ears less appealing than Knopfler's rendition but still enjoyable.
All in all, "Further Down the Old Plank Road" is anything but an attempt to administer one last whack to a long-dead horse, to paraphrase the liner notes of "Water from the Well" (also a great album). Even though American music is the predominate style on the album, it's still a real treat for Chieftains fans and a great listen for any fan of traditional Irish, bluegrass, or country music, or any of the performers above for that matter. Highly recommended!
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