| 1. Punish My Heaven |
| 2. Silence, And The Firmament Withdrew |
| 3. Denspring |
| 4. The Dividing Line |
| 5. The Gallery |
| 6. The One Brooding Warning |
| 7. Midway Through Infinity |
| 8. Lethe |
| 9. The Emptiness From Which I Fed |
| 10. Mine Is Grandeur... |
| 11. ...Of Melancholy Burning |
Editorial Reviews
Product Description
1995 album for Osmose Productions by the dark metal quintet.Pressed on a full color disc, it contains 11 tracks, includiing 'Punish My Heaven' and 'The Emptiness From Which I Fed'.Standard jewel case.
I won't belabor the song content or the production value. I think the most notable reviews have got that down pat, although I'm not marking down as far as they have because I'm giving points for originality being a fan of Spike Jones and some other truly demented people.
One thing to note: this is not a CD you'd buy if you were looking for something to amuse your kids. Some of the content is very bawdy and Mom and Dad would have some serious 'splaining to do to the little pirates. There's both some language and some situations that are more twisted than a Hangman's knot.
Hal Wilner should stick to whatever genre it is that made him know enough to be approached by labels, because he clearly has no understanding, and less enthusiasm for *this* genre.
If you love lively music from the maritime era, you can only be bitterly disappointed by this collection. Out of 43 tracks, I found 15 that were salvageable. Sort of.
I've already tossed this onto the pile to go to the resale shop. It wasn't worthy the cost of shipping.
I appreciate what was attempted here (contemporary artists paying homage to sea chanteys in the spirit of our romanticized version of the pirate era) but it just doesn't really work. The effect is similar to what would be achieved if the London Philharmonic Orchestra attempted to play rap "music" with Luciano Pavarotti rhymin' while flashing gang signs.
It is VERY sad that these same titles, could not have been produced for quality. They sound like a nightmare.
By the mid 70's, Jethro Tull had pretty much established themselves as a pretty unique band with their own sound and style. Once again, nobody can figure out if they are a straight-up rock band, or one of the progressive rock giants.
Minstrel in the Gallery is closer to Aqualung than all the other albums, in my opinion. That's because the songs on this album are, for the most part, pretty long, but not EXTREMELY long. Long enough to tell an interesting story and build some interesting musical ideas. The flute playing is solid like always, and the guitar work rocks harder than usual. This is just another really solid album.
Occasionally you might hear the title track on classic rock radio, but I can assure you that the rest of the album maintains the same level of quality. Jethro Tull were really good at making one great album after another for over a decade.
This album displays wonderful work from every member of the band. Barre's guitar solo on the title track is wonderful, but I cannot help but notice the killer bass and drums that are backing it. Anderson's voice is better than ever, and his songwriting is right on the spot.
Songs such as "Cold Wind to Valhalla" really hits the right place. The forest-like jams that are contained on this album never get old to me. One of my favorite Tull albums, and I hope I will always have it in my collection.
The album is full of heart, and it's just fantastic.
Side 2 though, less bombastic and more acoustic (with arrangements) is good stuff and "Baker Street Muse" reminds you that Anderson was a songwriter of real talent, he really did some great work and this is some of it.
New fans of Cannibal Corpse I reccommend something a little newer such as Kill or Gore Obssessed.
Also check out: Pantera(RIP Dime) MEGADETH, Anthrax, Slayer, Sepultura, Exodus, Testament, Cynic, Alarum, Rebel Meets Rebel, WES MONTGOMERY, Paco De Lucia, Pink Floyd, Jimi Hendrix, SRV, Van Halen, Mastadon, Iron Maiden, Black Sabbath ...others i can't think of right now cuz this review is already too damn long,...oh yeah and my music which will hopefully be out in the future if i don't kill myself first!
Besides the concert staples like "I Will Kill You" and the title track, I like "Sentenced to Burn" and "Unite the Dead" as stand out tracks. The whole CD is solid and enjoyable, though, especially if someone new to Cannibal Corpse just happens to be in the truck when I pop it in. Not everyone likes it, but it sure does get a reaction every time. Sometimes I just want to listen to a metal band that is still thought of as abrasive. Remeber when Metallica was that way?
This is the "musically developed" CC release and as such stands alone in their catalogue as an anomaly. It has more-musical aspects which produce atmospheres of ultimate darkness, despair, and sort of depression or hopelessness, or like the mindset of someone committing suicide for the gallery. It is beautiful! -especially on the title track! Each song is unique, and not just one string of blast beats, predictable vocal patterns and guitar fuzz that combine and blur into an album full of white noise like some of their other releases. It's their only release which stands the test of time for me, and I want to go back and listen 3 years after I bought it. One of the best-realized pieces of death metal art ever, if you ask me.
Just pick this CD up and all there other CD's.
Though metal fans tend to be fickle, I have to say that the established a specific style with this album, and though they broke from it largely in the future, they've emerged a very mature and competent band that takes these ideas and makes something truly new and original.
I'm glad I didn't review this as soon as I listened to it for the first time, because otherwise, it would'nt have been so positive. Dark Tranquillity is a lot heavier than other melodeath bands I've heard. You could probably even argue they're borderline black metal, but with a melodic sensibility. But I let it grow on me, and after a while I recognized for the masterpiece that it is.
The first track, Punish My Heaven, opens up with drums, and then really fast, schizophrenic guitars and bass interwind with each other, and Mikeal Stanne lets out a "RAAAAAAAAAAAAAAAAAA!!!!!!!" that catches you completely off guard. It gives you a good feel for what the rest of the album will sound like. The following track, Silence And The Firmanent Withdrew, is a lot more melodic, but no less evil. Other great tracks are the title track, The Dividing Line, The One Brooding Warning, The Emptiness From Which I Fed, and ...Of Melancholy Burning. But the whole album is pure melodic death bliss. My favorite song is by far the title track: The lyrics, instruments, atmosphere.... everything in this song is top notch. The lyrics are a good representation of the album cover, and the artwork throughout the sleeve of the album. What makes it even cooler is the female vocals (done by Eva Marie Larsson) that wail during the acoustic guitar interlude. This is also used on ...Of Meloncholy Burning.
The best part about The Gallery is that even in its most musically complex parts, it still feels very atmospheric and seems to just serve the music. Mikeal Stanne can hold a growl for a very, very long time. Just listen to his shrieks on Punish My Heaven and The Dividing Line. Even when he sing clean vocals, they're still pretty gritty and low. Frederik Johansson and Anders Jivarp make an awesome guitar duo; they also interwind solos on Punish My Heaven and The Emptiness From Which I Fed. Martin Henricksson's basslines are ACTUALLY audible! Not only that, but his basslines are very intricate and complex, not just the same-old-same-old that other metal bands use. And Niklas Sundin's drumming is very unique. I say this because even when using double bass kicks, his drums glide over you, if that makes sense.
The only time the album gives you a breather is the instrumental Mine is The Grandeur...., which is soothing, folksy-sounding acoustic guitars, but that is interrupted as soon as .... Of Melancholy Burning kicks in. Mine Is The Granduer is basically the prelude to ... of Melancholy Burning (Mine Is The Grandeur of Melancholy Burning). It's also the only other track to use female vocals.
Inside the album sleeve, there are fragments of art scattered on the sides. Some of the pictures include a raven, lava, forests, and others I don't know what the hell they are. But that doesn't matter because each picture is very cool and interesting.
The reissue contains 5 covers: Bringer of Torture by Kreator, Sacred Reich by Sacred Reich, 22 Arcia Avenue by Iron Maiden, Lady In Black by King Diamond, and My Friend of Misery by Metallica. I haven't heard the originals to be perfectly honest, but I can tell you that DT do an excellent cover of each of these songs, and could fit in right with the rest of the album.
Like I said before, The Gallery is my only DT record, but after being blown away by it, I plan to get my hands on every CD I can find by tis awesome band. Even if you only like metal a little bit, I STRONGLY recommend you buy The Gallery the first chance you get. The lyrics are intriguing, the musicianship is great, the vocals are intimidating yet strangely emotive, and the atmosphere is priceless.
P.S. And don't you just love the cover art?
The real brilliance of "The Gallery" does not lie in technical skill, although to say that the likes of Niklas Sundin and Anders Jivarp are unskilled would be completely untrue. Datk Tranquillity's real genius lies in their arrangements and songwriting. This may seem like a bold statement, but I believe that in these areas, Dark Tranquillity are unmatched. Not even Opeth, who are renowned for writing songs which rival classical symphonies, can match Dark Tranquillity in this one area. The guitars, bass and drums here harmonise in a way so perfect that it's hard to believe they were written by mere humans. Each instrument compliments each other perfectly, none dominating but all contributing to the artistic beauty of "The Gallery." The guitars and bass (and you can actually hear the bass in this album - that's always a good sign), far from being an assault on the senses like so many other heavy metal albums before and since, consist mainly of tremolo picking, the tempo often varying, intertwining around each other to create a lush, melodic, organic atmosphere. Many other, lesser melodic death bands rely on synths almost exclusively to provide melody (Children Of Bodom, I'm looking at you) as a way to get around really putting their backs into making the arrangements work, but thankfully, Dark Tranquillity's melody comes from a higher work of musicianship. Occasionally acoustic guitars and pianos will also kick in to provide a softer interlude in songs like "Edenspring."
The drumming also deserves recognition as a feat of songwriting skill. Anders Jivarp's rhythms, rather than just using repetitive beats at a fixed tempo to provide the music with solidity, provides "The Gallery" with a third thread in it's weave of musicianship and establishes another layer in its melody. He makes full use of the toms and cymbals without disregarding the snare drum, with occasional bursts on the double bass pedal to add energy when the time is right. This is a heavy metal album after all.
And then of course, there's Mikael Stanne. On "The Gallery," he's at the top of his game, belting out agonised yet hauntingly emotive shrieks that put even his counterpart in At The Gates, Tomas Lindberg, to shame. There is a distinct similarity between him and Mikael Akerfeldt in the early days of Opeth. However, unlike Opeth, his voice sits at precisely the correct level in the mix; you can turn "The Gallery" up to a decent volume without the vocals becoming grating, but the chances of anyone considering them too quiet are precisely none. Female vocals performed by Eva-Marie Larsson can also be found on the tracks "The Gallery," "Lethe" and "...Of Melancholy Burning," which are very beautiful and near classical in tone. One notable moment is on "...Of Melancholy Burning," when one of Eva-Marie's oparetic calls slowly merges with a monstrous howl from Stanne, creating an odd, yet extremely cool effect.
I really don't have anything bad to say about this album. Each song is a masterpiece, a work of art each in it's own unique way. The only pity is that Dark Tranquillity never wrote anything like it again. In my own opinion, "The Gallery" is absolutely essential to anyone who enjoys music in any way shape or form, one of - if not THE - deepest, most layered, most rewarding albums you will ever hear. It is tangible proof that heavy metal is as much an art form as anything else.
My love for the guitars on this album is unfathomable. From the gorgeous interlude "Mine is the Grandeur", which tastefully utilizes three classical acoustic guitars (harmonizing with each other, of course) and booming timpani drums, to the epic yet somber "Lethe" and the frantic neo-classical solos on "Punish My Heaven", it's total perfection. The display is not totally virtuostic, and the harmonies add so much impalpable atmosphere to this record. The bass playing is superb as well. Instead of playing regular root notes, the bass seems to be a totally independent instrument by itself, as seen on "Edenspring".
One of the greatest things that grabbed me about this album was the drumwork. The listener doesn't get pummeled to death with double bass overhauls or endless thrashfests, but the drumming firmly supports the music. To sum it up, it's technical, intricate, but not over the top. Anders allows to music to breathe, and his odd patterns add a lot to the music.
Stanne's voice here is his best, I think. His raspy screams are at his emotional heighth on "...Of Melancholy Burning" and the vicous "The Emptiness From Which I Fed", and his lyrics are far from the metal norm. You can feel the sorrow through his screams, and he doesn't try to be another Anders Friden clone. There are some occasional clean vocals, and the female vocals on the title track work perfectly, giving the album even more of an epic feel.
This is definitely an essential metal album, and I would place it in my top 5 of the 90's. Pick up at all costs.
The music falls into the catergory known as "Darkwave" meaning a mixture of Gothic and Industrial influences. The one thing that stands out to me is it is dark but not depressing. The lyrics are hopeful and inspiring.
Tina Root and Susan Wallace were and always will be Switchblade Symphony. After this album Switchblade Symphony turned to more danceable and Trip-Hop style. But make sure to start with this one. You will not be dissapointed!
This is nothing short of a travesty.
While definitely not a fanatic, I've delved quite a bit into the goth/industrial/darkwave genres and have mostly been impressed by the bands' atmospheric darkness, beauty, and compositional skill. I of course love the classics (Bauhaus, the Cure, the Sisters of Mercy, Christian Death, et al), but I also find a few acts today to be worthy, such as London After Midnight and Bella Morte. When I heard THIS album, however, the only thing on my mind was, "When is this going to end?"
This is one of the most excruciatingly BORING albums I have ever had the misfortune of hearing. There is nothing dark, atmospheric, beautiful, emotional, exciting, or shocking about this album, which really sucks, because something with the "goth" label oughta have at least a couple of those aforementioned traits.
The female vocals are HORRIBLE, and have all the vocal presence of American Idol rejects. They are absolutely deadpan and reflect no emotion or passion whatsoever.
The music is uncreative, hackneyed, and just downright dull. There is no drive or danceability, nor anything unique and stimulating created by the tired combination of keyboards, drum machines, and guitars. The songs never feel like they get anywhere, but rather are content to merely float about until they're mercifully ended.
The lyrics are awful, much like the lyrics of most modern-day goth bands. Plenty of clichéd references to death, glitter, dolls, and darkness.
Please, people, if you are considering getting this album because you're interested in the goth scene, I urge you to steer clear of this absolutely abysmal, sleep-inducing piece of garbage.
As a bonus, here is a list of 10 true goth albums you should buy instead of this:
1. Bauhaus- In the Flat Field
2. The Cure- Pornography
3. The Cure- Disintegration
4. The Sisters of Mercy- Floodland
5. Siouxsie and the Banshees- Kaleidoscope
6. Christian Death- Only Theatre of Pain
7. ANYTHING by Joy Division or Dead Can Dance
8. Type O Negative- Bloody Kisses
9. London After Midnight- Psycho Magnet
10. Bella Morte- Where Shadows Lie
Granted, I think an album that is over-produced can still work, but this seems to come off as pure self-indulgence. My theory: his album before this, Verities & Balderdash, had gone to No. 4 on Billboard and had given him a # 1 hit with "Cat's in the Cradle". As with the unwritten rule in the music biz, if you have great success with a record, the artist can "have it his way" to a greater degree in the record that will follow. The trouble is, with this album, I think the producers and execs at Elektra Records let Harry "have it his way" a little too much.
The record does have two songs which, I think, sound good: "Star Tripper" and "Sandy". So, in the end, the record is not without some merits, but overall, I cannot help but think that this record could have been better.
- Marc Alan Hosch
P.S. This album is not Chapin's finest moment, but to be fair, Bob Dylan released a slew of horrible records in the 1980s, yet even then, he was still greatly respected.
Some of his best songs are on this one: Dreams Go By, The Rock, Bummer, and Tangled Up Puppet.
Having started with DT eons ago, and like most who were encouraged by the rebirth of quality music in the modern age (if tragically underground), I hungered for more "prog", a genre of music that really can only be pigeonholed as musicians who wield epic emotion but aren't satisfied without pushing envelopes at the same time...which really is simply characterized as the greatest music possible.
This virtousic concept album about apprehension towards corporate greed takes me back to that first Dream Theater or Queensryche album I heard, but at times Shadow Gallery surprises even myself into begging for placement into the forefront of popular music. It's that good.
One of the greatest songs I have ever heard is a keystone to this album: "I Believe." It is a good represenation of what Shadow Gallery produces in their finest moments. Layers of intellectually strewn choruses, virtuosic passages of dueling guitars/keys, and just heart-wrenching emotion. Top quality production and diversity even within itself. The here-then-gone cameo of James laBrie doesn't hurt. One of the most rare finds in humanity is technical proficiency coupled with fantastic expression and personality. I find this review staying very short, because put simply, it's all here.
It's been a while since there's been an album I've been addicted to so much. Every time I put it back on the shelf, I change my mind and listen to it one more time. Whenever I'm not listening to it and I think of it, I must go play it. That reminds me...
1995 album for Osmose Productions by the dark metal quintet.Pressed on a full color disc, it contains 11 tracks, includiing 'Punish My Heaven' and 'The Emptiness From Which I Fed'.Standard jewel case.
Gallery,Dark Tranquillity
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Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys
Various Artists Manufacturer: Anti ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
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British Folk
| Traditional British & Celtic Folk
| Folk
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Irish Folk
| Traditional British & Celtic Folk
| Folk
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Scottish Folk
| Traditional British & Celtic Folk
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General
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ASIN: B000GGSMD0 Release Date: 2006-08-22 |
Tracks:
- Cape Cod Girls - Baby Gramps
- Mingulay Boat Song - Richard Thompson
- My Son John - John C. Reilly
- Fire Down Below - Nick Cave
- Turkish Revelry - Loudon Wainwright III
- Bully In The Alley - The Old Prunes
- The Cruel Ship's Captain - Bryan Ferry
- Dead Horse - Robin Holcomb
- Spansih Ladies - Bill Frisell
- High Barbary - Joseph Arthur
- Haul Away Joe - Mark Anthony Thompson
- Dan Dan - David Thomas
- Blood Red Roses - Sting
- Sally Brown - Teddy Thompson
- Lowlands Away - Rufus Wainwright & Kate McGarrigle
- Baltimore Whores - Gavin Friday
- Rolling Sea - Eliza McCarthy
- Haul On The Bowline - Bob Neuwirth
- Dying Sailor to His Shipmates - Bono
- Bonnie Portmore - Lucinda Williams
- The Mermaid - Martin Carthy & the UK Group
- Shenandoah - Richard Greene & Jack Shit
- The Cry Of Man - Mary Margaret O'Hara
Tracks:
- Boney - Jack Shit
- Good Ship Venus - Loudon Wainwright III
- Long Time Ago -White Magic
- Pinery Boy - Nick Cave
- Lowlands Low - Bryan Ferry w/Antony
- One Spring Morning - Akron/Family
- Hog Eye Man - Martin Carthy & Family
- The Fiddler/A Drop Of Nelson's Blood - Ricky Jay & Richard Greene
- Caroline and Her Young Sailor Bold - Andrea Corr
- Fathom The Bowl - John C. Reilly
- Drunken Sailor - Dave Thomas
- Farewell Nancy - Ed Harcourt
- Hanging Johnny - Stan Ridgway
- Old Man of The Sea - Baby Gramps
- Greenland Whale Fisheries - Van Dyke Parks
- Shallow Brown - Sting
- The Grey Funnel Line - Jolie Holland
- A Drop of Nelson's Blood - Jarvis Cocker
- Leave Her Johnny - Lou Reed
- Little Boy Billy - Ralph Steadman
Amazon.com
Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. --Aidin VaziriAlbum Description
While working on the two "Pirates Of The Carribean" films, Johnny Depp and director Gore Verbinski became fascinated with the lore and fable of the pirates and sailors who ran the high seas. Enter legendary producer Hal Wilner, who brings his knack for matching maverick musicians with extraordinary material. Artists on this double disc set include Bono, Sting, Nick Cave, Bryan Ferry, Lou Reed, Richard Thompson, Lucinda Williams, Jarvis Cocker of Pulp, and many more. "Rogue's Gallery" offers a look at the hardships, the horrors, the lusts and lurid depths, and the crystal beauty that led men to the sea in ships for hundreds of years.Customer Reviews:
Fun--but not great.......2007-07-03
I won't belabor the song content or the production value. I think the most notable reviews have got that down pat, although I'm not marking down as far as they have because I'm giving points for originality being a fan of Spike Jones and some other truly demented people.
One thing to note: this is not a CD you'd buy if you were looking for something to amuse your kids. Some of the content is very bawdy and Mom and Dad would have some serious 'splaining to do to the little pirates. There's both some language and some situations that are more twisted than a Hangman's knot.
aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh!.......2007-06-09
Disappointment would be an understatement.......2007-06-04
Hal Wilner should stick to whatever genre it is that made him know enough to be approached by labels, because he clearly has no understanding, and less enthusiasm for *this* genre.
If you love lively music from the maritime era, you can only be bitterly disappointed by this collection. Out of 43 tracks, I found 15 that were salvageable. Sort of.
I've already tossed this onto the pile to go to the resale shop. It wasn't worthy the cost of shipping.
Zzz..........2007-04-04
I appreciate what was attempted here (contemporary artists paying homage to sea chanteys in the spirit of our romanticized version of the pirate era) but it just doesn't really work. The effect is similar to what would be achieved if the London Philharmonic Orchestra attempted to play rap "music" with Luciano Pavarotti rhymin' while flashing gang signs.
another set of hopes are smashed.......2007-03-29
It is VERY sad that these same titles, could not have been produced for quality. They sound like a nightmare.
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Minstrel in the Gallery
Jethro Tull Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General
| Alternative Rock
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General
| Rock
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Progressive Rock
| Progressive
| Rock
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Pop Rock
| Pop
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Album-Oriented Rock (AOR)
| Classic Rock
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| Classic Rock
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ASIN: B00006JKOL Release Date: 2002-11-05 |
Tracks:
- Minstrel In The Gallery
- Cold Wind To Valhalla
- Black Satin Dancer
- Requiem
- One White Duck/O10=Nothing At All
- Baker St. Muse: Pig-Me And The Whore/Nice Little Tune/Crush-Barrier Waltzer/Mother England Reverie
- Grace
- Summerdays Sands
- March The Mad Scientist
- Pan Dance
- Minstrel In The Gallery (Live)
- Cold Wind To Valhalla (Live)
Album Description
24-bit digitally remastered reissue of 1975 album with 5 added bonus tracks Summerday Sands', 'March The Mad Scientist', 'Pan Dance', 'Minstrel In The Gallery' (live) & 'Cold Wind To Valhalla' (live). Capitol. 2002.Album Details
Digitally Remastered Reissue of the Tull Classic! While the Influences of Pre-Elizabethan English folk music abound, make no mistake, this is a complex hard rock record that pretty much coalesces all past Tull foibles into a recording formula that succeeds artistically and aesthetically. One cut (Baker St. Muse) is held to 17 minutes (unlike the side long tracks found on "Thick as a Brick"), While "Cold Wind to Valhalla" and "Requiem" are two of the sweetest songs JT ever recorded. This album marked the end of the Tull classical period, as events surrounding them would bring them back to the here and now for their next album....Customer Reviews:
Jethro Tull delivers again.......2007-08-02
By the mid 70's, Jethro Tull had pretty much established themselves as a pretty unique band with their own sound and style. Once again, nobody can figure out if they are a straight-up rock band, or one of the progressive rock giants.
Minstrel in the Gallery is closer to Aqualung than all the other albums, in my opinion. That's because the songs on this album are, for the most part, pretty long, but not EXTREMELY long. Long enough to tell an interesting story and build some interesting musical ideas. The flute playing is solid like always, and the guitar work rocks harder than usual. This is just another really solid album.
Occasionally you might hear the title track on classic rock radio, but I can assure you that the rest of the album maintains the same level of quality. Jethro Tull were really good at making one great album after another for over a decade.
Very entertaining album. .......2007-06-29
This album displays wonderful work from every member of the band. Barre's guitar solo on the title track is wonderful, but I cannot help but notice the killer bass and drums that are backing it. Anderson's voice is better than ever, and his songwriting is right on the spot.
Songs such as "Cold Wind to Valhalla" really hits the right place. The forest-like jams that are contained on this album never get old to me. One of my favorite Tull albums, and I hope I will always have it in my collection.
The album is full of heart, and it's just fantastic.
Mixed Bag.......2007-06-09
Side 2 though, less bombastic and more acoustic (with arrangements) is good stuff and "Baker Street Muse" reminds you that Anderson was a songwriter of real talent, he really did some great work and this is some of it.
Tull at their Best!.......2007-03-15
One of Tull's best, one of rock's greatest!.......2007-02-07
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Rogues Gallery
Slade Manufacturer: Salvo ProductGroup: Music Binding: Audio CD General
| Alternative Rock
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| Rock
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| Hard Rock & Metal
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Hard Rock
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Glam
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ASIN: B000PMGNOK Release Date: 2007-06-25 |
Tracks:
- Hey Ho Wish You Well
- Little Sheila
- Harmony
- Myzsterious Mizster Jones
- Walking on Water, Running on Alcohol
- 7 Year Bitch
- I'll Be There
- I Win, You Lose
- Time to Rock
- All Join Hands
- Here's To... [*]
- Leave Them Girls Alone [*]
- Mama Nature Is a Rocker [*]
- My Oh My [Piano & Vocal][*]
- Do You Believe in Miracles [*]
- My Oh My [Swing Version][*]
- 7 Year Bitch [12" Version][*]
- Myzsterious Mizster Jones [Extended (12") Version]
- Do You Believe in Miracles [12" Version][*]
Album Details
A Strong, Glossy and Thoroughly Professional Rock/Pop Recording, the Highlights Include Christmas Hit "All Join Hands", the Catchy, Acutely Observed Follow-up, "Seven Year Bitch", which was Virtually Banned by a Puritanical UK Broadcasting Media, and the Energetic "Myzsterious Mizster Jones". All Three of the Singles Featured Non-album B-sides, which have Been Added as Bonus Tracks, Along with Rare 12 Inch Mixes, the Sought after "Piano and Vocal" and "Swing" Versions of Monster Hit "my Oh My" and the Accomplished 1985 Christmas Charity Single "do You Believe in Miracles".
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Nice to Be with You: 2 on 1
Jim Gold and Gallery Manufacturer: Sussex Records ProductGroup: Music Binding: Audio CD General
| Alternative Rock
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| Pop
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Soft Rock
| Pop
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Pop Rock
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ASIN: B000OPO7H8 Release Date: 2007-04-10 |
Customer Reviews:
Finally!.......2007-08-02
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Gallery of Suicide
Cannibal Corpse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General
| Rock
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Death Metal
| Hard Rock & Metal
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General
| Hard Rock & Metal
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Pop Rock
| Pop
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ASIN: B0000060ZW Release Date: 1998-04-21 |
Tracks:
- I Will Kill You
- Disposal Of The Body
- Sentenced To Burn
- Blood Drenched Execution
- Gallery Of Suicide
- Dismembered And Molested
- From Skin To Liquid
- Unite The Dead
- Stabbed In The Throat
- Chambers Of Blood
- Headless
- Every Bone Broken
- Centuries Of Torment
- Crushing The Despised
Customer Reviews:
Psh, I've heard MUCH better.......2007-08-07
New fans of Cannibal Corpse I reccommend something a little newer such as Kill or Gore Obssessed.
Get your daily dose of vitamin CC!.......2007-06-04
Also check out: Pantera(RIP Dime) MEGADETH, Anthrax, Slayer, Sepultura, Exodus, Testament, Cynic, Alarum, Rebel Meets Rebel, WES MONTGOMERY, Paco De Lucia, Pink Floyd, Jimi Hendrix, SRV, Van Halen, Mastadon, Iron Maiden, Black Sabbath ...others i can't think of right now cuz this review is already too damn long,...oh yeah and my music which will hopefully be out in the future if i don't kill myself first!
Worth every penny.......2007-01-09
Besides the concert staples like "I Will Kill You" and the title track, I like "Sentenced to Burn" and "Unite the Dead" as stand out tracks. The whole CD is solid and enjoyable, though, especially if someone new to Cannibal Corpse just happens to be in the truck when I pop it in. Not everyone likes it, but it sure does get a reaction every time. Sometimes I just want to listen to a metal band that is still thought of as abrasive. Remeber when Metallica was that way?
music from the dark tower.......2006-12-29
This is the "musically developed" CC release and as such stands alone in their catalogue as an anomaly. It has more-musical aspects which produce atmospheres of ultimate darkness, despair, and sort of depression or hopelessness, or like the mindset of someone committing suicide for the gallery. It is beautiful! -especially on the title track! Each song is unique, and not just one string of blast beats, predictable vocal patterns and guitar fuzz that combine and blur into an album full of white noise like some of their other releases. It's their only release which stands the test of time for me, and I want to go back and listen 3 years after I bought it. One of the best-realized pieces of death metal art ever, if you ask me.
Great album..........2006-10-05
Average customer rating:
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The Gallery
Dark Tranquillity Manufacturer: Century Media ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
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General
| Rock
| Styles
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Death Metal
| Hard Rock & Metal
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General
| Hard Rock & Metal
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ASIN: B0007Y08T2 Release Date: 2005-04-05 |
Tracks:
- Punish My Heaven
- Silence, and the Firmament Withdrew
- Edenspring
- The Dividing Line
- The Gallery
- The One Brooding Warning
- Midway Through Infinity
- Lethe
- The Emptiness From Which I Fed
- Mine Is The Grandeur...
- ...Of Melancholy Burning
- Bringer Of Torture
- Sacred Reich
- 22 Acacia Avenue
- Lady In Black
- My Friend Of Misery
Album Description
First time ever available domestically, this is the debut album originally released on Osmose in 1995. This edition features 5 bonus tracks, covers of Metallica, Iron Maiden, Kreator, Sacred Reich, and Queensryche. Updated artwork and layout by band member and renowned graphic designer Niklas Sundin.Customer Reviews:
Dark Tranquillity = the god of melodic death metal.......2007-07-02
Just pick this CD up and all there other CD's.
A Template.......2007-05-06
Though metal fans tend to be fickle, I have to say that the established a specific style with this album, and though they broke from it largely in the future, they've emerged a very mature and competent band that takes these ideas and makes something truly new and original.
"We're the outstretched fingers that seize and hold the wind....".......2007-03-29
I'm glad I didn't review this as soon as I listened to it for the first time, because otherwise, it would'nt have been so positive. Dark Tranquillity is a lot heavier than other melodeath bands I've heard. You could probably even argue they're borderline black metal, but with a melodic sensibility. But I let it grow on me, and after a while I recognized for the masterpiece that it is.
The first track, Punish My Heaven, opens up with drums, and then really fast, schizophrenic guitars and bass interwind with each other, and Mikeal Stanne lets out a "RAAAAAAAAAAAAAAAAAA!!!!!!!" that catches you completely off guard. It gives you a good feel for what the rest of the album will sound like. The following track, Silence And The Firmanent Withdrew, is a lot more melodic, but no less evil. Other great tracks are the title track, The Dividing Line, The One Brooding Warning, The Emptiness From Which I Fed, and ...Of Melancholy Burning. But the whole album is pure melodic death bliss. My favorite song is by far the title track: The lyrics, instruments, atmosphere.... everything in this song is top notch. The lyrics are a good representation of the album cover, and the artwork throughout the sleeve of the album. What makes it even cooler is the female vocals (done by Eva Marie Larsson) that wail during the acoustic guitar interlude. This is also used on ...Of Meloncholy Burning.
The best part about The Gallery is that even in its most musically complex parts, it still feels very atmospheric and seems to just serve the music. Mikeal Stanne can hold a growl for a very, very long time. Just listen to his shrieks on Punish My Heaven and The Dividing Line. Even when he sing clean vocals, they're still pretty gritty and low. Frederik Johansson and Anders Jivarp make an awesome guitar duo; they also interwind solos on Punish My Heaven and The Emptiness From Which I Fed. Martin Henricksson's basslines are ACTUALLY audible! Not only that, but his basslines are very intricate and complex, not just the same-old-same-old that other metal bands use. And Niklas Sundin's drumming is very unique. I say this because even when using double bass kicks, his drums glide over you, if that makes sense.
The only time the album gives you a breather is the instrumental Mine is The Grandeur...., which is soothing, folksy-sounding acoustic guitars, but that is interrupted as soon as .... Of Melancholy Burning kicks in. Mine Is The Granduer is basically the prelude to ... of Melancholy Burning (Mine Is The Grandeur of Melancholy Burning). It's also the only other track to use female vocals.
Inside the album sleeve, there are fragments of art scattered on the sides. Some of the pictures include a raven, lava, forests, and others I don't know what the hell they are. But that doesn't matter because each picture is very cool and interesting.
The reissue contains 5 covers: Bringer of Torture by Kreator, Sacred Reich by Sacred Reich, 22 Arcia Avenue by Iron Maiden, Lady In Black by King Diamond, and My Friend of Misery by Metallica. I haven't heard the originals to be perfectly honest, but I can tell you that DT do an excellent cover of each of these songs, and could fit in right with the rest of the album.
Like I said before, The Gallery is my only DT record, but after being blown away by it, I plan to get my hands on every CD I can find by tis awesome band. Even if you only like metal a little bit, I STRONGLY recommend you buy The Gallery the first chance you get. The lyrics are intriguing, the musicianship is great, the vocals are intimidating yet strangely emotive, and the atmosphere is priceless.
P.S. And don't you just love the cover art?
Such beauty..........2006-06-10
The real brilliance of "The Gallery" does not lie in technical skill, although to say that the likes of Niklas Sundin and Anders Jivarp are unskilled would be completely untrue. Datk Tranquillity's real genius lies in their arrangements and songwriting. This may seem like a bold statement, but I believe that in these areas, Dark Tranquillity are unmatched. Not even Opeth, who are renowned for writing songs which rival classical symphonies, can match Dark Tranquillity in this one area. The guitars, bass and drums here harmonise in a way so perfect that it's hard to believe they were written by mere humans. Each instrument compliments each other perfectly, none dominating but all contributing to the artistic beauty of "The Gallery." The guitars and bass (and you can actually hear the bass in this album - that's always a good sign), far from being an assault on the senses like so many other heavy metal albums before and since, consist mainly of tremolo picking, the tempo often varying, intertwining around each other to create a lush, melodic, organic atmosphere. Many other, lesser melodic death bands rely on synths almost exclusively to provide melody (Children Of Bodom, I'm looking at you) as a way to get around really putting their backs into making the arrangements work, but thankfully, Dark Tranquillity's melody comes from a higher work of musicianship. Occasionally acoustic guitars and pianos will also kick in to provide a softer interlude in songs like "Edenspring."
The drumming also deserves recognition as a feat of songwriting skill. Anders Jivarp's rhythms, rather than just using repetitive beats at a fixed tempo to provide the music with solidity, provides "The Gallery" with a third thread in it's weave of musicianship and establishes another layer in its melody. He makes full use of the toms and cymbals without disregarding the snare drum, with occasional bursts on the double bass pedal to add energy when the time is right. This is a heavy metal album after all.
And then of course, there's Mikael Stanne. On "The Gallery," he's at the top of his game, belting out agonised yet hauntingly emotive shrieks that put even his counterpart in At The Gates, Tomas Lindberg, to shame. There is a distinct similarity between him and Mikael Akerfeldt in the early days of Opeth. However, unlike Opeth, his voice sits at precisely the correct level in the mix; you can turn "The Gallery" up to a decent volume without the vocals becoming grating, but the chances of anyone considering them too quiet are precisely none. Female vocals performed by Eva-Marie Larsson can also be found on the tracks "The Gallery," "Lethe" and "...Of Melancholy Burning," which are very beautiful and near classical in tone. One notable moment is on "...Of Melancholy Burning," when one of Eva-Marie's oparetic calls slowly merges with a monstrous howl from Stanne, creating an odd, yet extremely cool effect.
I really don't have anything bad to say about this album. Each song is a masterpiece, a work of art each in it's own unique way. The only pity is that Dark Tranquillity never wrote anything like it again. In my own opinion, "The Gallery" is absolutely essential to anyone who enjoys music in any way shape or form, one of - if not THE - deepest, most layered, most rewarding albums you will ever hear. It is tangible proof that heavy metal is as much an art form as anything else.
Absolutely Enthralling........2006-06-01
My love for the guitars on this album is unfathomable. From the gorgeous interlude "Mine is the Grandeur", which tastefully utilizes three classical acoustic guitars (harmonizing with each other, of course) and booming timpani drums, to the epic yet somber "Lethe" and the frantic neo-classical solos on "Punish My Heaven", it's total perfection. The display is not totally virtuostic, and the harmonies add so much impalpable atmosphere to this record. The bass playing is superb as well. Instead of playing regular root notes, the bass seems to be a totally independent instrument by itself, as seen on "Edenspring".
One of the greatest things that grabbed me about this album was the drumwork. The listener doesn't get pummeled to death with double bass overhauls or endless thrashfests, but the drumming firmly supports the music. To sum it up, it's technical, intricate, but not over the top. Anders allows to music to breathe, and his odd patterns add a lot to the music.
Stanne's voice here is his best, I think. His raspy screams are at his emotional heighth on "...Of Melancholy Burning" and the vicous "The Emptiness From Which I Fed", and his lyrics are far from the metal norm. You can feel the sorrow through his screams, and he doesn't try to be another Anders Friden clone. There are some occasional clean vocals, and the female vocals on the title track work perfectly, giving the album even more of an epic feel.
This is definitely an essential metal album, and I would place it in my top 5 of the 90's. Pick up at all costs.
Average customer rating: 
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Serpentine Gallery
Switchblade Symphony Manufacturer: Cleopatra ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Alt Industrial
| Industrial
| Goth & Industrial
| Alternative Rock
| Styles
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General
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ASIN: B000001JTG Release Date: 1995-09-19 |
Tracks:
- Bad Trash
- Dissolve
- Wall Flower
- Wrecking Yard
- Clown
- Cocoon
- Doll House
- Sweet
- Gutter Glitter
- Mine Eyes
- Bloody Knuckles
Product Description
1. Bad Trash
2. Dissolve
3. Wall Flower
4. Clown
5. Cocoon
6. Dollhouse
7. Sweet
8. Gutter Glitter
9. Mine Eyes
10. Bloody Knuckles
11. I Wish I Wuz A Dog
Format: CD
Customer Reviews:
dark spooky fun.......2007-04-11
Stunning!.......2006-03-26
The music falls into the catergory known as "Darkwave" meaning a mixture of Gothic and Industrial influences. The one thing that stands out to me is it is dark but not depressing. The lyrics are hopeful and inspiring.
Tina Root and Susan Wallace were and always will be Switchblade Symphony. After this album Switchblade Symphony turned to more danceable and Trip-Hop style. But make sure to start with this one. You will not be dissapointed!
Switchblade at its best!..........2006-03-16
im bored i guess.......2006-01-31
Trite tripe.......2005-07-15
This is nothing short of a travesty.
While definitely not a fanatic, I've delved quite a bit into the goth/industrial/darkwave genres and have mostly been impressed by the bands' atmospheric darkness, beauty, and compositional skill. I of course love the classics (Bauhaus, the Cure, the Sisters of Mercy, Christian Death, et al), but I also find a few acts today to be worthy, such as London After Midnight and Bella Morte. When I heard THIS album, however, the only thing on my mind was, "When is this going to end?"
This is one of the most excruciatingly BORING albums I have ever had the misfortune of hearing. There is nothing dark, atmospheric, beautiful, emotional, exciting, or shocking about this album, which really sucks, because something with the "goth" label oughta have at least a couple of those aforementioned traits.
The female vocals are HORRIBLE, and have all the vocal presence of American Idol rejects. They are absolutely deadpan and reflect no emotion or passion whatsoever.
The music is uncreative, hackneyed, and just downright dull. There is no drive or danceability, nor anything unique and stimulating created by the tired combination of keyboards, drum machines, and guitars. The songs never feel like they get anywhere, but rather are content to merely float about until they're mercifully ended.
The lyrics are awful, much like the lyrics of most modern-day goth bands. Plenty of clichéd references to death, glitter, dolls, and darkness.
Please, people, if you are considering getting this album because you're interested in the goth scene, I urge you to steer clear of this absolutely abysmal, sleep-inducing piece of garbage.
As a bonus, here is a list of 10 true goth albums you should buy instead of this:
1. Bauhaus- In the Flat Field
2. The Cure- Pornography
3. The Cure- Disintegration
4. The Sisters of Mercy- Floodland
5. Siouxsie and the Banshees- Kaleidoscope
6. Christian Death- Only Theatre of Pain
7. ANYTHING by Joy Division or Dead Can Dance
8. Type O Negative- Bloody Kisses
9. London After Midnight- Psycho Magnet
10. Bella Morte- Where Shadows Lie
Average customer rating:
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Portrait Gallery
Harry Chapin Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General
| Contemporary Folk
| Folk
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Singer-Songwriters
| Contemporary Folk
| Folk
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ASIN: B000002H49 Release Date: 1993-06-29 |
Tracks:
- Dreams Go By
- Tangled Up Puppet
- Star Tripper
- Babysitter
- Someone Keeps Calling My Name
- The Rock
- Sandy
- Dirt Gets Under The Fingernails
- Bummer
- Stop Singing These Sad Songs
Customer Reviews:
Not his best..........2006-06-25
Granted, I think an album that is over-produced can still work, but this seems to come off as pure self-indulgence. My theory: his album before this, Verities & Balderdash, had gone to No. 4 on Billboard and had given him a # 1 hit with "Cat's in the Cradle". As with the unwritten rule in the music biz, if you have great success with a record, the artist can "have it his way" to a greater degree in the record that will follow. The trouble is, with this album, I think the producers and execs at Elektra Records let Harry "have it his way" a little too much.
The record does have two songs which, I think, sound good: "Star Tripper" and "Sandy". So, in the end, the record is not without some merits, but overall, I cannot help but think that this record could have been better.
- Marc Alan Hosch
P.S. This album is not Chapin's finest moment, but to be fair, Bob Dylan released a slew of horrible records in the 1980s, yet even then, he was still greatly respected.
One of his best.......2006-01-30
Some of his best songs are on this one: Dreams Go By, The Rock, Bummer, and Tangled Up Puppet.
It's Haryy.......2002-10-24
Awesome album art.......2002-06-16
I LOVE THEM ALL & THIS IS MY FAVORITE!.......1999-12-22
Average customer rating:
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Paul Moravec: The Time Gallery; Protean Fantasy; Ariel Fanstasy
Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
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$6.99 and Under
| Classical Music Blowout
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| Classical Music Blowout
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ASIN: B000E41JD4 Release Date: 2006-02-21 |
Tracks:
- 1. Bells: Devotional Hours
- 2. Time Machine
- 3. Pulse: The Feeling Of What Happens
- 4. Overtime: Memory Sings
- Protean Fantasy
- Ariel Fantasy
Customer Reviews:
Excellent recording quality..........2007-05-12
Average customer rating:
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Tyranny
Shadow Gallery Manufacturer: Magna Carta ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
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Indie Rock
| Indie & Lo-Fi
| Alternative Rock
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General
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Progressive Rock
| Progressive
| Rock
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General
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Pop Rock
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ASIN: B00000AGAG Release Date: 1998-09-22 |
Tracks:
- Act I: Stiletto In The Sand
- Act I: War For Sale
- Act I: Out Of Nowhere
- Act I: Mystery
- Act I: Hope For Us
- Act I: Victims
- Act I: Broken
- Act II: I Believe
- Act II: Roads Of Thunder
- Act II: Spoken Words
- Act II: New World Order
- Act II: Chased
- Act II: Ghost Of A Chance
- Act II: Christmas Day
Customer Reviews:
BUY THIS NOW.......2006-09-06
Having started with DT eons ago, and like most who were encouraged by the rebirth of quality music in the modern age (if tragically underground), I hungered for more "prog", a genre of music that really can only be pigeonholed as musicians who wield epic emotion but aren't satisfied without pushing envelopes at the same time...which really is simply characterized as the greatest music possible.
This virtousic concept album about apprehension towards corporate greed takes me back to that first Dream Theater or Queensryche album I heard, but at times Shadow Gallery surprises even myself into begging for placement into the forefront of popular music. It's that good.
One of the greatest songs I have ever heard is a keystone to this album: "I Believe." It is a good represenation of what Shadow Gallery produces in their finest moments. Layers of intellectually strewn choruses, virtuosic passages of dueling guitars/keys, and just heart-wrenching emotion. Top quality production and diversity even within itself. The here-then-gone cameo of James laBrie doesn't hurt. One of the most rare finds in humanity is technical proficiency coupled with fantastic expression and personality. I find this review staying very short, because put simply, it's all here.
It's been a while since there's been an album I've been addicted to so much. Every time I put it back on the shelf, I change my mind and listen to it one more time. Whenever I'm not listening to it and I think of it, I must go play it. That reminds me...
10 stars.......2006-06-28
Pretty Good - gets better with multiple listenings.......2006-02-13
I LUVE YOU MIKE!!!!.......2005-04-19
awsome........2005-03-10
Rock Music:
- Garbage Days Regurgitated
- Gretchen Goes to Nebraska
- Hard Rock Cafe: 80's Heavy Metal
- Helldorado
- Horror Epics
- Hymns
- I Am the Eggman
- Independent
- Junkyard
- Karma to Burn
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Boston Symphony's Wayne Rapier Plays Oboe
Bugs Bunny on Broadway [Cast Recording]
Beach Boys' Party!/Stack-O-Tracks [Extra tracks] [Original recording remastered]
Berg: Violin Concerto; Three Orchestral Pieces, Op. 6
Cantan Martel y Godoy [Import]