e-lux

1. Grave Robbers from Mars

2. Disease

3. Drug Store

4. Exit Wound

5. Shine

6. Hold Me Down

7. Electra

8. Drowned

9. Interlude

10. Powerstrip

11. Spain

12. Slide

13. Dog

14. Get With It

e-lux,Human Waste Project,Hollywood Records,Alternative Pop/Rock,Heavy Metal,Pop,Popular Music,Rock

Average customer rating: Rennaissance music at it's finest! a voice teacher and early music fan A good sampler of New London Consort's work Excellent renditions of lively 'old music'. A Treasure of the Time Period

Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Michael Praetorius | Praetorius, Michael | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ballets & Dances | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Music for a Medieval Banquet English Renaissance Music Music Of The Crusades Codex Faenza: Instrumental Music of the Early 15th Century Panorama: Dances of the Renaissance ASIN: B00000428D Release Date: 1996-07-23

Tracks:

1. Dum pater familias
2. La Bouree
3. The Sylvan And Oceanic Delights Of Posilipo: Gagliarda
4. Quen a Virgen ben servira
5. Bransles de Villages
6. Carmina Burana: Katerine collaudemus
7. The Sylvan And Oceanic Delights Of Posilipo: La scesa de' Pastori dal Monte
8. Orientis partibus
9. Volte
10. Llibre Vermell: Stella Splendens
11. Carmina Burana: Tempus est iocundum
12. The Sylvan And Oceanic Delights Of Posilipo: Ballo de Cigni
13. Carmina Burana: Bache, bene venies
14. Lux optata claruit
15. Ballet Incerti
16. Non e gran causa
17. Passo e mezzo - Saltarello Giorgio

Customer Reviews:

Rennaissance music at it's finest!.......2007-06-29

This was my first Renaissance music album and the broad styles of several composers were very well represented, especially Michael Pretorius, probably the most well-known composer of his time. The tonal quality sparkles and the latin language comes alive (along with English translation in the included booklet); be prepared for an aural "feast" of some of the more eclectic music from the Renaissance period!

a voice teacher and early music fan.......2007-02-04

To quote from the accompanying booklet seems to be in order to start this review: "This collection attempts to wipe the dust from some old ideas and restore music from the Middle Ages and Renaissance to its roots deep in the human soul.........What you're listening to on this disc is not the domain of museums, but the music of the people,born of faith and the love of song and dance".
This is a varied group of works, some dances, some strictly instrumental and some accompanied vocal.
The role of dancing, as you might suspect, was enormously important in this era. 'Le Bouree' showcases the dance music of the composer Michael Praetorius. The 'Bransles de Villages' is of French origin and features 2 violins, 2 violas, a cello, a great bass viol, hurdy-gurdy and 2 lutes. 'La scesa de Pastori dal Monte' is an Italian dance by Andrea Ansalone. Another dance written by Michael Praetorious was the 'Volte' which actually involved 4 short dances. It was considered not respectable because of the close contact between the dancers.
The strictly instrumental songs are : 'Dum pater familias' is called a pilgrim song, and it was religious in nature. And, of course, all the dance songs are instrumental.
The vocally oriented songs are: 'Quen a Virgin ben servira' is a song taken from a collection of songs about the miracles attributed to the Virgin Mary.-Three of the songs are from the famous 'Carmina Burana' manuscript.- 'Orientis partibus' is from the 'Feast of fools'which was a feast held by the church itself in which the status of the church herarchy was reversed as inferior clergy assumed the role of their superiors.-'Stella Splendours' is another pilgrim song; this song was sung by pilgrims who went to worship as the Shrine of the Virgin at Montserrat.

I always trust the quality of a CD when Philip Pickett and the New London Consort are involved. This album is very interesting, but I would hope that this would be classified as the more "pop" type music of the period. Also, I don't think that I personally would call it early music, as is indicated in the accompanying booklet. Today that term brings to mind Monteverdi, Cavalli, Palestrina, the Scarlatti's, up to and including Handel and Bach etc.. Just a personal reaction on my part. This is a very well put together disc.

A good sampler of New London Consort's work.......2006-12-20

Although there's nothing special about this disc as a compilation, it does provide a value-priced sampling of 17 tracks from the New London Consort's excellent recorded work. Given that so many of their recordings are difficult to find on CD at a reasonable price, and that one of my personal favorites ("Bache bene venies", from their masterful 4-CD recording of the Carmina Burana) is included here, I'd recommend this CD as a great place to start while you search for the original releases.

Excellent renditions of lively 'old music'........2005-11-23

'Sinners & Saints' by Philip Pickett and the New London Consort is just a bit too ambitious with their subtitle, 'The Ultimate Medieval and Renaissance Music Collection' as I find it hard to believe that 70 minutes can be the ultimate anything on 500 years of history. This is especially true since they seem to focus a lot more on the sinners than the saints, as there is virtually no liturgical music here. But, since there are so many good recordings of medieval liturgies, we aren't missing much.

This is really the sort of thing you would expect to hear from a travelling troupe of minstrals, but not from a solo artist, as practically every performance involves several instruments and voices.

Some tracks will sound especially familiar, as they are very similar to Carl Orff's 'Carmina Burana', inspired by medieval texts.

Compared to many recordings of music from Shakespeare's time, this collection is superior and well worth the investment.

A Treasure of the Time Period.......2005-08-11

I bought this CD with a children's history class in mind. We are studying the Dark Ages to the Rennaisance. I was delighted to hear the variety of selections which span the spectrum of genres during this period of history. My children and I have been listening to it in the car as well as at home for the simple enjoyment of the music. It will be exciting to present these pieces to my class as I feel it is a very accurate display of the cultures, instrumentation, languages, and styles of the Middle Ages. I am a proffesional musician and thoroughly enjoy most types of music so it wasn't hard to get me interested but I was surprised to hear my eight-year-old and five-year-old sons asking to hear this CD. The former child said it made him feel "important" to listen!!

Average customer rating: Theatrical Verdi, ravishing Cherubini I'm satisfied. All-out operatic, no holds barred

Verdi: Requiem Mass; Cherubini: Requiem in C minor Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Mascagni - Cavalleria rusticana / de Los Angeles · Corelli · Santini ~ Leoncavallo - Pagliacci / Corelli · Gobbi · Amara · von Matacic Schubert: Symphonies (Complete) [Box Set] Dvorák: The Masterworks [Box Set] Missa Solemnis in D major, op.123 Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set) ASIN: B0002Z83M0 Release Date: 2005-02-15

Tracks:

1. Requiem Aeternam
2. Kyrie Eleison
3. Dies Irae
4. Tuba Mirum
5. Mors Stupebit
6. Liber Scriptus
7. Quid Sum Miser
8. Rex Tremendae Majestatis
9. Recordare
10. Ingemisco
11. Confutatis Maledictis
12. Lacrymosa Dies Illa
13. Domine Jesu Christie
14. No.4 - Sanctus
15. No.5 - Agnus Dei

Tracks:

1. No.6 - Lux Aeterna
2. No.7 - Libera Me
3. Introitus Et Kyrie - Ambrosian Chorus
4. Graduale - Ambrosian Chorus
5. Dies Irae - Ambrosian Chorus
6. Offertorium - Ambrosian Chorus
7. Sanctus - Ambrosian Chorus
8. Pie Jesu - Ambrosian Chorus
9. Agnus Dei - Ambrosian Chorus

Customer Reviews:

Theatrical Verdi, ravishing Cherubini.......2007-04-21

Listeners may be familiar with Riccardo Muti's 1987 La Scala recording of the Verdi Requiem featuring Studer, Zajic, Pavarotti, and Ramey (a wonderful album but a bit pricey). This earlier recording (June 1979) with the British is, fortunately or unfortunately, quite a different rendition.

Muti's 1987 recording featured brilliant but well-disciplined singing. In this 1979 album, however, the discipline seems to have been left outside the recording studio.

Words are grossly mispronounced, soloists are often a bit flat, and some of the vocalizing is uncomfortably forced. There is also a lot of use of ritards that sometimes sound overdone.

But what made up for these drawbacks - and why I really LOVE this CD! - was the no-holds-barred theatricality. If you want a performance that is every bit as operatic as Verdi never wanted it to be, if you want every human emotion front and center, if you want a reading that couldn't care less about all those vocal niceties that music teachers charge so much to teach - well, here it is!

The CD fools you at first. The opening Requiem chorus is barely audible, as is often the case. But suddenly you get punched in the face with the angriest, most violent "Te decet" basses you've ever heard. Forget the usual hymn-like treatment this passage normally gets. These hymnists are carrying sledgehammers.

When the four soloists enter for the Kyrie, they leave no doubt that this really is going to be Verdi's "greatest opera." I have never, ever heard the Kyrie opening with such prima donna bombast.

Veriano Luchetti had recorded the Verdi Requiem just two years earlier with Georg Solti and Leontyne Price. He was theatrical then, and still is. It's a real pleasure to hear him go full voice in places like Quid sum miser and Hostias.

Agnes Baltsa would later record a marvelous Verdi Requiem with Herbert von Karajan (1984). Her big, powerful voice still rings with Muti.

Evgeny Nesterenko is a star of the Russian opera world. In 1979, he was no doubt the Jerome Hines of the USSR. Of all the Verdi Requiem basses I've heard, Nesterenko is one of my favorites. His pronunciation will make purists cringe, though, and half the time he sounds like he's singing through his nose. But his monumentally deep bass sound and swooping vocal theatrics are so much fun to listen to!

While all of the soloists did their part to maximize the drama, I think Renato Scotto gets first prize. Her Recordare is the weepiest I've ever heard, with lots of pop-music style inhaling to add to the emotion. In the Lacrymosa, you can almost see the tears coming down; you'd think you were watching the final scene of Madama Butterfly. In the Libera Me, she sounds frightfully angry, like she's ready to punch God in the face. Scotto has a huge voice with a bit of a wobble; she is recorded extremely well here.

The Ambrosian Chorus, like the La Scala Opera Chorus several years later, had their hands full with Muti's lightning-fast tempos. Practically all the choral highlights (Dies Irae, Sanctus, Libera Me fugue) are done at frightening speeds which this chorus handles with great control. The sopranos are strangely over-miked at times: during the Libera Me fugue, their long sustained notes were distractingly loud and detracted from the main melody line.

The Philharmonia Orchestra does well, but even they can only do so much. Muti conducts the Dies Irae so quickly, that the strings literally have to slow down ever so slightly so they can negotiate the virtuosic runs. The brass sound great throughout, but sometimes they are over-miked to the point where they drown out the chorus.

Luigi Cherubini (1760 - 1842) wrote two requiems. The first, the Requiem in C Minor, was written in 1816 in France. If you've never heard a requiem that has no soloists, I strongly recommend this performance by Muti, the Ambrosian Chorus and the Philharmonia Orchestra (recorded July 1980, London).

Cherubini was a contemporary of Mozart's, so comparisons are inevitable. Mozart never came close to finishing his requiem; Cherubini's score is complete from cover to cover. Personally, I was totally enchanted with this setting and am at a loss as to its infrequent recordings and performances.

The Cherubini Requiem lasts 48 minutes. The opening Introitus and Kyrie were subdued and very moving, quite unlike Verdi's version. The Dies Irae was a powerful statement, proving that a good chorus and orchestra are all you need to depict Judgment Day.

The Offertorium, at 16'33", was the longest movement. It features a heavenly setting of the phrase "sed signifer sanctus Michael" and a rousing setting of "Quam olim Abrahae" that must surely have lifted the audiences off their chairs.

The Sanctus is short (only 1'20") but is overwhelming in its majestic sweep. The requiem finishes with a dramatic setting of the Agnus Dei that might surprise some modern ears.

The Ambrosian Chorus makes the most of this exhilirating score; they are a joy to listen to. Muti and the Philharmonia seem to have put the Verdi behind them, and have formed a satisfying partnership that makes this precious music shine.

No texts or translations. This 2004 album was released earlier in 1996.

Highly recommended.

I'm satisfied........2007-01-23

Thank you all very much for posting to me this CD. Everything went well, and got my CD in my hand in no time. I will purchase from here in the future.

All-out operatic, no holds barred.......2006-09-27

On its first CD release The Gramophone's reviewer ranked Muti's first Verdi Requiem from the early 80's as among the top ten ever recorded. Put another way, there are nine better, but in the LP era some critics found this performance so compelling that it was ranked No. 1 on many lists. Where did this exaggerated praise come from?

First, the professional Philharmonia chorus sounds superb, singing with wonderful unity and musicality (though not with Verdian fervor). All of the soloists are exemplary except for the aging Scotto--she was the greatest artist among them but not the spinto-dramatic soprano required here, or the alternative lyric soprano one sometimes hears (e.g., Schwarzkopf).

More generlaly, this was a hot shot's Requiem, eschewing spirituality for raw power and impact. Muti's Dies Irae and Sanctus were exhiliratingly fast. Memories of the fiery Toscanini were recalled. Now the Dies Irae seems like a pardoy as it races past. To tell the truth, the one thing that riveted my attention, despsite the wobble in her voice, was Scotto's tragic, almost wild solo singing. Muti's second try in the Nineties delivered a tamer reading, but this one can stand as a tribute to his early promise as Toscanini's all-too-brief successor.

Average customer rating: I Love This CD this is theSTART This is an all-time classic "i'm just a girl without apology, to you i am diseased" Promo Edition

e-lux Human Waste Project Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Shakedown! Taxidermy Krankhaus Death Before Musick Start ASIN: B000000OFZ Release Date: 1997-09-30

Tracks:

1. Graverobbers From Mars
2. Disease
3. Drugstore
4. Exit Wound
5. Shine
6. Hold Me Down
7. Electra
8. Drowned
9. Interlude
10. Powerstrip
11. One Night In Spain...
12. Slide
13. Dog
14. Get With It

Customer Reviews:

I Love This CD.......2007-03-09

Aimee is an amazing singer, i could go on and on about how great her vocals are, but i'm lazy as a sloth so i won't. This Cd just flows so well and the music can keep you listening over and over for hours on end.

this is theSTART.......2004-01-14

Singer-goddess Aimee Echo & drummer Scott Ellis from the Human Waste Project are now in a band called theSTART. If you like/miss HWP, check them out - if possible, see them live.

This is an all-time classic.......2003-04-01

This album was released in 1997 but Human Waste Project established itself long before that. The album just rocks... These guys are basically all over every nu-metal band liner notes, Aimee Echo is so underrated, Gwen is so overrated. She is truly a real woman ICON. Also the hottest [girl] i've ever seen. Check out her new band theStart it features i think atleast one member of H.W.P.

"i'm just a girl without apology, to you i am diseased".......2002-05-17

i'd have to say, if i wasn't already in love with jack off jill, human waste project would take the third slot in my list of favorite bands. but they're right up there. my best friend spent a while urging me to download some of their stuff, but i procrastinated. eventually i got around to it, and the first song i heard was dog and i was blown away. the vocals are so powerful, and the lyrics are so raw. they're one of those bands that i absolutely love but no one's heard of them and they never get any attention. but they really are fantastic. if you listen to them and like them check of kidney thieves, jack off jill, the gathering, possibly my ruin and hole. if you like any of those bands check out this one. you get it. they're great.

Promo Edition.......2002-02-05

I have the advance edition of this cd which is called 'electalux' instead of 'e-lux'. I don't know if any of the arrangements or production has been modified but the number and order of tracks is still the same.

I only listened to this album because of the great band name. I was expecting a RATM/ ATD-I style heavy punk style album and was very shocked to hear a girl singing. Being a Cannibal Corpse fan, grrl bands are definately not my thing but i gave it a chance and i have to say that after 2 listens you are hooked.

I agree with other reviewers that the singers vocals are brilliant. The tracks that stick out are tracks 4, 7, 13 and the best track 11. There are no poor tracks.

The style is kind HEAVY/ MELODIC but to say its metal is going to far. The riffs are good and knid of hard rock/ soft metal but its only hardcore when compared to 'No Doubt'. The sound is pretty mainstream and alternative radio friendly but still worth a listen. Pleasantly suprised.

Damn- They already broke up!

Average customer rating:

Elgar: The Ultimate Collection Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Elegies | Requiems, Elegies & Tombeau | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B000000SA1 Release Date: 1997-05-27

Tracks:

1. Pomp And Circumstance March No. 4: Pomp And Circumstance March No.4
2. Sospiri
3. Chanson de matin
4. Chanson de nuit
5. Symphony No. 1: Andante: Nobilmente e semplice
6. Dream Children: Allegretto piacevole
7. Introduction And Allegro For Strings
8. Enigam Variations: Introduction
9. Ysobel
10. Troyte
11. W.N.
12. Nimrod
13. Elegy
14. Cello Concerto: Adagio - Moderato
15. Salut d'amour
16. In The South (Alassio)
17. Serenade For Strings: Allegro piacevole
18. Larghetto
19. Allegretto
20. POMP AND CIRCUMSTANCE MARCH NO. 1: Pomp And Circumstance March No.1
21. Lux Aeterna

Average customer rating: Excellent Rendition of Early Music. Buy It. Fun and full of love from a newcomer viewpoint Love's Illusion OUTSTANDING

Love's Illusion-Music From The Montpellier Codex 13th Century Anonymous 4 , and Marsha Genensky Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Anonymous 4 | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: The Lily and the Lamb: Chant and Polyphony from Medieval England Miracles of Sant'iago: Music from the Codex Calistinus An English Ladymass: Medieval Chant and Polyphony Legends of St. Nicholas: Medieval Chant & Polyphony La Bele Marie: Songs to the Virgin from 13th-Century France ASIN: B0000007E5 Release Date: 1994-08-23

Tracks:

1. Montpellier Codex: Plus Bele Que Flor - Quant Revient - L'autrier Joer - Flos Filius (Mo 21)
2. Montpellier Codex: Puisque Bele Dame M'eime - Flos Filius (Mo 231)
3. Montpellier Codex: Amours Mi Font Souffrir - En Mai - Flos Filius (Mo 111)
4. Montpellier Codex: Ne Sai, Que Je Die - Iohanne (Mo 185)
5. Montpellier Codex: Si Je Chante - Bien Doi Amer - Et Sperabit (Mo 311)
6. Montpellier Codex: Or Ne Sai Je Que Devenir - Puisque D'amer - Kyrieleyson (Mo 267)
7. Montpellier Codex: H? Dieus, De Si Haut Si Bas - Maubatus - Cumque (Mo 92)
8. Montpellier Codex: Celui En Qui - La Bele Estoile - La Bele, En Qui - Iohanne (Mo 20)
9. Montpellier Codex: Qui D'amours Se Plaint - Lux Magna (Mo 215)
10. Montpellier Codex: Amours, Dont Je Sui - L'autrier, Au Douz Mois - Chose Tassin (Mo 270)
11. Montpellier Codex: Au Cuer Ai Un Mal - Ja Ne M'en Repentirai - Jolietement (Mo 260)
12. Montpellier Codex: Quant Voi La Fleur - Et Tenuerunt (Mo 241)
13. Montpellier Codex: Quant Se Depart - Onques Ne Sai Amer - Docebit Omnem (Mo 131)
14. Montpellier Codex: Joliement - Quant Voi La Florete - Je Sui Joliete - Aptatur (Mo 34)
15. Montpellier Codex: Amor Potest Conqueri - Ad Amorem Sequitur (Mo 238)
16. Montpellier Codex: Ce Que Je Tieng - Certes Mout - Bone Compaignie - Manere (Mo 33)
17. Montpellier Codex: J'ai Si Bien Mon Cuer Assiz - Aucun M'ont - Angelus (Mo 128)
18. Montpellier Codex: Ne M'oubliez Mie - Domino (Mo 236)
19. Montpellier Codex: J'ai Mis Toute Ma Pensee - Je N'en Puis - Puerorum (Mo 255)
20. Montpellier Codex: Blanchete - Quant Je Pens - Valare (Mo 168)
21. Montpellier Codex: Dame, Qeu Je N'os Noumer - Amis Donc Est - Lonc Tans A (Mo 337)
22. Montpellier Codex: Li Savours De Mon Desir - Li Grant Desir - Non Veul Mari (Mo 323)
23. Montpellier Codex: Entre Copin - Je Me Cuidoie - Bele Ysabelos (Mo 256)
24. Montpellier Codex: S'on Me Regarde - Prenn?s I Garde - H?, Mi Enfant (Mo 223)
25. Montpellier Codex: Quant Yver La Bise Ameine - In Seculum (Mo 223)
26. Montpellier Codex: Ne M'a Pas Oubli? - In Seculum (Mo 207)
27. Montpellier Codex: On Doit Fin[e] Amor - La Biaut? - In Seculum (Mo 134)
28. Montpellier Codex: Ja N'amerai Autre Que Cele - In Seculum (Mo 3)
29. Montpellier Codex: Quant Je Parti De M'amie - Tuo (Mo 200)

Amazon.com essential recording

How's this for a concept: "True love may exist only outside of marriage, and a man must subject himself totally to the will of his beloved, whether or not her requests seem rational." If you think these ideas strange, be glad you weren't looking for love in France in the Middle Ages. These precepts course through thousands of song lyrics and love poetry during the 12th and 13th centuries and some of them appear on this exceptional recording by Anonymous 4. Specifically, these four women perform 13th century French motets found in an important manuscript known as the Montpellier Codex. These polyphonic works span the entire century and thus express a variety of styles. Sometimes the use of texts is striking, as when a love song, a diatribe against hypocrisy, and a rousing drinking song are sung simultaneously. Not bad, if you can get away with it. Anonymous 4 can-and does. --David Vernier

Customer Reviews:

Excellent Rendition of Early Music. Buy It........2005-10-29

`Love's Illusion' is the third album done by the medieval vocal quartet, `Anonymous 4' and the first recording for them of secular motets, although it is important to note that to my relatively uneducated ear, I find it hard to discern the difference between these French love songs and their renditions of medieval church music.

This is not to say I have a totally tin ear but rather to indicate that there is as strong or stronger connection between these secular songs and the liturgical music of the day as there is between Aretha Franklin's soul singing and Southern Baptist church songs. One would be foolish to think that church music influenced secular music for the first time in 1956.

The text for these songs is based on the Montpellier Codex from the 13th century and, as I said, are all in what I believe is an early version of French. The accompanying booklet gives all the French lyrics, plus translations of these lyrics into English and German (since the record company, harmonia mundi, is, I believe, headquartered in Germany and the recording is manufactured in Germany.

While this is the first album I have reviewed by this group (named after an anonymous 13th century English writer on music who lived and worked in Paris and wrote about the music done) I have been listening to their recordings for several years now and I decided to start with this one and leave some of the liturgical works for later, closer to the Christmas season.

On a purely visceral level, I like this recording very much. On an intellectual level, I believe this is as good or better than any other medieval pieces, and most other Renaissance vocal pieces I have heard, except for some works with larger choruses such as Guillaume Du Fay's Mass for St. Anthony of Padua and Ensemble Gilles Binchois recording of eleventh century French Polyphony.

For those who are new to Anonymous 4 recordings, they are generally done not in a studio but in the nave of a large church, so there is a distinct sense of their singing in a great open space, with little or no sense of electronic enhancement. I really like this effect for this music and find it just one more reason to recommend this and other Anonymous 4 recordings. I think my highest recommendation comes from the fact that I can listen to this recording many times over and not become tired of it. There are other unusual types of music such as Russian chants, tangos, and even jazz which I can take for an hour or so and then must change. This material I can listen to for hours on end.

Highly recommended for fans of early music or for people who want something different.

Fun and full of love.......2005-10-13

This is a wonderful collection of chansons, or songs, from medieval France. It is different from many Anonymous 4 collections in that this is a piece of secular songs, primarily dealing with courtly love; the songs are particularly influenced by the Arthurian romances, very much in vogue at that time. This is a collection of motets - a musical style that came out of polyphony and is an important bridge between chant and modern song styling.

The Montpellier Codex has over 300 different motets (not including duplications), including many double motets, where the tenor piece is based on a plainchant, and different voices have their own texts. These 'fin amours' songs were most likely performed mostly in private entertainment settings, and song have argued that certain parts should be done by instruments rather than voices. Of course, the Anonymous 4 is an a capella group, so that idea does not come into practice here.

This is a playful and fun recording, full of lovely songs that reach the heart in strong ways.

-- Liner Notes --
This text accompaniment to this disc is very full, so much so that the booklet is not contained within the jewel case, but rather within a slipcover in which both the CD/jewel case and the booklet reside. The liner notes include a description of the work, a brief piece about the quartet, and the lyrics of the songs both in original language and in translation - all repeated in English, German, and French sections (however, the French lyrics are in the older French language; a modern translation would be helpful). The cover art is a section of the lovely Tapestry, Lady and the Unicorn, Atelier of the Loire Valley, 'mille fleurs', fifteen century in the Museum of Cluny, France.

-- Anonymous 4 --
Contrary to the implication of their name, the Anonymous 4 are not anonymous. This is a vocal quartet made up of Ruth Cunningham, Marsha Genensky, Susan Hellauer, and Johanna Rose at the time of this recording (Ruth Cunningham will later go on to a solo career early, and another member will join - Jacqueline Horner). They came together as a formal group in 1986, and have been ensemble-in-residence at St. Michael's Church in New York City, giving concert series in New York as well as throughout North America. They have been featured a number of times on national media in North America as well as Germany. They then went on to yet more success, eventually performing more that 1000 concerts worldwide.

Their specialty is working with chant, monophonic and polyphonic music, and working with medieval texts. According to one source, 'The group takes its name from an anonymous music theorist of the late 13th century, Anonymous IV, who is the principal source on the two famous composers of the Notre Dame school, Léonin and Pérotin.'

The group ended a touring career of nearly two decades in 2004.

from a newcomer viewpoint.......2003-02-23

LOVE'S ILLUSION is one of those uncanny instances that make tradition more unusual than avant-garde. Having two to four texts in an archaic language sung on top of each other makes the album at once chaotic and highly ordered. Some texts were clearly written after one another (cf. track 24), whereas others have but a random connection. Harmonically, however, everything falls into place.
I'm still fairly new to classical music, so I can only speak of my attempts at overcoming my difficulties in listening to mediaeval polyphony. When one knows any piece of music has a text, one wants to be able to hear the words - even if one doesn't know the language -, and this is main reason why a first listening of LOVE'S ILLUSION may be disturbing, if not annoying. One initial solution is to think of it as instrumental, and take the words for granted; I suggest also repeated listening of your favorite tracks, while trying to follow one singer's voice, with booklet in hand. I have paid some attention to this record and I believe it has helped me.
The major flaw of this record is not presenting a translation of the 13th century French songs into contemporary French. The difference is indeed quite astounding.

Love's Illusion.......2002-12-11

Overall: Monotonous, irritating. I had a headache after only three cuts, and the cut I really wanted is barely recognizable as the melody of interest. Let's just say that this is a sound (i.e., all female vocals, no instrumental variety), regardless of performers, that I do not go looking for.

OUTSTANDING.......2001-01-11

This is an excellent recording of some of the most beautiful music from the 13th Century. The vocal quartet "Anonymous 4" does a superb job, especially considering the entire CD is sung in Old French. This may well be the most peaceful and reaxing CD you will ever own.

Average customer rating:

Super Artists on Super Audio Manufacturer: Channel Classics Nl ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Piazzolla, Astor | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Britten, Sir Benjamin | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Couperin, François | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Franck, César | ( F ) | Composers, A-Z | Classical Music Blowout | Stores | Music Monteverdi, Claudio | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Piazzolla, Astor | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rameau, Jean Philippe | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Ravel, Maurice | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Saint-Saëns, Camille | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schumann, Robert | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Telemann, Georg Philipp | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Vivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Super Artists on Super Audio, Vol. 2 [Hybrid SACD] Super Artists on Super Audio, Vol. 3 [Hybrid SACD] Concord Records SACD Sampler 1 (Multichannel Hybrid SACD) Dark Side of the Moon 30th Anniversary Edition Concord Jazz Sampler Vol.2 ASIN: B00008PZW9 Release Date: 2003-05-13

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Anthems for Men's Voices Manufacturer: Priory Records UK ProductGroup: Music Binding: Audio CD Howells, Herbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: The Queen ASIN: B0000264T6 Release Date: 1997-05-27

Tracks:

1. Beata Viscera - Vicars Choral Of Wells Cathedral
2. O Nata Lux - Vicars Choral Of Wells Cathedral
3. Thou, O God, Art Praised In Sion - Vicars Choral Of Wells Cathedral
4. I Will Lift Up Mine Eyes - Vicars Choral Of Wells Cathedral
5. Great Lord Of Lords
6. Ave Maria
7. Ave Verum Corpus
8. Comfort The Soul Of Thy Servant
9. Two Rochester Intruits: God Be In My Head
10. I Have Done My Duty
11. Hear Me, O Lord, The Great Support
12. O Domine Deus
13. O Deus Meus
14. O How Amiable Are Thy Dwellings
15. My Eyes For Beauty Pine
16. Anthem: By The Water Of Babylon
17. Anthem: Their Sound is Gone Out

Average customer rating: Excellent, but What Are the Words? outstanding collection Awesome 7.5 hours of superb music at a most reasonable price.

Les tres riches heures du Moyen Age: A Medieval Journey Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Perotin / The Hilliard Ensemble Ambrosian Chant ASIN: B00000074R Release Date: 1995-11-21

Tracks:

1. 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
2. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
3. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
4. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
5. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
6. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
7. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
8. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
9. 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
10. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
11. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
12. 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

Tracks:

1. 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
2. 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
3. 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
4. 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
5. 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
6. 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
7. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
8. 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
9. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
10. 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
11. 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
12. 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
13. 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
14. 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
15. 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
16. 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
17. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
18. 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
19. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
20. 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
21. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
22. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
23. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
24. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

Tracks:

1. The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
2. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
3. The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
4. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
5. The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
6. Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
7. Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
8. Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
9. Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
10. Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
11. Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
12. Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
13. Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
14. Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
15. Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
16. Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
17. Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
18. Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
19. Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

Tracks:

1. 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
2. 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
3. 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
4. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
5. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
6. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
7. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
8. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
9. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
10. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
11. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
12. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
13. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
14. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
15. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
16. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
17. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
18. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
19. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
20. 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
21. 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
22. 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
23. 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

Tracks:

1. 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
2. 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
3. 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
4. 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
5. 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
6. 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
7. 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
8. 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
9. 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
10. 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
11. 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
12. 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
13. 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
14. 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
15. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
16. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
17. 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
18. 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
19. 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
20. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
21. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
22. 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
23. Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
24. Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
25. Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
26. Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
27. Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

Tracks:

1. Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
2. 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
3. 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
4. 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
5. 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
6. 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
7. 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
8. 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
9. 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
10. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
11. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
12. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
13. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
14. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
15. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
16. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
17. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
18. Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
19. Lute Music: 'Nous bergiers' - Paul O'Dette
20. Lute Music: Ricercar No. 33 - Paul O'Dette
21. Lute Music: 'Il est bel et bon' - Paul O'Dette

Customer Reviews:

Excellent, but What Are the Words?.......2006-07-04

This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

outstanding collection.......2002-09-27

I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

Awesome.......2001-09-20

This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

7.5 hours of superb music at a most reasonable price........1999-12-24

There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.

Average customer rating: Tomita's Fantasy Music Tomita's Fantasy Music

Extraterrestrial Classics Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Ligeti, György | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Monster Classics ASIN: B000003G7A Release Date: 1997-04-15

Tracks:

1. Space Fantasy
2. Parade of the Ewoks (Star Wars: Return of the Jedi)
3. No. 3 from Suite bergamasque: Clair de lune (The Right Stuff)
4. Eine kleine Nachtmusik: Allegro (Star Trek: The Next Generation)
5. LUX AETERNA: 2001: A Space Odyssey
6. Peer Gynt Suite No. 1: In The Hall of The Mountain King: Star Trek: 30 Years and Beyond
7. Symphony No. 3: Funeral March (Space: Above and Beyond)
8. The Planets: Mars, the Bringer of War
9. Gymnopedie No. 1: The X-Files
10. Imperial March: Darth Vader's Theme - Star Wars: The Empire Strikes Back)
11. Eine kleine Nachtmusik: Andante (Alien)
12. Prince Igor: Polovtsian Dances (Fire Maidens from Outer Space)

Customer Reviews:

Tomita's Fantasy Music.......2000-06-19

When the Tomita music hit the popular music stores in the early 1970's, synthesizers had been used, for the most part, as substitution for the "real" instruments. Isao Tomita's vibrant, truly musical use of his instrument reversed that erroneous impression for all who heard him. In the album, Extraterrestrial Classics, one is treated to the wild cacaphony of voices in the Mos Eisley Cantina and soothed with the crystalline spell of Claire de Lune. The music is sublime and silly, truly fantasy music for all ages. My children grew up on it, and my first old vinyl record was pilfered by a 9th grade student one day early in the 1990's. I am purchasing the old fantasy on a new CD just for myself....and because teaching a unit on wave motion, sound and music isn't complete without Tomita!

Tomita's Fantasy Music.......2000-06-19

When the Tomita music hit the popular music stores in the early 1970's, synthesizers had been used, for the most part, as substitution for the "real" instruments. Isao Tomita's vibrant, truly musical use of his instrument reversed that erroneous impression for all who heard him. In the album, Extraterrestrial Classics, one is treated to the wild cacaphony of voices in the Mos Eisley Cantina and soothed with the crystalline spell of Claire de Lune. The music is sublime and silly, truly fantasy music for all ages. My children grew up on it, and my first old vinyl record was pilfered by a 9th grade student one day early in the 1990's. I am purchasing the old fantasy on a new CD just for myself....and because teaching a unit on wave motion, sound and music isn't complete without Tomita!

Average customer rating: Fan from the Heartland Gorgeous CD It's not Hildegard, but it's wonderful Laurie, Cristi and Daniela's Voices Soar It's not Hildegard

Tapestry: Fourth River: Millennium Revealed Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Hildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Tapestry: Song of Songs Come into My Garden Sapphire Night Angeli: Music of Angels ASIN: B000035X5C Release Date: 1999-11-23

Tracks:

1. Michael
2. Zatrudil Sa E Sam Gospot
3. Arkhangelos
4. The Fourth River
5. O Roma Nobilis
6. Sol Eclypsim
7. Mundus Vergens
8. B'rosh Hashanah/Ut'Shuvah, Ut'filah
9. Love's Apocalypse
10. O Choruscans Lux
11. Dance Of Life
12. O Virtus Sapientie
13. Angelus Sum Thronorum
14. O Admirabile Veneris Idolum
15. Unetaneh Tokef
16. Omnes Sancti Seraphim
17. At the Last Day

Customer Reviews:

Fan from the Heartland.......2000-04-18

The Fourth River is a a beautiful recording. I enjoyed it so much I purchased ten copies for my friends. I love the sound of Tapestry and the blending of the voices. The Fourth River is a joy to the ear and the soul. I hope Tapestry will be recording another CD soon!

Gorgeous CD.......2000-04-16

This gorgeous CD by Tapestry is superb on many levels, including that it avoids what I dislike about certain female ensembles: wimpiness. Tapestry's spot-on and intense renderings of music spanning 8 centuries is challenging, beautiful, informed, and imaginative. May they continue the great work for a long time to come.

It's not Hildegard, but it's wonderful.......2000-04-16

Unlike 'A Music Fan' (who can't spell Bingen) I found 'The Fourth River' entrancing from start to finish. I'm not sure what a modern extension of Hildegard's musical type is - what is a 'musical type' and how does one extend it? - but I found this CD to be full of mellifluous, uplifting and life-enhancing music. Try as I might, I couldn't find any screeching and cacophanous (sic.) is the last word I would use to describe the music, and the singing, on this CD. If 'A Music Fan' wanted Hildegard, why didn't he/she buy a Hildegard CD. It's a bit like complaining that Nine Inch Nails aren't Mozart......

Laurie, Cristi and Daniela's Voices Soar.......2000-04-15

It is a privilege to live in the same city that Tapestry calls home, since I can see/hear them perform in person. But for all those times when they are performing in other places I can always put on one of their beautiful CDs. Their latest, The Fourth River, is a feast for the ears and I play it over and over. You will too! Buy it today, you'll be glad you did.

It's not Hildegard.......2000-03-24

I was, hopefully, expecting a modern extension of Hildegard of Bingan's musical type and style, but instead was subjected to an amateurish rendering, complete with near-screeching and cacophanous harmonies. I can't wait to trade it in for some Hildegard!

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