| Disc: 1 |
| 1. Black Rain |
| 2. Hydrophobia |
| 3. Invitation Time |
| 4. The Miracle Dancer |
| 5. Among The Gods |
| 6. New World Symphony |
| 7. Ship Of Fools |
| 8. Seven Seas |
| 9. Meet You In Heaven |
| 10. Arabia |
| Disc: 2 |
| 1. Black Rain (Video 2004) |
| 2. Black Rain (Video: Director's Cut 2004) |
| 3. End Of All Days (Wacken Road Show 2003) |
| 4. Battlefield Control (Unreleased 2002) |
| 5. All In A Time (Unreleased Demo 1999) |
| 6. When I Bleed (Savatage cover) |
| 7. Interviews |
| 8. Making Of |
Editorial Reviews
Product Description
Four regular albums in five years, tours with Savatage, Helloween, Rage, Company of Snakes, Ivory Tower, the Wacken Road Show 2003 plus countless gigs with Rhapsody, Doro, Scorpions, Symphony X and Silent Force in Germany, the Netherlands, Belgium, France, Austria and Switzerland: Mob Rules are currently one of Europes most industrious metal acts. Their current release, Among The Gods, proves once more that their greatest strengths lie in their constancy and determination - after all the band still operate in their original line-up. A rare exception, not only in our fast-moving times in general, but particularly in the metal genre, which has frequently been referred to as a "travelling circus with an ever-changing line-up". Vocalist Klaus Dirks hits the nail on the head when he says: "Others only preach the fairytale of loyalty and honesty, we actually live this philosophy". Special Limited Edition comes with enhanced bonus disc featuring videos, live footage, unreleased tracks, interviews and the Making Of.
Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.
I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.
The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.
Four regular albums in five years, tours with Savatage, Helloween, Rage, Company of Snakes, Ivory Tower, the Wacken Road Show 2003 plus countless gigs with Rhapsody, Doro, Scorpions, Symphony X and Silent Force in Germany, the Netherlands, Belgium, France, Austria and Switzerland: Mob Rules are currently one of Europes most industrious metal acts. Their current release, Among The Gods, proves once more that their greatest strengths lie in their constancy and determination - after all the band still operate in their original line-up. A rare exception, not only in our fast-moving times in general, but particularly in the metal genre, which has frequently been referred to as a "travelling circus with an ever-changing line-up". Vocalist Klaus Dirks hits the nail on the head when he says: "Others only preach the fairytale of loyalty and honesty, we actually live this philosophy". Special Limited Edition comes with enhanced bonus disc featuring videos, live footage, unreleased tracks, interviews and the Making Of.
Among the Gods,Mob Rules,Steamhammer,Heavy Metal
Average customer rating:
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Handel: Belshazzar
Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ZWGHY Release Date: 2004-06-15 |
Tracks:
- Overture
- Vain, Fluctuating State Of Human Empire!
- Thou, God Most High, And Thou Alone
- The Fate Of Babylon, I Fear, Is Nigh
- Lament Not Thus, Oh Queen, In Vain!
- Behold, By Persia's Hero Made
- Well May They Laugh/Oh Memory! Still Bitter To My Soul
- Opprest With Never-Ceasing Grief
- Dry Thoes Unavailing Tears
- Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
- Now, Tell Me, Gobrias
- Behold The Monstrous Human Beast
- Can You Then Think It Strange
- Great God! Who, Yet But Darkly Known
- My Friends, Be Confident
- All Empires Upon God Depend
- Oh Sacred Oracles Of Truth!
- Rejoyce, My Countrymen
- Sing, Oh Ye Heav'ns!
Tracks:
- Let Festal Joy Triumphant Reign!
- For You, My Friends
- The Leafy Honours Of The Field
- It Is The Custom, I May Say, The Law
- Recall, Oh King! Thy Rash Command
- They Tell You True
- Oh Dearer Than My Life, Forebear!
- By Slow Degrees The Wrath Of God
- See, From His Post Euphrates Flies!
- You See, My Friends, A Path
- Amaz'd To Find The Foe So Near
- To Arms, To Arms! No More Delay!
- Ye Tutelar Gods Of Our Empire
- Let The Deep Bowl Thy Praise Confess
- Where Is The God Of Judah's Boasted Pow'r?
- Call All My Wise Men
Tracks:
- A Singony (Allegro Postillions)
- Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
- Oh Misery! - Oh Terror! - Hopeless Grief!
- Oh King, Live For Ever!
- No! To Thyself Thy Trifles Be
- Yet, To Obey His Dread Command
- Oh Sentence To Severe!
- Oh God Of Truth! Oh Faithful Guide!
- You, Gobrias, Lead Directly To The Palace
- Oh Glorious Prince!
- Alternate Hopes And Fears
- Fain Would I Hope
- Can The Black Aethiop Change His Skin?
- My Hopes Revive
- Bel Boweth Down!
- I Thank, Thee, Sesach
- A Martial Symphony
- To Pow'e Immortal My First Thanks
- Be It Thy Care, Good Gobrias
- Great Victor, At Your Feet I Bow
- Say, Venerable Prophet
- Tell It Out Among The Heathen
- Yes, I Will Build Thy City
- I Will Magnify Thee
Customer Reviews:
ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19
Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.
I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.
The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.
Enjoiyable, but lacking, too........2004-08-16
Average customer rating:
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Among The Gods
Mob Rules Manufacturer: Steamhammer ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020QZN4 Release Date: 2004-05-24 |
Tracks:
- Black Rain
- Hydrophobia
- Invitation Time
- The Miracle Dancer
- Among The Gods
- New World Symphony
- Ship Of Fools
- Seven Seas
- Meet You In Heaven
- Arabia
Album Description
Four regular albums in five years, tours with Savatage, Helloween, Rage, Company of Snakes, Ivory Tower, the Wacken Road Show 2003 plus countless gigs with Rhapsody, Doro, Scorpions, Symphony X and Silent Force in Germany, the Netherlands, Belgium, France, Austria and Switzerland: Mob Rules are currently one of Europe's most industrious metal acts. Their current release, Among The Gods, proves once more that their greatest strengths lie in their constancy and determination - after all the band still operate in their original line-up. A rare exception, not only in our fast-moving times in general, but particularly in the metal genre, which has frequently been referred to as a "travelling circus with an ever-changing line-up". Vocalist Klaus Dirks hits the nail on the head when he says: "Others only preach the fairytale of loyalty and honesty, we actually live this philosophy".Customer Reviews:
Awesome metal band.......2004-09-09
Average customer rating: |
Among The Gods
Mob Rules Manufacturer: Steamhammer ProductGroup: Music Binding: Audio CD ASIN: B0001XTJ4E Release Date: 2004-05-18 |
Tracks:
- Black Rain
- Hydrophobia
- Invitation Time
- The Miracle Dancer
- Among The Gods
- New World Symphony
- Ship Of Fools
- Seven Seas
- Meet You In Heaven
- Arabia
Tracks:
- Black Rain (Video 2004)
- Black Rain (Video: Director's Cut 2004)
- End Of All Days (Wacken Road Show 2003)
- Battlefield Control (Unreleased 2002)
- All In A Time (Unreleased Demo 1999)
- When I Bleed (Savatage cover)
- Interviews
- Making Of
Album Description
Four regular albums in five years, tours with Savatage, Helloween, Rage, Company of Snakes, Ivory Tower, the Wacken Road Show 2003 plus countless gigs with Rhapsody, Doro, Scorpions, Symphony X and Silent Force in Germany, the Netherlands, Belgium, France, Austria and Switzerland: Mob Rules are currently one of Europe's most industrious metal acts. Their current release, Among The Gods, proves once more that their greatest strengths lie in their constancy and determination - after all the band still operate in their original line-up. A rare exception, not only in our fast-moving times in general, but particularly in the metal genre, which has frequently been referred to as a "travelling circus with an ever-changing line-up". Vocalist Klaus Dirks hits the nail on the head when he says: "Others only preach the fairytale of loyalty and honesty, we actually live this philosophy". Special Limited Edition comes with enhanced bonus disc featuring videos, live footage, unreleased tracks, interviews and the Making Of.Album Description
Limited edition of the progressive metal act's 2004 album includes a bonus disc with six tracks, 'Black Rain' (video clip 2004, director's cut video clip 2004), 'End Of All Days' (video clip Wacken Road Show 2003), 'Battlefield Control' (unreleased outtak
Average customer rating: |
Among the Gods
Mob Rules Manufacturer: Crown ProductGroup: Music Binding: Audio CD ASIN: B0002IJLIW Release Date: 2004-09-06 |
Album Description
Japanese pressing of the alternative metal act's 2004 album, scheduled to include bonus material. Details TBA. Crown.Album Details
Japanese Release featuring a Bonus Track: 'get Down (Demo 1997)', and the Enhanced Video for 'end of all Days'.
Average customer rating: |
Among The Gods [Limited Edition]
Mob Rules Manufacturer: Steamhammer ProductGroup: Music Binding: Audio CD ASIN: B000LX84XG |
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- Ancient Artifacts
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- Au Jus
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- Box Set [Import]
- Desert Sessions, Vol. 4: Hard Walls & Little Trips [Limited Edition]
- Destroyer [Limited Edition] [Import]
- Disappointment Blues [EP]
- Dreamwheel
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