I Still Feel It

Track Listings

1. Intro-Downtown

2. Downtown

3. Miss Thang

4. Sex With Your Ex

5. Gotta C U 2 Nite

6. I Think of You

7. Go Back 2 Her

8. Some N, Some N on the Side

9. Just Won't Do Right

10. Guy Guy

11. Wake Up, Smell the Coffe

12. Slip into My Love

13. I Still Feel It

14. Sorry Is a Sorry Word

15. Groove on (Nice & Slow)

16. Outro-Downtown

I Still Feel It,Tonya,J-Town Records,Pop,R&B,Soul/Reggae/Rhythm & Blues,Urban

I Still Feel It

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Balm in Gilead
Chassidic Chant
Quiet Flows The Don: From Border To Border
Quiet Flows The Don: Oh, How Proud Our Quiet Don
Elijah, Op. 70: The Lord God Of Abraham
The Purest Kind Of Guy
Joe Hill
The Peat-Bog Soldiers
The Four Insurgent Generals
Native Land
Song Of The Plains
Cradle Song
Within Four Walls
By An' By
Sometimes I Feel Like A Motherless Child
John Henry
Water Boy
My Curly Headed Baby
Mah Lindy Lou
Wagon Wheels
The House I Live In
Showboat: I Still Suits Me
Sylvia
Showboat: Ol' Man River
Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.

Average customer rating:

Oldie, but Goodie
Once lost, now found and reissued on CD.
THOU SWELL. THE YANKEE WINS AGAIN!
A Lost Gem
Not complete and NOT first CD version

A Connecticut Yankee
Broadway Revival Cast
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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ASIN: B00005A8KC
Release Date: 2001-03-06

Tracks:

A Connecticut Yankee: Overture
A Connecticut Yankee: My Heart Stood Still
A Connecticut Yankee: Thou Swell
A Connecticut Yankee: On A Desert Island With Thee
A Connecticut Yankee: To Keep My Love Alive
A Connecticut Yankee: Can't You Do A Friend A Favor?
A Connecticut Yankee: I Feel At Home With You
A Connecticut Yankee: You Always Love The Same Girl
A Connecticut Yankee: Finale
Higher And Higher (Selections): Nothing But You
Higher And Higher (Selections): Ev'ry Sunday Afternoon
Higher And Higher (Selections): From Another World
Higher And Higher (Selections): It Never Entered My Mind
By Jupiter (Selections): Careless Rhapsody
By Jupiter (Selections): Jupiter Forbid
By Jupiter (Selections): Ev'rything I Got
By Jupiter (Selections): Nobody's Heart

Customer Reviews:

Oldie, but Goodie.......2006-08-01

Well, I was not expecting to like this one. Its SO old, and very classic (Rodgers and Hart.) But one good thing about it being Rodgers and Hart, is it has lovely lyrics. Clever and witty on every song. Mark Twains book was done justice I think, but I've never read the book. I would suggest this to classic lovers, and newer Broadway fans who want to hear a`"classic" other than Oklahoma. This is a good one. The other great thing about this CD is you get not only A Connecticut Yankee, but also highlights from two other Rodgers and Hart musicals: Higher and Higher and By Jupiter. AWSOME. Favorite Song: "To Keep My Love Alive"

Once lost, now found and reissued on CD........2005-06-03

One of Decca's earliest cast albums (recorded just a few weeks after their famous OKLAHOMA! album) this very nearly became a lost treasure. Recorded on 16" glass masters in 1943, the original release was on 78 RPMS (complete witha booklet givinga detailed synopsis and all the lyrics.) The revival was not a success and when Long Playing records were introduced in the late 1940s, CONNECTICUT YANKEE was not reissued in the new format.

At one time in the 1960s Decca had the masters transferred to tape for a possible LP reissue. That reissue never happened, and in shipping the discs back to the storage facility, they were broken. The tape was taken from the company's archives and did not turn up until almost 30 years later. Though modern technology could probably have coaxed even better sound from the master discs, we must be thankful that the tape was made when it was.

In the meanwhile there were three unautherized isses of these tracks. A new York based private label called Box Office transferred the 78's to one side of an Lp in the 1970s. Later, AEI released an elaborate gatefold Lp with not only the full score (again dubbed from 78s) but also fabricated some additional tracks reprising some of the songs (in theatrical order) by editing portions from the existing tracks. Finally there was a release on CD from Box Office with horrible sound that stil sometimes turns up for sale. Avoid it. Decca actually sent a request that Box Office withdraw the bootleg Cd.

This edition has much better sound and the bonus tracks by Hildegard and Shirley Ross from BY JUPITER and HIGHER AND HIGHER make the package very worthwhile.

THOU SWELL. THE YANKEE WINS AGAIN!.......2003-02-09

"A Connecticut Yankee," by Lorenz Hart and Richard Rodgers, contains more hit songs than the average Broadway season nowadays. "My Heart Stood," "Still," "Thou Swell" and the redoubtable "To Keep My Love Alive" all sound fresh and vibrant in this fabulously remastered 1943 recording. Particularly wonderful is the total and complete recording of "To Keep My Love Alive," sung by the one great (female) love of the Lyricist's life, Vivienne Segal ... nearly seven minutes of the wittiest ways to do in a husband. This is one of the first "original cast" recordings ever recorded, and it sounds as crisp and clear as a recording made today. Bravo! (Submitted by staff member Stephen J. Finn)

A Lost Gem.......2002-01-17

A wonderful rerelease of glass discs made for the 1943 revival of this charming musical. While the orchestra is less than polished (there is one particular trumpet you can hear over and over that is awful and flat!)--it has a lot of zest to it, and makes one yearn to see the play - indeed, to see more of the Rodgers and Hart shows performed.

Not complete and NOT first CD version.......2001-08-19

This CD collection of tracks from the 1943 revival of the Rodgers & Hart musical is advertised as the first CD presentation of these tracks. This is incorrect. I have a CD issued in 1999 by Box Office Recordings called "A Collector's Rodgers & Hart" which contains all the "Connecticut Yankee" tracks plus 14 additional tracks of Rodgers & Hart covers (different from the covers on the Decca CD).

Worse, I have an AEI LP recording of the revival which has three additional tracks from the show. Why weren't these selections included in this recording?

Tracks:

Ol' Man River
Steal Away
Joshua Fit De Battle Ob Jericho
Water Boy
Swing Low, Sweet Chariot
Deep River
Lonesome Road
Mighty Lak' A Rose
Rockin' Chair
When It's Sleepy-time Down South
Mah Lindy Lou
My Curly Headed Baby
Carry Me Back To Green Pastures
Lazy Bones
St. Louis Blues
Congo Lullaby
Canoe Song
Shenandoah
I Still Suits Me
Summertime
It Ain't Necessarily So
Just A-Wearyin' For you
Song Of The Volga Boatmen
Little Man, You've Had A Busy Day

Tracks:

Sometimes I Feel Like A Motherless Child/Minstrel Man
Git On Board, Li'l Children/Dere's No Hidin' Place
Go Down, Moses
Bear De Burden/All God's Chillun Got Wings
Nobody Knows The Trouble I've Seen
Got The South In My Soul
Blue Prelude
Fat Li'l Feller Wid His Mammy's Eyes/Shortnin' Bread
Wagon Wheels
The Banjo Song
Love Song
Climbing Up (Mountain Song)
All Through The Night
Mood Indigo
At Dawning
An Eriskay Love Lilt
Trees
Jerusalem
The Cobbler's Song
A Perfect Day
Sylvia
Sea Fever
King Joe (The Joe Louis Blues)
The Old Folks At Home (Swanee River)
My Old Kentucky Home

Customer Reviews:

What ??.......2006-12-10

The idiot from Virginia thought it a bit strange that an American black man would give the communists a chance. Looking back from modern perspective is easier than what he had to go on in the thirtes. Gee, I wonder why a black man would do that after all that southern hospitality, segregation, and steady work you gave the "black folk". Not to mention all those nighttime campfires you had going in their honor.
While I might be from New York I certainly would not be called a bleeding heart liberal but I can certainly understand why the poor soul was looking elsewhere. You are either ignorant of history and its influences on people or you are a totally unsympathetic jackass!!

Nice Voice, but not a nice person...(read on, pls.).......2006-01-07

Paul Robeson, who was brainwashed into
beleiving Communist rhetoric (which is
strange as hell for an Amer-I-can black
man). A good singing voice but all cover
songs! Come on, Paul!

A let down.......2004-09-24

I own several Robeson recordings and purchased this one with high hopes as it has a great selection of tracks. Unfortunately given the excellent recording quality of "Songs for Free Men" and "The Paul Robeson Oddyssey", the remasters from what I assume are 78's and possibly radio are a let down and mar what could have been an excellent album.

The definitive Paul Robeson compilation.......2003-09-19

This 2 CD set of Paul Robeson is the definitive collection providing a decent overview of his work in 50 tracks all wonderfully restored from 78s as usual for ASV, with spirituals, show tunes, Shakespeare-like readings, and more done with a trademark bass voice and orchestration that backs up Paul perfectly and he would later be one of the first civil rights activists. The first disc is a reissue of the single disc "Ol' Man River-His 25 Greatest" on ASV containing "Ol' Man River," "Mighty Like a Rose," "Joshua Fit De Battle Ob Jericho," "Carry Me Back To Green Pastures," "Lazy Bones," and many more classics which is also available here at Amazon for those who only want a single disc of Paul's work and the 2nd disc contains 25 more classics including "Nobody Knows The Trouble I've Seen," "The Old Folks At Home," "My Old Kentucky Home," "Wagon Wheels," "Git On Board, Little Children," and many more. In other words, all 50 of these tracks are essential to any early pop, folk, gospel, blues, etc. music fan and this is the set to introduce yourself to his work in a convenient 2 CD package with the usual great liner notes and details on the original 78s ASV provides with each CD released in their Living Era series.

Average customer rating:

Seducing the 60's
Joe Goldmark
Manufacturer: Lo-Ball Records
ProductGroup: Music
Binding: Audio CD

Alt-Country & Americana | Country | Styles | Music

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ASIN: B000KHYOR8
Release Date: 2007-01-23

Tracks:

Helpless
Darlin'
Here Comes My Baby
Sad Eyed Lady Of The Lowlands
I Feel Fine
Ring Of Fire
Because
Dirty Work
The Kids Are Alright
Every Little Bit Hurts
Six O'Clock
Isn't It A Pity
Hickory Wind

Album Description

Joe Goldmark takes some of his favorite 60's rock tunes and lovingly tinges them with a soulful country sound. Vocals are provided by new Amoeba Records artist Brandi Shearer, the versatile Bart Davenport, and "the real deal" Gary Claxton. Special guest guitarist is the wonderful John McFee (Doobies, Elvis Costello, Clover).

Average customer rating:

I Still Feel It
Tonya
Manufacturer: J-Town Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SZCT
Release Date: 2000-04-11

Tracks:

Intro-Downtown
Downtown
Miss Thang
Sex With Your Ex
Gotta C U 2 Nite
I Think of You
Go Back 2 Her
Some N, Some N on the Side
Just Won't Do Right
Guy Guy
Wake Up, Smell the Coffe
Slip into My Love
I Still Feel It
Sorry Is a Sorry Word
Groove on (Nice & Slow)
Outro-Downtown

Average customer rating:

Beautifully understated drama
More beautiful music than we'd any right to expect.
Two short beautiful, somber lyric operas.

Nicolae Bretan: Golem and Arald

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B0000037FS
Release Date: 1995-09-05

Tracks:

Golem: Intro - PO Moldova, Iasi/Cristian Mandeal
Golem: Leave Me Alone, Golem, Leave Me! - Alexandru Agache
Golem: I Looked Deep Into Her Eyes... - Alexandru Agache
Golem: I Cannot Change You Into A Man - Tamas Daroczy
Golem: I Formed You Of Clay... - Tamas Daroczy
Golem: Under The Earth, You Do Not Feel The Cold - Alexandru Agache
Golem: Did You Call Me? - Dan Zancu
Golem: No! I Won't Tear It Out! - Alexandru Agache
Golem: Why Don't You Give Me That Talisman? - Alexandru Agache
Golem: Peace To You, Dream Of The Human Mind - Sounds Of The Autumn Wind
Arald: Prologue- Arald On His Charger Sweeps... - Dan Zancu
Arald: To You, O Timeless Seer, Across The World I Ride... - Ionel Voineag
Arald: You Were Still But A Child - Alexandru Agache
Arald: My People Ceased Their March... - Ionel Voineag
Arald: Out Of The Heart Of Earth Let Man The Dead Awake... - Alexandru Agache
Arald: Come, Arald, Your Sweet Brow Against My Bosom Lean... - Sanda Sandru
Arald: Interlude - PO Moldova, Iasi/Cristian Mandeal
Arald: Lost Of All Eternity Within The Tomb's Constraint - Alexandru Agache

Customer Reviews:

Beautifully understated drama.......2005-06-10

Despite a lack of big arias, Golem is a good opera. The singers in this production are very effective in conveying the inner tensions of their characters. Although there is little physical movement, the drama of Rabbi Judah Loeb confronting the monster he has created is intense.
The scenic cantata, Arald, is Bretan's masterpiece. It is a lyrical evocation of memory, despair, and resignation. Arald puts the listener through all of the emotional upheaval of Das Lied von der Erde in half of the time. This performance of Arald is as affecting as the best performances of Das Lied von der Erde that I have heard.

More beautiful music than we'd any right to expect........2001-01-25

The Transylvanian composer Bretan had one of the grimmer lives of any notable composer - his wife's family were murdered in Auschwitz; his refusal in post-war Romania to become a Communist led to his silencing - but you wouldn't know it from either of these operas.

They are serious and solemn enough. 'Golem' takes the old story of a rampaging Frankenstein-type monster and turns it into a melancholy dialogue about life, science, creation, family. 'Arald', with its hero supplicating the Seer of the Underworld to resuscitate his dead love, forswears doomy Gothic in favour of more metaphysical musings.

From a dramatic point of view, both works are static. Musically, however, they are gloriously reminiscent of mid-period Verdi - bountifully melodic, rapturously sad - with an Eastern European flavour. The fact that an opera composer in the mid-20th century dared even write a TUNE is reason enough to rejoice.

Two short beautiful, somber lyric operas........1999-05-07

"Golem" is a one-act opera about the legendary clay man created by the Rabbi of Prague. The poignant libretto is by the composer. The music is beautiful and lyric, but has no memorable tunes. Stylistically, it is a bit like Rimsky-Korsakoff's operatic writing. "Arald" is not really an opera but a scenic cantata. It tells of the despair of the khan of the Avars over the loss of his wife. The gloom of both text and music put me off at first. On second hearing, I loved it! It is more tuneful than "Das Lied von der Erde" and has none of the dissonance of Bartok's "Duke Bluebeard's Castle", but the mood is similar.

Average customer rating:

I love the chordal swells...

Hypnotic Drift
Brannan Lane
Manufacturer: Ambient Circle Music
ProductGroup: Music
Binding: Audio CD

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Lost Caverns of Thera

ASIN: B00006FDPZ
Release Date: 2002-07-16

Tracks:

Zone One
Zone Two
Zone Three
Zone Four
Zone Five
Zone Six
Zone Seven
Zone Eight
Zone Nine
Zone Ten
Zone Eleven

Album Description

Ambient, atmospheric, beatless, space music.

Customer Reviews:

I love the chordal swells..........2002-07-21

I love the chordal swells and the fine sonic detail of the backgrounds. Relatively abstract, but still accessible...I feel it's music that really draws me in...gets my attention. You probably already know this, but people are bound to find similarities between this music and Steve Roach's MAGNIFICENT VOID, as well as some of Robert Scott Thompson's work. There's tension in this music, but also a sense of peace. Well
done! -- Steve Davis, Associate Producer, Hearts of Space radio show

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