It Might As Well Be Now

Track Listings
1. If You Knew
2. I Think It's Gonna Rain
3. I Wanna Be Ready
4. Inner City Fantasy
5. It Might As Well Be Now
6. Cold Shack Attack
7. Come Together
8. Today's The Day
9. Family Affair
10. Aint Gonna Miss My Train

Editorial Reviews
About the Artist
Thaddeus Hogarth continues his musical evolution as an award-winning singer/songwriter/composer, balancing it with the career of guitar faculty at Boston's famed Berklee College of Music. Born in England and raised in St. Kitts, West Indies, multi-instrumentalist, Thaddeus Hogarth brings a div...

Product Description
The Third solo release from Boston based award-winning (Best R&B/Blues 2001, Indie Awards) singer/songwriter/guitarist. Still rooted in a timeless songwriting tradition, Thaddeus delivers nine conscious original cuts in the R&B/Funk-Rock tradition and one funky-reggae remake of the the popular classic Family Affair by Sly Stone. Features an all-star band with a guest appearance on one track by legendary reggae star Sister Carol. The songs are reminiscent of the likes of Bill Withers and Gil-Scott-Heron, laced with Thaddeus'chromatic harmonica adding the early era Stevie vibe. Thaddeus' music has been described by Billboard magazine as "Soul Terra Firma" and he has been pegged as a "guitar virtouso" by the Boston Globe. This enhanced cd contains 3 Quicktime music videos in addition to the 10 audio tracks.

It Might As Well Be Now,Thaddeus Hogart,Higher Ground Records,5"CD Singles,Blues,R&B/Soul


It Might As Well Be Now

It Might As Well Be Now
Beggar's Opera / Polly
Average customer rating: 3 out of 5 stars
  • One stop on the road to immortality
  • Must Stop Ordering When Drinking - Or Maybe I Got Foxed
Beggar's Opera / Polly
Gay , and Austin
Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Classical | Styles | Music
ASIN: B0000799KV
Release Date: 2003-03-25

Customer Reviews:

5 out of 5 stars One stop on the road to immortality.......2006-11-19

This is a more than competent CD transfer of acoustic recordings of Sir Nigel Playfair's legendary 1920s revivals of The Beggar's Opera and its sequel Polly. Quite sufficiemt to show why the Beggar;s Opera production, meant to fill a few weeks' gap at the Lyric Theatre, Hammersmith, ran for three years. And while Gay's sequel was like most sequels, not up to the original, this recording is the only source for the second-best ballad opera.

1 out of 5 stars Must Stop Ordering When Drinking - Or Maybe I Got Foxed.......2006-09-02

Right. Can't remember what state of sobriety I was in when I ordered this cd and I may have missed some key clues about its nature. But I was so excited to find anything claiming to relate to Gay's "Polly" (which otherwise seems to have completely disappeared after it was censored in the 18th century - even internet wise) that I bought this cd. Turns out it is a cd version of some music originally recorded in the early 1920's. It is moderately interesting even for someone who is not primarily interested in antigue recordings (aka "scratchy records") because the style may be closer to that of the original performance. (There is no reason to think that common tastes were better in the 18th century than in 1920.) It is certainly different than contemporaneous performances of BO.

Don't mean to be sexist - which I am - but the duets, choreses and male performances seem to be less antigue than the soprano pieces. The broads are simply squeaky. Something to do with frequency loss in early recordings, I expect. On the other hand, the bass songs are equally abrasive and archaic.

Even the notes about "Polly" in this cd are disappointing. No mention of the history of "Polly", no mention of the source for the music. Try googling for a link for Gay and Polly. If you find one, be sure to post - I would love to know.

Unless you are an academic involved with some of the most obscure corners of the history of recorded music, I would forget this one. Instead, root for someone to find and record Gay's Polly. And buy a more modern interpretation of the Beggar's Opera. I have certainly heard antique recordings restored more vibrantly than this cd - but I would think that depends to a large extent on the quality of what you have to start with.

The only reason I gave it 2 stars (for some reason, Amazon refuses to record my change from 1 to 2 stars; but that is computers for you) instead of 1 was because of I love the melodies of the songs so much. But I will also admit that it is possible that Gay have been lucky that Polly was suppressed - the melodies and lyrics are not nearly as good as BO. On the other hand, this cd is so antique that is an unfair basis for judgment, But what the H!
It Might As Well Be Now
Average customer rating: Not rated
    It Might As Well Be Now
    Thaddeus Hogarth
    Manufacturer: Higher Ground Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Blues | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    GeneralGeneral | Blues | Indie Music | Stores | Music
    GeneralGeneral | R&B | Indie Music | Stores | Music
    ASIN: B000BDH4WS
    Release Date: 2005-09-13

    Tracks:

    1. If You Knew
    2. I Think It's Gonna Rain
    3. I Wanna Be Ready
    4. Inner City Fantasy
    5. It Might As Well Be Now
    6. Cold Shack Attack
    7. Come Together
    8. Today's The Day
    9. Family Affair
    10. Aint Gonna Miss My Train

    Product Description

    The Third solo release from Boston based award-winning (Best R&B/Blues 2001, Indie Awards) singer/songwriter/guitarist. Still rooted in a timeless songwriting tradition, Thaddeus delivers nine conscious original cuts in the R&B/Funk-Rock tradition and one funky-reggae remake of the the popular classic Family Affair by Sly Stone. Features an all-star band with a guest appearance on one track by legendary reggae star Sister Carol. The songs are reminiscent of the likes of Bill Withers and Gil-Scott-Heron, laced with Thaddeus'chromatic harmonica adding the early era Stevie vibe. Thaddeus' music has been described by Billboard magazine as "Soul Terra Firma" and he has been pegged as a "guitar virtouso" by the Boston Globe. This enhanced cd contains 3 Quicktime music videos in addition to the 10 audio tracks.
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Symphonies | Classical | Styles | Music
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    Similar Items:
    1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
    2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
    3. The Young Person's Guide to the Orchestra (Book & CD)
    4. Study of Orchestration, Third Edition
    5. The Life and Works of Ludwig van Beethoven

    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    It Might as Well Be Now
    Average customer rating: 4 out of 5 stars
    • In The Now
    It Might as Well Be Now
    Thaddeus Hogarth
    Manufacturer: Higher Ground
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    ASIN: B00066VZK2
    Release Date: 2003-07-08

    Tracks:

    1. If You Knew
    2. I Think It's Gonna Rain
    3. I Wanna Be Ready
    4. Inner City Fantasy
    5. It Might As Well Be Now
    6. Cold Shack Attack
    7. Come Together
    8. Today's the Day
    9. Family Affair
    10. Ain't Gonna Miss My Train

    Product Description

    10 Tracks

    Customer Reviews:

    4 out of 5 stars In The Now.......2004-10-09

    Incorporating Hip-Hop and reggae over a solid rock base, Thaddeus Hogarth takes the vox and guitar tracks on this 10 track album from Higher Ground Records. The Group goes in many directions with the three-piece, moving through multiple rhythmic changes. Overall, Hogarth does an excellent job setting the blueprints for the new-school R&B foundation. In addition to some very impressively proficient guitar work, both of the vocal tones at first sound about a half-step flat lending the record to elements of the group vibe in the Asbury Park scene of the early 70's. The players consist of Joey Scrima on Drums and David Buda on bass, and the beat is driven home due to the intensity of the rhythm section. Frankly, it's funkier than hell. Go and Visit Thaddeus and the crew at www.thaddeuhogarth.com

    R&B Music:

    1. Just a Boy [Import]
    2. Just Be Good to Me [CD-single] [Import]
    3. Karma Kingdom
    4. Keepers of the Castle: Their Best 1972-1978 [Import]
    5. Last Soul Company
    6. Leaving [CD-single] [Import]
    7. Live Again
    8. Living Room: Soft & Relaxing [Import]
    9. Love Songs
    10. Loveaholic

    R&B Music

    r&b music

    Recommended Music:

    Special Life

    Artist Portrait [Import]

    Ballades / Barcarolle / Berceuse

    Late Night Country

    Best of Pooh Bear & Tigger [Import]

    Best Arabian Nights Album in the World Ever V.5 [Import]

    Beck-Ola [Extra tracks] [Import] [Original recording remastered]

    Az Da World Turns [Explicit Lyrics]

    American Indian Life [Box set] [Import]

    Apres le Plie-Music for Ballet Class

    After the Flood: Live from the Grand Forks Prom June 28, 1998 [Live]

    Asi Nos Gusta [Import]

    Come Get Some

    All That Falls Away

    Sid & Nancy