See Me

Track Listings

1. Iya One Say

2. Mercy Gone

3. Jah, Solid Rock

4. Addis Ababa

5. Anyday Now

6. See Me

7. Are You Ready

8. Love One Another

9. Pressure

10. Moving On

See Me,Willie Williams,Jah Shaka,Blues Gospel,Pop,Reggae,Roots Reggae,Soul/R & B

See Me

See Me

Average customer rating:

We Will Go Home

Good music

Want to hear Gladiator II?

King Arthur

Hans' Best

King Arthur
Hans Zimmer
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Alexander

ASIN: B0002IQIWE
Release Date: 2004-07-27

Tracks:

Tell Me Now (What You See)
Woad To Ruin
Do You Think I'm Saxon?
Hold The Ice
Another Brick In Hadrian's Wall
Budget Meeting
All Of Them!

Amazon.com

What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulley

Customer Reviews:

We Will Go Home.......2007-07-13

Does this soundtrack include "We Will Go Home," the song Vorna sings to the men in the bar before they find out about their new mission?

Good music.......2007-05-16

I'm a huge Hans Zimmer fan, his scores are rich and deep. This is not his best, but it's still a great listen.

Want to hear Gladiator II?.......2007-04-12

In the end, this is the only relevant question; do you want to hear a more melodramatic version of Gladiator? More melodramatic, you ask?
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.

I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.

From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.

That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.

King Arthur.......2007-04-09

I recently purchased this particular soundtrack, and i would have to say it is awesome. Hans Zimmer is a master at what he does. The music suits the film and since I loved the film I had to get the soundtrack. I loved the song Tell Me Now by Moya Brennan, and Another Brick in Hadrians Wall is the best song im my opinion on the soundtrack. Overall I'm so glad I bought this soundtrack and I rate it up there with the likes of Gladiator, Pirates of the Carribean. Keep up the good work Hans

Hans' Best.......2007-03-12

Hans Zimmer is a film composer with dozens and dozens of scores under his belt. Many who do not collect or even listen to film scores know his name. However, much if his film music sounds very similar and lacks a complex edge that other compose like John Williams, James Horner, and James Newton Howard deliver.

That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.

Average customer rating:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE
A Landmark Classic Now Made Even Better.
A Milestone of Early Rock!
I Love it !
The Who's classic rock opera gets a 35th birthday celebration fit for a king!

Tommy

Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DJZAH
Release Date: 2003-10-28

Tracks:

Overture
It's A Boy
1921
Amazing Journey
Sparks
Eyesight To The Blind (The Hawker)
Christmas
Cousin Kevin
The Acid Queen
Underture
Do You Think It's Alright
Fiddle About
Pinball Wizard
There's A Doctor
Go To The Mirror!
Tommy Can You Hear Me?
Smash The Mirror
Sensation
Miracle Cure
Sally Simpson
I'm Free
Welcome
Tommy's Holiday Camp
We're Not Gonna Take It
See Me Feel Me/Listening To You

Tracks:

I Was
Christmas (Out-Take 3)
Cousin Kevin Model Child
Young Man Blues (Version 1)
Tommy Can You Hear Me? (Alternate Version)
Trying To Get Through
Sally Simpson (Out-Takes)
Miss Simpson
Welcome (Take 2)
Tommy's Holiday Camp (Band's Version)
We're Not Gonna Take It (Alternate Version)
Dogs (Part 2)
It's A Boy
Amazing Journey
Christmas
Do You Think It's Alright?
Pinball Wizard

Customer Reviews:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.

Average customer rating:

Moody, haunting, beautiful -- brilliant!
tapestry of color
Excellent Score -- Very Unique
One of the few good things about this wretched film
The score elevates the film

The Village

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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The Sixth Sense: Original Motion Picture Soundtrack

ASIN: B0002IQJSC
Release Date: 2004-07-27

Tracks:

Noah Visits
What Are You Asking Me?
The Bad Color
Those We Don't Speak Of
Will You Help Me?
I Cannot See His Color
Rituals
The Gravel Road
Race To Resting Rock
The Forbidden Line
The Vote
It Is Not Real
The Shed Not To Be Used

Amazon.com

In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley

Customer Reviews:

Moody, haunting, beautiful -- brilliant!.......2007-08-02

James Newton Howard's Oscar-winning score for M. Night Shyamalan's remarkable film, The Village, is one of my personal favorites. By turns haunting, thrilling, and absolutely creepy, it completely embodies the spirit of the film.

The common thread woven throughout most of the score is a simple, monophonic melody on the violin, heart-rendingly lifted from the page by the talented Hilary Hahn. The melody strongly evokes Gregorian plainsong, which is very appropriate to the subject matter of Shyamalan's film. It may also remind listeners of twentieth-century composers who have returned to and incorporated those older musical modes (particularly the medieval Phrygian mode) into their own music; I'm thinking of people like Arvo Pärt and Ralph Vaughn Williams (also a film composer). Even more striking, however, is the debt Mr. Howard owes to Philip Glass. Listen to his (Glass's) Violin Concerto or to his own score for the film, The Hours, and see if you don't hear it. The minimalist arpeggiation on the violin is unmistakable.

A couple of the other tracks (e.g., "Those We Don't Speak Of" and "It Is Not Real") will absolutely make your hair stand on end. They still give me goosebumps every time I listen to them. It's some of the most effect "fear" scoring I've ever heard, making particularly good use of the percussion section. Altogether, this is a versatile, remarkable score I can very highly recommend.

tapestry of color.......2007-07-28

Rich, powerful and moving, Howard's score is an interweaving tapestry of a constant haunting undercurrent of a theme with Hilary Hahn's beautiful obligato's soaring above. This soundtrack will take you to the brink of yourself as you can feel your soul being pulled along with the music. An absolute `must have' for any serious music lover. If you doubt its majesty, sit down and listen - it's well worth your time.

Excellent Score -- Very Unique.......2007-02-22

I have long been a film-score aficionado. My favorite composers are Hans Zimmer, James Horner, Jerry Goldsmith, John Williams -- only the best of the best. I had always known about James Newton Howard and his work, and always respected his unique abilities and talents.

It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.

James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.

One of the few good things about this wretched film.......2006-11-05

I admit I absolutely hated "The Village". The film started out rather good. The build up in suspense was flawlessly executed but then the second half of the film totally went downhill for me. One of the few things I enjoyed about "The Village" is the film score by James Newton Howard. The combination of the orchestral film score and dark cinematography was perfect. Both complimented each other. Violinist Hilary Hahn was what really gravitated me to the music. A lot of film scores have a terrible tendency to be loud and bombastic (like John Williams and Hans Zimmer) but James Howard Newton's score is subtle and never overwhelming to a person's ears.

The score elevates the film.......2006-08-09

'The Village' was panned pretty harshly in critical circles, but whatever you think of the film, James Newton Howard's score for it is a beautiful piece of work. It lends a haunting, lyrical quality to the film, and it is wonderful to listen to by itself, whether or not you like or have even seen the movie.

While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.

A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.

The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

It deserved better
SEESAW (1973 ORIGINAL BROADWAY CAST)
A Broadway nadir.
Michele Lee sings Cy Coleman's most underrated score
This Seesaw is merely quirky fun

Seesaw (1973 Original Broadway Cast)
Dorothy Fields
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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I Love My Wife: A Musical (1977 Original Broadway Cast)
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ASIN: B000000PG6
Release Date: 1990-10-25

Tracks:

Seesaw - Orchestra & Company
My City - Street Walkers & Company
Nobody Does It Like Me - Michele Lee
In Tune - Michele Lee/Ken Howard/Company
Spanglish - Giancarlo Esposito/Michele Lee/Ken Howard/Company
Welcome To Holiday Inn - Michele Lee
You're A Lovable Lunatic - Ken Howard
He's Good For Me - Michele Lee
Ride Out The Storm - Lamonte Desfontaines/Cecelia Norfleet/Company
Entr'acte - Orchestra
We've Got It - Ken Howard
Poor Everybody Else - Michele Lee
Chapter 54, Number 1909 - Tommy Tune/Ken Howard/Michael Lee/Company
Seesaw Ballet - Orchestra
It's Not Where You Start - Tommy Tune/Company
Finale: I'm Way Ahead & Seesaw - Michele Lee
Bows: It's Not Where You Start - Entire Company

Customer Reviews:

It deserved better.......2007-07-05

I've often wondered if I'm the only person alive who saw "Seesaw!" It's been sadly neglected. Michele Lee was wonderful, and it was a great introduction to a guy named Tommy Tune.. The music is very enjoyable. Highly recommended for Broadway show lovers!

SEESAW (1973 ORIGINAL BROADWAY CAST).......2007-01-27

I SAW THIS SHOW AND LOVED EVERY MOMENT. I TILL REMEMBER HOW MUCH FUN I HAD. I WAS IN COLLEGE AT THE TIME AND HAD THE GREAT OPPORTUNITY TO SEE IT AGAIN. THE SCORE IS WONDERFUL, TUNEFUL AND MEMORABLE.

A Broadway nadir........2004-09-14

With all due respect to Cy Coleman and Dorothy Fields, both of whom made major contributions to the Broadway canon, this must be one of the weakest musical scores ever committed to vinyl. Worst of all, it bears no relation to the poignant two-character play on which it is based. Just who was it who wanted that tender little play to be enhanced by a big campy production number starring Tommy Tune?

Michele Lee sings Cy Coleman's most underrated score.......2004-01-28

SEESAW was a musical version of William Gibson's rueful comedy-drama TWO FOR THE SEESAW, which originally starred Anne Bancroft. For the musical version, the leading lady was the delightful Michele Lee (BRAVO GIOVANNI) who earned a Tony nomination for her performance.

The Cy Coleman-Dorothy Fields score includes great numbers like "Nobody Does It Like Me", "In Tune" and the 11 o'clock number "Poor Everybody Else".

The supporting cast includes the always-reliable Tommy Tune, as well as Ken Howard, Cecelia Norfleet and LaMonte DesFontaines.

Highly-recommended for fans of Broadway musicals as well as the incantory Miss Michele Lee. [DRG CDRG6108]

This Seesaw is merely quirky fun.......1999-08-22

Cy Coleman's Seesaw overture is a wonderful start to a wonderfully breezy CD. Most of the chorus numbers are very poor ( Spanglish, Ride Out the Storm), but the spotlighted Michele Lee, Ken Howard, and Tommy Tune are preserved fantastically. Michele Lee's husky voice is capable of making your heart soar and break at the same time. Her comedic timing is wonderful (Welcome to Holiday Inn), her down-on-her-luck song is perfection(Nobody Does It Like Me), and Poor Everybody Else will have you rooting for Michele instantly. Ken Howard is truly a Lovable Lunatic. And Tommy Tune's Tony Award winning performance is captured here with "It's Not Where You Start." It is typically Coleman music, but he is wonderfully aided with Dorothy Fields's lyrics. If you can find it for a discount, don't resist!

Average customer rating:

my opinion
Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Franz Joseph Haydn: The Creation
Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
Mahler: Das Lied von der Erde
Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
Elijah: An Oratorio for Piano & Vocal Score

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

my opinion.......2007-08-01

This recording was reccomended somewhere as being even better than the newer version with Bryn Terfel and Renee Fleming - it really is tops, I think. Dietrich Fischer-Dieskau is as lyrical as ever. And the other soloists are also breathtaking.

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

John Cena
Who cares anyway
you can't see me
Love it
a couple songs is ok !!

You Can't See Me
John Cena & tha Trademarc
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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WWE Theme Addict: The Music, Vol. 6
WWE - John Cena - Word Life
WWE Wreckless Intent
WWE Forceable Entry
WWE Originals

ASIN: B00092ZLYE
Release Date: 2005-05-10

Tracks:

The Time Is Now
Don't F*** With Us
Flow Easy
Right Now
Make It Loud
Just Another Day
Summer Flings
Keep Frontin'
We Didn't Want You To Know
Bad, Bad Man
Running Game
Beantown
This Is How We Roll
What Now
Know The Red
Chain Gang Is The Click
If It All Ended Tomorrow

Customer Reviews:

John Cena.......2007-05-15

Very good product and I love John Cena he is a great singer and wrestler.

Who cares anyway.......2007-05-06

Cena sucks as a wretler, actor, and rapper. What a douche.

you can't see me.......2007-01-12

This is a good cd but it is not for kids to listen to.

Love it.......2007-01-11

I was very pleasently shocked when I got this cd and found that John Cena really can rap. It is a very very good cd and well worth my money. Buy it you wont be let down!

a couple songs is ok !!.......2006-11-07

I like cena but the album didnt touch me, although there were a couple songs that did, but for those real cena fans it is ok but , remember you not gonna get no more then maybe 3 good songs if that.. he does have a pretty good beat on most of them , but the lyrics is just not there ..sorry cena!!

All At Once Well Met: English Madrigals; The King's Singers

Average customer rating:

Very pleased
Sumptuous and mellow
One of the Best Collections of English Madrigals
A Delightful Collection of English Madrigal
A wide variety

All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

English Madrigals: A Little Pretty Bonny Lass
English Madrigals: Weep No More, Thou Sorry Boy
English Madrigals: Shoot False Love
English Madrigals: Now Is The Month Of Maying
English Madrigals: Four Arms, Two Necks, One Wreathing
English Madrigals: Hark, All Ye Lovely Saints Above
English Madrigals: Since Robin Hood
English Madrigals: Though Philomela Lost Her Love
English Madrigals: O Wretched Man
English Madrigals: Weep, O Mine Eyes
English Madrigals: The Nightingale, The Organ Of Delight
English Madrigals: Come, Sirrah Jack, Ho!
English Madrigals: Cruel, Behold My Heavy Ending
English Madrigals: Fair Phyllis I Saw Sitting All Alone
English Madrigals: Sing We And Chant It
English Madrigals: On A Fair Morning
English Madrigals: Oft Have I Vowed
English Madrigals: Is Love A Boy?
English Madrigals: Say, Love, If Ever Thou Didst Find
English Madrigals: All At Once Well Met
English Madrigals: Construe My Meaning
English Madrigals: Lord! When I Think
English Madrigals: Cruel, Wilt Thou Persever
English Madrigals: Fine Knacks For Ladies
English Madrigals: Strike It Up, Tabor
English Madrigals: I Love, Alas I Love Thee
English Madrigals: Farwell, Dear Love
English Madrigals: See, See The Shepherd's Queen
English Madrigals: Have I Found Her
English Madrigals: Lady Your Words Do Spite Me
English Madrigals: Were I A King
English Madrigals: Come Again
English Madrigals: Tan Ta Ra, Cries Mars
English Madrigals: Why Should I Love?
English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.

Average customer rating:

"...and I assure you, I can cure you, if you're feelin' blue, come up and see me some time..."
Goodness had nothin' to do with it

Come Up and See Me Sometime
Mae West
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Fabulous Mae West
Mae West - The Glamour Collection (Go West Young Man/ Goin' To Town/ I'm No Angel/ My Little Chickadee/ Night After Night)
The Fabulous Mae West... And Other Wonderful Girls
Mae West: It Ain't No Sin
Sextette

ASIN: B000EXZHG0
Release Date: 2006-08-22

Tracks:

A Guy What Takes His Time
Easy Rider
I'm No Angel
They Call Me Sister Honky Tonk
They Call Me Sister Honky Tonk
I Want You, I Need You
When A St. Louis Woman Comes Down To New Orleans
My Old Flame
Memphis Blues
Troubled Waters
He's A Bad Man
Now I'm A Lady
I'm An Occidental Woman In An Oriental Mood For Love
Mister Deep Blue Sea
Little Bar Butterfly
On A Typical Tropical Night
I Was Saying To The Moon
Willie Of The Valley
Come Up And See Me Sometime
Frankie And Johnny
That's All, Brother, That's All
Imaginary Love
My Man Friday
Pardon Me For Loving And Running
Put It Off Till Tomorrow
Slow Down
I'm In The Mood For Love
Love Is The Greatest Thing
If I Could Be With You One Hour Tonight
All Of Me

Album Details

The Glamorous Legend that is Mae West Comes to Life in the First Ever CD Issued to Present a Survey of her Most Famous Studio and Film Recordings. The Archetypal Blonde Bombshell of the Silver Screen, the Legendary Mae West (1892-1980)'s Outrageously Larger Than Life Personality Still Resonates Decades after her Hollywood Heyday of the Thirties. "Come Up and See Me Sometime" (Her Famous Invitation) is a Superb Summary of her Recorded Legacy. There Are the Six Studio Sides from her 1933 Films She Done Him Wrong and I'm No Angel (A Guy What Takes his Time...), Then a Ripely Evocative Sequence of 12 Perhaps Less-than-hi-fi but Hugely Entertaining Numbers from the Original Soundtracks of Five of her Popular 30s Films.

Customer Reviews:

"...and I assure you, I can cure you, if you're feelin' blue, come up and see me some time...".......2006-12-24

I "discovered" Mae West at the age of 12, when a local NYC TV station offered several of her classic films for multiple showings during the summer of 1966. As a soon-to-be-budding gay man, I immediately fell in love with her wit and unabashed approach to sex and sexuality. Over the next several years, I came to appreciate her even more, when I learned that she had actually written many of her own screenplays. I later learned that, even if this was something of an exaggeration, she did write the play that her first starring vehicle was based on, and she also "suggested" dialogue and one-line witticisms for many of her 1930's films. She probably also wrote much of the screenplay for My Little Chickadee, her 1940 vehicle co-starring W. C. Fields.

As time passed, my fascination for her faded, as many of the interests of youth do, but I always retained a respect for her marvelous wit and wonderfully colossal ego. By the time she died in 1980, she had fallen out of fashion with many of her gay male fans, including me, but I did feel an enormous sadness at the passing of such a durable icon. Through the years, I had managed to acquire just about all of her recordings, and came to have a special love for the natural, amazing comic timing and delivery she presented in her vocal efforts, which never strayed far from her style or persona. Now that I am over 50, I have a renewed appreciation for her unique talent, especially since many young people of my acquaintance have (sadly) professed no idea of who she was and what she did. I take heart in the fact that, once exposed to her wit and awesome comic abilities, many people who hadn't even been born when she died at the age of 87 seem to warm to her charms immediately.

The bulk of the tracks contained in this recording are available on other CD's, with the exception of the 1947 Mezzotone recordings (presented here nearly complete) and the extremely rare (I'd never heard it before) 1934 commercial 78 of My Old Flame, with the Duke Ellington Orchestra. On that track, Miss West receives extremely sympathetic accompaniment from the Duke and his great jazz sidemen, which may have something to do with the fact that she and Ellington were lovers for a time, or so I have heard it strongly rumored. For a minute, I thought that the previous reviewer here who mentioned the inclusion of this track was mistaken; the opening verses on this recording sound exactly like the version from the movie soundtrack that fans of Miss West have treasured for years. But after the first chorus, it takes a different and lovely departure from the film soundtrack, and it is clearly a studio effort recorded for the commercial 78 market. What a nice surprise; it's been many years since I'd heard anything "new" by Mae, and this track alone makes the CD well worth its rock-bottom bargain price. I do have one correction to the other review here - according to the liner notes, the 78 of My Old Flame was actually a Victor and not a Brunswick recording (the songs from She Done Him Wrong and I'm No Angel were released on Brunswick 78's).

The bulk of the Mezzotone sides have also never (to my knowledge) been available on CD before, which never bothered me - I had long ago converted most of Miss West's rare vinyl albums to digital (thanks to the magic of modern technology). This CD leaves out the novelty song, "Page 54", easily the weakest of the eight comedic novelty numbers that comprise the Mezzotone tracks, but it does include the extremely rare "Imaginary Love", one of Miss West's few attempts at serious romantic pop. The inclusion of this track alone makes this CD a must for fans, even for those who have never heard the other relatively obscure Mezzotone sides before. Those fans are in for a treat. Her comic timing, delivery and wit shine through on every track, and the sultry delivery she presents with the song, "Come Up and See Me Some Time" makes it my all-time favorite of her "early" efforts. The song "Come Up and See Me Sometime" was originally recorded by a male singer named Cliff Edwards in 1933, as a tribute to the fact that her famous signature-phrase had entered the English lexicon immediately following the release of She Done Him Wrong. As for the other Mezzotone numbers, the self-parody combined with the poke at censorship of "That's All Brother" is delightful, as is her trade-mark double-entendre and comedic sexual content that permeate each of the other 1947 tracks.

Although the soundtrack recordings presented here have been available on other CD's, they appear to have the benefit of careful re-mastering, and I was impressed by the sound on most of them, despite the disclaimer that they "emanate from soundtrack recordings of the thirties that are primitive by today's standards". I think they sound just fine.

The CD concludes with four tracks from her finest effort, the 1954 Decca album, "The Fabulous Mae West". That album is now also available in its entirety as a separate release, and if you are a fan of the lady and have never heard it, I can only tell you that if you don't pick it up, you are missing what are arguably her greatest and funniest moments in the recording studio.

The "Come Up and See Me Sometime" compilation is a product of the British label, Living Era. I own several of their other titles, which always contain an amazing number of high-quality vintage recordings. I am very happy with all the Living Era CD's I own.

Now, if someone would just see fit to release her marvelously campy 1960's rock and roll albums, Way Out West (which contains surprisingly hearty and effective vocals, considering she was 71 years old at the time it was recorded); the elusive 1968 release, "The Naked Ape" (also known by its reissue title, "Great Balls of Fire") and her curiously blues-infused Christmas album, her CD catalogue would be complete. I had converted the first two of these to digital CD's from original vinyl pressings some time ago for my own use, along with the ultra-rare 20th Century Fox 45 release of the two songs from Myra Breckinridge, but official re-releases of her late material is all that is lacking in the Mae West audio canon. A major revival in the interest of her wonderful and unique presence is long overdue, and these tracks help pave the way for that happy possibility.

Goodness had nothin' to do with it.......2006-08-24

Goodness sure had nothin' to do with Miss West's style of delivery when she sang. But, she is so wonderful!
To the fans who think you already have everything she ever recorded - you're wrong! This CD set includes "Imaginary Love" and the single of "My Old Flame" that she recorded separately from the movie version. It's great to hear the song all the way through. This version has previously only been on the Brunswick 78 RPM record. Rare piece of memorabilia.
It's worth it just for these alone.
Of course, there are errors in the liner notes concerning her career- there always are, for some reason.
Buy it!

Come See Me: The Very Best of the Pretty Things

Average customer rating:

Essential British Invasion rock
The Pretty Things - A Rock 'n' Roll Jewel
uglier and more wicked than mick and stones
More than their greatest hits
Absolutely essential British Invasion/garage rock!

Come See Me: The Very Best of the Pretty Things
The Pretty Things
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

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Ultimate Collection
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The Very Best of the Easybeats
Parachute
Our Music Is Red - With Purple Flashes

ASIN: B0001Z3U2O
Release Date: 2004-04-20

Tracks:

Rosalyn
Honey, I Need
Road Runner
Don't Bring Me Down
Judgement Day
Rainin' In My Heart
Midnight To Six Man
Buzz The Jerk
You Don't Believe Me
Can't Stand The Pain
Come See Me
Get The Picture?
L.S.D.
Progress
The Sun
Death Of A Socialite
Defecting Grey
Walking Through My Dreams
Balloon Burning
Talkin' About The Good Times
Mr. Evasion
Loneliest Person
Grass
Dream/Joey
Singapore Silk Torpedo

Album Description

An equal love for rock 'n' roll and rhythm & blues is what guided The Pretty Things in 1963 when they first formed. Guitarist Dick Taylor, previously a member of Little Boy Blue & The Blue Boys with pals Mick Jagger and Keith Richards, met Phil May at art school and quickly joined forces. They recruited the rest of the original Things over the next year and went on to sign a record deal with Fontana. While U.S. audiences didn't embrace these British invaders, European audiences did. In fact, it was David Bowie who first enlightened America about the Pretty Things phenomenon with covers of both "Rosalyn" and "Don't Bring Me Down" in 1973. Another milestone for the band was 1968's S. F. Sorrow. The first rock opera was a huge influence for Pete Townshend, who went on to create Tommy a year later.

Long overdue, Come See Me: The Very Best Of The Pretty Things is the band's first comprehensive best-of package in the U.S. It focuses on the band's initial decade, starting with a heavily R&B-influenced garage sound, passing through their late-'60s conceptual operetta and into psychedelia and standard classic '70s rock. Its 25 tracks include the hits "Don't Bring Me Down," "Defecting Grey" and "Honey, I Need." The Pretties reunited a few years back to re-record their operetta and continue to record and tour sporadically.

• This is The Pretty Things' first comprehensive "Best-of," packed with 25 tracks.

• The contemporary garage rock movement, led by The White Stripes, The Vines, The Strokes...has brought renewed interest to The Pretty Things, one of the pioneering groups of the genre.

• Sixties garage rock's popularity is evidenced by the strong sales of Rhino's Nuggets boxed sets (which featured The Pretty Things).

• The Pretty Things' Parachutes was Rolling Stone magazine's 1970 Album of the Year.

Customer Reviews:

Essential British Invasion rock.......2005-04-29

This amazing collection covers all phases of the Pretty Things' overlooked (in the US) career: from raw R&B to garage to psych to hard rock, it's all here. If you love the Stones, Kinks, Them, and Small Faces and want to explore raw British rock even further, then this collection is essential! Get it now!

The Pretty Things - A Rock 'n' Roll Jewel.......2004-07-24

This band is an important part of rock 'n roll history. Do yourself a favour and go out and buy this (if you don't have PT CD's from sixties already). Then, check out PT masterpiece 'Parachute' - one of the best records ever made (Rolling Stone album of the year 1970).

uglier and more wicked than mick and stones.......2004-06-20

pretty things to me, was always badder than mick and the stones.
mick is pretty compared to phil may and company.
their music started to sound a bit like the stones , at the beginning; but why not? they were both plagiarizing from bo diddley, chuck berry and all the great black rnb premiers.
however, as soon as you reach "come see me" (the title track , track 11) you have to concede the "wicked-est" bass in rock history has to be from this tune. even the mighty "donald" duck dunn's bass would sound "quacky" (lol) compared to this bad-arse mother of all bass sound.
venture further and pretty things abruptedly sounds pretty on track 15,
making you think someone switched albums... barclay james harvest??? colin blunstone with argent???
but no, this is still pretty thing, and really ...
sounding quite pretty... um, pretty impressive. more than ever before, this is really pretty things living up to their monicker.
can a band so wicked and ugly , span the other extreme of the spectrum to sound pretty. well, ""the sun", "death of a socialite",etc... prove that this group is more than just a bunch of "ugly faces" making "ugly noise". hang on tight,mate ... as track 17 "defecting grey" takes you on a magic carpet ride with a little traffic-ky "paper sun" , then the byrds "8 miles high" and you hear everything from the move, who,etc... and awaaaaayyyyy youuuuu goooooo...
this album keeps getting better as you float along with the sonic-evolution of the pretty things. surprise, surprise, ... and even more surprise; it's really quite nice. excellent anthology of a group that should have been credited for their talent alongside who, stones and move.
as always, those who (excuse the pun) came first, never got the credit. this time, pretty things should be something worth listening... 37 years after. it's amazing, when you come to think of it, the members of the garage bands of today were not even fetuses when the tunes on this album first saw light.

More than their greatest hits.......2004-04-29

Come See Me exemplifies the true meaning of a greatest hits package. For the first time as a Pretty Things fan, I am happy to see all their hits on one compilation. WOW! This greatest hits release focuses on the band's initial decade, starting with a heavily R&B-influenced garage sound. Hits such as "Don't Bring Me Down," "Defecting Gray" and "Honey, I Need," define this classic collection. The band who was a major influence on David Bowie shines in this compilation. A must have for any Pretty Things fan!

Absolutely essential British Invasion/garage rock!.......2004-04-28

The Pretty Things never had much impact in the States, but they were huge in the UK. Before getting this CD, I only knew a couple of songs from comps. This set really delivers the goods, though. In their early R&B phase, they outrocked the early Stones. Seriously. As they moved into psychedelia, they stayed away from the dippy sentiments that plagued acts like the Hollies, coming across more like Syd Barrett-era Pink Floyd. This CD covers both eras well, and even goes into their '70s hard rock phase, when they recorded for Zeppelin's Swan Song label.

If you're a fan of British Invasion rock or garage rock of any era, you'll love the Pretty Things.

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