Track Listings
| 1. Only You - The Platters |
| 2. Great Pretender - The Platters |
| 3. Smoke Gets in Your Eyes - The Platters |
| 4. Harbor Lights - The Platters |
| 5. My Prayer - The Platters |
| 6. (You've Got) The Magic Touch - The Platters |
| 7. There Goes My Baby - Drifter |
| 8. Dance With Me - Drifter |
| 9. Under the Boardwalk - Drifter |
| 10. Up on the Roof - Drifter |
| 11. This Magic Moment - Drifter |
| 12. Save the Last Dance for Me - Drifter |
| 13. Poison Ivy - The Coasters |
| 14. Charlie Brown - The Coasters |
| 15. Yakety Yak - The Coasters |
| 16. Little Egypt - The Coasters |
| 17. Run Red Run - The Coasters |
| 18. Along Came Jones - The Coasters |
Vocal Chords,Various Artists,Direct Source Label,Doo Wop,Oldies,Pop,R&B,Rock,Rock & Roll,Vocal Pop
Vocal Chords
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Cars
Manufacturer: Disney ProductGroup: Music Binding: Audio CD  Movie Scores
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ASIN: B000EUMPBS Release Date: 2006-06-06 |
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Amazon.com
Cars is a typical Disney-Pixar animated movie in that it deals with an anthropomorphic character (here, a car) and the heartwarming values of family and friendship. (Alas, we'll have to wait a little while longer for the company to take on greed and selfishness.) The accompanying soundtrack is equally typical in that it's split between catchy pop songs and a score by Randy Newman. The clear highlight of the pop tracks is Sheryl Crow's boisterous, huge-sounding "Real Gone" (her best song in ages). Rascal Flatts also cover Tom Cochrane's 1991 hit "Life Is a Highway," while John Mayer rocks out on "Route 66" (Chuck Berry's elegantly lean version is included as well). For his part, Newman continues his distinguished association with quality animation by supplying a nimble score. It's fun to hear him deploy riffs that wouldn't be out of place on a Quiet Riot album on the bombastic "Opening Race," while the bluesy "Bessie" does George Thorogood with a tuba. The CD's overall Southern flavor is emphasized by the frequent use of banjo and slide guitar, as well as by score tracks cantering about, like "McQueen and Sally." And, as usual, Newman delivers a nostalgic, misty-eyed song--in this case "Our Town," performed by that master of sensitive laid-back charm, James Taylor. --Elisabeth VincentelliCustomer Reviews:
Good, but a little too country/western.......2007-07-17
Fun to drive with Cars!.......2007-07-13
great cd.......2007-07-10
Cars.......2007-06-14
My boys love it!.......2007-05-25
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Videmus: Works by Anderson, Baker, Fox, Watson
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD Intermezzos
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ASIN: B0000030HD Release Date: 1992-12-08 |
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This collection of chamber works by contemporary African American composers offers a fascinating look at how history and musical languages interweave. Olly Wilson's "Sometimes" is a tremendous exploration of voice and tape, held steady by William Brown's tenor, which seems to extend its range warmly while fragmenting "Sometimes I Feel Like a Motherless Child." T.J. Anderson's equally striking "Intermezzi," a trio for tenor saxophone, clarinet, and piano, presents assorted miniatures that come together improvisationally. Likewise, Donal Fox's contributions draw from "Intermezzi" and "Sometimes," inverting and interrogating constructions in freely improvised segments. David Baker's "Through This Vale of Tears" is a lengthy song cycle, using Brown's tenor, Vivian Taylor's piano, and a string quartet in a tribute to Dr. Martin Luther King Jr. It's wonderful to hear how 20th-century classical techniques merge with sonorities gleaned in part from avant-garde jazz. --Andrew Bartlett
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Chords & Thyme English Folksongs for Guitar
Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Chamber Music
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ASIN: B000001QAI Release Date: 1995-01-17 |
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En Evocative Musical Escape to England.......2006-04-13
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The Lost Chords: 1915-1945
Various Artists Manufacturer: Challenge ProductGroup: Music Binding: Audio CD Western Swing
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ASIN: B00000JPNO Release Date: 1999-08-24 |
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A Musical Companion for the Book, Lost Chords.......1999-12-01
The other more interesting reason is that it is a companion to the incredible book of the same name. Now you can follow along and hear just what the author, Richard Sudhalter, is talking about -- sort of a mixed media experience. This is the reason that the CD does not follow strict historical order when it comes to the takes it contains, which is slightly off-putting without the book to go along with it.
You can buy the CD without the book, but if you buy the book, you really should buy the CD as well.
What happened to my review that was posted?.......1999-11-06
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Live in a Dive
Swingin' Utters Manufacturer: Fat Wreck Chords ProductGroup: Music Binding: Audio CD General
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ASIN: B00029CYGC Release Date: 2004-06-29 |
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Customer Reviews:
..........2004-10-12
"Utterly" Great Album.......2004-07-12
Live in a Dive.......2004-07-10
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Only Love Is Real
Roesy Manufacturer: Blue Cloak Records ProductGroup: Music Binding: Audio CD General
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ASIN: B000CAEQEE Release Date: 2004-09-14 |
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7500 Miles
Klear Manufacturer: KLEAR ProductGroup: Music Binding: Audio CD Pop Rock
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ASIN: B000CAFR60 Release Date: 2003-05-27 |
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CDCM Computer Music Series Vol. 7 - iEAR Studios, Rensselaer Polytechnic Institute, NY
Manufacturer: Centaur ProductGroup: Music Binding: Audio CD General Modern
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ASIN: B0000057T1 Release Date: 1993-09-01 |
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Has more soul than some.......2001-10-03
The disc begins with Neil B. Rolnick's "Vocal Chords" (1988). This is an 8-minute wordless blues-style improvisation for singer and live electronics. It comes across as a fun exercise for performer - Kathleen Myers in this recording - as well as for concert audience and it works rather better on CD than does many another live improv' I have heard. Rolnick's other work on the disc is an exploration of blues-related material of a somewhat different kind. By taking samples from a recording of the legendary blues master, Robert Johnson, and reconstructing/deconstructing these materials, "A Robert Johnson Sampler" (1987) invites a re-examination of countess blues clichés. The result is not only amusing and thought provoking; it is surprisingly listenable, alternating between the whimsical and the introspective throughout its 13-odd minutes.
Pauline Oliveros' "Lion's Tale" (1989) is essentially a work for computer-controlled gamelan, with samples from the Berkeley Gamelan triggered by a computer program at rates up to 1800 per minute. It sounds much like a gamelan improvisation but involves speeds that could simply not be played by human performers. Like much music from Oliveros, it is necessary to listen quite deeply into this piece to get the most from it. At a surface level, the piece comes across as a pleasant but not terribly interesting work. Deeper listening, however, allows the rapidly triggered samples (which imbue the piece with an electronic-like texture at times) to work a somewhat hypnotic and transfiguring effect over its 15-minute duration. Nevertheless, I suspect that the piece probably works better in live performance than on a recording.
The same feeling lingers throughout "Child and the Moon-Tree" - a 17-minute reduction of a longer, fully staged work, by composer and vocalist, Julie Kabat. The work is a poly-stylistic assemblage of sung and spoken texts, with an accompaniment of computer processed sound samples ranging from Noh Theatre music, the chanting of a Mongolian shepherd, whale songs and musical saws. Unfortunately, while Ms Kabat's voice is a treat to listen to, we are given no real guide to the story being recounted and it is easy for a listener to become lost quite quickly. It also leaves me with the feeling that too much has been cut from the work in order to reduce it to a size suitable for inclusion on this disc. Perhaps CDCM should have taken the plunge and featured the entire work?
Barton McLean's "Visions of a Summer Night" (1989) is another work presented here in extract form only. Just two of its movements are featured: 'A Little Night Music (Eine Kleine...) ' and 'Demons of the Night'. Both present something of an electronic, yet almost orchestral-sounding, picture of midsummer evenings in North-eastern US. The first uses conspicuous and persistent cricket samples to establish its relevance, while the latter presents rawer synthetic instrumental voices to concoct an altogether more abstract musical portrait of imaginary (one hopes!) terrors of the night. Both extracts incorporate a rather more raucous and raw-edged character to their sound-world than would accord with my own experiences of North-eastern US nights, being decidedly more nightmarish and foreboding than I would have expected. Or maybe Petersburg, NY is a scarier place than either Massachusetts or Connecticut?
The disc ends with Joel Chadabe's "Modalities" (1989), an interactively computer-composed piece, of little real interest to anyone not of an academic analytical bent.
Overall then, while not terribly likely to appeal to a very wide audience, this disc has much to commend it for those interested in late 20th century American art music, of which it is a fine example. Most potential purchasers would be wise to sample before they buy, however.
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3 Kords and a Kloud of Dust
Jimmie Jack Manufacturer: Big Phun Records ProductGroup: Music Binding: Audio CD Pop Rock
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ASIN: B00068XOAO Release Date: 2002-12-24 |
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Goodnite My Love - The Best of Harlem Vocal Groups vol.3
The Bop-Chords, The Velvets, The Rainbows, Various: Mello-Moods Manufacturer: P-Vine ProductGroup: Music Binding: Audio CD ASIN: B000KFXQVU |
Product Description
Ltd. Ed. Japanese Import CD of 20 1950's New York Vocal Group harmony tracks; from the labels of Bobby Robinson; now RARE & Out-of-PrintR&B Music:
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