What It Is [Import]

Track Listings

1. What It Is (Intro)

2. My Heart

3. Missed Your Chance - Ray Robinson, Saukrates

4. I'm Down

5. Good Times

6. Because of You

7. Move It

8. Gotta

9. Girlfriend

10. Heaven

11. Be the One

12. Summer Star

13. Pleasure Is Pain

14. Patiently Waiting

What It Is,Ray Robinson,Universal Int'l,Pop,R&B,Soul/R & B

What It Is [Import]

What It Is [Import]

High School Musical 2: What Time Is It
Average customer rating:

AWSOME CD!!!!!!!!!!!

Great Deal!

High School Musical 2: What Time Is It

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFCD72
Release Date: 2007-07-17

Tracks:

Untitled Track

Customer Reviews:

AWSOME CD!!!!!!!!!!!.......2007-07-21

I just got this CD-Single in the mail yesterday!!!! It was awsome, though it only has one track! But it's a great track

High School Musical 2: What Time Is It (CD-Single)

CD Includes:
-"What Time Is It" Cast of High School Musical
-"High School Musical 2" Movie Sneak Preview (Enhanced CD Feature)
-Special Offers on Hannah Montana Soundtracks, High School Musical 2 Soundtrack & More!!!
-Lyrics to "What Time Is It"
-Really Cool Fold-Out Poster
-And over all A COOL DESIGN!!!!

AND OVER ALL [OF THAT] THIS CD WAS AWSOME!!!!!!!!!!!!!!!!!! AND IT'S NOT THAT EXPENSIVE

**If you liked this CD-Single, then check out these other CDs

1.High School Musical
2.Disney's Karaoke Series: High School Musical
3.High School Musical
4.High School Musical: The Concert
5.High School Musical: We're All in This Together
6.High School Musical Cast: Breaking Free
And Coming August 14th

1.High School Musical 2

**Then Check Out These GREAT DVDs

1.High School Musical (Encore Edition)
2.High School Musical (Two-Disc Remix Edition)
3.High School Musical, The Concert - Extreme Access Pass

Great Deal!.......2007-07-19

This is the new Cd single from High School Musical-2. It features the whole
gang singing What Time Is It?- which is a fun ,upbeat, summer song that
features a marching band. You will love to sing along and dance to this song!
The Cd is enhanced -so if you put it in your computer you can see a preview of the movie.
Finally,there is a poster of the six young stars of the movies!
It's a great deal for anyone who loved the first movie and can't wait for the second! Like me and probably you!

What It Is! Funky Soul And Rare Grooves (1967-1977)

Average customer rating:

Mm-hmm! I can smell that funky music!
WHAT IT IS ?.....NOTHING BUT A NON STOP PARTY!
Amazing. Mind blowing. Worth every penny. And so on.
Never a dull moment
Soul-tastic... All Hail Rhino! Nobody knows box like Rhino knows box

What It Is! Funky Soul And Rare Grooves (1967-1977)
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000GIWS4W
Release Date: 2006-10-03

Tracks:

Spreadin' Honey -- Watts 103rd St. Rhythm Band
Soul Finger -- Bar-Kays
The Shadow Of Your Smile -- Brother Jack McDuff
Gangster Of Love (Parts 1 and 2) -- Jimmy Norman
The Memphis Train -- Rufus Thomas
Get Out Of My Life Woman -- Grassella Oliphant
Live Right Now -- Eddie Harris
Pig Snoots, Part 1 -- Natural Bridge Bunch
Soul Sound System -- The Freedom Sounds featuring Wayne Henderson
Snatching It Back -- Clarence Carter
Stoned Soul -- Artie Christopher
Getting The Corners -- The T.S.U. Tornadoes
Sexy Coffee Pot -- Tony Alvon & The Belairs
Don't Come Around Here Anymore -- Mark Putney
Keep On Dancing -- The Commodores
Right On Brother--Part 1 -- The Southshore Commission
Pop, Popcorn Children -- Eldridge Holmes
It's Your Thing -- Cold Grits
It's All In Your Mind -- Soul Angels
Funky John -- Johnny Cameron & The Camerons
Help Me Make Up My Mind -- Joyce Jones
Rock Me Baby -- Lou Johnson
Sing A Simple Song -- The Noble Knights
Do You Dig It -- Titus Turner
Funky Canyon -- Phil Moore Jr.
Jan Jan -- The Fabulous Counts
Tampin -- The Rhine Oaks

Tracks:

Gossip -- Cyril Neville
Somebody In The World For You -- The Mighty Hannibal
Stanga -- Little Sister
Jumpin' Jack Flash -- Ananda Shankar
The Deacon -- Brute Force
Sookie Sookie -- Don Covay & The Jefferson Lemon Blues Band
Right On -- Clarence Wheeler & The Enforcers
(Don't Worry) If There's A Hell Below We're All Going To Go -- Curtis Mayfield
Stepping Stones -- Johnny Harris
I'm Just Like You -- 6ix
Funky Thing--Part 1 -- The Unemployed
Messie Bessie -- Shirley Scott
Fairchild -- Willie West
Cold Bear -- The Gaturs
I Can't Get Next To You -- Mongo Santamaria
Feelin' Alright -- Lulu
Soul Bowl -- Memphis Horns
Tuane -- Hammer
Take It Off--Part 2 -- Johnny Tolbert & De Thangs
Seeds Of Life -- Harlem River Drive featuring Eddie Palmieri & Jimmy Norman
Engine Number 9 -- Wilson Pickett

Tracks:

Hard Times -- Baby Huey & The Baby Sitters
What So Never The Dance--Pt. 1 & 2 -- Houseguests
Headless Heroes -- Eugene McDaniels
Spinning Wheel -- Wade Marcus
Bad Tune -- Earth, Wind & Fire
Mr. Cool -- Rasputin's Stash
Don't Cha Hear Me Callin' To Ya -- Junior Mance
Hang On In There -- The Stovall Sisters
Funky Nassau (Part 2) -- The Beginning Of The End
Whatever's Fair -- Mark Holder & The Positives
Face It -- Ed Robinson
Wah Wah Man -- Young-Holt Unlimited
Rock Steady (alternate mix) -- Aretha Franklin
Won't Nobody Listen -- Black Haze Express
Goin' Down -- Allen Toussaint
Suavecito -- Malo
You Gotta Know Whatcha Doin' -- Charles Wright
Mo Jo Hanna -- Tami Lynn
Ridin' Thumb -- King Curtis
Almendra -- Macondo
Nuki Suki -- Little Richard

Tracks:

Getting Uptown (To Get Down) -- United 8
8 Days On The Road -- Howard Tate
Moon Shadow -- Labelle
Let It Crawl -- Society's Bag
Wanaoh -- Black Heat
If It Was Good Enough For Daddy -- Clarence Reid
Everything I Do Gonna Be Funky -- Claudia Lennear
Cosmic Sea -- The Mystic Moods
Kissing My Love -- Cold Blood
Flute Thing -- Seatrain
Chug Chug Chug-A-Lug (Push N' Shove) Part 2 -- The Meters
Funky To The Bone -- Freddi/Henchi & The Soul Setters
Try It Again -- Bobby Byrd
. Teasin' -- Cornell Dupree
(Everybody Wanna Get Rich) Rite Away -- Dr. John
Chicken Heads -- Oscar Brown Jr.
Rien Ne Va Plus -- Funk Factory
Cajun Moon -- Herbie Mann
Improve -- Darrow Fletcher
Riding High -- Faze-O
Four Play -- Fred Wesley & The Horny Horns
California Dreamin' -- Eddie Hazel

Amazon.com

Too many reissue compilations are content to merely slice 'n' dice familiar catalog choices in not particularly original ways. But this four-disc, 91-track trove of obscure '70s R&B and funk from Warner-distributed labels great and small argues there's still treasure to be gleaned from studio vaults--a five-hour groove-fest that's as interested in shaking booty as in opening ears. Even the genre's groundbreaking usual suspects (Wilson Pickett, the Bar-Kays, Curtis Mayfield, Earth, Wind & Fire, et al) are represented by selections that aren't immediately familiar, while Queen of Soul Aretha Franklin serves up a radically different, previously unreleased take of "Rock Steady." Still other stars contribute their sonic touches to some of the lesser-known cuts, as witnessed by the patent trippiness of Sly Stone alter-egos 6ix and Stanga on "I'm Just Like You" and "Little Sister," respectively; the stark, party-not-so-hearty contrast of the Mayfield-written-and-produced "Hard Times" by Baby Huey & Baby Sisters; and the Meters' version of "Tampin'," released under the moniker of the Rhine Oaks.

Sequenced in rough chronological order, it's a savvy window into a musical evolution as well, with the rhythmic guitars, organ swells, and horn flourishes of traditional '60s R&B giving way to sinewy synths and increasingly chunky bass lines as the decade grooves on. While savvy hip-hoppers will note that many of the rarities here have already been repurposed by shrewd mixers, it's a revelation to hear them in their original form. A compelling deconstruction of an often clichéd and too-narrowly-defined genre, this is an anthology that showcases music that has influenced such contemporary artists as Tupac, the Beastie Boys, Snoop Dogg, and Kanye West, annotated by many of the original musicians who set the dance floor in motion. --Jerry McCulley

Album Description

91 tracks deep and five hours long, this multi-artist, 4CD set mines rare, renowned, legendary, and little-known grooves from the vaults of Atlantic, Atco, and Warner Bros Records!

Customer Reviews:

Mm-hmm! I can smell that funky music!.......2007-06-18

Rare indeed; I can't imagine where you would find original 45s or even LPs containing all of these songs. That would be one lifetime task. The good folks at Rhino Records with their remarkable and creative tastes took out all of that hassle for us and now offers a rather unique set of rare funky music from the vaults of Atlantic/Atco and Warner/Reprise dating 1967-1977 with 91 tracks spanning across 4 filled-to-the-brim discs. Any soul music fan will no doubt want to explore this area of the R&B category (funk and I mean pure funk), but at times the flow of the music could seem a bit too much to handle. Some of the cuts go more than 3 1/2 minutes and sound like they might not end any time soon. The other case would be some tracks sound bizarre or unusual in terms of sound due to instrumentation, arrangements, etc. Such "bizarre" tracks are the sitar-laced rendition of "Jumpin' Jack Flash", "Steppin' Stones" with a crazed flautist leading the way on a very blazing and dizzy-sounding track. The good outweigh the not-so-good remarkably, though. So get ready to hear punchy horns, infectious, simplistic and driving drumbeats, super funky bass lines, crunchy guitars, oozing organs and ultra-soulful vocals. On disc one, some noteworthy tracks are "Spreadin' Honey", "Get Otta My Life Woman", "Snatchin' It Back", "Sexy Coffee Pot" and "Help Me Make Up My Mind" (an answer to "Can I Chane My Mind"). Be sure to check out "Sookie Sookie", "Feelin' Alright" (done by Lulu (To Sir With Love)!), and "Engine Number Nine" on disc two, "Face It" (love the female backup singers on this), "Wah Wah Man", an alternate extended mix of "Rock Steady", "Suavecito", and "Nuki Suki" (from Little Richard) on disc three as well as "Moon Shadow", "Kissing My Love", "Everything I Do Gonna Be Funky", "Chug Chug-A-Lug", "Everybody Wanna Get Rich Rite Away", and "Chicken Heads" on disc four. Those were just some of my favorite tracks, so I may have missed some. Many are instrumentals, but there are a handful with vocalists singing about love, dancing, partying, social concerns, etc. Bottom line: worth checking out and worth the discovery. You definitely won't hear this stuff on commercial radio. Only about three or four songs you'll recognize; the rest is like a surprise. If you're into R&B and want to explore the funk side of it, you can't find a better pick, and about 90% of these songs aren't available (some or many) together anyplace else. The real deal of funk; that is "what it is!"

WHAT IT IS ?.....NOTHING BUT A NON STOP PARTY! .......2007-02-10

This set right here could very well be the holy grail of rare and hard to find grooves. This box set is funkier than a high school locker room! Every track on here is certified stank(aka funky). The most amazing thing about these tracks is that they capture the spirit of the times better than a lot of their more popular comtemporaries(at least in my opinion). "What it is" feels like an audio documentary of underdogs making the funkiest music and having a great time doing it. If you listen to how these tracks are sequenced, you'll feel like a story is being told - rather than just listening to another compliamation of vintage r&b music.

I'm only 25 years old. Every time I play this set, I feel like I'm at a 70's block party, chillin' in a long black cadillac fleetwood and scoping out some foxy mamas with hot pants and thigh high leather boots
(that's how good the music sounds). With 20 plus tracks each per disc, you can't help but be amazed with the consistent quality of the music.

All I gotta say is buy this set and let the funk be your guide to love, happiness, and your rites of passage to throw it on down and dance your
a-- off!!! If you ain't diggin on this, you're diggin a hole for yourself!

Long live the funk baby!

Amazing. Mind blowing. Worth every penny. And so on........2007-02-04

This is the real deal folks. Music with grit and soul and feeling, before the shining distraction of drum machines, computers, samplers, bling, and "MTV's Cribs". I saw an ad for this and went to several book and record stores such as Borders, and to my local hip indie CD store (headquarters to the local music scene circle-jerk), trying to describe it to various clerks. Which was about like trying to teach a card trick to a basset hound. Save yourself the agony of trying to interest a white twenty-something body-piercing pincushion in ordering this set for you, and just get it here. You'll be glad you did. The sheer quantity of great music on this is staggering. I love the mix of instruments with vocal tracks, and the mix of "name" artists like Aretha or The Meters with many very obscure ones. Whoever compiled this did a great job in selecting the track order, so it makes it perfect for a long party. Everyone will be getting up and shaking their groove thang. This is priceless music from a lost era, so grab it before it disappears again.

Never a dull moment.......2007-01-28

I am a funk fan who is still by all means learning...With the passing of James Brown recently, I have tried to speed up this process a little and take as much in as possible. I think this collection of "underground" funk is phenomenal, 4 discs and never a dull moment.

Soul-tastic... All Hail Rhino! Nobody knows box like Rhino knows box.......2007-01-14

I stumbled over this set just a few days ago, and I have to say that it's easily one of the top 10 best random-artist compilations I've ever heard in my life, and I own hundreds of them.

I won't say there's no filler--by filler I mean the cover tunes--and I'm confused as to why "What So Never The Dance" is credited to the Houseguests when this is a longtime Bootsy Collins track? What, is Bootsy in trouble with Warner Brothers and can't re-release his own stuff under his own name anymore?

But disc one is an absolute gem--you can't make your own mix better than they've done it here. If you're a fan of James Brown, Parliament, Otis Redding, Sly Stone, the aforementioned Bootsy, Tower Of Power, Prince, early Stevie Wonder, Motown, Isaac Hayes, then you shouldn't be without this set.

Absolutely worth buying.

Urinetown (2001 Original Off-Broadway Cast)

Average customer rating:

not funny
An Amazing Find
Urinetown the Musical
Not for Everyone
"DON'T BE THE BUNNY!"

Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005LZR8
Release Date: 2001-08-07

Tracks:

Overture
Too Much Exposition
Urinetown
It's A Privilege To Pee
Mr. Cladwell
Cop Song
Follow Your Heart
Look At The Sky
Don't Be The Bunny
Act One Finale
What Is Urinetown?
Snuff That Girl
Run, Freedom, Run!
Why Did I Listen To That Man?
Tell Her I Love Her
We're Not Sorry
We're Not Sorry (reprise)
I See A River

Amazon.com

"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli

Customer Reviews:

not funny.......2007-07-25

I'd heard such rave reviews about this musical, but kept passing on chances to see it. I was turned off by the title -- and this is strange for me, a person not afraid of scatological humor. But maybe I knew something I could not say.

The funniest thing about the musical, I am now convinced, is the premise. Urinetown is a place where you have to pay to pee. A conglomerate has taken over all toilet facilities, and if you don't pay, you don't pee -- unless you go into the bushes, and risk getting arrested.

But it's just not funny. It's supposed to be a satire, but it just doesn't work. Why? I don't know. But I listened to many songs on the CD, and none of them had that true spark that makes you want to laugh. The opening number is "Too Much Exposition" making fun of musicals that open by explaining too much with words instead of action. And perhaps this song is in there to deflect criticism for the main reason this musical doesn't work -- it's too busy explaining, instead of getting on with the business of being funny.

My humor tastes: I watch the Daily Show, Colbert Report, South Park, Dave Chappelle, Dane Cook (so-so), Frasier reruns. Never watched Friends, or Everybody Loves Raymond, or Family Guy, but did watch Seinfeld (although it's not funny to me anymore). The two most recent things I saw that made me laugh out loud were 1) Larry Wilmore doing his n*gg*r skit on Daily Show and 2)an early Chappelle episode where Sesame Street characters talk about drug use

An Amazing Find.......2007-04-03

I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.

With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")

I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)

The songs that I find myself listening to over and over are:

Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)

With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.

Urinetown the Musical.......2007-03-10

This CD has all the songs from the show. The show is great and this rendition is about the best.

Not for Everyone.......2006-12-28

This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"

"DON'T BE THE BUNNY!".......2006-12-04

My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.

Average customer rating:

AWESOME!!
MacRae and Jones soar in this tragic R&H musical
Great Music
Response to David Pabian's review below
Gummed up an Original

Carousel (1956 Film Soundtrack)
Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A7XD
Release Date: 2001-03-13

Tracks:

Introduction - Gordon MacRae/William Le Massena
Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
When I Marry Mr. Snow - Barbara Ruick
If I Loved You - Shirley Jones/Gordon MacRae
June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
Soliloquy - Gordon MacRae
Blow High, Blow Low - Cameron Mitchell
When The Children Are Asleep - Robert Rounseville/Barbara Ruick
A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
Stonecutters Cut In On Stone - Cameron Mitchell
What's The Use Of Wond'rin - Shirley Jones
You'll Never Walk Alone - Shirley Jones/Claramae Turner
Ballet - 20th Century-Fox Orchestra/Alfred Newman
If I Loved You (Reprise) - Gordon MacRae
You'll Never Walk Alone (Finale) - Shirley Jones
Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.

Average customer rating:

harem
New to Sarah Brightman
Stranger in Paradise - More Like Stranger in a Lost Cause
No voice like hers in the world
Brilliant Brightman, Her best CD.

Harem
Sarah Brightman , and Frank Peterson
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Eden (US Release - 16 tracks)
La Luna
Time to Say Goodbye
Sarah Brightman Classics
Dive

ASIN: B00008W2QZ
Release Date: 2003-06-10

Tracks:

Harem
What A Wonderful World
It's A Beautiful Day
What You Never Know
The Journey Home
Free
Mysterious Days
The War Is Over
Misere Mei
Beautiful
Arabian Nights
Stranger In Paradise
Until The End Of Time
You Take My Breathe Away

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

harem .......2007-05-28

As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.

New to Sarah Brightman.......2007-03-12

I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.

Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30

I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.

No voice like hers in the world.......2006-10-01

I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.

Brilliant Brightman, Her best CD........2006-09-18

Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!

Average customer rating:

YOU KNOW WHAT TIME IT IS
Chilli Sauce!!!
a flashback bomb from around the way
Somebody Bring Me A Mirror !
Pretty Good

What Time Is It?
The Time
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Time
Ice Cream Castle
The Color of Success
The Glamorous Life
Controversy

ASIN: B000002KXX
Release Date: 1990-10-25

Tracks:

Wild And Loose
777-9311
Onedayi'mgonnabesomebody
The Walk
Gigolos Get Lonely Too
I Don't Wanna Leave You

Amazon.com

Junking '70s-funk cliches for a stripped-down sound (keyboards and synthesizers replaced the horns) built around a hard-rockin' guitar and a tougher-than-tough rhythm section--all topped off with a heapin' helping of humor--this Minneapolis-based sextet was once the best funk band in the land. This second LP is the best single album from the act, which soon imploded, owing to an over-abundance of talent. Bug-eyed vocalist Morris Day and guitarist Jesse Johnson went on to semi-successful solo careers; keyboardist Jimmy Jam and bassist Terry Lewis became a mega-platinum writing/production team (Janet Jackson, most notably); drummer extraordinaire Jellybean Johnson and keyboardist Monte Moir were the other members. Co-produced by Day and Jamie Starr (a.k.a. Prince), this six-song 1982 effort sports three wall-rattling party-starters: the self-explantory "Wild and Loose," the tongue-in-cheek dance tune "The Walk," and the still-percolating, knotty-but-nice rhythms of "777-9311." Toss in a "New Wave"-style rocker, a droll take on the obligatory love-man ballad, and the band's straight-faced answer to the titular question ("Time to fix your clock!") is O-B-V-I-O-U-S. --Don Waller

Customer Reviews:

YOU KNOW WHAT TIME IT IS.......2007-07-13

I THINK THAT THIS IS THEIR BEST ALBUM, BUT YOU CAN'T GO WRONG WITH THE TIME.

Chilli Sauce!!!.......2007-04-12

Ok...we all know that Prince, the genius that he is ,is responsible for all the music , backup vocals, instruments etc...but if we can look beyond that...this is just one big sexy party album. I agree that "Gigolos Get Lonely Too" is just begging to be re-made!!! (i think J.T. would be cool wit it) 777-9311 show cased just how Cool Morris Day was. It may have been Prince Behind the scenes but Morris was the only choice to make for the front man 4 the Time. This era in music did more than influence what we listened to but also how we dressed and talked! it was cool...Yayyess!!! Memories of sliding sideways in Stacey Adams at the Prom Yelling "Chilli Sauce"

a flashback bomb from around the way.......2007-02-24

money well spent if you like the old school beats.

Somebody Bring Me A Mirror !.......2006-11-19

The Time without a doubt is one of the funkiest R&B groups to come out of Minnesota and the best side project Prince ever had a hand in. At only six tracks the disc can easily go toe-toe with most R&B discs released today. The huge hit 777-9311 is guaranteed to get an old school party started as is the self-explanatory dance song The Walk. Going with more epic jam-orientated songs through out the entire disc the group does plenty of partying. Fiannly Morris Day even manages to offer a respectable ballad with "Gigolos Get Lonely Too" which is just itching to be remade. The Time may not have been the most soulful band to come out of Minnesota that titles goes to Mint Condition but they sure are the funkiest.

Pretty Good.......2006-09-25

this era of Prince was his best to me in terms of the sounds&vibe he was creating through the time. none of these songs are particular memorable,but the instrumentation is still remembered. the Bass Solo on "777-9311" along with the Drum programming that Prince was coming up with was tight. "the Walk" was cool. we will never know just how god the time truly could have been because prince was worried about them big time. The Time showcased themselves more on Stage, than on Record. Time Records were mainly Prince,Dez Dickerson,&Morris Day& some other minor contributions here&there. 1982 to me was the last time Prince had his sound together.he was in the Groove back at that time.

Average customer rating:

Great CD
An amazing voice and a worthwhile message!
Absolutely Wonderful!
Great music
anxiously awaiting

Since I Let You Go
Eric Dodge
Manufacturer: Racing Snail Records RSR
ProductGroup: Music
Binding: Audio CD

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Why Not Today
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Sink Reflections: Overwhelmed? Disorganized? Living in Chaos? The FlyLady's Simple FLYing Lessons Will Show You How to Get Your Home and Your Life in Order--and It All Starts with Shining Your Sink!

ASIN: B000CA8PMS
Release Date: 2005-11-01

Tracks:

Anything For You (Eric Dodge)
What Would Elvis Do (Eric Dodge)
Since I Let You Go (Eric Dodge)
Mama Never Told Me (Eric Dodge)
My Best (Eric Dodge)
The Dash (Eric Dodge)
That's Who I Wanna Be (Eric Dodge)
It Ain't Love (Eric Dodge)
I Blame Me (Eric Dodge)
What A Concept (Eric Dodge)
When I Was Your Age (Eric Dodge)
It Ain't Gonna Happen (Eric Dodge)
Up A Creek (Eric Dodge)
Unchained Melody (Eric Dodge)

Product Description

The Debut Country music Nashville release by Eric Dodge.

Customer Reviews:

Great CD.......2006-11-01

This CD is awesome. I was lucky enough to hear Eric play in Utah and he has an amazing voice. There is no foul language and it is entertaining for the whole family.

An amazing voice and a worthwhile message!.......2006-10-27

I love this CD - Eric's songs range from the thought-provoking, to the nostalgic, to the just plain fun! I'm not even a big country fan, but I think that his music appeals to a wide range of audiences! To top it all off, everything I've heard about him and seen of him during interviews, shows him to be a very sweet, down-home, humble kind of guy, who just happens to have extraordinary talent!

Absolutely Wonderful!.......2006-10-24

I loved this CD. It has a good mix of songs on it from several fun and light-hearted songs to songs that provoke deep thought and reflection on life. Eric is very talented and I recommend this to everyone.

Great music.......2006-10-16

I love to listen to Eric Dodge's music and this is a great cd. It has been so inspiring to me. His music is not only entertaining, but it makes me want to be a better person - to really think about what I'm doing with my life...

anxiously awaiting.......2006-10-16

I was so lucky to see Eric in St Louis at a Flyfest and he sang a few songs. He is really talented and a great guy. I ordered the cd and cant wait for it to arrive. All I have heard is wonderful things. I am sure he will not disappoint.

Average customer rating:

Moody, haunting, beautiful -- brilliant!
tapestry of color
Excellent Score -- Very Unique
One of the few good things about this wretched film
The score elevates the film

The Village

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Signs (Score)
Lady in the Water
Unbreakable
The Village (Widescreen Vista Series)
The Sixth Sense: Original Motion Picture Soundtrack

ASIN: B0002IQJSC
Release Date: 2004-07-27

Tracks:

Noah Visits
What Are You Asking Me?
The Bad Color
Those We Don't Speak Of
Will You Help Me?
I Cannot See His Color
Rituals
The Gravel Road
Race To Resting Rock
The Forbidden Line
The Vote
It Is Not Real
The Shed Not To Be Used

Amazon.com

In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley

Customer Reviews:

Moody, haunting, beautiful -- brilliant!.......2007-08-02

James Newton Howard's Oscar-winning score for M. Night Shyamalan's remarkable film, The Village, is one of my personal favorites. By turns haunting, thrilling, and absolutely creepy, it completely embodies the spirit of the film.

The common thread woven throughout most of the score is a simple, monophonic melody on the violin, heart-rendingly lifted from the page by the talented Hilary Hahn. The melody strongly evokes Gregorian plainsong, which is very appropriate to the subject matter of Shyamalan's film. It may also remind listeners of twentieth-century composers who have returned to and incorporated those older musical modes (particularly the medieval Phrygian mode) into their own music; I'm thinking of people like Arvo Pärt and Ralph Vaughn Williams (also a film composer). Even more striking, however, is the debt Mr. Howard owes to Philip Glass. Listen to his (Glass's) Violin Concerto or to his own score for the film, The Hours, and see if you don't hear it. The minimalist arpeggiation on the violin is unmistakable.

A couple of the other tracks (e.g., "Those We Don't Speak Of" and "It Is Not Real") will absolutely make your hair stand on end. They still give me goosebumps every time I listen to them. It's some of the most effect "fear" scoring I've ever heard, making particularly good use of the percussion section. Altogether, this is a versatile, remarkable score I can very highly recommend.

tapestry of color.......2007-07-28

Rich, powerful and moving, Howard's score is an interweaving tapestry of a constant haunting undercurrent of a theme with Hilary Hahn's beautiful obligato's soaring above. This soundtrack will take you to the brink of yourself as you can feel your soul being pulled along with the music. An absolute `must have' for any serious music lover. If you doubt its majesty, sit down and listen - it's well worth your time.

Excellent Score -- Very Unique.......2007-02-22

I have long been a film-score aficionado. My favorite composers are Hans Zimmer, James Horner, Jerry Goldsmith, John Williams -- only the best of the best. I had always known about James Newton Howard and his work, and always respected his unique abilities and talents.

It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.

James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.

One of the few good things about this wretched film.......2006-11-05

I admit I absolutely hated "The Village". The film started out rather good. The build up in suspense was flawlessly executed but then the second half of the film totally went downhill for me. One of the few things I enjoyed about "The Village" is the film score by James Newton Howard. The combination of the orchestral film score and dark cinematography was perfect. Both complimented each other. Violinist Hilary Hahn was what really gravitated me to the music. A lot of film scores have a terrible tendency to be loud and bombastic (like John Williams and Hans Zimmer) but James Howard Newton's score is subtle and never overwhelming to a person's ears.

The score elevates the film.......2006-08-09

'The Village' was panned pretty harshly in critical circles, but whatever you think of the film, James Newton Howard's score for it is a beautiful piece of work. It lends a haunting, lyrical quality to the film, and it is wonderful to listen to by itself, whether or not you like or have even seen the movie.

While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.

A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.

The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.

Average customer rating:

Absolutely peerless
once-in-a-lifetime greatness
We love this album
Simply great
Porgy and Bess

Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Porgy and Bess
Gershwin: Porgy & Bess [With Members of the Original Cast]
Porgy & Bess: High Performance
Ella & Louis Again (Dig)
George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera

ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

Overture
Summertime
I Wants To Stay Here
My Man's Gone Now
I Got Plenty O'Nuttin'
Buzzard Song
Bess, You Is My Woman Now
It Ain't Necessarily So
What You Want Wild Bess?
A Woman Is A Sometime Thing
Oh, Doctor Jesus
Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
There's A Boat Dat's Leavin' Soon For New York
Bess, Oh Where's My Bess
Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
Broadway: The American Musical
Broadway - The American Musical (PBS Series)
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

R&B Music: