All Day Music

Track Listings
1. All Day Music
2. Get Down
3. That's What Love Will Do
4. There Must Be a Reason
5. Nappy Head [Theme from Ghetto Man]
6. Slippin' into Darkness
7. Baby Brother

All Day Music,War,Rhino,Brown-Eyed Soul,Funk,Gold Discs,Latin Rock,R&B,Rock,Soul,Soul/Reggae/Rhythm & Blues

All Day Music

All Day Music
Oklahoma! (1955 Film Soundtrack)
Average customer rating: 4.5 out of 5 stars
  • Okalahoma
  • MacRae and Jones head a superb and O.K. adaptation
  • Broadway in a movie setting at it's very best!
  • Wonderful
  • Beauiful
 Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. South Pacific (1958 Film Soundtrack)
  2. The King and I (1956 Film Soundtrack)
  3. Carousel (1956 Film Soundtrack)
  4. The Music Man (1962 Film Soundtrack)
  5. My Fair Lady (1964 Film Soundtrack)

ASIN: B00005A7XB
Release Date: 2001-03-13

Tracks:

  1. Overture - Rodgers & Hammerstein
  2. Main Title - Rodgers & Hammerstein
  3. Oh, What A Beautiful Mornin' - Gordon MacRae
  4. The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
  5. Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
  6. Kansas City Ballet - Rodgers & Hammerstein
  7. I Cain't Say No - Gloria Grahame
  8. Many A New Day - Shirley Jones/Girls' Chorus
  9. Many A New Day Ballet - Rodgers & Hammerstein
  10. People Will Say We're In Love - Gordon McaRae/Shirley Jones
  11. Pore Jud Is Daid - Gordon MacRae/Rod Steiger
  12. Out Of My Dreams - Shirley Jones/Girls' Chorus
  13. Out Of My Dreams Ballet - Rodgers & Hammerstein
  14. Entr' Acte - Rodgers & Hammerstein
  15. The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
  16. The Farmer And The Cowman Ballet - Rodgers & Hammerstein
  17. All Er Nuthin' - Gloria Grahame/Gene Nelson
  18. All Er Nuthin' Ballet - Rodgers & Hammerstein
  19. People Will Say We're In Love - Gordon MacRae/Shirley Jones
  20. Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
  21. Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
  22. Overture (LP Version) - Rodgers & Hammerstein

Customer Reviews:

5 out of 5 stars Okalahoma.......2007-07-17

Very good quality reproduction, and enjoyable to listen to the full length movie soundtrack again.

4 out of 5 stars MacRae and Jones head a superb and O.K. adaptation.......2007-03-16

The film adaptation of Oklahoma heralded a technological breakthrough in widescreen cinema just as the original stage musical ushered in the integrated book musical. As such this film adaptation was treated as a special occasion, well-supervised by the creators themselves. The soundtrack, featured here, boasts sterling performances from MacRae and Jones making the most of their portrayals of Curly and Laurey, backed by a charismatic cast and superb orchestrations. And of course let's not forget the enveloping stereo sound that holds up well even today.

Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.

This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.

In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.

5 out of 5 stars Broadway in a movie setting at it's very best!.......2007-03-06

I have the original Broadway version, but prefer this movie selection.
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!

5 out of 5 stars Wonderful.......2007-01-30

A great way to introduce oneself to the world of the nearly extinct Hollywood musical.

5 out of 5 stars Beauiful.......2006-06-05

A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific

My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
The Essential Yo-Yo Ma
Average customer rating: 4.5 out of 5 stars
  • pure genius
  • Another great Yo-Yo Disc
  • first disc great- second a flop
  • Encore
  • The Versatile Yo-Yo Ma
 The Essential Yo-Yo Ma

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Appassionato
  2. Yo-Yo Ma Plays Ennio Morricone
  3. Vivaldi's Cello
  4. Classic Yo-Yo
  5. Silk Road Journeys: Beyond the Horizon

ASIN: B000A7Q29G
Release Date: 2005-08-16

Tracks:

  1. Prde from Suite No. 1 in G Major for Cello, BWV 1007
  2. II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
  3. Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
  4. Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
  5. Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
  6. The Swan from Carnival of the Animals (Chamber Version)
  7. Havanaise, Op. 83
  8. Mtation from Tha
  9. Liebesfreud Instrumental
  10. Allegro ben ritmato e deciso from Three Preludes
  11. Vocalise Vocal
  12. IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
  13. Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
  14. IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
  15. III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

  1. Cristal
  2. A lenda do caboclo
  3. Chega de Saudade Live
  4. Wapango Live
  5. Libertango
  6. Appalachia Waltz Solo Cello Version
  7. Butterfly's Day Out
  8. 1B
  9. Pickin' from Three Pieces for Solo Cello
  10. Simple Gifts
  11. The Mission
  12. Gabriel's Oboe
  13. The Falls Album Version
  14. The Eternal Vow from Crouching Tiger, Hidden Dragon
  15. The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
  16. Chi passa per'sta strada
  17. Mido Mountain (Chinese Traditional)
  18. Mohini (Enchantment)
  19. Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
  20. Anything Goes Instrumental
  21. I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

5 out of 5 stars pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

4 out of 5 stars Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

3 out of 5 stars first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

5 out of 5 stars Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

5 out of 5 stars The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.
Stop All the World Now
Average customer rating: 4.5 out of 5 stars
  • Howie Day - Stop All The World Now
  • I've changed my mind - this cd's amazing
  • A must have...
  • :o)
  • WOW !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 Stop All the World Now
Howie Day
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Australia
  2. Lifehouse
  3. Chariot Stripped (Bonus CD)
  4. How To Save A Life
  5. Back to Bedlam

ASIN: B0006A9GO0
Release Date: 2004-11-16

Tracks:

  1. Brace Yourself
  2. Perfect Time Of Day
  3. Collide
  4. Trouble Is Here
  5. Sunday Morning Song
  6. I'll Take You On
  7. She Says
  8. Numbness For Sound
  9. You & A Promise
  10. End Of Our Days
  11. Come Lay Down
  12. This Time Around
  13. Standing In The Sun
  14. Brace Yourself (Acoustic)
  15. Collide (Acoustic)

Customer Reviews:

4 out of 5 stars Howie Day - Stop All The World Now.......2007-01-31

Well, a lot of you looking at this album may only know Howie Day for his one song 'Collide'(Well thats who anyone in England who's heard of Howie Day knows him for!!). You might be thinking 'Is it worth buying the album for just the one song?' Well I can tell you I was in the same position. I took the gamble and brought the album because I hate singles!
Well after listening to the album, starting for the very beginning I found the gamble had worked. Songs such as 'She Says' are beautifully written and sound good if not better than 'Collide'. Throughout the Album Howie Day desplays his lyrical and musical ability, the music gets better as you go through the album.
Those of you who are into 'Lifehouse', 'Switchfoot' and to an extent '3 Doors Down' and 'Goo Goo Dolls', this is really a must have, but those who are still confused - BUY the album because you get a lot more for your moneys worth than just getting the single.
Listening to it now, its one you can't get bored of because its not an artist they overplaye on the radio consistently. I'm looking up to a follow up on this album!!

5 out of 5 stars I've changed my mind - this cd's amazing.......2007-01-25

I made a review on his earlier cd, before I heard this one, saying that "Australia" and the "Madrigals EP" both were so much better than this one - that on this one, he had sold out. But i was pleasantly surprised when I randomly picked this cd up in a CD lot on ebay - it was amazing. I was reluctant to let go of my previous assumptions on Howie, but even with the full band and not as much acoustic playing (I mean, "She Says" on the "Australia" CD is acoustic - and then he remade it on this one. Both are great, if you think about it.), but even so, Howie's a showstopper!! His technique and singing style are unmatched. PICK AUSTRALIA UP FIRST, THOUGH. Both CDs rock, but get a sense of his growth first. He's a versatile performer and that's one of the best things about him. CHECK HIS MUSIC OUT - NOW. You won't be sorry. :)

5 out of 5 stars A must have..........2006-10-28

Great great cd, I mean it is a must have. Howie shows his great class and this clearly puts him in a league of his own in this genre of music. I simply can't have enough of his music.
Enough said...

4 out of 5 stars :o).......2006-03-13

Beautiful voice, lyrics and melody ! How could you resist to "collide" ?
Nice atmospheric musics. Just enjoy !

5 out of 5 stars WOW !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2006-03-03

Great album, great flow, great eliciting of emotions and great times.

Must be heard to be truly experienced.

Enough said.
Working (Original 1978 Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • An underrated musical
  • Wonderful Lesser Known Gem
  • Keep Working!!!
  • a good, if obscure CD
  • off the beaten path
 Working (Original 1978 Broadway Cast)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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  1. Studs Terkel's Working (Broadway Theatre Archive)
  2. The Baker's Wife (Members of the 1976 Original Cast)
  3. The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)
  4. Working: Vocal Selections
  5. Curtains (2007 Original Broadway Cast)

ASIN: B00005LZSR
Release Date: 2001-07-10

Tracks:

  1. All The Livelong Day (Schwartz)
  2. Lovin' Al (Grant)
  3. The Mason (Carnelia)
  4. Neat to Be a Newsboy (Schwarz)
  5. Nobody Tells Me How (Rodgers-Birkenhead)
  6. Un mejor Dia Vendra (Taylor-Daniele-Landers)
  7. Just A Housewife (Carnelia)
  8. Millwork (Taylor)
  9. If I Could've Been (Grant)
  10. Joe (Carnelia)
  11. It's an Art (Schwartz)
  12. Brother Trucker (Taylor)
  13. Fathers & Sons (Schwartz)
  14. Cleanin' Women (Grant)
  15. Something to Point To (Carnelia)
  16. I'm Just Movin' (Schwartz) (from the L.A. Theatre Works complete recording of the 1999 revised version)
  17. Hots Michael at the Piano (Carnelia) (previously unreleased demo recording performed by the composer)
  18. The Mason (Carnelia) (previously unreleased demo recording performed by the composer)
  19. Joe (Carnelia) (previously unreleased demo recording performed by the composer)
  20. Lovin' Al (Grant) (previously unreleased demo recording performed by the composer)
  21. Fathers & Sons (Schwartz) (performed by the composer)

Amazon.com

The original 1978 Broadway cast recording of Stephen Schwartz's Working has long been awaited on CD, and this great-sounding 2001 release proves it was worth the wait. Surely one of the more unlikely sources for a musical was Studs Terkel's 1972 book that compiled interviews of American working people discussing their jobs and what they liked and disliked about them. Schwartz transformed these interviews into a series of songs written by himself, Craig Carnelia, Mary Rodgers and Susan Birkenhead, Micki Grant, and pop singer James Taylor, and accordingly the variety of songs is as great as the variety of the workers featured. There's the lyric beauty of "The Mason," the rueful "Just a Housewife," the retiree's wry "Joe," the waitress's lilting "It's an Art," Taylor's pop-country "Brother Trucker," and the powerful emotion of "Fathers and Sons," realized by a compelling cast that features David Patrick Kelly, Joe Mantegna, Bob Gunton, and Lynne Thigpen, among others.

Six bonus tracks include a new version of the grocery checker song written for the 1999 L.A. Theatreworks production, Carnelia and Grant performing their own songs (unfortunately, Grant's track comes from a poor-quality audio source), and Schwartz's moving performance of "Fathers and Sons" from 1999's The Stephen Schwartz Album. Also welcome are 2001 notes from Schwartz paired with 1978 notes from Terkel, and a detailed listing of the composers and performers of each song. Working was filmed for American Playhouse in 1982. --David Horiuchi

Customer Reviews:

4 out of 5 stars An underrated musical.......2006-03-16

This musical seems to be very underrated, because it isn't done in a traditional style. There is no set storyline or characters. It is essentially a grouping of songs about different people and the work they do in their lives. Some of the songs are very powerful, like "Millworker", and some are just fun, like "Lovin' Al". Some songs date the recording, as songs like "Brother Trucker", while good, have a bit of a synthesized 70's feel. The majority of the songs are more traditional.

I saw this show done by my high school years ago, so maybe it holds a bit of nostalgia for me, but it is definitely worth checking out.

4 out of 5 stars Wonderful Lesser Known Gem.......2005-12-26

I have never seen Working, but would love to, and I would love to perform it so as to revive interest in it. I found out about this recording from an online site, and I fell in love with it. It's a very modern style musical although from 1978. Were it on Broadway today, it would still be revelent to today's working class. My favorite number probably has to be "It's An Art", just because of its sheer fun. I could listen to that song all day and never get bored with it. I do, however, find "Brother Trucker" to be a bit tiring, and "Neat To Be A Newsboy" is just plain old, outdated, and ANNOYING! Other than that, wonderful ablum for an almost forgetten show.

5 out of 5 stars Keep Working!!!.......2004-06-12

I had the privilege of seeing a production of this wonderful musical at L.A. Valley College in May 2004. I quickly fell in love with the songs and the entire premise of the musical. Now, with this CD, I can finally sing along to all the brilliant songs over and over again, belting them out like there is no tomorrow.

What makes Working so special is that anyone can relate to the lyrics, they are powerful, beautiful, touching, and extremely real. Anyone who has ever worked a day in their life will feel the lyrics hit close to home. Whether you're a housewife, a valet parker, a fireman, a millworker, a teacher, a cleaning woman, or even a hooker, this musical has a place for you, no matter what job you do.The emotion, sincerity, and love expressed in the songs are amazing, and they are all extremely unique and a pure joy to listen to.

All the songs are fantastic but the stand-outs have to be "All the Live Long Day," "Just a Housewife," "If I Could've Been," "It's An Art," "Father's and Sons," "Cleaning Women," and "Something to Point to." I also have a soft spot for "Brother Trucker" and "I'm Just Movin" from the 1999 revival, which I am so grateful is included in this CD. This is a terrific, feel-great album everyone should listen to. Give Working a chance, it's worth it.

4 out of 5 stars a good, if obscure CD.......2003-09-26

i admit that this is an obscure musical, but nevertheless i found myself in a production of WORKING as Grace, the millworker. upon listening to the cd, i found that each song characterized the character well. the newsboy song is NOT annoying and my favourite songs are "its an art", "cleaning women", "if i could've been" and "lovin al". I would only recommend this CD for a real musical theatre afficionado, as those who don't appreciate the beauty of a musical won't understand these songs.

5 out of 5 stars off the beaten path.......2003-07-10

I had never heard of this show until I stage managed a musical revue that included "If I Could've Been." That song grew on me, and I finally had to check out the rest of the soundtrack. All of the music on this CD is fantastic, and the lyrics feel sincere, creating beautiful moments for each character. Stephen Schwartz's best decision with this show was collaborating, allowing different composers to bring their own talents and specialties to the music, thus making it more real and less "Broadway." My only criticism is that the liner notes are slim.
Offerings II: All I Have to Give
Average customer rating: 4.5 out of 5 stars
  • A sweet album of praise
  • Be prepared to be addicted.
  • Superb worship
  • Good follow-up to the first
  • Third Day Rocks!
 Offerings II: All I Have to Give
Third Day
Manufacturer: Essential
ProductGroup: Music
Binding: Audio CD

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  1. Offerings: A Worship Album
  2. Wherever You Are
  3. Wire
  4. Come Together
  5. Third Day

ASIN: B00008DCR8
Release Date: 2003-03-04

Tracks:

  1. Sing A Song
  2. You Are So Good To Me
  3. Creed
  4. Offering
  5. Show Me Your Glory
  6. Nothing Compares
  7. Anything
  8. God Of Wonders
  9. May Your Wonders Never Cease
  10. The Everlasting
  11. Give/Turn/Your Eyes Upon Jesus/With Or Without You/Your Love Oh Lord
  12. Take My Life

Customer Reviews:

5 out of 5 stars A sweet album of praise.......2006-12-18

At first, I was a little disappointed with this album, I'll admit...because I was expecting some great rock songs that I could belt out (way off-key!) in my car. But after giving it another chance without any expectations, I realized that the songs are beautiful, catchy, very well-written, and fill you up with good feelings and inspiration. My favorites are "I want to sing a song" and "Offering". If you like Third Day's "Wire" CD, then purchase this with an open mind. You will still love it, but for different reasons. :-)

5 out of 5 stars Be prepared to be addicted........2006-11-10

I got this CD to become more familiar with some of the songs before seeing them at Autumn Blaze. I cannot stop playing this CD. It helps with road rage! :) How can you yell and curse someone when you're singing, "I want to sing a song for you Lord?" I haven't been much of a shower singer until this CD, now just listening to it isn't enough, I'm singing all the songs in the shower too. I love this CD! I love this band!

4 out of 5 stars Superb worship.......2006-07-19

Third Day set high standards for themselves when they released Offerings: A Worship Album, in 2000. The second in what will hopefully become a series of worship releases by the Georgia quintet, All I Have To Give equals, if not surpasses, the first effort. With six new studio tracks and six live concert cuts, this CD will gratify fans who are eager for exclusive material, and inspire thousands to sing along in worship to God.

The CD includes covers of songs by Rich Mullins, Waterdeep, and even a brief homage to U2. Each track exudes Third Day's trademark southern-rock sound, with passionate vocals by Mac Powell. The new songs, apparently recorded within a span of eight days, are elegant in their simplicity. In fact, one of these songs, "Offering," was inspired by their first worship release! Special guest appearance by Michael Tait (formerly of dc Talk) on the ever-popular "God of Wonders" is also a pleasant surprise.

Perhaps the lone sore spot on this release is the inclusion of "Your Love Oh Lord," which was also on Offerings. Ever-inspiring as it was on the first release, it is the least of many tracks on this offering by Third Day that will leave listeners more on fire for God than before.

4 out of 5 stars Good follow-up to the first.......2006-04-07

This album is a great worshipful album, with mostly slow to medium tempo worship songs. "Creed" is probably the most uptempo song on the album, and I find it a bit jarring in the context of the album. It's a great song, but doesn't seem to "fit" where it is in the album.

This is not a great CD to rock out to, but I think it is a great Third Day CD, and the perfect companion to the first Offerings.

5 out of 5 stars Third Day Rocks!.......2006-02-24

I love everything that Third Day puts out. This worhip album is no exception. I found myself singing along with most of the songs and smiling and worshipping, too. Great buy!
Lorraine Hunt Lieberson: Handel Arias
Average customer rating: 5 out of 5 stars
  • A Legendary Singer.
  • Lorraine Hunt Lieberson's Bach: The mind of God revealed!!
  • Glorious singing to treasure for decades
  • Lorraine Hunt-Lieberson (1954-2006), supreme Handelian
  • The Stellar Hunt Lieberson
 Lorraine Hunt Lieberson: Handel Arias

Manufacturer: Avie
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach: Cantatas BWV 82 and 199
  2. Peter Lieberson: Neruda Songs
  3. Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
  4. Lorraine Hunt - Handel Arias
  5. Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan

ASIN: B00022LZW8
Release Date: 2004-08-10

Tracks:

  1. Ah! Whither Should We Fly...
  2. ...As With Rosy Steps The Morn
  3. O Bright Example Of All Goodness!...
  4. ...Bane Of Virtue, Nurse Of Passions
  5. The Clouds Begin To Veil The Hemisphere...
  6. ...Defend Her Heav'n!
  7. Lord, To Thee Each Night And Day
  8. She's Gone, Disdaining Liberty And Life...
  9. ...New Scenes Of Joy
  10. Cantata
  11. Cantata
  12. Cantata
  13. Cantata
  14. Cantata
  15. Cantata
  16. Cantata
  17. Cantata
  18. Se Bramate D'amar, Chi Vi Sdegna
  19. Frondi Tenere E Belle...
  20. ...Ombra Mai Fu

Amazon.com

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine

Customer Reviews:

5 out of 5 stars A Legendary Singer........2007-03-07

I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.

5 out of 5 stars Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06

These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California

5 out of 5 stars Glorious singing to treasure for decades.......2006-07-11

By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!

5 out of 5 stars Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06

I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.

5 out of 5 stars The Stellar Hunt Lieberson.......2006-03-19

Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Praise to the Lord - Hymns From St. Paul's Cathedral
Average customer rating: 5 out of 5 stars
  • a voice teacher and early music fan
  • Hymns for every one
  • Super Praise!
 Praise to the Lord - Hymns From St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Music of St. Paul's Cathedral
  2. Hymns Triumphant 1 & 2
  3. Be Still My Soul: The Ultimate Hymns Collection
  4. Abide With Me
  5. Hymns Through the Centuries

ASIN: B00002EIUG
Release Date: 1999-10-12

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2007-02-09

'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

5 out of 5 stars Hymns for every one.......2002-12-01

As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

5 out of 5 stars Super Praise!.......2000-06-10

Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.
One Day At A Time, Vol. 1 & 2: 22 All Time Favorites
Average customer rating: 5 out of 5 stars
  • Mom loves it
  • Well received as a Christmas gift
  • One Day At A Time, Vol. 1 & 2: 22 All Time Favorites-Cristy Lane
  • old school Country Gospel
  • Excellent CD
 One Day At A Time, Vol. 1 & 2: 22 All Time Favorites
Cristy Lane
Manufacturer: Cristy Lane Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Country | Styles | Music
ContemporaryContemporary | Bluegrass | Country | Styles | Music
GeneralGeneral | Christian & Gospel | Styles | Music
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4-for-3 Country4-for-3 Country | 4-for-3 Music | Stores | Music
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Similar Items:
  1. Footprints in the Sand, Vols. 1 & 2
  2. Cristy Lane - 20 Greatest Hits
  3. 27 Christmas Classics
  4. Just a Closer Walk with Thee
  5. One Day at a Time

ASIN: B00009QGDN
Release Date: 2003-06-24

Tracks:

  1. One Day At A Time
  2. Just As I Am
  3. Just A Closer Walk With Thee
  4. Amazing Grace
  5. Rock Of Ages
  6. Softly & Tenderly
  7. How Great Thou Art
  8. In The Garden
  9. I See Jesus
  10. Ave Maria
  11. Give Them All To Jesus
  12. Whispering Hope
  13. I Love You More Every Day
  14. He's Got The Whole World In His Hands
  15. Why Me, Lord
  16. The Old Rugged Cross
  17. Where The Roses Never Fade
  18. Precious Memories
  19. I Wanna Put Something Back
  20. Have Thine Own Way Lord
  21. Love Lifted Me
  22. Sing To The Lord

Customer Reviews:

5 out of 5 stars Mom loves it.......2007-05-12

If you like Christian Country music, this is it. My Mom loves the music and it puts her in such a happy mood.

5 out of 5 stars Well received as a Christmas gift.......2007-01-18

The person who received this music was surprised & grateful.

5 out of 5 stars One Day At A Time, Vol. 1 & 2: 22 All Time Favorites-Cristy Lane.......2007-01-11

We bought this for a relative whose husband passed away suddenly. She had always liked Cristy Lane and in particular "One Day At A Time". Cristy sings with such feeling and my friend has truly gotten comfort from the CD. It was just the perfect CD. Thanks Amazon for having such a variety of music.

5 out of 5 stars old school Country Gospel.......2005-11-04

The way Christy Lane ,sings these, great old time gospel songs. gives a blessing every time One hears them.

5 out of 5 stars Excellent CD.......2005-01-30

I love the magical quality of this CD. All the hymns are wonderful and her voice is pure. I would recommend this CD for all the times your spirit needs encouragement. The songs are full of hope and i believe it makes you want to sing with her.

Peace Like a River
Average customer rating: 5 out of 5 stars
  • A source of peace for peace-lovers
  • Beautiful
  • A few bright spots, but also some disappointments
  • This CD Deserves SIX Stars!
  • every good adjective
Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Consider the Lilies
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ASIN: B00020H9W0
Release Date: 2004-06-22

Tracks:

  1. Sweet Peace
  2. Be Still, My Soul
  3. Peace Like a River
  4. All Things Bright and Beautiful
  5. Lord Is My Shepherd
  6. This Is My Father's World
  7. Wayfarin' Stranger
  8. Lord, Make Me an Instrument of Thy Peace
  9. Swing Low, Sweet Chariot
  10. Deep River
  11. Lamb
  12. Child's Prayer
  13. It Is Well With My Soul
  14. Count Your Blessings Instead of Sheep
  15. Gaelic Blessing
  16. Thou Gracious God, Whose Mercy Lends
  17. Come, Let Us Anew

Customer Reviews:

5 out of 5 stars A source of peace for peace-lovers.......2007-08-03

This CD is one of my favorites to listen to when I feel the need to be closer to the Spirit. Mack Wilberg is a master at transforming old hymns into glorious arrangements. I have had experience with high school students who love singing his arrangements even within the context of a world that seems in a state of constant conflict. THIS CD IS FABULOUS!

5 out of 5 stars Beautiful.......2007-06-14

This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.

3 out of 5 stars A few bright spots, but also some disappointments.......2007-01-19

It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.


5 out of 5 stars This CD Deserves SIX Stars!.......2005-11-05

However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!

5 out of 5 stars every good adjective .......2005-08-06

This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.

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