112

Track Listings

1. 112 Intro

2. Now That We're Done

3. Pleasure & Pain

4. Why (Interlude)

5. Cupid

6. Call My Name

7. Come See Me

8. Sexy You (Interlude)

9. Can I Touch You

10. I Can't Believe

11. Keep It Real (Interlude)

12. Only You [Bad Boy Remix][Mix]

13. I Will Be There

14. In Love With You

15. Just a Little While

16. Why Does

17. This Is Your Day

18. Throw It All Away

19. Only You [Clean Radio Mix] [Mix]

112,112,Bad Boy,Hip-Hop,Pop,R&B,Soul/Reggae/Rhythm & Blues,Urban

112

Tracks:

II: Andante - Stephen Hough
I: Adagio Sostenuto - Dame Moura Lympany
Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
Nocturne No. 2 In E Flat - John Ogdon
Clair De Lune - Dame Moura Lympany
II: Adagio - Cecile Ousset
Tango - Dame Moura Lympany
Liebestraum No. 3 In A Flat - John Ogdon
Waltz No. 9 In A Flat - Dmitri Alexeev
Rhapsody On A Theme Of Paganini - Cecile Ousset
Traumerei - Dame Moura Lympany
La Maja Y El Ruisenor - Magda Tagliaferro
Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
Gymnopedie No. 1 - Aldo Ciccolini
Fur Elise - Dame Moura Lympany
Etude In E 'Tristesse' - John Ogdon
Fruhlingslied - Daniel Adni
II: Andante - Dmitri Alexeev

Tracks:

II: Adagio Cantabile - Walter Gieseking
II: Romanze - Annie Fischer
Aria - Maria Tipo
II: Romance (Larghetto) - Garrick Ohlsson
Granada - Gonzalo Soriano
Waltz No. 15 In A Flat - Maura Lympany
II: Largo - Andrei Gavrilov
An Den Fruhling - Daniel Adni
Nocturne No. 10 In A Flat - Daniel Adni
II: Adagio Un Poco Mosso - Walter Gieseking
La Fille Aux Cheveux De Lin - Dame Moura Lympany
Cancons I Dansas No. 1 - Gonzalo Soriano
II: Adagio Sostenuto (Opening) - Cecile Ousset
Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
Gnossienne No. 1 - Aldo Ciccolini
Berceuse - Jean-Philippe Collard
Minuet In G - Dame Moura Lympany
Berceuse In D Flat - Peter Donohoe

Customer Reviews:

something to have.......2007-03-14

These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.

Excellent Music.......2007-02-19

This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!

buy now.......2006-09-01

Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.

Lovely.......2006-02-22

This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.

Aesthetically Pleasing.......2005-09-14

I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.

As it says....it is the "Most Relaxing Piano Album in the Acanthes An XV

Acanthes An XV

Acanthes An XV
Authors: Cécile Gilly, Claude Samuel
Catalog: Book
Media: Broché
Release Date: 01 January, 1996
Publisher: Van de Velde
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Thèmes - Art, Musique et Cinéma - Divers
Thèmes - Art, Musique et Cinéma - Musique - Divers
Boutiques - Par prix - De 20 à 45 euros - Art, Musique et Cinéma

Livres:

Mendelssohn: 5 Symphonies; 7 Overtures
Schubert: 8 Symphonies
Schumann: The 4 Symphonies
Johannes Brahms: The Symphonies
Bruckner: The Complete Symphonies

ASIN: B0000041WV
Release Date: 1992-02-11

Tracks:

Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto

Tracks:

Symphony No. 2: II: Poco adagio
Symphony No. 2: III: Scherzo: Allegro con brio
Symphony No. 2: IV: Finale: Allegro con fuoco
Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace

Tracks:

Symphony No. 4 In D minor, Op. 13: I. Allegro
Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando

Tracks:

Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
Symphony No. 6 In D Major, Op. 60: II. Adagio
Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
'V prirode', Op. 91: In Nature's Realm

Tracks:

Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
Symphony No. 7 In D Minor, Op. 70: IV. Allegro
Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
Symphony No. 8 In G Major, Op. 88: II. Adagio
Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo

Tracks:

Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
'Karneval' Overture, Op. 92
Scherzo capriccioso, Op. 66
'Domov muj' Overture, Op. 62

Amazon.com essential recording

For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David Hurwitz

Customer Reviews:

Disappointing.......2007-07-28

Dvorak's symphonies are known for their depth of orchestration. These renditions lack any brilliance or exuberance. They are stodgy and dull. I expected better of the London Sympnony Orchestra.

Heartfelt, passionate versions.......2007-06-23

The late Istvan Kertesz continues to amaze, with this spectacular reissue of his 1960s Dvorak symphonies cycle. These versions each compare well with or exceed the legendary recordings by Ancerl, Szell, Talich, et al. Sound quality is excellent, and the mix on the orchestra is almost always just right, balancing strings, brass, and percussion. Compared to some Czech recordings, the woodwinds volumes are a bit weak, which is unfortunate because woodwinds are one of Dvorak's specialties. If you have no other set of Dvorak symphonies, or have 10 copies of "From the New World" and no copies of Symphonies 1, 2 or 3, then this is a must-have set. From the opening bars of Symphony No. 1, you'll agree you're in the presence of greatness.

Great Recording.......2007-06-03

Friends and CD-guides told me this was the best. And they were right.

Great set of music!.......2007-05-24

Along with Piotr Tchaikovsky, Antonin Dvorak was probably the most prolific composer of the Romance period. He composed for just about every genre of classical music except ballet, and is known for a wide variety of works. Some of his most famous are his symphonies. He wrote 9, out of respect for Beethoven, and like the German master, the last one is the most widely recognized. But like Beethoven, all 9 symphonies are incredible pieces of music in their own right. This set has all 9 symphonies, along with several other popular orchestral works. The sound quality is good, the orchestration is great, and the choice of music is great. All the pieces are dramatic, with melodies that range from powerful to awe-inspiring to melancholy. Every piece of music in this set is purely in the Romantic style; full of emotion, and many are inspired by folk tunes from Eastern Europe. All in all, a great set, and for a great price.

Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03

Although decades old, the two analog sets of Dvorak symphonies from Kertesz and Kubelik remain the front-runnters. From the mid-Sixties onward Decca has been so satisfied with the groundbreaking Kertesz cycle, the first to bring Sym. 1-6 to the general listening public outisde Czechoslovakia, that the company has rarely re-recorded any but the last three, most famous symphonies. DG, on the other hand, didn't release Kubelik's Sym. 1-6 until the digital era (1988, I believe), keeping them in the vualts and out of competiiton with Kertesz.

Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.

By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.

It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.

As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.

Average customer rating:

Baby loves this music!
Baby Galileo Review

Baby Galileo

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Agent Scully, FBI

Agent Scully, FBI
Authors: Butt M.
Catalog: Book
Media: Reliure inconnue
Release Date: 01 January, 1996
Publisher: Guy Saint-Jean
Rechercher des articles similaires par rubrique:
Thèmes

Livres:

Baby Neptune
Baby Mozart
Baby Einstein: Lullaby Classics
Baby Bach
Baby Beethoven

ASIN: B0000A59Z1
Release Date: 2003-07-22

Tracks:

Orchestra Tune-Up
Symphony, No. 6, (Pastorale), Op. 68, 5th Movement
Clarinet Concerto in A, K. 662, 3rd Movement
Piano Concerto, No. 21 in C, K. 467, 2nd Movement
Symphony, No. 8, (Unfinished), D. 849, 1st Movement
Clarinet Concerto in A, K. 622, 1st Movement
Sleeping Beauty Waltz, Op. 66
Serenade, No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Serenade No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Nocturne in Eb, No. 2, Op. 9
Symphony, No. 41, (Jupiter), K. 551
Twinkle, Twinkle
Piano Sonata, No. 14 in C#, (Moonlight), Op. 27, No. 2
Prelude No. 7 in A, (The Polish Dance), Op. 28
On the Beautiful Blue Danube, Op. 314
Variations On (Ah Vous Dirai-Je, Maman), K. 265-300e
Preludes Book II, (Clair de Lune)
Symphony, No. 9 in E (New World), 2nd Movement
Nocturne in F#, No. 2, Op. 15
Waltz, No. 15, (Lullaby)

Product Description

The Baby Galileo Concert for Little Ears music CD is an enchanting 20-track, 39:53-minute concert celebrating the wonder of your baby's day from the first light of dawn until bedtime with stars twinkling overhead. Engaging scores from classical composers like Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Dvorak and Brahms immerse you and your little one in playful musical portraits. The Baby Galileo Concert for Little Ears music CD features some of the classical scores heard in Baby Galileo Discovering the Sky video. Charming themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:The Day Sky Suite* Orchestra tune-up* Symphony No. 6, ?Ç£Pastorale?Ç¥, Op. 68, 5th Movement, Beethoven* Clarinet Concerto in A, K.622, 3rd Movement, Mozart* Piano Concerto No. 21 in C, K.467, 2nd Movement, Mozart* Symphony No. 8, ?Ç£Unfinished?Ç¥, D.849, 1st Movement, Schubert* Clarinet Concerto in A, K.622, 1st Movement, Mozart* Sleeping Beauty, Op. 66, Waltz, Tchaikovsky* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 1st Movement, Mozart* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 4th Movement, Mozart* Nocturne In Eb, Op. 9, No. 2, Chopin* Symphony No. 41, ?Ç£Jupiter?Ç¥, K.551, MozartThe Night Sky Suite* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Piano Sonata No. 14 in C#, ?Ç£Moonlight?Ç¥, Op. 27 No. 2, Beethoven* Prelude No. 7 in A, ?Ç£The Polish Dance?Ç¥, Op. 28, Chopin* On the Beautiful Blue Danube, Op. 314, Johann Strauss, Jr.* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Preludes Book II, ?Ç£Clair de Lune?Ç¥, DebussyAge: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2003)* iParenting Media Best Products for 2004 (2004)

Customer Reviews:

Baby loves this music!.......2007-02-17

Puts our 6-week old daughter to sleep... what more could you ask for!

Baby Galileo Review.......2006-03-18

I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing. I definitely recommend the CD's for the car.

Average customer rating:

Now That's A Helluva Debut
Go back to where it started...
BEST 112 CD THEY NEED TO GET BACK TO THIS
One of the best...
music lover

112
112
Manufacturer: 112 / Bad Boy Umvd
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music
Similar Items:

Room 112
PART III
J.E. Heartbreak
Dru Hill
Hot & Wet

ASIN: B0000039Q7
Release Date: 1996-08-27

Tracks:

112 Intro
Now That We're Done
Pleasure & Pain
Why (Interlude)
Cupid
Call My Name
Come See Me
Sexy You (Interlude)
Can I Touch You
I Can't Believe
Keep It Real
Only You (Bad Boy Remix)
I Will Be There
In Love With You
Just A Little While
Why Does
This Is Your Day
Throw It All Away
Only You (Clean Radio Mix)

Customer Reviews:

Now That's A Helluva Debut.......2007-04-26

112 burst onto the scene strong in 1996 with their self-titled debut CD, which features some awesome love songs such as "This Is Your Day", "Can I Touch You", and their biggest love song off this album "Cupid". With that, and both versions of "Only You" with and without Mase, it's definitely a must-have.

Go back to where it started..........2006-11-10

Yes, I wish that 112 could resurrect that formula that they used to create this album. This was just beautiful beautiful. It's one of those rare albums that one can just put in the deck and just let it play. Their second and third albums had some really good songs on them but they lost me after the fourth album. Still, I hope that they can get back on that groove so they can turn out at least one more impressive album before the gravy train pulls into the station.

BEST 112 CD THEY NEED TO GET BACK TO THIS.......2006-08-04

DONT REALLY WANT TO SAY MUCH MORE THEN THE TITLE. BEST SONG TO ME

I WILL BE THERE

THE SAD PART ABOUT IT THOUGH I READ THAT 112 REALLY FEEL LIKE THE FIRST CD WASNT THEM SO....... THERE IS THE HOPE FOR THE DIE HARD FANS WHO STILL WISH THEY WOULD COME BACK TO THIS FORMULA.

One of the best..........2006-08-03

Ok, the CD has been out for just about 10 years. By far the best 112 CD released, by far one of the best R&B CD's in the last decade. Put the CD in and let it play from start to finish. No recent R&B could ever compare to the stuff thats on this CD.

music lover.......2006-08-02

This cd is 112's strongest cd. I enjoyed several tracks on this cd. I didn't care for any of their other cds at all. However I keep buying their cds hoping that they would some how get back on the track they were once on with their first cd.

Favorite song "call my name"

Smetana: Moldau/From Bohemia's Meadows and Forests/Dvorák: Slavonic Dances Op.46 & Op.72

Average customer rating:

Obra-prima
Magical
I enjoyed it.
Beautiful...

Smetana: Moldau/From Bohemia's Meadows and Forests/Dvorák: Slavonic Dances Op.46 & Op.72

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

General ALLEN RUPPERSBERG : Where's Al ?

ALLEN RUPPERSBERG : Where's Al ?

ALLEN RUPPERSBERG : Where's Al ?
Authors: Allen Ruppersberg, Catherine Quéloz, Dan Cameron
Catalog: Book
Media: Broché
Release Date: 01 January, 1996
Publisher: Magasin grenoble
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Thèmes - Art, Musique et Cinéma - Divers
Boutiques - Par prix - De 20 à 45 euros - Art, Musique et Cinéma

Livres:

ringtone88.com OLOR="orange">Beautiful..........2000-07-08

I love "The Moldau". It is one of the most prettiest works by Smetna. I still get chills from repeated listening.

Average customer rating:

Helluva Comeback
4 1/2 Stars... 112's Best Album Period
Part III is grown & sexy!!
The Biggest 112 Album!
My favorite album

PART III
One Twelve
Manufacturer: 112 / Bad Boy Umvd
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music
Similar Items:

Room 112
112
Hot & Wet
Pleasure & Pain
Enter the Dru

ASIN: B000059RWB
Release Date: 2001-03-20

Tracks:

112 Intro
Dance With Me
It's Over Now
Peaches & Cream
I Surrender (Interlude)
Missing You
All I Want Is You
Don't Hate Me
Q, Mike, Slim, Daron (Interlude)
Player
Sweet Love
Smile
Caught Up
Do What You Gotta Do
I Think
Still In Love

Amazon.com

Since New Edition and Boyz II Men ceded their R&B group throne of the '80s and early '90s, it's been hard to keep up with the myriad groups that have tried to take their place. But Bad Boy's resident gentlemen, 112, have always stood out from the crowd. Their latest release, Part III, further solidifies the group's appeal. On "It's Over Now," the album's first single, the group does what they do best: combining impressive vocals with Bad Boy's trademark hip-hop production. Likewise, on "Dance with Me," an intricately produced song with an infectious heartbeat bass line, the group reminds listeners that their singing ability is in a league of its own. Part III is not without its shortcomings, however. Songs like "I Think" and "Player," two monotonous attempts at romantic ballads, could have been deleted from the album without being missed. To the group's credit, however, Part III is one of the most varied and truly captivating albums that the R&B world has seen in a long time. From beautiful harmonizing to upbeat party pleasers, Part III places the four members of 112 up there with the legends of their genre. --Felicia A. Wilks

Customer Reviews:

Helluva Comeback.......2007-04-26

As I said before, 112's sophomore album "Room 112" showed room for growth and improvement, and they did just that in this CD. A lot of dance hits and slow hits, this album is clearly a junior replica of their debut self-titled album.

4 1/2 Stars... 112's Best Album Period.......2007-03-16

This album was definitely a banger from start to finish. They came heavy with the club bangers in the beginning and smoothed it out in the end. The interludes were on point especially "Q,Mike,Slim,Daron" they killed it. Mike put his heart and soul on "Missing You" whoever was his girl definitely hit a chord. "Dont Be Mad" feat. Twista was definitely bout it with 112 talking about handling another dude's girl. That was a bold song. All the members really shined on this album as far as lead vocals, producing. You really see these gentlemen coming into their craft. Just wish they were still on Bad Boy because they fell off since they went to Def Jam. Good Luck in the future.

Part III is grown & sexy!!.......2006-04-23

112 came HOT with this one--from start to finish! Q, Mike, Slim and Daron showed that they are MEN now and doing more MANLY things ("Peaches & Cream") even if it breaks a few hearts ("Player"). What I liked most about this album was hearing Mike sing lead on more songs than he did on the last two albums. That brother sang his heart out on "Missing You". I knew he could sing, but I didn't realize just how soulful his voice was! I loved all the songs, except for "I Think". It's an okay song, but it's a bit corny and I chuckle every time I listen to it. Other than that, I am still a 112 fanatic!

The Biggest 112 Album!.......2005-05-08

Lots of People said this one is the best album of 112,
Part III is great for sho',
but actually every 112 album got its point,
I like all of their album!
So I don't think Part III is their best cause all of their album is awesome!
[besides Hot and Wet which I haven't get!]

But, Part III is the most success album by 112,
because its got The MOST popular 112 song,
Peachers and Cream, everyone love it!

112 Intro - Just a intro of the album!
With a Tight Biggie's [Dead Wrong] beat!

Dance With Me - One Of The Hottest song in this album,
A very good song to dance to!
Tight beat, Slim sing well,
plus a freakin' catchy hook! 5/5

It's Over Now - The first time I listen to it,
I think it's just alright!
But that's normal,
because many 112 songs I don't feelin' them at first,
112 songs always grow on me!
This one is very nice and the bridge is very Great!!! 5/5

Peaches and Cream - The Biggest Hit song 112 ever made!
very hot and danceable!
You Know What I Mean? 5/5

I Surrender - Interlude,
I said many times before that 112 interlude is always very great,
not some stupid skit like other did,
Not some so-call funny stuff,
Their skit is always with a nice beat and some best harmonic chorus!
This interlude is very well,
but the reason it haven't got 5 out of 5,
beacuse this album got another one even better than this! 4/5

Missing You - Nice song mostly sing by Mike!
A very nice ballad! 5/5

All I Want Is You - It's so difference with other 112 song,
the beat is not smooth or melodic RnB stuff,
It's more hard with a distorted guitar,
the hook is not too nice for me,
They wanna try something new,
but I think they can do better than this! 3.5/5

Don't Hate Me - Don't hate 112 if your girl fxxx with them!
haha! I like this one!
Ah! Forget to tell y'all it feat. Twista! 4.5/5

Q, Mike, Slim, Daron - The Best interlude 112 ever made!
The beat is very smooth and mellow!!!
You can't press the skip buttom! 5/5

Player - I don't know why people don't like this one!
The chorus is nice with some great harmony!
And Q high pitch singin' is always sounds well! 5/5

Sweet Love - S nice slow jam,
Nice but not my favorite! 4/5

Smile - I love this song, very great ballad!!!
I love those lyrics and this song is so catchy! 5/5

Caught Up - Not my favorite! 3/5

Do What You Gotta Do - Very Nice song!
Mid-Tempo and more laid-back! 4.5/5

I Think - Not my favorite! 3.5/5

Still In Love - This one remind me Crazy Over You!
Very Great ballad! Ojne of my favorite! 5/5

Part III is very great album,
Got Nice slow jam like It's Over Now, Missing You, Smile, Do What You Gotta Do, Still In Love
Got Blazin' club Hits like Dance With Me and Peaches and Cream!
A Must Have!

My favorite album.......2005-04-02

This CD is 112 at their very best. It's the perfect mix of R&B and clubby music. The vocals are smooth, the lyrics are hot...what more can you ask for? Part Three is serious ear candy. If you don't have it, get it!

Average customer rating:

THE Sibelius set...
Outstanding performances
An Introduction to Sibelius
WONDERFUL SOUND!
Hype and reality

Sibelius: The Complete Symphonies 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Sibelius: The Complete Symphonies 1
Schumann: The 4 Symphonies
Mendelssohn: 5 Symphonies; 7 Overtures
Nielsen: Symphonies no 4-6 / Blomstedt, San Francisco Symphony Orchestra
Dvorák: The Symphonies

ASIN: B0000041BW
Release Date: 1995-0 American Corporate Identity '99

American Corporate Identity '99

American Corporate Identity '99
Authors: David E. Carter
Catalog: Book
Media: Relié
Release Date: 01 January, 1996
Publisher: Hearst Book Intl
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ringtone88.com

An Introduction to Sibelius.......2005-11-22

The music of Jean Sibelius (1865 --1957) has enjoyed a varied reputation over the years, but it today is held in deservedly high regard. His seven symphonies, in their varied forms, are classics of the Twentieth Century.

I have lived for several years with Sir Colin Davis' recordings of Sibelius with the Boston Symphony Orchestra. Davis is an acknowledged master of this music. The recordings date from 1975 -- 1979 and are currently available on two "duo" CD sets from Phillips. Davis later recorded the cycle again and a third version is in process. But the Boston Symphony compilation is highly accessible and modestly priced. If you are looking for an introduction to the essential works of Sibelius, this set is for you.

I supplemented my recent listening to this music by reading the accounts of each of Sibelius' symphonies in Michael Steinberg's excellent reference book : "The Symphony a Listener's Guide" (1995). I also have read the account of the violin concerto in Steinberg's parallel guide to the standard concerto repertory. Listeners wanting a more detailed discussion of the symphonies and concerto than that found in most liner notes, including the notes for this set, will greatly benefit from reading Steinberg.

This CD opens with Sibelius' symphony no. 3 in C major composed in 1904. This is a three-movement work in which the composer finds fully his own voice. The work is spare and neoclassical in style, written with both energy and restraint. The first movement opens with a brisk, characteristic theme for cello and bass. The second movement is intermezzo-like, with rhythmic ambiguity and a lovely singing theme as it progresses. The finale is in two parts with ever-changing tempos and moods leading to a final climax at the end.

The symphony no. 6 in D, opus 104 dates from 1923 and has always been my favorite of the Sibelius symphonies. As Steinberg points out, much of this symphony is written in the Dorian mode (on the piano this consists of playing all the white keys beginning on D) giving the music an etherial and remote character. The scoring of this work is also unusual with Sibelius using a harp and a bass clarinet, both of which add a great deal of color to the orchestration. Although this symphony is in the standard four-movements it is far from traditional, as the music is weightless, enigmatic, and mysterious. It is restrained in tone and ends very softly after a remarkably beautiful theme in the strings. The sixth is a highly idiosyncratic work.

Sibelius' completed his final symphony, no. 7 in C in 1924. This is a work of only about 21 minutes in what is nominally a single movement. But in its short space, the symphony moves through a variety of tempos and moods, all tightly unified and flowing from one section to the next. Some hear the work in five sections while others hear it in three. Many critics have noted that "The Seventh Symphony consummates the nineteenth-century search for symphonic unity". (Steinberg, page 607, quoting Robert Layton.) The work opens with a long slow section based upon a drum-tap and an ascending scale and concludes with a loud, triumphant chord in the brass on C major. This is tightly-written yet romantic and passionate music that will repay many listenings. Even though Sibelius lived more than 30 years after completing this work, he composed no more symphonies.

This CD also includes Sibelius' violin concerto in D minor opus 47 which the composer wrote in 1903 and revised in 1905. This work has at least found its place in the standard concert repertory. (It was recently programmed a few weeks apart in my area by the National Symphony Orchestra in Washington D.C. and by the Fairfax Symphony Orchestra in suburban Virginia.) The work is performed here by Salvatore Accardo with Colin Davis conducting the London Symphony Orchestra. The violin concerto differs from Sibelius' symphonic writing in that it is unabashedly and passionately romantic in character and a crushingly difficult, virtuoso piece for the soloist. The first movement includes a long, famous and showy cadenza followed by a long meditative slow movement and a lively, icy finale. This is one of the finest twentieth-century violin concertos and worthy to stand with its great nineteenth century predecessors.

The CD closes with three of Sibelius' shorter works for orchestra including his most familiar work, "Finlandia" , composed in 1899, which for some years was the only work of the composer to get a hearing. It also includes the long tone-poem "Tapiola", one of the composer's last important works and written after the seventh symphony. But the highlight of these last three works is "The Swan of Tuneola" opus 22, which includes an inimitable solo for the English Horn performed here by Laurence Thorstenborg.

This CD and its companion are ideal ways to get to know the music of Sibelius.

Robin Friedman

WONDERFUL SOUND!.......2005-09-15

The orchestra here sounds so vast and powerful--but also it carries a mellowness, a smoothness. Fantastic listening!
It's a bit like the gutsy sound of Beethoven melded with the easy sound of Faure's choral stuff. Can't say enough about this!

Hype and reality.......2005-07-03

I recently bought the Sibelius Volumes 1 and 2 in 2-in-1 sets. I wont comment on the artistic content as they are covered in others reviews of this page. The sound quality of Vol 2 is decidedly degraded - almost unlistenable - compared to the much much higher quality of Volume 1 (with magnificient artistry). The transfers are AAD on the Phillips label which, like DGG, of the 1970's are not meant for better quality music systems (even of that period) and unless remastered disappoint the listener. It is possible that reissues for this particular packaging could be faulty or may be that the repackaging is so cleverly done that all the goodies are on Volume 1 and the second-best on the second. Davis is redoing the Sibelius Synphonies with LSO and that may account for the rush to get this set out of the way!