Trust In Me

Editorial Reviews
Product Description
With a combination of Hip Hop and R&B, in the traditon of Lauren Hill, 17 year old Juvon's first release is a rich collection of songs in the stream of life. A prolific writer as well as a wonderfully evocative singer, Juvon tackles the issues of his own reality, such as relationships, growing up in the hood, and the development of his own survival on the streets. With a family steeped in theater and the church, Juvon has had the luxury of a supportive mother (a Broadway star in her own right!) and an encouraging family. 'Trust In Me' is just the first step in the creative development of Juvon. The album was produced by award winning producers Mr. Smith and Mr. Weber. BAND_MEMBERS: Patrick Ross - Keyboards, programming Mr. Smith - Drum programming Freddie Flewelen - Bass Marlon Saunders - Drums Norris Evans - Keyboards, programming

Trust In Me,Juvon

Trust In Me

Tracks:

Spem In Alium
Sancte Deus
Salvator Mundi, Salva Nos I
Salvator Mundi, Salva Nos II
Gaude Gloriosa
Miserere Nostri
Loquebantur Variis Linguis
If Ye Love Me
Hear The Voice And Prayer
A New Commandment
O Lord, Give Thy Holy Spirit
Purge Me, O Lord
Verily, Verily I Say Unto You
Remember Not, O Lord God
Tunes For Archbishop Parker's Psalter
O Lord, In Thee Is All My Trust
Christ Rising Again
Blessed Are Those That Be Undefiled

Tracks:

Lamentations Of Jeremiah I
Lamentations Of Jeremiah II
Absterge Domine
O Sacrum Convivium
In Manus Tuas
Salve Intemerata
Magnificat For 4 Voices
Ave, Dei Patris Filia

Customer Reviews:

Impeccable English Style.......2007-07-13

If you favor blend, balance, pitch, and all the other parameters of the English traditional choral style, you'll be very impressed with the Tallis Scholars' refined presentation. the music speaks for itself.

The Tallis Scholars do their namesake proud.......2006-07-27

In the last couple of years, the Tallis Scholars have been compiling their sizeable recording output into attractive two-disc editions. Here, they've collected a large number of their interpretations of their namesake, Thomas Tallis. Tallis (c. 1505-1585) is, of course, one of the giants of Renaissance music, and he was certainly the greatest English composer of liturgical music between John Dunstable and William Byrd. I personally consider him the second-greatest Renaissance composer after Palestrina, but I'm not dogmatic about it. I love the music of Josquin, Victoria, and Byrd almost as much. Let's just say that, if you're interested in immersing yourself in the work of a single Renaissance composer, you can't do much better than Tallis.

These recordings were made 1985-1998, and they all sound great. Included in this collection are most of Tallis best and best-known works: the two Lamentations of Jeremiah, O Sacrum Convivium, Gaude Gloriosa, Tunes for Archbishop Parker's Psalter (which contains the theme that inspired Ralph Vaughan Williams' famous Fantasia), and the incredible 40-part motet Spem In Alium (which is one of the supreme masterpieces of the 16th century). Unfortunately, there are some notable absences, such as the Tallis Scholars' own recording of O Nata Lux. The Mass for 4 Voices, certainly one of Tallis' major works, is also nowhere to be found. Of course, there's only so much music that will fit onto two CDs, but it's still a shame that they couldn't fit at least one of Tallis' masses. Nevertheless, the music that's here is beautiful and powerful.

The Tallis Scholars themselves need no introduction. They're one of the most famous groups specializing in Renaissance music. It needs to be said, however, that if you're looking for "authentic" recordings (that is, recordings that approximate what the music originally sounded like in the 16th century), you might want to look elsewhere. The Tallis Scholars use female singers instead of boys or (ahem!) castrati (though it's doubtful that Tallis would have used or written for castrati himself). And one could complain that these recordings use too many singers for some of the smaller pieces or that the sopranos overpower some of the larger ones (like Spem In Alium). I'm neither an enthusiast nor an opponent of the authentic-performance movement; since we're listening to recorded music anyway, these issues strike me as moot. The Tallis Scholars are experienced and accomplished singers, and they achieve their primary goal: to provide superlative-sounding recordings of important early choral compositions. If you're looking for a fine compilation of Tallis' music or an excellent introduction to Renaissance music, this is it.

Average customer rating:

Music From Other Lifetimes
This needs a more articulate review...
happy music

Moondog 1 & 2
Moondog
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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Moondog
More Moondog/The Story of Moondog
The German Years 1977-1999
Viking of Sixth Avenue
Rare Material

ASIN: B00004YU0K
Release Date: 2000-11-06

Tracks:

Theme
Stamping Ground
Symphonique No. 3 (Ode to Venus)
Symphonique No. 6 (Good for Goodie)
Minisym No. 1
Lament, No. 1
Witch of Endor
Symphonique No. 1 (Portrait of a Monarch)
Bells Are Ringing
Voices of Spring
What's the Most Exciting Thing
All Is Loneliness
My Tiny Butterfly
Why Spend a Dark Night With Me
Coffee Beans
Down Is Up
Be a Hobo
Remember
I Love You
Nero's Expedition
No, The Wheel Was Never Invented
With My Wealth
This Student of Life
Some Trust All
Wine, Women and Song
Sadness
Maybe
Each Today Is Yesterday's Tomorrow
Imagine
You the Vandal
Trees Against the Sky
Behold
Sparrow
Pastoral

Customer Reviews:

Music From Other Lifetimes.......2007-07-28

I have been listening to Louis Hardin since 1974 when I was simultaneously introduced to MOONDOG and ALL GOOD MEN by Beaver & Krause - I think I must have used up all of my musical luck because nothing (including The Beatles, who are right up there next to God) has since resonated in me the way these two albums have. Hardin's unabashed musical honesty can be found but in two places, children and geniuses, and I think there must be a lot of both in Hardin. Each composition takes you on a different journey, if the listener has the courage to jump aboard; I always close my eyes, to be closer to the way the music was composed. I am particularly fond of his first album MOONDOG for a lot of reasons, but mostly I think because it was my introduction to a composer who has yet to meet his match, even within himself. As times change (and they inevitably will), other of his works will come to the fore and take their rightful place among the few that will always rise above all the rest.

This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France

Average customer rating:

A Classic Recording
A must for a Placido fan
Great for what it is
Certainly not ALLL the Essential Domingo
Solid, comfortable, familiar -- very good!

Essential Placido Domingo

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Very Best of
Por Amor
Bravo Domingo
De Mi Alma Latina
The Domingo Songbook

ASIN: B00064AEYW
Release Date: 2004-10-26

Tracks:

Nessun Dorma!
Se Quel Guerrier Io Fossi!.. Celeste Aida
Ch'Ella Mi Creda Libero E Lontano
Una Furtiva Lagrima
Quando Le Sere Al Placido
Bimba Dagli Occhi
Addio, Fiorito Asi
Ingemisco
Amor Ti Vieta
Sincero Amor
Ah! Tout Est Bien Fini-O Souverain, O Juge, O Pere
Apri La Tua Finestra!
E Lucevan Le Stelle
Firenze E Come Un Albero Fiorito
Di Rigori Armato Il Seno
Sole E Amore
Von Der Jugend
Di Quella Pira

Tracks:

Te Quiero, Morena-Jota
La Roca Fria Del Calvario (Romanze)
Por El Humo Se Sabe Donde Esta El Fuego
Granada
Andalucia
Serenata Tapatia
Adoro
Siempre En Mi Corazon
Malaguena
Dulcinea
The Impossible Dream (The Quest)
In Pace
Maria
Perhaps Love
Love Came For Me
A Love Until The End Of Time

Customer Reviews:

A Classic Recording.......2007-03-09

This was a great buy for me. The power and accuracy of Placido's voice are demonstrated well. Two CD's and 34 songs--just can't beat that for the price.

A must for a Placido fan.......2005-04-23

If you've continously listened to this master of tenors and said "wow, I like it, I want to listen even more of him", then raise it to 5 stars, which is the rating I personally give the CD; HOWEVER, if you've only heard him once or not at all, you might want to wait a while and get to know him and other tenors better. Why? Well, disc 1 is the "classical" disc, with arias from famous operas and choral pieces by Puccini and the like, but disc 2, the "modern" or "popular" disc, contains music that will leave you a bit puzzled, since it's is not for everyone; a lot of people have never heard zarzuela or tunes by Manzanero or Lecuona. In short, this disc is better suited for fans of Placido or people who want to know him better, if not, it still is a top choice, and this way you just might fall in love with him (well, his singing, not him literally).

Great for what it is.......2005-01-13

I agree with the previous poster that this does not contain his great dramatic stuff like otello/wagner, but the collection is a beautiful one. There are some great recordings here, and his crossover stuff(maria, Dulcinea, impossible dream) is very interesting. His opera is of course impecable and brilliant. Finally we get to hear Domingo's high C in Di Quella Pira, and its a good one. The zarzuela or spanish operetta type songs and are wonderful.

I found this to be beautiful and exhilirating to listen to.

Certainly not ALLL the Essential Domingo.......2005-01-03

I grew up with Placido Domingo. Not in the sense of being boyhood friends, but rather in the sense that he was part of my "Golden Age" at the Metropolitan Opera. Of the "Three Tenors" (more Marketing hype than useful grouping of three fine singers) Domingo was the most dramatic - the "heaviest" of the three. His repertoire extended well beyond the lyric - and that's why this collection is not all the "essential" Domingo, but rather offers an interesting look at the lighter, more lyric side of Placido Domingo. You won't find Lohengrin or Otello here, but you will find many of the more lyric tenor arias from Verdi, Puccini and Donizetti - to name a few.

There is an "edge" to Domingo's voice that perhaps accounts for his ability to transition successfully into the heavier repertory. I find that tonal quality particularly noticeable in this collection - and sometimes too pronounced. On the other hand, there are a few wonderful surprises. His "Una furtiva lagrima" from L'elisir d'amore is a stand out. Its rare you here a tenor with this much power sing the role. The duet "Bima dagli occhi" from Madama Butterfly with Renata Scotto, again casts Pinkerton with a quality tenor not often found in the opera house any more. I loved the selection from Gianni Schicchi - when is the last time you found Rinuccio cast with this size tenor voice - and the Italian tenor's aria from Rosenkavalier is a treasure from a recording currently out of print. And then there is one of Domingo's signature roles - Jack Rance in Puccini's La Fanciulla del West. No one sings Rance better than Domingo - and the excerpt from the complete recording finds Domingo at his very best.

Disk two is devoted to song - popular and classical. There is a fair amount of tripe - too much cross over (as in who needs to hear Domingo sing "The Impossible Dream" from Man of La Mancha - Broadway is not Mr. Domingo's genre). But there are some wonderful cuts as well - "Granada" is a Domingo encore specialty, and I was particularly struck by the song "In Pace" from the motion picture Hamlet - I never saw the film and was truly taken aback at how beautiful a song this is, and Domingo's voice soars.

I found the sound of these CD's a bit "tinny". Perhaps its the analogue to digital conversion, but I was disappointed in the overall sound. The album is badly mistitled "The Essential Placido Domingo". Certainly this is some of the essential Domingo - and some very wonderful examples of the lyric Domingo - but there is clearly a volume two to come - the dramatic Placido Domingo. But why wait - buy this fine collection, and then feast on some of the complete recordings such as Otello or Lohengrin.

Solid, comfortable, familiar -- very good!.......2005-01-01

Why wait to see if this reviewer enjoyed Sony's latest offering: I did, and so will you. Hats off to Sony for getting it right with this two CD, 34-song bonanza of Placido Domingo singing -- well, as the name implies -- the essentials, from opera to Broadway to Hollywood, in a mix that keeps its distance while holding it all together in a package that breeds enough familiarity to make even the most harsh tenor critic purr. The more clasical offerings are on the first CD and the more sentimental are on disc two. Interestingly, I found side two more seductive and subdued in tone, and enjoyed listening to Mr. Domingo's interpretation of such popular favorites as "Maria" from "West Side Story", "Dulcinea" from "Man From LaMancha" and a couple duets with John Denver (Perhaps Love) and Maureen McGovern (A Love Without End). The songs selected for side two actually did set a thematic tone. Readers of my reviews know that I place a high value on a CDs overall ability to present what is offered in a bundle that sets and keeps a mood. I usually ask two questions: is it consistent once the mood is set; and does it keep the listener in that mood throughout once established? Here, well, here, I break from tradition and profess some confusion. The mood on disc one is not thematic but ecclectic -- from solo's to duets, from live recordings to studio, from one orchestra to the next, from upbeat to mellow. Technically, while there is some difference in the overall sound quality while switching from one setting to another, it is something you would have to listen for to catch, and becaue of this doesn't amount to a serious flaw as presented. What saves disc one from my usual "tenor blahs" is Mr. Domingo's exceptional voice and the selection of songs chosen -- which, while altering between one mood and another, are all familiar enough that we listen with knowing ease to what we expect. This isn't the kind of CD you put on while holding a conversation with anyone, but rather one you would put on, close your eyes and listen to for its sheer technical achievement -- or more precisely for Mr. Domingo's talent. The voice is clear and strong and passinate and reflects Mr. Domingo's control of his range and interpretive skills. Listen to Verdi's "Ingemisco" with The London Symphony and Leonard Bernstein; Puccini's "Bimba Dagli Occhi" with Renata Scoto (he sings a couple meodies with Scoto) and Umberto Giordino's "Amor ti Vieta" from Fedora to get an idea of what I am referring to here. It took me a couple sessions with each side to settle down and appreciate what was offered. Hopefully this review will get you ready and you will enjoy it from the start. PJW

Handel - Chandos Anthems (Complete) / Dawson · Kwella · Bowman · Partridge · M. George · The Sixteen · Christophers

Average customer rating:

Divine!
Oh, I love Handel!!
Why aren't these better known?
Excellent - one of the best Handel CD's availible.
Rediscovered, the Chandos anthems deserve your ears!

Handel - Chandos Anthems (Complete) / Dawson · Kwella · Bowman · Partridge · M. George · The Sixteen · Christophers
George Frideric Handel , Harry Christophers , Lynne Dawson , James Bowman , Ian Partridge , Michael George , Patrizia Kwella , and The Sixteen Choir & Orchestra
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Vivaldi: La Stravaganza
Handel - Coronation Anthems / Gritton, Blaze, M. George, Choir of King's College Cambridge, AAM, Cleobury
Handel: The Occasional Oratorio /Gritton * Milne * Bowman * Ainsley * George * The King's Consort * King

ASIN: B000000A5J
Release Date: 1994-07-26

Tracks:

Chandos Anthems: Anthem 1: O Be Joyful In The Lord - Sonata
Chandos Anthems: Anthem 1: O Be Joyful In The Lord
Chandos Anthems: Anthem 1: Serve The Lord With Gladness
Chandos Anthems: Anthem 1: Be Ye Sure That The Lord He Is God
Chandos Anthems: Anthem 1: O Go Your Way Into His Gates
Chandos Anthems: Anthem 1: For The Lord Is Gracious
Chandos Anthems: Anthem 1: Glory Be To The Father
Chandos Anthems: Anthem 1: As It Was In The Beginning
Chandos Anthems: Anthem 2: In The Lord Put I My Trust - Sonata
Chandos Anthems: Anthem 2: In The Lord Put I My Trust!
Chandos Anthems: Anthem 2: God Is A Constant Sure Defense
Chandos Anthems: Anthem 2: Behold! The Wicked Bend Their Bow
Chandos Anthems: Anthem 2: But God, Who Hears The Suff'ring Pow'r
Chandos Anthems: Anthem 2: Snares, Fire And Brimstone
Chandos Anthems: Anthem 2: The Righteous Lord
Chandos Anthems: Anthem 2: Then Shall My Song
Chandos Anthems: Anthem 3: Have Mercy Upon Me - Sonata
Chandos Anthems: Anthem 3: Have Mercy Upon Me, O God
Chandos Anthems: Anthem 3: Wash Me Thoroughly From My Wickedness
Chandos Anthems: Anthem 3: For I Acknowledge My Faults
Chandos Anthems: Against Thee Only Have I Sinned
Chandos Anthems: Anthem 3: Thou Shalt Make Me Hear Of Joy And Gladness
Chandos Anthems: Anthem 3: Make Me A Clean Heart, O God
Chandos Anthems: Anthem 3: Then Shall I Teach Thy Ways Unto The Wicked

Tracks:

Chandos Anthems: Anthem 4: Sonata
Chandos Anthems: Anthem 4: O Sing Unto The Lord A New Song!
Chandos Anthems: Anthem 4: Declare His Honour Unto The Heathen
Chandos Anthems: Anthem 4: The Waves Of The Sea Rage Horribly
Chandos Anthems: Anthem 4: O Worship The Lord In The Beauty Of Holiness
Chandos Anthems: Anthem 4: Let The Whole Earth Stand In Awe Of Him
Chandos Anthems: Anthem 4: Let The Heav'ns Rejoice
Chandos Anthems: Anthem 5: Sonata
Chandos Anthems: Anthem 5: I Will Magnify Thee, O God My King
Chandos Anthems: Anthem 5: Ev'ry Day Will I Give Thanks Unto Thee
Chandos Anthems: Anthem 5: One Generation Shall Praise Thy Works Unto Another
Chandos Anthems: Anthem 5: The Lord Preserveth All Them That Love Him
Chandos Anthems: Anthem 5: The Lord Is Righteous In All His Ways
Chandos Anthems: Anthem 5: Happy Are The People That Are In Such A Case
Chandos Anthems: Anthem 5: My Mouth Shall Speak The Praise Of The Lord
Chandos Anthems: Anthem 6: Sonata
Chandos Anthems: Anthem 6: As Pants The Hart For Cooling Streams
Chandos Anthems: Anthem 6: Tears Are My Daily Food
Chandos Anthems: Anthem 6: Now, When I Think Thereupon, I Pour My Heart By Myself
Chandos Anthems: Anthem 6: In The Voice Of Praise And Thanksgiving
Chandos Anthems: Anthem 6: Why So Full Of Grief, O My Soul?
Chandos Anthems: Anthem 6: Put Thy Trust In God, For I Will Praise Him

Tracks:

Chandos Anthems: Anthem 7: 1: Sonata
Chandos Anthems: Anthem 7: 2: My Song Shall Be Alway
Chandos Anthems: Anthem 7: 3: For Who Is He Among The Clouds
Chandos Anthems: Anthem 7: 4: God Is Very Greatly To Be Feared
Chandos Anthems: Anthem 7: 5: The Heav'ns Are Thine
Chandos Anthems: Anthem 7: 6: Righteousness And Equity Are The Habitation
Chandos Anthems: Anthem 7: 7: Blessed Is The People
Chandos Anthems: Anthem 7: 8: Thou Are The Glory
Chandos Anthems: Anthem 8: 1: Sonata
Chandos Anthems: Anthem 8: 2: O Come, Let Us Sing Unto The Lord
Chandos Anthems: Anthem 8: 3: O Come, Let Us Worship
Chandos Anthems: Anthem 8: 4: Glory And Worship Are Before Him
Chandos Anthems: Anthem 8: 5: Tell It Out Among The Heathen
Chandos Anthems: Anthem 8: 6: O Magnify The Lord
Chandos Anthems: Anthem 8: 7: The Lord Preserveth The Souls Of The Saints
Chandos Anthems: Anthem 8: 8: For Look, As High As The Heaven Is
Chandos Anthems: Anthem 8: 9: There Is Sprung Up A Light For The Righteous
Chandos Anthems: Anthem 9: 1: O Praise The Lord With One Consent
Chandos Anthems: Anthem 9: 2: Praise Him, All Ye That In His House
Chandos Anthems: Anthem 9: 3: For This Out Truest Int'rest Is
Chandos Anthems: Anthem 9: 4: That God Is Great We Often Have
Chandos Anthems: Anthem 9: 5: With Cheerful Notes Let All The Earth
Chandos Anthems: Anthem 9: 6: God's Tender Mercy Knows No Bounds
Chandos Anthems: Anthem 9: 7: Ye Boundless Realms Of Joy
Chandos Anthems: Anthem 9: 8: Your Voices Raise

Tracks:

Chandos Anthems: Anthem 10: The Lord Is My Light - Sinfonia
Chandos Anthems: The Lord Is My Light And My Salvation
Chandos Anthems: Though A Host Of Men Were Laid Against Me
Chandos Anthems: One Thing Have I Desired Of The Lord
Chandos Anthems: I Will Offer In His Dwelling An Oblation
Chandos Anthems: For Who Is God But The Lord?
Chandos Anthems: The Lord Is My Strength And My Shield
Chandos Anthems: It Is The Lord That Ruleth The Sea
Chandos Anthems: Sing Praises Unto The Lord
Chandos Anthems: Anthem 11: Let God Arise - Sonata
Chandos Anthems: Let God Arise
Chandos Anthems: Like As The Smoke Vanisheth
Chandos Anthems: Let The Righteous Be Glad
Chandos Anthems: O Sing Unto God
Chandos Anthems: Praised Be The Lord!

Amazon.com

This series of 11 church anthems is a sterling example of doing more with less. Though their format is multiple movements for soloists, chorus, and orchestra, inviting grand treatment, Handel had available only a couple of oboes and a small string band and choir (with no violas or altos for numbers 1 to 6). Yet each one of these anthems is a gem. Handel's music captures well the changing moods of the Psalm texts--from somber penitence to serene bliss to infectious joy to the raging of storms and seas. Though James Bowman's arias lie uncomfortably low for him, he and Michael George do fine work; Lynne Dawson, Patrizia Kwella, and Ian Partridge are delightful. Harry Christophers leads his choir and orchestra in subtly inflected and beautifully paced performances. --Matthew Westphal

Customer Reviews:

Divine!.......2007-06-17

These psalms set to music, for use in church services, are divine! Handel never fails to please and the recording is top notch.
Now that you've heard Handel's versions, be sure to check out what Henry Purcell did a generation earlier with the same material.

Oh, I love Handel!!.......2007-04-18

Why haven't I heard of this music before? I have long loved the Messiah, in fact, I have about 15 different CD versions of it! Now I can listen to Handel all year long, and for me this is all new music! If you love Handel's Messiah, you will love this collection! I just started listening to it on my drive to and from work, and I was transported! I enjoy the solos, the duets, and then the whole ensemble singing gloriously together. I am very happy I purchased the entire set!

Why aren't these better known?.......2006-04-14

It boggles my mind that this seems still to be the only complete set of the Anthems available on CD. The first of the discs came out in 1989 or so and volumes 1 and 2 were among the first CDs I ever bought (late adopter, I admit); I eagerly awaited and bought the others as they came out. Not that there's much to criticize about these performances. Oh, you may not like the tenor's very heavy dependence on mixed voice to hit high notes -- I don't mind it and for all I know it's faithful to the style of Handel's day -- or like the sound of the countertenor soloists or even the particular vocal qualities of one or the other of the sopranos (I find nothing wrong with any of them), but the chorus and instrumentalists sing and play crisply and very well. These Anthems were written to be lively and entertaining as well as full of honest devotion. Handel's grasp of English was still shaky at the time, and the choice of metrical versions of the Psalms for many of the texts is, well, questionable. More that one phrase will raise a smile: "That God is great we often have/ By glad experience found/ And seen how he with wond'rous pow'r/ Above all other gods is crown'd" is a prime example -- but listen to the bass (under-used by Handel in these Anthems, sadly: perhaps he lacked a reliable one at the time) sing Handel's setting, which reminds me of a beautiful, affectionate puppy of a large breed: slightly ridiculous, a bit bumbling, but attractive and strong and lovable. Or the chorus about "snares, fire, and brimstone" pouring in a "dreadful mixture" on the wicked: clearly the choristers are having great fun, just as I would, given the chance to sing this absurd version of the Psalmist's words. Buy this set, get your local choral society to sing one or more of these Anthems (I got to sing #11 once), spread the word.

Excellent - one of the best Handel CD's availible........2001-11-29

This baroque era "Praise Music" is light years beyond the vacuous pablum that passes for praise music in churches today. I have had these four CD's for almost a decade (previous release) and they are still among my favorites. Almost all the songs (all the spoken music that is - a few songs are instrumental preludes) are Bible scripture verses set to music - similar to what Handel did in the Messiah. The musical quality of the CD is excellent. You would never guess that only 16 people are doing the choral parts. If you only have 10 CD sets of traditional Christian music this CD set should be one of them.

Rediscovered, the Chandos anthems deserve your ears!.......1998-10-27

Handel's Chandos anthems are apparently being rediscovered, as the release of several new recordings bears witness. This set is surely the best available, and is certainly the only complete collection. Especially beautiful are the duets ("O Worship the Lord in the Beauty of Holiness" and "Wash Me Th'roughly") and the tenor's recitatives. Performance is brisk and tight, though never rushed. Those who favor Simon Preston's even snappier style may prefer his rendition of Anthem 10 (now distributed with his very fine, and affordable, "Israel in Egypt"), but overall no one can be disappointed with this collection of too-rarely heard works.

Average customer rating:

Astonishing music

Tallis: Complete English Anthems

Manufacturer: Gimell UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

William Byrd: The Great Service: Anthems
Tallis: Spem in Alium
Tallis: Lamentations of Jeremiah
John Browne: Music from the Eton Choirbook
Byrd: 3 Masses

ASIN: B00005ATCV
Release Date: 2002-02-12

Tracks:

If Ye Love Me
Hear The Voice And Prayer
A New Commandment
O Lord, Give Thy Holy Spirit
Purge Me, O Lord
Verily, Verily I Say Unto You
Remember Not, O Lord God
Tunes For Archbishop Parker's Psalter
Out From The Deep
O Lord, In Thee Is All My Trust
Christ Rising Again
Blessed Are Those That Be Undefiled

Customer Reviews:

Astonishing music.......2004-06-09

--Thomas Tallis--
Thomas Tallis, born in 1505, was one of the outstanding liturgical composers of his day, being the acknowledged master of the composers of England from the time of Queen Mary's reign forward. He was a composer and Gentleman of the Chapel Royal during the reigns of Henry VIII, Edward VI, Mary, and Elizabeth, and worked closely with many other composers, most particularly William Byrd. He was an organist in addition to composer. He died in 1585, having navigated his way through the tumultuous catholic/protestant difficulties of the church which provided his livelihood and creative outlet.

--English Anthems--
There are twelve anthems here. Tallis recognised the needs of the newly Protestant clergy, who looked for intelligibility and simplicity in the worship. These anthems were in the vernacular of the people, some of the earliest liturgical anthems in English (as prior to this, the Catholic church celebrated in Latin). However, the compositions here span the time from the young King Edward's reign to the middle of Queen Elizabeth's reign, a time of great shifting of religious foundations and sensibilities.

There are some pieces here for men's voices only - four-part pieces such as 'If ye love me' and 'Here the voice and prayer' are quick famous, and very concise in scope. Other pieces are more elaborate, MATB choirs, and a few very substantial five-voice compositions, 'Christ rising' and 'Blessed are those', the later scored for a standard pre-Reformation choir of treble, mean, countertenor, tenor and bass.

The 'Tunes for Archbishop Parker' consists of eight tunes, two of which may be very familiar - the 'Fantasia on a theme of Thomas Tallis' by Ralph Vaughn Williams comes from this number, as does Tallis' classic 'Canon'.

--Liner Notes--
Being internationally acclaimed, the Tallis Scholars' CDs typically present their commentary and texts in English, French, German and Italian (together with any Latin texts); that is true of this disc. The cover art also typically represents visual arts contemporary with the compositions - here it is a piece from Hans Holbein the Younger, a portrait of Edward VI as a child, painted in 1538, during Tallis' lifetime.

--The Tallis Scholars--
The Tallis Scholars, a favourite group of mine since the first time I heard them decades ago, are a group dedicated to the performance and preservation of the best of this type of music. A choral group of exceptional ability, I have been privileged to see them many times in public, and at almost every performance, their singing seems almost like a spiritual epiphany for me, one that defies explanation in words. Directed by Peter Phillips, the group consists of a small number of male and female singers who have trained themselves well to their task.

Tracks:

Quechuna Song - Anonymus
O Lord In Thee Is All My Trust
Estonian Lullaby
Remember Me My Dear - Anonymus
Gloria
Fayrfax Africanus
Agnus Dei
Novus novus - Anonymus
Se je fayz dueil
O ignis spiritus

Tracks:

Alleluia nativitatis - Anonymus
Delphic Paean
Strophe and Counter-Strophe
Mascarades - Anonymus
Loiterando
Estonian Lullaby
Russian Psalm - Anonymus
Eagle Dance
When Jesus Wept
Hymn To The Sun

Amazon.com

It's been six years since these same performers got together to create one of the decade's more unusual experiments in musical alchemy. Beginning with the raw materials of early music and modern jazz, the four male voices of the Hilliard Ensemble joined with jazz saxophonist Jan Garbarek to see what would happen when the proper measure of old music and new style were combined, shaped by the performers' considerable experience and collective aesthetic vision. The success of that recording, titled Officium, and subsequent concert performances paved the way for this second effort, continuing the performers' search for artistically meaningful, musically satisfying combinations of written music and improvisatory elements. The odd title of the new recording comes from a mystical poem by Friedrich Hölderlin, quoted in the liner notes and accompanied by pictures from Ingmar Bergman's The Seventh Seal. Officium aficionados will notice that Mnemosyne is even more adventurous in its explorations, which range farther and farther from the printed page. Musical fragments and a general outline are the starting points for several pieces. Improvisation is more frequently and freely employed, but always adheres to an agreed stylistic framework. Alongside a Tallis hymn or a chant by Hildegard, we hear Iroquois and Peruvian song fragments, an ancient Greek tune, and a beautiful lullaby by Veljo Tormis. Garbarek's tasteful improvisations are appropriate additions, inspired commentaries. The Hilliards are even better than on Officium; their awareness and sensitivity brings everything together into a truly unified expression that shows the timelessness of music and reminds us that where rhythm, melody, and musical imagination join, different styles, centuries, and genres are not necessarily obstacles to compatibility. --David Vernier

Customer Reviews:

A winter"s night.......2005-07-23

Though I am not much of an expert in music as to write a good review, I have enjoyed Jan Garbarek's saxo for many years now, and most recently his previous work with the Hilliard Ensemble, "Officium".
What else can I say?
Just imagine a cold winter's night (and nights are cold these day in the Southern Hemisphere), cudled inside your home, by the fireplace, with the company of a good book, smoking your pipe, sipping some good french brandy and listening this marvelous music.
What else can compare to such an experience?
Tomás Linn

horrible.......2005-01-13

Cheesy saxophone and Gregorian chants do not go together, or if they do, they'll end up sounding like this. The Hilliard Ensemble is wonderful and I love to listen to it, but not with a bunch of tacky and unnecessary smooth jazz lines over top.

Lovely indeed.......2002-02-25

I was fortunate enough to see Garbarek and the Hillard Ensemble perform pieces from this disc in Tokyo; one of the true surprises and delights of the evening (which I haven't found on the CD yet) was Garbarek's decision to quote from Albert Ayler's "Ghosts" on one piece. You might wonder with a classical vocal group who focus on early music and modern avant-garde choral composition have to do with Albert Ayler -- it seems a difficult gap to bridge. Hearing this two disc set will do much to make it clear. There is something genuinely spiritually uplifting in this music; it never approaches the New Agey wallpaper of Garbarek's weakest disc, VISIBLE WORLD, however -- it's not a tritened, mass-consumable spirituality at work here. There is grief, suffering, sorrow, pain, and fear acknowledged and embraced in this music; and yet it is still life affirming and inspiring (and beautiful to dream to). The spiritual aspect of Ayler's music, of free jazz itself, deserved the acknowledgement; Ayler was one of the most spiritually uplifting jazzmen of the movement, which often spoke in the idiom of the spiritual -- it would have been just as well (though far less moving, somehow, and far less musically appropriate) to quote "A Love Supreme"). Don't be worried by the unusual combination of jazz and classical elements; as another reviewer notes, Garbarek's voice blends in perfectly with the rest of the group, sounds a part of the whole. You'll forget that choral music usually doesn't include a soprano sax in a surprisingly short time. (Note - Garbarek brought a tenor to do the Ayler bit; I really don't know if it's on these discs, as I haven't listened to them in completion yet, but he does play tenor sax on them, so we can hope). Highly recommended stuff. The art for the booklet, by the way, is taken from Ingmar Bergman's SEVENTH SEAL, which is very, very appropriate. People who like and admire Meredith Monk's music (particularly BOOK OF DAYS, her finest work, by me) will appreciate this greatly, too. And vice-versa.

Uplifting.......2000-02-21

A fantastic journey through time and space, ranging from ancient Greece to present-day compositions by Garbarek. No less spirited than Officium, but much more varied. Whereas Officium was very much the Hilliards with Garbarek adding (at times rather exhibitionist) comments, here they play together almost as a band - and what a band! With beautiful packaging and stunning production, this is immensely enjoyable and uplifting.

Average customer rating:

35 unmistakable tracks
Wonderful
The Different Drummer We Once Were
For those who love the music
Moondog

Moondog

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Traditional Folk | Folk | Styles | Music

Avant Garde & Free Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | New Age | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Minimal Techno | Techno | Dance & DJ | Styles | Music

Tracks:

Madrigals: Rounds And Canons: No. 12-Nero's Expedition
Madrigals: Rounds And Canons: No. 13-No, The Wheel Was Never Invented
Madrigals: Rounds And Canons: No. 14-With My Wealth
Madrigals: Rounds And Canons: No. 15-This Student Of Life
Madrigals: Rounds And Canons: No. 16-Some Trust All
Madrigals: Rounds And Canons: No. 17-Wine, Woman And Song
Madrigals: Rounds And Canons: No. 18-Sadness
Madrigals: Rounds And Canons: No. 19-Maybe
Madrigals: Rounds And Canons: No. 20-Each Today Is Yesterday's Tomorrow
Madrigals: Rounds And Canons: No. 21-Imagine
Madrigals: Rounds And Canons: No. 22-You The Vandal
Madrigals: Rounds And Canons: No. 23-Trees Against The Sky
Madrigals: Rounds And Canons: No. 24-Behold
Madrigals: Rounds And Canons: No. 25-Sparrow
Madrigals: Rounds And Canons: No. 26-Pastoral

Customer Reviews:

35 unmistakable tracks.......2005-02-24

You don't need to buy the double-disc "Moondog 1 & 2" to hear the two albums - all that music can also be heard on this (75 minute) single disc.
Even though the only cover art of this edition is the original front cover of the 1969 "Moondog" (no original back-cover thereof nor any art from the 1971 "Moondog II",) all 35 tracks are nicely crammed in here.
What's listed under "Listen to samples" on the amazon page are only the last 20 tracks of this CD and all titles are linked to the wrong tracks.

"Moondog I" (tracks 1-9) opens with "Theme" and "Stomping Ground" - two somewhat coherent pieces which a few years ago were made quite famous through the soundtrack of Coen Brothers' wonderful movie "The Big Lebowski." The album features a 50+ piece orchestra, which, among other greats, includes jazz veterans Don Butterfield (tuba) and Ron Carter (double bass.) In the list of personnel, Moondog is not credited for playing percussion, but the bass, which I assume is a misprint.
The beautiful Charlie Parker homage "Lament I: Bird's Lament" is here performed in its original form, but can also be found on the 1994 Moondog recording "Sax Pax For a Sax" on only saxes and percussion.
The orchestral performances on "Moondog I" aren't flawless, but should not be judged harshly because of the very personal, highly individual, and wonderfully eccentric form of compositions that they are. Budget, which is a very common issue when it comes to orchestral recordings, is another element that probably has not allowed much rehersing or many (if any) re-takes.

Before ordering this disc I knew that I'd love "Moondog I" since I'd heard most of it previously, but I was skeptical towards "Moondog II" because of some reviews I'd read of it. I was however curious, and listening to it when it had arrived was a very nice surprise.
Aside from performances by Louis "Moondog" Hardin (percussion, piano, vocals) and his daughter June (vocals,) "Moondog II" features 6 other musicians who, at different points throughout the album, play virginals, recorders, harpsichords, ancient organs, guitars, schom, viola de gamba, and troubadour harp. These instruments alone make a very individual sound, but the compositions (many of which are in 5/4 and 5/8) and the poetry make this the most wonderful group of rounds (short vocal canons) you've ever heard.

In my 700+ CD collection, this is among my favorites.

Wonderful.......2004-01-26

Beautiful, quirky, fascinating. A combination of classical, jazz, and improv, this collection made me close my eyes and just feel the music. Interspersed with several of Hardin's two-line poems as punctuation, the musical pieces are truly a wonder.

The Different Drummer We Once Were.......2004-01-05

I bought this album because of a memory, but the music stands up remarkably well to a more objective listening.

It was my first trip to New York City, and my father approached the wildly-dressed, tall and intiimidating figure standing on the corner of 56th St. and 7th Ave. They conversed in Norwegian long enough for me to draw nearer and realize the stranger represented no threat. In fact, I left with a book of hs canons, which remains in my collection of piano literature to this day.

I met Moondog once again--serendipitously, on Milwaukee's Wisconsin Avenue one day in the seventies. I have no idea how he got there or how he left, but this time I wanted to protect him from the insensitive pedestrians swirling around us and threatening our shared moment.

Moondog's music is as singular as he is, and offers a glimpse into his creative spirit. It begins with an idea and a form, not with an emotion or sentiment. Each piece is simple and brief, but not simplistic or fragmentary. He avoids any form of dissonance, even seventh chords and "blue" notes (flatted thirds). Music, like life, he seems to be saying, can be a straightforward, delighting adventure, providing one cherishes the quest itself above its so-called object and maintains a focused attention on the wonders of the present moment.

My only slight disappointment with this recording is that the madrigals, sung by Moondog and his daughter, are subjected to some studio effects that make them sound more artificial and commercial than they deserve to be.

For those who love the music.......2003-11-29

It is simple, it is clear, it is wonderful! I don`t know what style is this. Some people call it `jazz`, but second disc is strongly attached to european madrigal canons. I think, if we listen really good music, we never asked about styles. I heard familiar tunes from Tchaikovsky to Resident`s Duck Stab. You must have this if you`re music lover. If you`re musician (who plays music, dont `have a job`) you must have it too. Listen once or twise, if you don`t like it, simply put it on the shelf. Properly time will come.
P.S. My favorite `I love you` and `Nero`s Expedition`

Moondog.......2002-05-16

I was in the St. Thomas Boys Choir in the early 70's. We would walk to church for rehearsal, and pass Moondog, standing on the corner, usually by the ABC building. A couple of us would talk to him in our free time...he knew our names by our voices. We would listen to his poetry, and he seemed intigued by our choir, although he never heard us, I think. I got his album around this time, and have had it ever since. Fascinating pieces, very intricate, but also with "a hook"...that you find yourself humming along with. I heard he moved to Germany, where he wrote a nine hour canon. Overall, an amazing life story, and an incredible talent.

Average customer rating:

Handel Classics

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B0001XLW6C
Release Date: 2004-05-25

Tracks:

The Arrival Of The Queen Sheba - Simon Standage
For Unto Us - Richard Hickox
Silent Worship - James Gilchrist
Alla Hornpipe - Scottish Chamber Orchestra
Ombra Mai Fu - Simon Standage
Allemande - Sophie Yates
Tra Le Fiamme (Aria) - Catherine Bott
V. Allegro - Simon Standage
Be Ye Sure That The Lord He Is God - Lynne Dawson
Gigue - Scottish Chamber Orchestra
Menuet - Scottish Chamber Orchestra
Dixit Dominus (Chorus) - Harry Christophers
II. Sonata - Sophie Yates
See, The Conqu'ring Hero Comes! - Simon Standage
Rejoice Greatly - Simon Standage
Lascia Ch'io Pianga - Simon Standage
I. Larghetto - The Purcell Quartet
Mie Piante Correte - Simon Standage
Let The Bright Seraphim - Simon Standage
Dead March - BBC Philharmonic

Tracks:

Allegro - Sir Alexander Gibson
The Trumpet Shall Sound - Richard Hickox
II. Allegro - Collegium Musicum 90
Make Me A Clean Heart, O God - Lynne Dawson
II. Allegro - The Purcell Quartet
Una Guerra Ho Dentro Il Seno - Simon Standage
III. Allegro - Simon Standage
IV. The Harmonious Blacksmith - Sophie Yates
Behold! The Wicked Bend Their Bow - Harry Christophers
Overture - Simon Standage
Crudel Tiranno Amor - Simon Standage
Andante Larghetto (Minuett) - Simon Standage
Dank Sei Dir, Herr - Sellers Engineering Band
Air - Sir Alexander Gibson
Ev'ry Valley - Richard Hickox
II. Saraband - Sophie Yates
Where E'er You Walk - Simon Standage
The Lord Is My Strenght And My Shield - Harry Christophers
II. Allegro - Yuli Turovsky
Hallelujah - Richard Hickox

Average customer rating:

Trust in Me
Houston Person
Manufacturer: Prestige
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Soul-Jazz & Boogaloo | Jazz | Styles | Music
ASIN: B00005N81D
Release Date: 2001-08-14

Tracks:

Chocomotive
You're Gonna Hear From Me
Close Quarters
Since I Fell For You
More (Theme From Mondo Cane)
Airegin
One Mint Julep
Trust In Me
Hey There
My Little Suede Shoes
That Old Black Magic
Sometimes I Feel Like Motherless Child
The Second Time Around

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Average customer rating:

A Collection of the Original Oz Stage Productions
Ain't it a Shame!
Why the 1903 "Wizard" was forgotten
A long overdue revisit to a classic American musical
Long-Forgotten Broadway Hit Gets First Rate Revival

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

General | Soundtracks | Indie Music | Stores | Music
Similar Items:

The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon
The Wizard of Oz (1988 London Cast)
The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast)
Shock Treatment (1981)
The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition

ASIN: B00009MPYQ

Tracks:

Wizard of OzSelection (Arthur Pryor's Band)
The Bullfrog and the Coon (Ada Jones)
Pocahontas (Edward M. Favor)
Daisy Donohue (Harry Tally)
Down on the Brandywine (Collins & Harlan)
Come Take a Skate with Me Sung (Collins & Harlan)
I Love You All the Time (Harry Macdonough)
The Moon Has His Eyes on You (Ada Jones)
When You Love, Love, Love (Thomas E. Whitbred)
When We Get Whats a-Comin to Us
Mister Dooley Sung (Edward M. Favor)
Julie Dooley (J. W. Myers)
Meet Me Down at the Corner (Jones & Spencer)
Budweisers a Friend of Mine (Billy Murray)
Theres a Lot of Things You Never Learn at School (Bob Roberts)
Under a Panama (Billy Murray)
Good Bye Fedora (Collins & Harlan)
Sitting Bull (Collins & Harlan)
I Love Only One Girl in this Wide Wide World (Harry Macdonough)
Sammy (Harry Macdonough)
The Tale of a Stroll (Morgan & Stanley)
Cant You See Im Lonely? (Ada Jones)
Are You Sincere? (Byron G. Harlan)
Hurrah for Baffins Bay (Collins & Harlan)
Football (Dan W. Quinn)
Id Like to Go Halves in That (Burt Shepard)
Rejoice!The Wizard is No Longer King
The Traveler and the Pie
Must You? (Dan W. Quinn)
Thats Where She Sits All Day (Dan W. Quinn)
The Sweetest Girl in Dixie (Henry Burr)
Scarecrow Laugh (Fred Stone)

Tracks:

Sammy Mira (Music Box Disc)
Must You? (Mira Music Box Disc)
Opening Prayer
Phantom Patrol
Just a Simple Girl from the Prairie
Poppy Song
Love is Love
When We Get What's A-Comin' to Us
The Traveler and the Pie
When You Love, Love, Love
Rejoice! The Wizard is No Longer King
Phantom Patrol (Aeolian Piano Roll)
My Little Maid of Oz Aeolian Piano Roll
The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
The Tik-Tok Man of OzSelection (Piano Roll)
Ask the Flowers to Tell You (Macdonough & Dunlap)
My Beautiful Dream Girl (John Barnes Wells)
My Pretty Little Piece of Dresden China (Bessie Wynn)
Gay Paree (Montgomery & Stone)
Travel Travel Little Star (Montgomery & Stone)
A Scotch Moriah (Montgomery & Stone)
Hurrah for Baffins Bay (Dan W. Quinn)
Daisy Donohue (Trombone Solo by Arthur Pryor)
Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
Down on the BrandywineMedley (Edison Military Band)
The Bullfrog and the CoonMedley (Six Brown Brothers)
Ill Take You Back to Italy (Ada Jones & Billy Murray)
Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!

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