One More Day

Track Listings
1. Will You Be Ready
2. One More Day
3. Everything Must Change
4. Coming Home Transition
5. Coming Home
6. He Loves Me
7. Unmovable
8. Missing You
9. Spirit of Hope Transition
10. In a World
11. I'll Praise Your Name
12. When You Call
13. Praise and Worship

One More Day,Kevin Stewart,Teg (Mid200),Gospel,Gospel/Christian Music,Pop


One More Day

One More Day
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Average customer rating: 4.5 out of 5 stars
  • They were right--there is NO business like the show business they did way back when !!!
  • One of the best cds I ever bought.
  • Never Sounded Better
  • Somewhere Over The Rainbow
  • "Hollywood Musicals of the Golden Age are still among us"
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

  1. Singin In The Rain - Gene Kelly
  2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
  3. 'S Wonderful - Gene Kelly & Georges Guetary
  4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
  5. Stranger In Paradise - Ann Blyth & Vic Damone
  6. Easter Parade - Judy Garland & Fred Astaire
  7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
  8. Get Happy - Judy Garland
  9. Night And Day - Fred Astaire
  10. True Love - Bing Crosby & Grace Kelly
  11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
  12. They Cant Take That Away From Me - Fred Astaire
  13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
  14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
  15. For Me And My Gal - Gene Kelly & Judy Garland
  16. Puttin On The Ritz - Clark Gable & Co.
  17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
  18. Bless Yore Beautiful Hide - Howard Keel
  19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
  20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
  21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

  1. Over The Rainbow - Judy Garland
  2. Its A Most Unusual Day - Jane Powell
  3. Wunderbar - Kathryn Grayson & Howard Keel
  4. Cant Help Lovin Dat Man - Ava Gardner
  5. Going Hollywood - Bing Crosby
  6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
  7. Gigi - Louis Jourdan
  8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
  9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
  10. The Lady Is A Tramp - Lena Horne
  11. The Best Things In Life Are Free - June Allyson & Peter Lawford
  12. Cheek To Cheek - Fred Astaire
  13. A Kiss To Build A Dream On - Louis Armstrong
  14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
  15. If Swing Goes, I Go Too - Fred Astaire
  16. Almost Like Being In Love - Gene Kelly
  17. Lets Face The Music And Dance - Fred Astaire
  18. Be A Clown - Gene Kelly & Judy Garland
  19. Embraceable You - Connie Francis
  20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
  21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

1 out of 5 stars Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Les Miserables (Highlights from the 1987 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • BEST OPERA MUSIC EVER
  • Time well spent.
  • Great Score, But Highlights Missing Critical Songs
  • Buy the full version, please
  • Argh Matey!
Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000084TRM
Release Date: 2003-01-28

Tracks:

  1. Overture/Work Song
  2. I Dreamed a Dream
  3. Who Am I?
  4. Castle on a Cloud
  5. Master of the House
  6. Stars
  7. Do You Hear the People Sing?
  8. A Heart Full of Love
  9. One Day More
  10. On My Own
  11. A Little Fall of Rain
  12. Drink with Me
  13. Bring Him Home
  14. Javert's Suicide
  15. Empty Chairs at Empty Tables
  16. Wedding Chorale/Beggars at the Feast
  17. Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

5 out of 5 stars BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

5 out of 5 stars Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

4 out of 5 stars Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

2 out of 5 stars Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

5 out of 5 stars Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Veronica Guerin
Average customer rating: 5 out of 5 stars
  • Great Soundtrack - Great Movie - Great Actress
  • Very solid soundtrack - plus Sinead O'Connor
  • Excellent music to and underrated movie
  • Beautifully haunting
  • Hauntingly beautiful
Veronica Guerin
Harry Gregson-Williams
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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  1. Veronica Guerin
  2. Sean-Nos Nua
  3. So Far...The Best of Sinéad O'Connor
  4. Spy Game: Original Motion Picture Score
  5. Notes on a Scandal: Original Soundtrack

ASIN: B0000C7PV2
Release Date: 2003-09-23

Tracks:

  1. One More Day - Sinead O'Connor
  2. Dublin 1996
  3. Driving
  4. Preparations
  5. The Killing
  6. Research
  7. Traynor Lies
  8. The Beating
  9. Conversations
  10. First Warning
  11. Bad News - Brian O'Donnell
  12. Second Warning
  13. Deceit
  14. Never Show Your Fear
  15. The Funeral - Sinead O'Connor

Customer Reviews:

5 out of 5 stars Great Soundtrack - Great Movie - Great Actress.......2005-08-17

To echo the other reviewers on this page, Sinead O'Conner's rendition of "One More Day" is more than worth the price of this soundtrack. Pure and simple, it is one of the most eloquently beautiful songs I've ever heard. The all too brief Gaelic version which ends this film is so haunting that you'll find yourself totally spellbound by it and the imagery which goes with it. If a tear or two doesn't come to your eye, you, my friend, are not human.

While you're lurking about Amazon.com, don't forget to pick up the DVD of this incredible film. As long as Cate Blanchett walks the face of the earth, no one should ever plan on picking up a Best Actress Oscar. Why Ms. Blanchett did not win an Academy Award for this performance defies logic.

Suffice to say you will not feel cheated if you purchase both the soundtrack CD and the DVD of "Veronica Guerin". They've both been grossly underrated. If I could give them both 10 stars, I would. Amazingly good!

4 out of 5 stars Very solid soundtrack - plus Sinead O'Connor.......2005-02-08

This soundtrack contains some really nice work based on traditional Irish folk music that really hit the perfect mood for the film. It is bookended by Sinead O'Connor's performances on "One More Day" and "The Funeral" (the same tune - but in the the latter the lyrics are entirely in Gaelic). I bought the CD for those alone.

I can only describe the impact of the song in terms of its effect in the film. For someone outside the Irish culture in which it took place, Veronica Guerin's story does not have the impact that it did in Ireland. By the end of the film, though I was saddened by what I had seen, I was mostly left wondering what had really motivated this woman to pursue her expose of the Irish drug trade to the point of sacrificing her life. The film never makes this clear, probably because no one really knows. In any case, I think this is why it didn't fare well popularly in the U.S.

What was made clear was the impact of Veronica Guerin's murder in Ireland. It gripped the nation in a wave of grief and outrage that I imagine can only compare to the Kennedy assassination in America. Again, as an outsider, this was just an interesting fact - until Sinead O'Connor's performance of "The Funeral" in the final scene made it a visceral reality! As the scene of the funeral procession unfolded, my heart heard the lament of a nation in this haunting melody and I was effectively drawn in to share in their grief, suddenly no longer a mere dispassionate observer. For me it was an unusually affecting moment in film that I will not soon forget, and it made this CD a must-have.

The song stands very well on its own and is well supported by the rest of the soundtrack. Highly recommended for its own sake - but do see the film if you haven't!

5 out of 5 stars Excellent music to and underrated movie.......2004-12-28

Veronica Guerin is a good movie, to put it simple. It's not ambitious and it surely fulfills its purpose, to tell the story of a very determined woman, to all of us who had no idea of who she was. This soundtrack is just amazing, it captures the essence of Irish Life and the basic tone of it is very sad and melancholic. The first and last tracks are performed by Sinéad O'Connor and they are so rich and full of emotions even if you don't understand much of it since part of the lyrics is in Gaelic. If you liked the movie tou got to have this CD. If you didn't see the movie, find it it's worth at least renting it. Either choice, this CD is great when you just want some nice music as background when you want to concentrate or don't want to be disturbed, but you certainly don't enjoy silence.

5 out of 5 stars Beautifully haunting.......2004-12-01

I searched for this soundtrack for a long time after viewing the movie.I'm glad I was able to find it.I loved the movie and I love the soundtrack.

5 out of 5 stars Hauntingly beautiful.......2004-08-16

Having heard of Veronica Guerin's death but knowing little about her life or work, I was very interested in seeing the film. Having Cate Blanchett in the title role was great casting and she is a treat to watch! She's so extremely talented and I don't think she's ever been better than in this role. Watching the movie and hearing the music, I knew I had to purchase the soundtrack and I'm very glad I did. Harry Gregson-Williams has created a memorable, hauntingly beautiful soundtrack and I can't help but play it over and over again. Listening to young Brian O'Donnell's SMASHING performance can send chills running down your spine and makes me think of the innocence and youth of those young people in the film whose lives were shattered by drugs. I loved reading the story of the monumental efforts it took to track down Brian after Mr. Gregson-Williams heard him singing on the streets of Dublin - it was well worth it! Sinead O'Connor's contributions should be applauded as well and greatly add to the success of the soundtrack. Unfortunately, and maddingly, it took Ms Guerin's death for the authorities to quickly change the regulations that led to increased exposure in the press and the authorities being able to apprehend the drug lords and bring them to justice. She should be honored for her tenacity and sacrifice and both the film and soundtrack are worthy memorials to her.
Pavarotti & Friends
Average customer rating: 4 out of 5 stars
  • Pavarotti and friends
  • great, but...
  • Verry fun and risky but it worked
  • I don't think so
  • Fantastic album...the 1st in a wonderful series
Pavarotti & Friends

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Pavarotti & Friends 2
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  4. Pavarotti & Friends - For The Children Of Liberia
  5. Together for the Children of Bosnia

ASIN: B00000421O
Release Date: 1993-03-09

Tracks:

  1. Panis Angelicus
  2. Miserere
  3. Muoio Per Te
  4. Caruso
  5. One More Day
  6. Ave Maria
  7. In Liverpool
  8. Sentinel
  9. L'Urlo
  10. Too Much Love Will Kill You
  11. It's Probably Me
  12. Room 19 (Sha La La La Lee)
  13. Les Hommes Qui Passent
  14. La Donna E' Mobile

Customer Reviews:

5 out of 5 stars Pavarotti and friends.......2003-11-14

A wonderful eclectic compilation. A bold step for Luciano that works! Very easy listening.

4 out of 5 stars great, but..........2003-06-16

the neville brothers don't belong here. they have fake voices that were made by marketing people. pavarotti has a voice trained over the years with tremendous preparation and hours and hours of classical training and lessons. it's like putting gary matthews jr. on a hitting show with ted williams. a big joke. but everyone else is great.

5 out of 5 stars Verry fun and risky but it worked.......2002-02-07

Pop stars with Opera singers, who would of thought. But it worls well. This CD is fun and has some wonderful proformances. Sting and Pav are very good together on Pania Angelicus. Sting is also good with Zucchero on Muoio Per TE. This CD sounds wonderful and is a must have for the fans of Pav, Sting, Kaas, May, Succhero, at all.

1 out of 5 stars I don't think so.......2000-12-31

This is not what I expected. I only like "La donne mobile." My mom only liked "Caruso" and "Panis Angelicus." This is not like the second on or the one for Bosnia. Those rocked.

5 out of 5 stars Fantastic album...the 1st in a wonderful series.......2000-12-14

This is the first cd in the Pavarotti and Friends series which benefits charities. The wonderful thing about them, is the mix of genres. And this one is no exception. Listen to Sting sing with Pavarotti on the beautiful 'Panis Angelicus', and 'La Donna e Mobile'. Who would have thought of pairing those two together. But it works with breathtaking magic. Just look at the list of artists on this disc and the songs performed. There really is something for every taste. From operatic songs to rock. I love this series, and highly recommend them to all music lovers.
The Christmas I Love
Average customer rating: 5 out of 5 stars
  • excellent entertainment
  • The Christmas I Love
  • A Christmas Collection That Is Just Plain Fun
  • Wonderful; marvellous
  • ABSOLUTELY WONDERFUL
The Christmas I Love
Andre Rieu , and Johann Strauss Orchestra
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Classical | Styles | Music
General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
Pop Instrumental & Easy ListeningPop Instrumental & Easy Listening | Holiday | Miscellaneous | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Pop Instrumental & Easy ListeningPop Instrumental & Easy Listening | Holiday Music | Special Features | Music
Similar Items:
  1. Tuscany
  2. At The Movies
  3. The Homecoming
  4. The Vienna I Love, Waltzes From My Heart
  5. Romantic Moments

ASIN: B0000041OB
Release Date: 1997-10-21

Tracks:

  1. O Daughter Of Zion
  2. White Christmas
  3. Sleigh Ride
  4. From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
  5. Ave Maria
  6. Transeamus
  7. Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
  8. Evening Prayer (From Hansel & Gretel)
  9. Jingle Bells
  10. Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
  11. Mille Cherubini In Coro (Lullaby)
  12. Christmas Rose
  13. The Four Seasons: Winter: Largo
  14. O Christmas Tree: The Little Drummer Boy/Lullaby
  15. Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
  16. Dearest Believe Me
  17. Come Little Children
  18. The Christmas Concert: Pastorale
  19. The Holy City
  20. Silent Night

Customer Reviews:

5 out of 5 stars excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

5 out of 5 stars The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

5 out of 5 stars A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

5 out of 5 stars Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

5 out of 5 stars ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.
One More Day
Average customer rating: 5 out of 5 stars
  • One More Day Review
  • Real Emotion
  • Very good CD. This one was worth it.
  • one more day
  • Diamond Rio One Moe Day
One More Day
Diamond Rio
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Country | Country | Styles | Music
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  5. Diamond Rio

ASIN: B000056VKH
Release Date: 2001-02-06

Tracks:

  1. That's Just That
  2. One More Day
  3. Sweet Summer
  4. I'm Already Gone
  5. I Could Do It With My Eyes Closed
  6. 'Til The Heartache's Gone
  7. Here I Go Fallin'
  8. I Think I Love You
  9. Hearts Against The Wind
  10. You Make Me Feel
  11. The Love Of A Woman
  12. I'm Trying
  13. Stuff

Amazon.com

Diamond Rio's first big hit was called "Meet in the Middle," but "caught in the middle" more accurately describes One More Day: they sound trapped between cookie-cutter pop-country material and the irrepressible individuality of their instrumental and vocal personalities. Jimmy Olander's unique guitar style and Gene Johnson's down-home mandolin do their best to fight through NutraSweet tunes like "'Til the Heartache's Gone" and "The Love of a Woman"; but, like Marty Roe's honest vocals and the group's high-lonesome harmonies, they reside more comfortably in the arms of clever good-time tunes like "Stuff" and "That's Just That." They can also make you believe a heartbreaking tune about a couple's struggle with alcoholism ("I'm Trying") or raise chicken-skin with a tender bluegrass version of J.D. Souther's "Hearts Against the Wind." The NashVegas stuff may get them hits but it's tunes like those and Roy Orbison-meets-Buck Owens-at-the-beach stuff like "I Think I Love You" that makes them interesting. --Michael Ross

Customer Reviews:

5 out of 5 stars One More Day Review.......2005-04-09

If you appreciate awesome musical talent,tight harmonies,and superb songwriting,this is IT.Every song is a gem,not unlike the rest of their efforts.Absolutely must have for A D/R fan.

4 out of 5 stars Real Emotion.......2003-02-06

Diamond Rio proves with ONE MORE DAY why they are one of the best country groups that have ever graced country music. The harmonies are superb, the instrumentation is beautiful, and they have good ears for good songs. The album was initially slated to be released in 2000, but was delayed time and time again. The album's first single "Stuff", failed to catch on to listeners or radio. They repackaged the album and released it in early 2001, with the first single, the title track. This song became a huge hit, as it is a song that resonates with many listeners, such as myself. Everyone who has had a loved one who has passed on, knows what this song implies. For me it was one of my best friends who passed away, and all I would ever want is just one more day with him. It's a beautiful song. Another winner is "I'm Trying", a duet with Chely Wright, should have been a single. "I'm Already Gone" is a beautiful song as well. "Sweet Summer" is the perfect summer single. Other favorites of mine include "The Love of A Woman", "You Make Me Feel", "Til The Heartache's Gone" and "Hearts Against The Wind". Overall a stunning collection no fan should be without.

5 out of 5 stars Very good CD. This one was worth it........2002-12-13

I enjoyed this CD very much. I recommend it.

5 out of 5 stars one more day.......2002-10-16

I would listen to the song "One More Day" in the radio and it always hit me. Finally, I found the artist and with no hesitation, i bought the CD. I have not heard the entire CD but I am willing to buy the CD itself because it has my favorite song "One More Day."

I dedicate the song to Yury, whom I always want to be with one more day

5 out of 5 stars Diamond Rio One Moe Day.......2002-05-09

The CD was more than I expected. The sound was excellent and the video included was a real bonus.

I must say a word about the seller. He kept me informed of the shipping info and packaged it very carefully. I will look for him when I am in the market for more music purchases ... and so should all of you.
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Average customer rating: 5 out of 5 stars
  • Arguably "The Best" English "Merry Widow "
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
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  5. The Merry Widow

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

5 out of 5 stars Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
Susan Graham - Songs of Ned Rorem
Average customer rating: 4 out of 5 stars
  • One last touch of Paris (but oversold by the critics)
  • wonderful perforance of excellent songs
  • Classic Rorem Songs!
  • Come To Pop, Baby!
  • Worthy indeed - a gem
Susan Graham - Songs of Ned Rorem
Susan Graham , Martin Martineau , and Ensemble Oriol
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
DivasDivas | Opera & Vocal | Styles | Music | Bartoli, Cecilia | Battle, Kathleen | Bonney, Barbara | Caballe, Montserrat | Callas, Maria | Crespin, Regine | Eaglen, Jane | Ferrier, Kathleen | Flagstad, Kirsten | Fleming, Renée | Freni, Mirella | Gheorghiu, Angela | Horne, Marilyn | Janowitz, Gundula | Jones, Gwyneth | Kasarova, Vesselina | Kirkby, Emma | Larmore, Jennifer | Ludwig, Christa | McDonald, Audra | Milanov, Zinka | Modl, Martha | Nilsson, Birgit | Norman, Jessye | Otter, Anne Sophie von | Podles, Ewa | Ponselle, Rosa | Price, Leontyne | Sayao, Bidu | Scotto, Renata | Soderstrom, Elisabeth | Sutherland, Joan | Te Kanawa, Kiri | Troyanos, Tatiana | Upshaw, Dawn | Vishnevskaya, Galina | Von Stade, Frederica
Q to TQ to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music | Rachmaninov, Sergei | Ramirez, Ariel | Ravel, Maurice | Rodgers, Richard | Rossini, Gioacchino | Saint-Saens, Camille | Satie, Erik | Scarlatti, Alessandro | Schubert, Franz | Schumann, Robert | Shostakovich, Dmitri | Sibelius, Jean | Spontini, Gasparo | Strauss Jr., Johann | Strauss, Richard | Stravinsky, Igor | Tchaikovsky, Peter Ilyich | Thomas, Ambroise | Toselli, Enrico
C to GC to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music | Caballe, Montserrat | Callas, Maria | Caruso, Enrico | Cassinelli, Ricardo | Christie, William | Church, Charlotte | Corelli, Franco | Crespin, Regine | Della Casa, Lisa | Di Stefano, Giuseppe | Eaglen, Jane | Ferrier, Kathleen | Fischer-Dieskau, Dietrich | Flagstad, Kirsten | Fleming, Renee | Ford, Bruce | Freni, Mirella | Gahmlich, Wilfried | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gigli, Beniamino | Gruberova, Edita
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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( G )( G ) | Featured Performers, A-Z | Classical | Styles | Music | Gahmlich, Wilfried | Galbraith, Paul | Galway, James | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gieseking, Walter | Gigli, Beniamino | Gilels, Emil | Glennie, Evelyn | Goode, Richard | Goodman, Benny | Gould, Glenn | Grainger, Percy Aldridge | Graves, Denyce | Grimaud, Hélène | Gruberova, Edita | Grumiaux, Arthur | Guarneri String Quartet
GeneralGeneral | Classical | Styles | Music
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ASIN: B00004R9BK
Release Date: 2000-04-04

Tracks:

  1. Sonnet [Bynner]
  2. Clouds [Goodman]
  3. Early In The Morning [Hillyer]
  4. The Serpent [Roethke]
  5. Now Sleeps The Crimson Petal [Tennyson]
  6. Opus 101 [Bynner]
  7. I Strolled Across An Open Field [Roethke]
  8. To A Young Girl [Yeats]
  9. Jeanie With The Light Brown Hair [after Foster]
  10. Ode [de Ronsard]
  11. For Poulenc [O'Hara]
  12. Littlle elegy [Wylie]
  13. Alleluia
  14. Look Down, Fair Moon [Whitman]
  15. O You Whom I Often And Silently Come [Whitman]
  16. I Will Always Love You [O'Hara]
  17. The Tulip Tree [Goodman]
  18. The Wintry Mind [Bynner]
  19. I Am Rose [Stein]
  20. The Lordly Hudson [Goodman]
  21. O Do Not Love Too Long [Goodman]
  22. Far - Far - Away [Tennyson]
  23. For Susan [Goodman]
  24. A Journey [Glaze]
  25. Sometimes With One I Love [Goodman]
  26. Love [Lodge]
  27. Orchids [Roethke]
  28. Stopping By The Woods On A Snowy Evening [Frost]
  29. Do I Love You More Than A Day [Larson]
  30. Ferry Me Across The Water [Rossetti]
  31. The Sowers [Bynner]
  32. That Shadow, My Likeness [Whitman]

Amazon.com

Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

Customer Reviews:

4 out of 5 stars One last touch of Paris (but oversold by the critics).......2005-10-11

Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

5 out of 5 stars wonderful perforance of excellent songs.......2005-01-20

I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

5 out of 5 stars Classic Rorem Songs!.......2004-05-18

Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

3 out of 5 stars Come To Pop, Baby!.......2004-03-12

Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

5 out of 5 stars Worthy indeed - a gem.......2002-08-27

I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.
Greatest Songs from the Musicals
Average customer rating: 3 out of 5 stars
  • You'll be disappointed
  • Pretty good musical mix
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | International | Indie Music | Stores | Music
InternationalInternational | Imports | Stores | Music
Similar Items:
  1. Very Best Of Broadway Musicals
  2. Ultimate Broadway
  3. Only Broadway CD You'll Ever Need
  4. Ultimate Broadway II: The Very Best of Broadway Now
  5. Greatest Hits: Broadway

ASIN: B000077JS0
Release Date: 2002-10-21

Tracks:

  1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
  2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
  4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
  5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
  6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
  7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
  8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  9. America [From West Side Story] - National Symphony Orchestra
  10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
  11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
  12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
  13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
  14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

  1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
  2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
  3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
  5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
  6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
  7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
  8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
  9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
  10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
  11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
  12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
  13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
  14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

  1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
  2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
  3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
  5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
  6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
  7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
  8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
  9. Quintet [From West Side Story] - National Symphony Orchestra
  10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
  11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
  12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
  13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
  14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

1 out of 5 stars You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

5 out of 5 stars Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.

R&B Music:

  1. Open Your Heart
  2. Pretty on the Inside
  3. Rainy Dayz, Pt. 2 [CD-single] [Import]
  4. Rebirth [Import]
  5. Ruler of Hearts
  6. Show Me the Way [Import]
  7. Smooth Grooves: New Jack Ballads, Vol. 3
  8. Soul Box [Import]
  9. Still the Queen
  10. Street Grooves [Import]

R&B Music

r&b music

Recommended Music:

On My Own....but never alone

Tchaikovsky: Symphonies Nos. 2 & 5

Telemann: Trio Sonatas for Flute, Viola da gamba and Basso Continuo

First Album

Transcendental Highway [Import]

Treasures of Algerian Music

Sunday Night LIVE! [Live]

The Ratsugar [Explicit Lyrics]

The Devil and the Dancer

The Early Recordings, 1942-1953

The Ultimate Collection: Recorded Live [Live]

The Immortal Charlie Christian

The Mix, Vol. 2 [Limited Edition] [Import]

Soul Donkey

Meeting of the Times/Ornette!