Track Listings
| 1. Blackstreet Intro/Can You Feel Me |
| 2. Girlfriend/Boyfriend |
| 3. Yo Love |
| 4. I Got What You On |
| 5. Drama/Misery Interlude |
| 6. I'm Sorry |
| 7. Think About You |
| 8. Black and White |
| 9. In a Rush |
| 10. Hustler's Prayer |
| 11. Finally |
| 12. Take Me There [Remix] |
| 13. On the Floor [Data Track] |
Editorial Reviews
Amazon.com
Teddy Riley has been in the game for 15 years now, and still knows how to keep up with the fast-changing R&B and hip-hop worlds. On Blackstreet's third album he employs all the current tricks, including an impressive list of cameos (Janet Jackson, Mary J. Blige, Stevie Wonder, and Jay-Z), but you have to wonder what it would sound like if he simply delivered more of the classic party-jam funk that was responsible for past hits "No Diggity" and "Booty Call." Riley doesn't need some of the production gimmicks he uses here; at first listen the songs can be jarring, though by the third or fourth spin, they sound as fresh as everything else he produces. As soulful and emotional as the ballads are, it's the dance-floor shakers "Boyfriend/Girlfriend," "Can You Feel It," and "On the Floor" that keep Blackstreet in position as soul superstars. --Rebecca Wallwork
Entertainment Weekly
Finally makes good on [founder Teddy] Riley's real talent: to make noises that are rooted in R&B tradition ... yet still sound like the newest thing around.
Finally,Blackstreet,Interscope Records,Club/Dance,Hip-Hop,New Jack Swing,Pop,R&B,Urban
Finally [Enhanced]
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Finally Woken
Jem Manufacturer: Ato Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001FFIY2 Release Date: 2004-03-23 |
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From Amazon.co.uk
Though the downbeat electronica and laconic vocals of Cardiff-born Jem Griffiths find her lumbered with a "Dido-wannabe" tag, she's actually much more adventurous than that. On the whole, Finally Woken sounds like someone finally told Beth Orton to cheer up, and at its best the album finds Jem reveling in all the studio tricks available to her. The opener, "They," loops a nonsensical children's chorus to create a mood of Danny Elfmanesque creepiness, while "Come On Closer" and "24" manage to use crunching electric guitars and strings while avoiding any comparison to Evanescence. The title track combines a loping beat with a jazzy vocal delivery that's reminiscent of Portishead, and "Save Me" is a better-than-average R&B track that's sure to be covered for years to come. Unfortunately, too much of the album's latter half sinks into a slow-paced Didoesque electronic slurry, though Jem's to be applauded for at least trying to liven things up with the cod-reggae of "Wish I." --Robert BurrowCustomer Reviews:
Used to be a four but then I played it out.......2007-06-18
Authors: Collectif, Yves le Floc'h, Frank Ténot
Catalog: Book
Media: Belle reliure
Release Date: 1996
Publisher: Le Chêne
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Amazon.com
It's an enchanted world that Múm inhabit. Conceived in a remote Icelandic lighthouse, Finally We Are No One is an electronica album that conjures up hazy, half-remembered memories of childhood, both magical and eerie. The obvious comparisons are with Boards of Canada and Múm's compatriot, Björk. But as with their superb 2000 debut, Yesterday Was Dramatic, Today Is OK, Múm make a music that's far too original to be easily compartmentalized. So analog keyboards hum alongside muted digital glitches, and "proper" instruments--accordions, cellos, melodicas--flutter in and out of the mix. The overall effect is of a modern kind of folk music. It's gentle, almost-fey stuff, but the quartet (including twin sisters who appeared on the cover of Belle & Sebastian's Fold Your Hands Child, You Walk Like a Peasant) never slips into anything like polite ambience. Instead, the 11 pieces are like extracts from a particularly vivid dream journal, especially when the Valtýsdóttir sisters sing in their peculiar gurgling, infantilized way in the epically unfurling lullaby, "The Land Between Solar Systems." This is an album that leaves you longing for shady childhood experiences you never knew you'd even had. --John MulveyAlbum Description
Fat Cat are proud to announce their release by recent signings (2002) from Iceland, Mum. Highly-anticipated second album from this Icelandic 4-piece. Beautifully meshing some dense but intricate programming with gorgeous vocal and instrumental melodies, richly textured, hypnotic and unashamedly sumptuous.Customer Reviews:
good but monotonous.......2007-03-18
great late night music from iceland........2007-02-10
very interesting sound, but not quite my style.......2007-01-06
Worth it's weight in gold.......2006-03-15
Spooky but accessible.......2006-01-18
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Finally Awake
Seventh Day Slumber Manufacturer: Bec Recordings / Emd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA28CK Release Date: 2007-03-20 |
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Customer Reviews:
GOOD rock cd........2007-07-18
By Far SDS's best effort!.......2007-07-07
Excellent CD!.......2007-06-22
AWESOME REAL CHRISTIAN PERFORMERS.......2007-05-02
Good Music With Very Good Lyrics.......2007-04-11
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Customer Reviews:
Karen.......2007-07-12
YOU'D BE ABSOLUTELY MENTAL NOT TO BUY THIS....LOL.......2006-09-08
20 Stars should be an option for this treasure!.......2006-08-10
A Balm in Gilead.......2006-04-08
AMAZING .......2006-04-06
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The Paragon Ragtime Orchestra (finally) Plays "The Entertainer"
Manufacturer: Riato Records ProductGroup: Music Binding: Audio CD André Darrigade
Livres:
ringtone88.com and crystal clear sound that should please the most discerning listener. Of further interest, all the instruments played for the sessions were period antiques (including PRO's 1910 Ludwig & Ludwig drum kit), giving the disc a further glow of warmth and authenticity. Complimenting the recording itself is a whimsical 12-page, full color booklet created by the noted artist and ragtime scholar Chris Ware. A trove of rare photos, period advertisements, and score excerpts, this booklet, which sports conductor Benjamin's latest essay on Scott Joplin, should be of particular interest to aficionados of that era. THE PARAGON RAGTIME ORCHESTRA (finally) PLAYS 'THE ENTERTAINER' caps this distinguished ensemble's 20-year recording career, and may well prove to be the "definitive" orchestral ragtime recording. It is a genuine "must have" disc for both the casual listener and the seasoned ragtime collector and enthusiast. Customer Reviews:
The thief took the Paragon CD but left some fairly popular (modern) music CDs behind. I can only rationalize this strange theft to the fact I parked on the street outside of Yankee Stadium at Babe Ruth Plaza. It was probably the Babe's spirit that heisted the CD. After all Paragon's latest and arguably most wonderful CD is a treasury of music from the Babe's time, and if anyone knows just a little about Babe Ruth and the Ragtime era you know that this CD is Jumpin'. "...Finally Plays The Entertainer" delivers a fine sampling of Scott Joplin's genius along with a couple of samples of the works of his "students" Arthur Marshall, Joseph Lamb and James Scott. While familiar with some of Joplin's works this album has opened new vistas for me. While Joplin "101" favorites are here; the Maple Leaf (rag), The Easy Winners and of course The Entertainer - finally - pieces like Dixie Dimples, Eugenia and The Sycamore supplied me with some new smiles and a tapping foot. Don't forget folks this scandalous music is the grandfather of Rock n'Roll, so if you buy "...Finally Plays The Entertainer" please make sure you supervise your children and grandchildren if they should happen to be listening. I hope this shocking music doesn't cause them to dance, or worse, break into my car and steal my other Paragon Orchestra CDs.
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Amazon.com The Flaming Lips are a rarity. Here, after all, is an outfit that helped blaze the trail for the alternative revolution, thrived in their late '80s/early '90s heyday when outré were in, and continue to flourish long after most of their off-the-beaten-path peers have faded away. It's doubtful many of their scattered '80s champions would have predicted the Lips would be going strong decades down the road, given their chaotic, uncompromising, and just generally weird aesthetic. This aptly named three-disc collection chronicles the band in their wilderness years. Featuring the Oklahoma group's self-titled debut EP, their first three proudly erratic full-length LPs (including 1987's truly inspired Oh My Gawd!!!), and 16 bonus cuts, it captures a band that owed as much to early Pink Floyd as to the Ramones. Those who have discovered the band through the relatively accessible likes of 1999's The Soft Bulletin and 2002's Yoshimi Battles the Pink Robots will find the primal psychedelia here mind-blowing, in a familiar sort of way. --Steven StolderAlbum Description Full Title - Finally, The Punk Rockers Are Taking Acid. The first, and largest, of two archival sets from Restless which collects nearly all the material released by the Flaming Lips before they left independent rock for one of the most unexpected major-label deals in history. Over the course of three discs, it tells the story of what Wayne Coyne calls 'a talentless, inexperienced, poorly conceived, poorly equipped drug damaged group of friends and family who had an enthusiasm for punk, new wave and classic rock.' Remastered and includes over 16 bonus cuts of demos, live recordings and covers. The bonus tracks are 'Killer On The Radio', 'Batman Theme', 'Anyway, Anyhow, Anywhere', 'Handsome Johnny', 'Groove Room', 'Jesus Shootin' Heroin', 'Trains, Brains & Rain', 'Communication Breakdown', 'One Million Billionth Of A Millisecond On A Sunday Morning' (live), 'Death Valley 69', 'Thank You', 'Can't Stop theCustomer Reviews:
The set features material from "The Flaming Lips EP", "Hear it Is","Oh My Gawd! The Flaming Lips","Telepathic Surgery" and various unreleased tracks and live rarities from 1983-1989. Additionally, it is not Wayne Coyne who sings on tracks #1-5,#16-19 (disc 1) and #12-16 (disc 2), but his brother Mark (who later left the band). Best tracks here are: the punk loner fantasy of "My Own Planet" (heard in a live rendition on Disc 3 that begins acoustic then accelerates into punk mayhem), "Can't Exist"'s collision of distorted garage rock guitar and singer-songwriter acoustic strumming, the nonsensical imagery ('All your teflon pancakes always make me too high') in the catchy "Can't Stop the Spring", the musings on love in "Chrome Plated Suicide", and a passable amped up cover of Neil Young's "After the Gold Rush". The set is bogged down by many cuts which are mainly excuses to noodle around with guitar noise ("U.F.O. Story" is a particularly egregious example). Other lowspots include covers of the "Batman" television show theme song and Led Zep's "Communication Breakdown" and a 4 1/2 minute drum and heartbeat sound effect track intended as accompaniment while you read "As Diarrhea Smears the Space Bible" in the liners (AKA "Death Tripping Yer B*** off at Sunrise") Livres
ringtone88.com
untry
| Styles
| Music
ASIN: B000NJL4XU Release Date: 2007-04-10 |
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Description
"We are a country band, but we'll be what ever you want us to be. That's the beauty of doing what we do, the music's free to be anything that you want it to be." That's how Bart Crow describes their style of music. And with so many great bands running up and down the highways and with all of the great artist working here in Texas, it's a known fact that one must come with their A-Game to make it here. Well, that's just what the Bart Crow Band does every time they take the stage. Bart Crow describes their sound as "a unique blend of country & rock with a lot of heart & soul." "I love the music and stories of my heroes, Ronnie Van Zant, Waylon Jennings, and Johnny Cash, and I just do my best to do what they did, be real that's all". With songs that intertwine and weave stories that walk the line between redemption and despair, Bart Crow writes songs from the heart that leave you wondering, was singing about me, or drawing off of his own emotions on life, love, & friends. The Bart Crow Band is made up of some of the finest musicians that Texas has to offer, each bringing their own styles & sounds to the table. Drummer Charles Simons brings his heavily country influenced drumming style, while bassist Kirk Richardson, formally of Speed Trucker fame, brings his razor-sharp bass licks to keep the sound on a country-rock edge. Top it off with the blues-rock style of lead guitarist Paul Russell; what you're left with is a hard working band that can light up any stage with their driving live performance.
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Finally Out Of P.E.
Brie Larson Manufacturer: Casablanca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A2GRWS Release Date: 2005-10-18 |
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Customer Reviews:
Better Than i thought.......2007-08-02
I LOVE THIS CD MORE THAN ANY OTHER CD I HAVE!!!!.......2007-05-12
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