The Best of War and More
Track Listings
|
1. Livin' in the Red
|
|
2. Low Rider
|
|
3. Cisco Kid
|
|
4. Slippin' into Darkness
|
|
5. Me and Baby Brother
|
|
6. Galaxy
|
|
7. Spill the Wine
|
|
8. All Day Music
|
|
9. Why Can't We Be Friends?
|
|
10. Summer
|
|
11. City, Country, City
|
|
12. Whose Cadillac Is That
|
|
13. Low Rider [Remix]
|
Editorial Reviews
Amazon.com
War peppers their music with Latin rhythms and instrumentations, mixing in elements of funk with oldies rock & roll to create a nonstop summer-block-party sound. Hits like "The Cisco Kid" and "Why Can't We Be Friends?" are characterized by the band's lower-register vocals and beg for a singalong. "Spill the Wine, " a hit during Eric Burden's tenure with War, lacks the freer, good-time feel of the later material, but "Low Rider, " a bottom-heavy salsa driven by a raunchy harmonica, remains one of the band's most popular songs. The Best of War ... and More goes beyond retro appeal, displaying a timeless quality. --Steve Gdula
The Best of War and More,War,Rhino / Wea,Brown-Eyed Soul,Funk,Latin Rock,Pop,Popular Music,R&B,Rock,Soul
The Best of War and More
Average customer rating:
- Once upon a time...
- excellent cd
- I Declare "WAR" On This Disc!!
- The Best of War and More
- What I want to know is this...
|
The Best of War and More
War
Manufacturer: Avenue Records
ProductGroup: Music
Binding: Audio CD
Latin Pop
| Latin Music
| Styles
| Music
Latin Rock
| Latin Music
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Funk
| R&B
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Sly & the Family Stone - Greatest Hits [Epic]
- The Best of War and More, Vol. 2
- 20th Century Masters - The Millennium Collection: The Best of the Ohio Players
- Pickin' Up the Pieces: The Best of Average White Band (1974-1980)
- The World Is a Ghetto
ASIN: B0000032AG
Release Date: 1991-11-19 |
Tracks:
- Livin' In The Red
- Low Rider
- The Cisco Kid
- Slippin' Into Darkness
- Me and Baby Brother
- Galaxy
- Spill The Wine
- All Day Music
- Why Can't We Be Friends?
- Summer
- City Country City
- Whose Cadillac Is That?
- Low Rider (Remix)
Amazon.com
War peppers their music with Latin rhythms and instrumentations, mixing in elements of funk with oldies rock & roll to create a nonstop summer-block-party sound. Hits like "The Cisco Kid" and "Why Can't We Be Friends?" are characterized by the band's lower-register vocals and beg for a singalong. "Spill the Wine, " a hit during Eric Burden's tenure with War, lacks the freer, good-time feel of the later material, but "Low Rider, " a bottom-heavy salsa driven by a raunchy harmonica, remains one of the band's most popular songs. The Best of War ... and More goes beyond retro appeal, displaying a timeless quality. --Steve Gdula
Customer Reviews:
Once upon a time..........2006-09-03
During the early seventies, WAR irrupted with vigorous freshness in the musical sand, to fill a demanded space, a required balance between the jazz, the Latin favor best known as fusion. You may argue the true pioneers in this field were Carl Tjader an Tito Puente in the sixties and fifties respectively and eve before with Poncho Sanchez in the late forties.
But even so, the most relevant aspect to remark is this music contained in its inner structure the seminal roots of the reggae and this public was immediately engaged with this rhythmical melodies conquering of this way the applause of a neglected audience. If not so, the names of Jimmy Cliff, Bobby Bloom and his Montego
Bay, Shango, Mungo Jerry and the legend of Bob Marley would have been ignored or underrated. In this sense Spill the wine (watch the flute solo as musical curtain and essential support) may be considered the jewel of the crown and likewise the funny theme Cisco Kid
So this album constitutes y itself a decisive breakthrough as well as a vigorous ipulse to the new tendencies that would become inspiration' s source to many ensembles and great audiences all around the world.
excellent cd.......2006-02-26
I found this cd to cover the songs of War that I wanted. It is worth buying.
I Declare "WAR" On This Disc!!.......2006-02-07
Hey Rhino, if you're gonna do War, DO WAR!(The un-edited version of "City/Country/City," "Deliver The Word," "The World Is A Ghetto," "Southern Part Of Texas")
This band built it's rep on long,loose free jams, so any War "Hits" compilation should mirror that.
The Best of War and More.......2005-09-06
Love that Latin group from Long Beach! All Day Music is my favorite song on this wonderful CD. That cut is so relaxing. Low Rider and Summer were big hits from my high school senior year. I like having this CD in my library for a reminder of my happy high school years. Hey, Spill the Wine, which is cut 9, has to be one of the most unusual songs in pop music history. That song, of course, was done when Eric was with the group. Two totally different kinds of songs are Spill and All Day Music, a good example of War's diversity. I still cannot believe I got this at such a low price (-:
What I want to know is this..........2005-07-21
How can you have a compilation of WAR and NOT have "The World Is A Ghetto" and "Don't Let No One Get You Down" on it? This isn't a bad com,pilation, but alof the songs are short versions of the originals and is quite lacking all the way around. Get the "WAR The Very Best Of War. You'll find ALL of the biggest hits and more.
Average customer rating:
- Volume 2 Is Necessary
- Not as good as greatest hits volume 1
- spill the wine and Jamie Winkler of Salem are both awesome
|
The Best of War and More, Vol. 2
War
Manufacturer: Avenue Records
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Funk
| R&B
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Latin Rock
| Latin Music
| Styles
| Music
Similar Items:
- The Best of War and More
- Anthology (1970-1994)
- The Very Best of War
- Ultimate Isley Brothers
- 20th Century Masters - The Millennium Collection: The Best of the Ohio Players
ASIN: B0000033VD
Release Date: 1996-09-03 |
Tracks:
- Lonely Feelin'
- The World Is A Ghetto
- Gypsy Man
- Don't Let No One Get You Down
- Ballero
- L.A. Sunshine
- Hey Senorita
- Youngblood (Livin' In The Streets)
- Sing A Happy Song
- Good, Good Feeling
- Cinco De Mayo
- You Got The Power
- Outlaw
- Life Is (So Strange)
- Peace Sign
- Spill The Wine (Junior Vasquez Remix)
Customer Reviews:
Volume 2 Is Necessary.......2004-01-21
If you bought "The Best Of War And More", you realized the pertinent songs like "The World Is A Ghetto" and "Gypsy Man" were missing. It's good that a second volume was made to include those songs, but I don't like the remix for "Spill The Wine". If you are going to buy 2 CDs of War, get "War: Anthology (1970-1994)". It's a better purchase because it has exhaustive liner notes and detailed discography. Thus, the overall package is much better.
Not as good as greatest hits volume 1.......2001-01-04
A great collection of material; although not as strong as the first volume. A great concert band as I saw them in Sept. 2000. Original keyboardist and lead singer (Lonny) is as good as ever.
spill the wine and Jamie Winkler of Salem are both awesome.......1999-08-16
Jamie Winkler is very awesome and this cd is also awesom
Average customer rating:
- Superb Schumann, etc.
- Who says there was nothing good in the 1980s?
|
Deutsche Grammophon Centenary Collection, 1978-1987 (Box Set)
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
Mazurkas
| Ballets & Dances
| Classical
| Styles
| Music
Polkas
| Ballets & Dances
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Bernstein
| Bernstein, Leonard
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Bruch
| Bruch, Max
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Lalo, Edouard
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Liszt
| Liszt, Franz
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sarasate
| Sarasate, Pablo de
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Scriabin, Alexander
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ballads
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Etudes
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Scriabin, Alexander
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Sonatas
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Hadley, Jerry
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Paris Symphony Orchestra
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
Deutsche Grammophon: Music
| Specialty Stores
| Music
ASIN: B00000DI2R
Release Date: 1998-11-10 |
Tracks:
- Vn Con No.5 in A K.219: 1. Allegro Aperto - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.5 in A K.219: 3. Rondeau: Tempo Di Menuetto - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 1. Vorspiel: Allegro Moderato/Attaca - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 2. Adagio - Anne-Sophie Mutter
- Vn Con No.1 in g Op.26: 3. Finale: Allegro Energico/Presto - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: Intro: Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: I. Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: II. Lento Assai - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: III. Allegro Moderato - Anne-Sophie Mutter
- Fant De Conc Sur Des Motifs Del L'Opera `Carmen' Op.25: IV. Moderato - Anne-Sophie Mutter
Tracks:
- Vn Con in D Op.35: 1. Allegro Moderato - Gidon Kremer
- Vn Con in D Op.35: 2. Canzonetta: Andante - Attaca: - Gidon Kremer
- Vn Con in D Op.35: 3. Finale: Allegro Vivacissimo - Gidon Kremer
- Ser Melancolique in b flat Op. 26 - Gidon Kremer
- Con in d: 1. Allegro - Gidon Kremer/Martha Argerich
- Con in d: 2. Adagio - Gidon Kremer/Martha Argerich
- Con in d: 3. Allegro Molto - Gidon Kremer/Martha Argerich
Tracks:
- Sym Espagnole Op.21: 1. Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 2. Scherzando: Allegro Molto - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 3. Intermezzo: Allegretto Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 4. Andante - Daniel Barenboim/Itzhak Perlman
- Sym Espagnole Op.21: 5. Rondo: Allegro Non Troppo - Daniel Barenboim/Itzhak Perlman
- Sym No.3 in c Op.78 'Organ Sym': 1. Adagio - Allegro Moderato - Poco Adagio - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Allegro Moderato - Presto - - Daniel Barenboim/Gaston Litaize
- Sym No.3 in c Op.78 'Organ Sym': 2. Maestoso - Allegro - Daniel Barenboim/Gaston Litaize
- Conc Paraphrase On The Qrt From Giuseppe Verdi's Opr `Rigoletto': Preludio: Allegro - Andante... - Daniel Barenboim
Tracks:
- Pno Son No.2 in b flat, Op.35: 1. Grave - Doppio Movimento - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 2. Scherzo - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 3. Marche Funebre: Lento - Attaca: - Ivo Pogorelich
- Pno Son No.2 in b flat, Op.35: 4. Finale: Presto - Ivo Pogorelich
- Gaspard De La Nuit: 1. Ondine: Lent - Ivo Pogorelich
- Gaspard De La Nuit: 2. Le Gibet: Tres Lent - Ivo Pogorelich
- Gaspard De La Nuit: 3. Scarbo: Modere - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegro Moderato - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Allegretto - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Tempo Di Valzer Lentissimo - Ivo Pogorelich
- Pno Son No.6 in A, Op.82: Vivace - Ivo Pogorelich
Tracks:
- Falstaff: Act I, Part One: 'Falstaff!'/'Ola!'/'Sir John Falstaff' - Michael Sells/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Sei Polli: Sei Scellini' - 'So Che Andiam, La Notte' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'Ma E Tempo D'Assotigliar L'Ingegno' - Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act I, Part One: 'L'Onore! Ladri!' - Renato Bruson
- Falstaff: Act I, Part Two: 'Alice'/'Meg'/'Nannetta' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act I, Part Two: 'Fulgida Alice!' - 'Quell'otre! Quel Tino!' - Brenda Boozer/Katia Ricciarelli/Lucia Valentini Terrani/Barbara Hendricks/Michael Sells...
- Falstaff: Act I, Part Two: 'In Due Parole: L'enorme Falstaff Vuole' - William Wildermann/Michael Sells/Leo Nucci/Francis Egerton/Dalmacio Gonzalez/Barbara Hendricks...
- Falstaff: Act I, Part Two: 'Pst, Pst, Nannetta'/'Labbra Di Foco!' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani
- Falstaff: Act I, Part Two: 'Udrai Quanta Egli Sfoggia' - Francis Egerton/Leo Nucci/William Wildermann/Michael Sells/Dalmacio Gonzalez...
- Falstaff: Act II, Part One: 'Siam Pentiti E Contriti' - 'Reverenza!' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani
- Falstaff: Act II, Part One: 'Alice E Mia!...Va', Vecchio John' - Renato Bruson/Francis Egerton
- Falstaff: Act II, Part One: 'Signore, V'Assista Il Cielo!' - Leo Nucci/Renato Bruson/Francis Egerton/William Wildermann
- Falstaff: Act II, Part One: 'C'e A Windor Una Dama' - Leo Nucci/Renato Bruson
- Falstaff: Act II, Part One: 'E Segno? O Realta' - Leo Nucci/Renato Bruson
Tracks:
- Falstaff: Act II, Part Two: 'Presenteremo Un Bill'/'Giunta All'albergo' - Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Gaie Comari Di Windsor!' - Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Barbara Hendricks
- Falstaff: Act II, Part Two: 'Alfin T'ho Colto, Raggiante Fior' - Renato Bruson/Katia Ricciarelli
- Falstaff: Act II, Part Two: 'Quand'ero Paggio' - Renato Bruson/Katia Ricciarelli/Lucia Valentini Terrani
- Falstaff: Act II, Part Two: 'Mia Signora!' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Brenda Boozer/Leo Nucci...
- Falstaff: Act II, Part Two: 'Vien Qua, Che Chiasso!' - Barbara Hendricks/Dalmacio Gonzalez/Michael Sells/Leo Nucci/William Wilderman/Francis Egerton
- Falstaff: Act II, Part Two: 'C'e, C'e, Se T'Agguanto! Se Ti Piglio!' - Leo Nucci/Michael Sells/Lucia Valentini Terrani/Brenda Boozer/Francis Egerton/William Wildermann...
- Falstaff: Act III, Part 1: 'Ehi! Taverniere!' - 'Mondo Ladro' - Renato Bruson
- Falstaff: Act III, Part 1: 'Reverenza. La Bella Alice...'/'Quando Il Rintocco Della Mezzanotte' - Lucia Valentini Terrani/Renato Bruson/Katia Ricciarelli/Leo Nucci/Barbara Hendricks/Brenda Boozer...
- Falstaff: Act III, Part 1: 'Brava. Quelle Corna Saranno La Mia Gioia!' - Leo Nucci/Katia Ricciarelli/Brenda Boozer/Dalmacio Gonzalez/Barbara Hendricks/Michael Sells...
- Falstaff: Act III, Part 2: 'Dal Labbro Il Canto Estasiato Vola' - Dalmacio Gonzalez/Barbara Hendricks/Katia Ricciarelli/Lucia Valentini Terrani/Brenda Boozer
- Falstaff: Act III, Part 2: 'Una, Due, Tre, Quatro' - Renato Bruson/Katia Ricciarelli/Brenda Boozer
- Falstaff: Act III, Part 2: 'Ninfe! Elfi! Silfi!' - 'Sul Fil D'un Soffio Etesio' - Barbara Hendricks/Los Angeles Master Chorale/Roger Wagner/Renato Bruson/Katia Ricciarelli
- Falstaff: Act III, Part 2: 'Alto La!' - 'Pizzica, Pizzica' - Francis Egerton/William Wildermann/Renato Bruson/Lucia Valentini Terrani/Katia Ricciarelli...
- Falstaff: Act III, Part 2: 'Ogni Sorta Di Gente Dozzinale' - Renato Bruson/Katia Ricciarelli/Brenda Boozer/Lucia Valentini Terrani/Leo Nucci/Michael Sells...
- Falstaff: Act III, Part 2: 'Facciamo Il Parentado' - 'Tutto Nel Mondo E Burla' - Leo Nucci/Katia Ricciarelli/Barbara Hendricks/Brenda Boozer/Lucia Valentini Terrani...
Tracks:
- Sym No.4 in A Op.90 'Italian': 1. Allegro Vivace - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 2. Andate Con Moto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 3. Con Moto Moderato - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.4 in A Op.90 'Italian': 4. Saltarello: Presto - Philharmonia Orch/Giuseppe Sinopoli
- Sym No.2 in C Op.61: 1. Sostenuto Assai - Allegro, Ma Non Troppo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 2. Scherzo: Allegro Vivace - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 3. Adagio Espressivo - Vienna PO/GIuseppe Sinopoli
- Sym No.2 in C Op.61: 4. Allegro Molto Vivace - Vienna PO/GIuseppe Sinopoli
Tracks:
- Candide: Ov - LSO/Leonard Bernstein
- Candide: The Best Of All Possible Worlds - Adolph Green/Jerry Hadley/June Anderson/Kurt Ollmann/Della Jones
- Candide: Glitter And Be Gay - June Anderson
- Candide: Nothing More Than This - Jerry Hadley
- Trouble In Tahiti: 'Doo - Da - Day - Day -' - Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'How Could You Say' - Edward Crafts/Wendy White
- Trouble In Tahiti: 'Yes? Oh, Mr. Partridge!' - Edward Crafts/Louise Edeiken/Mark Tomsen/Kurt Ollmann
- Trouble In Tahiti: 'I Was Standing In A Garden' - Wendy White/Edward Crafts
- Trouble In Tahiti: 'Well, Of All People' - Edward Crafts/Wendy White
- West Side Story: Prologue - Leonard Bernstein/Orch
- West Side Story: Jet Song - Kurt Ollmann/Chor
- West Side Story: Maria - Jose Carreras
- West Side Story: Balcony Scene (Tonight) - Jose Carreras/Kiri Te Kanawa
- West Side Story: America - Tatiana Troyanos/Louise Edeiken/Chor
- West Side Story: I Feel Pretty - Kiri Te Kanawa/Tatiana Troyanos/Louise Edeiken
- West Side Story: Ballet Sequence (With 'Somewhere') - Marilyn Horne
Tracks:
- Vc Son No.1 in G, BWV 1027: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 2. Allegro Ma Non Tanto - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.1 in G, BWV 1027: 4. Allegro Moderato - Mischa Maisky/Martha Argerich
- Vc Con in a, RV 418: 1. Allegro - Mischa Maisky
- Vc Con in a, RV 418: 2. [Without Tempo Indication] - Mischa Maisky
- Vc Con in a, RV 418: 3. Allegro - Mischa Maisky
- Vc Son No.2 in D, BWV 1028: 1. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 2. Allegro - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 3. Andante - Mischa Maisky/Martha Argerich
- Vc Son No.2 in D, BWV 1028: 4. Allegro - Mischa Maisky/Martha Argerich
- Vc Con in b, RV 424: 1. Allegro Non Molto - Mischa Maisky
- Vc Con in b, RV 424: 2. Largo - Mischa Maisky
- Vc Con in b, RV 424: 3. Allegro - Mischa Maisky
- Vc Son No.3 in g, BWV 1029: 1. Vivace - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 2. Adagio - Mischa Maisky/Martha Argerich
- Vc Son No.3 in g, BWV 1029: 3. Allegro - Mischa Maisky/Martha Argerich
Tracks:
- Son in E K.380 (L.23): Andante Comodo - Vladimir Horowitz
- Pno Son in C K.330 (300h): 1. Allegro Moderato - Vladimir Horowitz
- Pno Son in C K.330 (300h): 2. Andante Cantabile - Vladimir Horowitz
- Pno Son in C K.330 (300h): 3. Allegretto - Vladimir Horowitz
- Prld in G, Op.32 No.5: Moderato - Vladimir Horowitz
- Prld in g#, Op.32 No.12: Allegro - Vladimir Horowitz
- Etude in c#, Op.2 No.1: Andante - Vladimir Horowitz
- Etude in d#, Op.8 No.12: Patetico - Vladimir Horowitz
- Soirees De Vienne: Valse-Caprice No. 6: Allegro Con Spirito - Vladimir Horowitz
- Sonetto 104 Del Petraca: Agitato Assai - Adagio - Vladimir Horowitz
- Mazurka in c#, Op.30 No.4: Allegretto - Vladimir Horowitz
- Mazurka in f, Op.7 No.3 - Vladimir Horowitz
- Kinderszenen: Traumerei - Vladimir Horowitz
- Etincelles Op.36 No.6, Morceau Caracteristique: Allegro Scherzando - Vladimir Horowitz
- Polka De W. R.: Allegretto - Vladimir Horowitz
Tracks:
- Ballade No.1 in g, Op.23 - Krystian Zimerman
- Ballade No.2 in F, Op.38 - Krystian Zimerman
- Ballade No.3 in A flat, Op.47 - Krystian Zimerman
- Ballade No.4 in f, Op.52 - Krystian Zimerman
- Pno Con No.1 in E flat: 1. Allegro Maestoso - Krystian Zimerman
- Pno Con No.1 in E flat: 2. Quasi Adagio - Allegretto Vivace - Allegro Animato - Krystian Zimerman
- Pno Con No.1 in E flat: 3. Allegro Marziale Animato - Presto - Krystian Zimerman
- Dance Macabre (Totentanz): Andante - Allegro - Allegro Moderato (Var. I & II) - Molto Vivace... - Krystian Zimerman
Amazon.com
This is the decade when Deutsche Grammophon discovered America. Though the label's motherland is still well represented by Herbert von Karajan's unveiling young Anne-Sophie Mutter in Mozart's Violin Concerto No. 5 and Bruch's Violin Concerto No. 1 (both played with the freshness of youth), Carlo Maria Giulini brought the yellow label to Los Angeles in a much-heralded return to opera with Verdi's Falstaff. The mellifluous though not always dramatically attuned dream cast features Barbara Hendricks (Nannetta), Katia Ricciarelli (Alice Ford), and Renato Bruson as the most poetic Falstaff on record. Leonard Bernstein's all-star but problematic Candide and West Side Story recordings are heard in well-chosen excerpts, and the one-act opera Trouble in Tahiti is reconstituted from his opera A Quiet Place (in which it was dispersed and imbedded). Elsewhere, Ivo Pogorelich's early Chopin Sonata No. 2, Ravel's "Gaspard de la nuit," and Prokofiev's Sonata No. 6 show a musician of staggering imagination limited by unrefined technique. Horowitz in Moscow, Krystian Zimerman's Chopin Ballades and Daniel Barenboim's Saint-Saëns Symphony No. 3 have all aged well, though Gidon Kremer's Tchaikovsky Violin Concerto and Giuseppe Sinopoli's Mendelssohn "Italian" Symphony paired with Schumann's Symphony No. 2 have surprisingly little to say. Mischa Maisky's Bach and Vivaldi recordings (many with Martha Argerich on modern piano) have lots to say, but not to the historically informed performance crowd. --David Patrick Stearns
Customer Reviews:
Superb Schumann, etc........2000-11-08
Seven years ago I was in a Vienna music shop and passed on the opportunity to buy the original Sinopoli recording of the Schumann Second - my favorite musical work - with the Vienna Philharmonic. Until this collection was released, I had never heard this particular 2nd Symphony recording which is now truly my favorite (and I have them all). It even led me to find the original release (which includes the Manfred Overture) by searching the Internet for used CDs. Sinopoli and Vienna beautifully convey the struggle and ultimate triumph of this great symphony.
The other recordings are also among DG's best and helped to fill in several repertoire gaps in my collection. I highly recommend the entire set. Thanks to DGG for reissuing these great recordings, especially Sinopoli's Schumann.
Who says there was nothing good in the 1980s?.......2000-04-09
Not enough can be said for this marvellous compilation of some of the finest recordings from 1978-87! Nevertheless, I will try to do some justice and start at the beginning. Anne-Sophie Mutter's Mozart concerto and stellar Bruch set the tone for this set. Very few recordings have the depth of insight into the Mozart that she does, and for such a young woman! The next disc is dedicated to another violinist par excellence: Gidon Kremer, whose Tchaikowsky concerto will blow you out of your chair, even compared with the Perlman recording of the same work. Disc three focuses on Daniel Barenboim the conductor, although the last track features one of his finest recorded piano works, the paraphrase of Rigoletto by Liszt. The two recordings featured are (brace yourself), the Perlman/Paris recording of the Lalo Symphonie Espagnole, the likes of which have not been known before or since, and the Saint-Saens Organ Symphony with Chicago and the organ of Chartres. The little catch in the Saint-Saens is that the organ part and orchestral work were recorded a month seperate from each other and across the Atlantic, but if you didn't read the liner notes, it would be impossible to tell; the editing is so well done! Ivo Pogorelich's Gaspard de la Nuit gives the work new meaning, not to say any less of his Chopin Second sonata. Giulini's conducting of Verdi's Falstaff is a force not to be reckoned with, with flawless casting to boot. I would expect more from Sinopoli than the Schumann delivers, however this is partly DG's fault for picking one of his least successful recordings. The Bernstein disc is all of his own music, including highlights from the splendid Candide and Trouble in Tahiti. Have a laugh over Carreras' pronunciation in West Side Story (why cast him as the American! ) and the other thoroughly inappropriate voices for this work, but remember that Bernstein was given the cold shoulder on this work and was trying to make it appeal to the classical crowd that had unfortunately shunned it on Broadway.
Maisky's cello playing is next, with the three sonatas originally for harpsichord and viola da gamba being played on modern cello with Martha Argerich at the piano. These are excellent recordings if inauthentic, but are certainly the best modernizations available, as are the two Vivaldi concerti with Orpheus. Saving the best for last, Vladimir Horowitz's landmark 1986 return to Moscow is no less breathtaking on the 1000th listening than on the first. There may be no better single CD of piano music in existance; the simplest track "Träumerei" from Schumann's Kinderszenen is utter perfection and emotion molded into one. Zimerman holds his own beautifully, though, with some of the best Chopin Ballades to be had. True, they lack some of the momentum and drive of the Rubinstein recordings, but the sheer technical ability displayed along with absolute control (and they're not at all skimpy on the emotion either!), they are in the top five recordings of these works ever. Add to this his recording of the Liszt E-flat concerto with Seiji Ozawa/Boston Symphony, which is flawless. The cherry on top (!) is the Liszt Totentanz, which is so often played as an overly flashy, bangy, loud and raucous showpiece. Not so here, even in such a murderously difficult and crashing work, Zimerman displays control, even if it means wrestling the work to the floor. This set is pricey, no doubt, but well worth it (and the sore arms you'll get carrying it home, another good reason to mail-order it) for the unmatched brilliance.
R&B Music:
- The Temptations Sing Smokey [Original recording remastered]
- The Very Best of Classic Freddie [Import]
- To Be Continued [Import]
- Tough Guys [Import]
- Tyrese [Enhanced]
- Watching You Watching Me
- Who The Hell is Romel Moralez? [Explicit Lyrics]
- Work Me Down to Da Draws
- #1 R&B Hits 1965-1969
- 3 + 3 [SACD]
R&B Music
r&b music
Recommended Music:
Vol. 1-Platipus Archives [Import]
Ferdinand Frantz, Bassbariton
~Debussy: Sonata for flute & viola L137
Livin' On the Edge
Down The Road (Live) [Live] [Import]
Good Day Polka (Dzien Dobry)
His Best
Double Nickels on the Dime
Celtic Crossings [Box set]
Brahms: Trio for Horn, Violin & Piano, Op. 40; Clarinet Sonatas
Dummy
Conquistador
Dance Floor Divas: The 70s
Live at Ronnie Scott's
Every Day I Have the Blues