Darkness to Light [Import]

Track Listings

1. Tonight's the Night

2. All Dressed Up

3. Born With These Blues

4. She's Fine

5. I Am What I Am

6. Devil Beasts

7. Ruff 'N' Tuff

8. Record Biz

9. Santa Claus Lost His Xmas List

10. I Want You to Love Me [Live]

11. Come on Let's Rock

12. King Bee

13. Who You Trying to Fool

14. Red Handed

Darkness .... To Light,Robert Ross,EMI,Modern Electric Blues,R&B/Soul

Tracks:

Topanga Dreams
Katyia's Dance
China Lily
Fertile Crescent
Lhasa Love
Aduman
Darjeeling Sunrise
Clouds across the Darkness
Silver Lake
Lotus

Album Description

About this CD (notes from the artist )

Topanga Dreams
Since 1988, I've lived in Topanga, California. This small mountain town has taught me the true meaning of community. By being there for each other, we can make dreams come true. May all your dreams come true...

Katyia's Dance
This song has evolved from being a solo dance performance piece in our Mystic Journey shows into a passionate tango...for two. So grab someone you love and enjoy the dance!

China Lily
This flute was a gift from my Dize (rhymes with pizza) teacher and is one of my favorites. Whenever I play it, I am transported to a place of inner peace and stillness.

Lhasa Love
I found this melody in a book of traditional Chinese folk songs, It was called Tibetan Dance before we transformed it into a lively multicultural boogie!

Aduman
Although there are many dialects spoken in the West African region of Guinea and Mali, the universal word for "sweet" amongst all the tribes is aduman.

Darjeeling Sunrise
Inspired by an Indian sunrise raga, this song reflects the experience that I had when I was on top of Tiger Hill in Darjeeling, India, witnessing a magical sunrise illuminating the awesome Himalayan mountains.

Customer Reviews:

A Poetic Journey..........2004-05-05

I fell in love with the music of The Angels of Venice years ago, and thus when I learned that Suzanne Teng (a former "Angel") had produced a solo work, I was very excited. But the music on this CD easily surpasses anything Teng had done with the Angels of Venice. Lyrical melodies, accompanied by enthnic rhythms on traditional percussion instruments, overlaid with Teng's own haunting performances on Asian flute, transport the listener to another time and another place -- both in this world, and in the "otherworld" created by Teng's mystical music edge. Tibetan singing bowls, Middle-Eastern bells, Celtic strings and a vast assortment of drums and wind instruments create a musical whirlwind that will leave the listener breathlessly awaiting Teng's next musical offering.

Nice!.......2004-01-01

Suzanne Teng, the original flutist with the group "Angels of Venice", breaks out on her own in this playful and exotic 1999 release. Teng shows herself a master of flutistry, not only the playing the standard western "C" flute, but also piccolo, alto and bass flutes, dize (Chinese bamboo flute), ney (Turkish flute) and panpipes. Her tone is rich and liquid, and her improvisations range from jazzy to sinuous to ephemeral depending on the style of the piece. Many of the selections have a strong Near- or Far Eastern flavor, but the mood remains gentle and cheerful throughout the album, without any of the dark intensity that characterizes some of the "Angels'" work. Teng is not alone in "Mystic Journey" either; many guest artists lend their well-established talents to the mix to create ever-varied layers of texture. Gilbert Levy provides intricate world percussion accompaniments, while cellist Martin Tillman, Prince Diabate, Hans Christiansen of Rasa and Greg Ellis of Vas (among others) also pop in to lend a hand, making for a richly orchestrated album that is full of apt and interesting surprises. Occasionally the flute melodies seem a little trite and meandering, qualities that are at odds with the earthy, percussive background, but overall this album is appealing. Teng's simultaneously light and down-to-earth compositions find ways to be relaxing without being boring--a common pitfall for many New Age artists. The music of "Mystic Journey" would be great for warm-ups and slow-dancing for belly dancers, as well as just pleasant listening after a mundane and stressful day at work. Other recordings featuring Suzanne Teng's flute-playing include "Awake Inside a Dream" and "Music for Flute, Harp and Cello" by the Angels of Venice. For more bamboo and metal flute improvisations, in this case without accompaniment, check out also Richard Warner's "Quiet Heart / Spirit Wind".

Fabulous!.......2002-07-05

I ordered this CD after only hearing two songs which I "accidentally" heard while flipping the channels of the television. There was a performance done on Public Access and I was surprised to see that a CD was available. I ordered one for myself and a friend who is a yoga instructor. I love this CD! It is perfect for yoga or meditation or even just in the background while working. The music is heartfelt and joyous and everyone who hears it immediately loves it. I would definitly recommend it, especially if you are looking to expand your collection of instrumental music. Personally, I love flute pieces, so this was a perfect choice for me.

Fabulous.......2001-06-28

I caught Suzanne Teng & Mystic Journey on vacation at this year's Topanga Days festival, but didn't buy the CD. I thought about their music the whole rest of the trip and ordered the CD as soon as I got home. It's truly magnificent and beautiful music, and I could listen to the CD over and over. Perfect background for anything - reading, meditating, special dinners, yoga, whatever. I find myself getting up just to move to the music. They're all very talented and the CD is a real stress-melter.

Makes you want to listen and dance at the same time.......2000-08-31

This is really an excellent independently-produced CD. Some of the tunes are fairly straight-forward, rhythmic wonders with Ms. Teng's incredible flute playing polishing them off. Others are more "world" sounding incorporating thraot singing and chanting. There is not a bad cut on the CD. Listen to Katiya's Waltz, and try to concentrate on the beautiful music while your feet waltz across the floor.

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock

Average customer rating:

Ladies & gentleman: The Lord'n Savior, God Almighty
So Fashionable, and So Disappointing
A nice combination of period nad tradiitonal
Wait! Before you buy...
La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
Belcea Quartet ~ Debussy · Dutilleux · Ravel
Beethoven: Symphony No 9 /ORR * Gardiner
Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood
Haydn: Lord Nelson Mass / Willcocks, King's College Choir

ASIN: B0000057DB
Release Date: 1990-10-25

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Light out of Darkness (A Tribute to Ray Charles)

Average customer rating:

Wonderful Tribute
A Nice Tribute To Ray Charles
Terrific tribute to Ray Charles
My favorite Shirley Horn
Rare Sensibility plus a Unique Repertoire

Light out of Darkness (A Tribute to Ray Charles)
Shirley Horn
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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I Remember Miles
You Won't Forget Me
Here's to Life
Loving You
The Main Ingredient

ASIN: B0000046QQ
Release Date: 1993-09-21

Tracks:

Hit The Road, Jack
Just A Little Lovin'
You Don't Know Me
Drown In My Own Tears
Hard Hearted Hannah (The Vamp Of Savannah)
Georgia On My Mind
Makin' Whoopie
Green (It's Not Easy Being Green)
Bye Bye Love
The Sun Died
How Long Has This Been Going On
If You Were Mine
I Got A Man
Just For A Thrill
Light Out Of Darkness

Amazon.com essential recording

Shirley Horn's tribute to Ray Charles is typically idiosyncratic yet unaffected by a need to justify the critical hype. She plays organ as well as piano while Charles Ables doubles on bass and guitar and Gary Bartz adds soulful alto-sax obliggatos. Horn's versions of "Hit the Road, Jack" and "I Got a Man" replace the gospel fire of the originals with sexy, lighthearted swing, while "Drown in My Own Tears" is more torch ballad than bluesy hymn. The album's emotional centerpiece is "Green (It's Not Easy Being Green)," a tune Brother Ray borrowed from Kermit the Frog. Amazingly, Horn finds deeper meaning in the lyric than either of them. --Rick Mitchell

Customer Reviews:

Wonderful Tribute.......2003-10-04

The song selections and the heartfelt delivery make this a wonderful tribute to Ray Charles and his gift to the world! Add Shirley Horn to the mix, and you have an outstanding musical release!

A Nice Tribute To Ray Charles.......2002-07-27

This is a departure from the usual material that Shirley Horn does but it comes off well. There are more uptempo tunes than she normally does and certainly, in spirit, you have to think of Ray Charles as you listen to her renditions of the songs associated with him.

My favorites are the ballads because, in my opinion, that is her strength and in this area, I think she has few peers. She sings the way Miles Davis used to play a ballad with his trumpet, making extremely effective use of space within the melody. As such my two favorites on this cd are "The Sun Died" and the title song.

Especially Ray Charles or Shirley Horn fans should enjoy this one.

Terrific tribute to Ray Charles.......2001-10-18

This is a wonderful tribute album to Ray Charles. Shirley Horn is just fabulous as are the other musicians. "Green" happens to be my favourite track, which is just Shirley's voice and piano and is just wonderful. But each and every track on here is great, couldn't be better. She puts such feeling and meaning into each song, and I am so glad I finally discovered her. This may be my first Shirley Horn album, but it will not be my last. The 12 page booklet has great liner notes as well as a few photos.

My favorite Shirley Horn.......2001-09-19

This is worth getting if only for her "It's Not Easy Being Green," the best reading of that song I have heard by anyone. It's one thing to read the lyrics and understand the meaning, but Shirley really makes you feel it. Just deeply beautiful. And in a perfect world, it would have ruled the radio in '93 and Ken Burns would've talked about the great Shirley Horn revival in these last 10 years. Ah, well. If the record couldn't sweep the nation, at least it could be a big hit in your house.

Rare Sensibility plus a Unique Repertoire.......2000-07-09

Maybe some say it is not the most representative Ray Charles. Also maybe some say it did not tingle but Ms.Horn did hit the road and made it with the personal Ray Charles material. Great renditions of "Being Green" and Gershwin's "How Long Has This Been Going On". There is also an extraordinary rendition of "The Sun Died", a French song wonderfully recorded by Mr. Charles. Impressive!

Ghosts of the Abyss (Original Motion Picture Soundtrack)

Average customer rating:

great cd
"Ghosts of the Abyss Soundtrack"
Ghosts of the Awesomeness

Ghosts of the Abyss (Original Motion Picture Soundtrack)
Various Artists
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Baby, It's Cold Outside

ASIN: B00008RV1J
Release Date: 2003-04-08

Tracks:

Departure
Main Title
Apprehension
Getting Ready
Titanic Revealed
Floating Above the Deck
Dangerous Recovery
Valse Septembre
The Windows
Jack and Elwood
The Bots Go In
Titsy Bitsy Girl
The Grand Staircase
Exploring the Staterooms
Song Without Words
Elegance Past
Building the Ship
I...I Had To Go
The Ship's Engines
Alexander's Ragtime Band
The Final Day
The End
Memorials
Go Toward the Light
The Next Morning
Nearer My God To Thee
Saying Goodbye To Titanic
Eternal Father, Strong To Save
Darkness, Darkness

Customer Reviews:

great cd.......2003-10-04

this cd is great.the music is good for any titanic fan and really describes what was going on in real life.this cd is a #1 hit for any titanic fan

"Ghosts of the Abyss Soundtrack".......2003-04-15

The music fits the film well. The best tune on the album is a remake of Darkness, Darkness (youngbloods 1967) sung by an unknown artist Lisa Torban. A voice that just makes you repeat the selection over and over.

Ghosts of the Awesomeness.......2003-04-14

Oh my goodness! This was the best 3D Imax I have ever seen! (and yes I've seen more than one). And the soundtrack made it as good as it is! The song at the end called Darkness, Darkness was so fantastic and made me cry so much! Best ever!

Average customer rating:

Elgar: The Light of Life

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Elgar: Caractacus

ASIN: B000000ASX
Release Date: 1994-07-26

Tracks:

The Light Of Life: Meditation
No. 2 Seek Him That Maketh The Seven Stars
No. 3 As Jesus Passed By
No. 4 Be Not Extreme, O Lord
No. 5 Neither Hath This Man Sinned
No. 6 Light Out Of Darkness
No. 7 And When He Had Thus Spoken
No. 8 Doubt Not Thy Father's Care!
No. 9 He Went His Way Therefore
No. 10 As A Spirit Didst Thou Pass Before Mine Eyes
No. 11 They Brought Him To The Pharisees
No. 12 Thou Only Hast The Words Of Life
No. 13 But The Jews Did Not Believe
No. 14 Woe To The Shepherds Of The Flock
No. 15 Jesus Heard That They Had Cast Him Out
No. 16 I Am The Good Shepherd
No. 17 Light Of The World, We Know Thy Praise

Amazon.com

Sir Edward Elgar was asked in 1895 to write a work on a biblical subject by the then-vicar of Bdarnich in Devon. The vicar suggested the story of Christ giving sight to a blind man, calling it Lux Christi. Elgar changed it to The Light of Life, and it was supposed to be the prelude to a trilogy of oratorios that never materialized. Even so, some of Elgar's strongest work is in this masterpiece. John Shirley-Quirk in the role of Jesus is a knockout, as is Arthur Davies in the role of the blind man. A genuinely great work. --Paul Cook

Average customer rating:

lovely singing- poor sound

Les Pêcheurs De Perles [Highlights]

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

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Operettas | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
ASIN: B000006O22
Release Date: 2000-06-06

Tracks:

Act I: Prld - Radio Phil Orch/Jean Fournet
Act I: 'But Who's Coming There?' - Radio Phil Orch/Jean Fournet
Act I: No.1. Recitative And Repeat: 'Stay With Us, Nadir...On The Burning Sand' - Jan Joris/Alain Vanzo
Act I: No.2. Recitative: 'So, I See You Again At Last' - Jan Joris/Alain Vanzo
Act I: No.2. Duet: 'At The Back Of The Holy Temple' - Jan Joris/Alain Vanzo
Act I: No.3. Chor: 'Be Welcome' - Radio Phil Orch/Jean Fournet
Act I: No.3. Scene And Chor: 'Alone Amongst...Brahma, Holy Brahma!' - Jan Joris/Erna Spoorenberg/Guus Hoekman/Alain Vanzo
Act I: No.4. Recitative: 'What A Turmoil' - Alain Vanzo
Act I: No.4. Romance: 'I Discovered Her Trail' - Alain Vanzo
Act I: No.5. Finale. Scene And Chor: 'The Sky Is Blue' - Guus Hoekman/Alain Vanzo
Act I: No.5. Aria And Chor: 'O Holy Brahma' - Erna Spoorenberg/Alain Vanzo
Act II: No.7. Recitative And Cavatina: 'Here I Am, Alone In The Night...As He Used To Be' - Erna Spoorenberg
Act II: No.8. Song: 'I Saw In The Deep, Clear Water' - Alain Vanzo/Erna Spoorenberg
Act II: No.9. Duet: 'Leila! Leila! Almighty God!' - Alain Vanzo/Erna Spoorenberg
Act III. Part One: No.11. Entr'acte Recitative And Aria: 'The Storm Has Quietened Down...O Nadir' - Jan Joris
Act III. Part Two: No.13. Chor And Dance: 'As Soon As The Sun' - Alain Vanzo
Act III. Part Two: No.14. Scene And Duet: 'Ye Gods Of Darkness...O Sacred Light' - Guus Hoekman/Alain Vanzo/Erna Spoorenberg
Act III. Part Two: No.15. Finale: 'At Last Daylight Has Broken Through The Clouds!' - Erna Spoorenberg/Alain Vanzo/Jan Joris/Guus Hoekman

Customer Reviews:

lovely singing- poor sound.......2000-04-09

It's always a pleasure listening to Alain Vanzo - the 'Nadir' of this live highlights recording. Spoorenberg also is in very good voice, though I've never heard of her before or since. The 'Nourabad' and 'Zurga' are no less than average.

So, the singing is lovely, sometimes even wonderful. Why then is it only a three star recording? Well, it's a highlights-edition without the libretto (meaning that noone really understands what this is all about). It's also recorded live, not always bad from a theatrical point of view, but the sound quality of this recording is unfortunately rather poor.

But, if the beauty of the singing itself means more to You than the sound quality, and if You like the idea of the essence of an opera caught on one disc instead of two, this is very good listening for hardly no money at all.

Tracks:

Overture
Comfort Ye My People
Ev'ry Valley Shall Be Exalted
And the Glory of the Lord
Thus Saith the Lord of Hosts
But Who May Abide the Day of His Coming?
And He Shall Purify the Sons of Levi
Behold a Virgin Shall Conceive
O Thou That Tellest Good Tidings to Zion
For Behold, Darkness Shall Cover the Earth
People That Walked in Darkness
For Unto Us a Child Is Born
Pastorale Symphony
There Were Shepherds Abiding in the Field
Glory to God in the Highest
Rejoice Greatly, O Daughter of Zion
Then Shall the Eyes of the Blind Be Open'd
He Shall Feed His Flock Like a Shepherd
His Yoke Is Easy, His Burden Is Light
Behold the Lamb of God

Tracks:

He Was Despised and Rejected of Men
Surely, He Hath Borne Our Griefs
And With His Stripes We Are Healed
All We Like Sheep Have Gone Astray
All They That See Him, Laugh Him to Scorn
He Trusted in God That He Would Deliver Him
Thy Rebuke Hath Broken His Heart
Behold, And See If There Be Any Sorrow
He Was Cut Off Out of the Land of the Living
But Thou Didst Not Leave His Soul in Hell
Lift Up Your Heads, O Ye Gates
How Beautiful Are the Feet of Them
Why Do the Nations So Furiously Rage
Let Us Break Their Bonds Asunder
He That Dwelleth in Heaven
Thou Shalt Break Them With a Rod of Iron
Hallelujah - London Philharmonic Chorus
I Know That My Redeemer Liveth
Since by Man Came Death - For as in Adam, Even So in Christ
Behold, I Tell You a Mystery
Trumpet Shall Sound
Worthy Is the Lamb That Was Slain
Amen

Customer Reviews:

Old Fashioned Sincerity.......2006-12-30

This is not the best recording of Messiah but it is by no means a disaster. Susskind was an able conductor with a valid view of this great piece. The recording from the 1950s is more than adequate (there is some roughness in the treble but it is full and clear - though some edits are very obvious indeed). The orchestra is excellent and the choir sing well. The soloists - all of them - are superb, among the very best in any version of Messiah! Susskind's tempos are slow by modern standards but there is good rhythmical bounce and a genuine sense of the greatness of the piece. If you can adjust to the broad tempos and the big scale conception then you will discover important aspects of this masterpiece in this performance - and the set costs next to nothing!

One of the worst recordings ever made.......2006-05-10

This is only my second one star review. And I am rather generous with stars. But this recording is just horrible, especially considering that all of the participants are legendary musicians. First of all, this is extremely old fashioned Handel. The textures are way too heavy for music of the baroque. But worst of all, the performance just sits there like mud on your tires that won't come off. Yes, the price is very low, but whatever you do, do not buy this recording.

Pete's Dad.......2005-12-11

I have had a CD of the London Philharmonic version of the Messiah conducted by Fredrick Jackson for several years and enjoyed listening to it. However, the quality of the recording leaves something to be desired.

Average customer rating:

Finally a Messiah with fervor!
Great recording!
Good and Bad
This is a great recording!

Handel: Messiah

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Christmas at Trinity

ASIN: B00002R16A
Release Date: 1999-11-30

Tracks:

Messiah: No. 1 Overture
Messiah: No. 2 Arioso For Tenor
Messiah: No. 3 Air For Tenor
Messiah: No. 4 Chorus
Messiah: No. 5 Recitative For Bass
Messiah: No. 6 Air For Bass
Messiah: No. 7 Chorus
Messiah: No. 8 Recitative For Alto
Messiah: No. 9 Air For Alto And Chorus
Messiah: No. 10 Arioso For Bass
Messiah: No. 11 Air For Bass
Messiah: No. 12 Chorus
Messiah: No. 13 Pifa (Pastoral Symphony)
Messiah: No. 14a Recitative And No. 14b Arioso For Soprano
Messiah: No. 15 Recitative For Soprano
Messiah: No. 16 Arioso For Soprano
Messiah: No. 17 Chorus
Messiah: No. 18 Air For Soprano
Messiah: No. 19 Recitative For Alto
Messiah: No. 20 Air For Alto And Soprano
Messiah: No. 21 Chorus
Messiah: No. 22 Chorus
Messiah: No. 23 Air For Alto
Messiah: No. 24 Chorus
Messiah: No. 25 Chorus
Messiah: No. 26 Chorus

Tracks:

Messiah: No. 27 Arioso For Tenor
Messiah: No. 28 Chorus
Messiah: No. 29 Recitative For Tenor
Messiah: No. 30 Air For Tenor
Messiah: No. 31 Recitative For Tenor
Messiah: No. 32 Air For Tenor
Messiah: No. 33 Chorus
Messiah: No. 34 Recitative For Tenor
Messiah: No. 35 Chorus
Messiah: No. 36 Air For Alto
Messiah: No. 37 Chorus
Messiah: No. 38 Aria For Soprano
Messiah: No. 39 Chorus
Messiah: No. 40 Air For Bass
Messiah: No. 41 Chorus
Messiah: No. 42 Recitative For Tenor
Messiah: No. 43 Air For Tenor
Messiah: No. 44 Chorus
Messiah: No. 45 Air For Soprano
Messiah: No. 46 Chorus
Messiah: No. 47 Recitative For Bass
Messiah: No. 48 Air For Bass
Messiah: No. 49 Recitative For Alto
Messiah: No. 50 Duet For Alto And Tenor
Messiah: No. 51 Chorus
Messiah: No. 52 Air For Soprano
Messiah: No. 53 Chorus
Messiah: Amen

Customer Reviews:

Finally a Messiah with fervor!.......2005-10-20

I've hunted a thrilling performance of The Messiah through 240 versions so far. This is the best I've found. Some are self-conscious, dutifully singing as instructed. Some are almost childish in their lilt. Some are overblown with so much bombast that you can barely hear the heart of the music. Some are concentrated on faithfulness to the original instruments. If you want a performance that will make you shiver with the power and joy of the music, this is the one. The singers are singing about GLORY. They sound as if they are ecstatic. The musicians are at one with the music and they create a virtual cathedral wherever this CD is played, just close your eyes. Or, let your own imagery, be it celestial, or of great oceans...carry you away.

Great recording!.......2003-09-22

There are so many performances of the Messiah out there that it is very difficult to point to a difinative one, but I'd put this in the catagory of the "very good" ones. As other reviewers have said, every performance is different and has its own character. Each has stronger and weaker points. Here the conductor and musicians have made good, solid musical choices. There is an amazing attention to detail which is not so obvious the first listen through but which makes the piece shine. The tempos seem to be right on, and there is no frivolous over-embellishment by the soloists. There is no attempt to be showey. The dramatic dynamics in the first section of the overture are interesting, but seem to work after you hear it a few times. This performance also includes sections which are often omitted (Second half of "He shall feed his flock," "Thou art gone up on high," "Great was the company of the preachers," and "Death where is thy sting"). I prefer the more intimate quality of a small ensemble of musicians to the mega-performances by the London Philharmonic, Vienna State Opera Orchestra, etc.. As with this performance, the smaller group lends a clarity to the music, where the larger ensembles can get a little "muddy" at times. Just my personal preference. Overall, this is a very good performance, and certainly the low price (being on the Naxos lable) makes this a clear choice.

Good and Bad.......2000-04-09

I was more interested in "The Messiah" for the religious content than as a music critic, but this was too much. The strings are tinny. The orchestra is plodding. The soloists and choir are thankfully very good and seem to understand the meaning of the words. It is a shame the sound mix is uneven. The male parts come across loud and clear, but the poor women. For instance, No. 9 Oh thou that tellest..., the soloist sounded like she was singing in an echo chamber far from the mike. This is one of the most disappointing versions of "The Messiah" I have heard in a long time.

This is a great recording!.......2000-02-11

I was really surprised with the new that the Messiah's New World premiere was held at Trinity Church in October 1770, twenty-eight years after it was written. This fact only will make one proud in having this CD among his collection.

Anyhow, this is nothing more than a historic detail and would not count if this recording had not an outstanding first-rate ensemble of singers. Without doubt there is no definitive version of Messiah. Each one has its own distinctive touch and feeling and exploring it is always a pleasant journey through imagination.

As stated by the conductor: "we must concede that performing Messiah with twenty singers and an appropriately balanced instrumental ensemble represents, at best, an imperfect comprimise", it will be easy to understand that this recording does not stand among the greatest and will probably carry some imperfections. I will mention two that kind of disppointed me a little bit. The Overture and the Chorus Worthy is the Lamb, for some reason misses the habitual vigor and strenght. Everything else is great and this is definitely a worth buying.

Just a Poke/Darkness to Light
Average customer rating:

Just A Poke

Sweet Smoke - 'Just A Poke / Darkness To Light' (EMI)

Glorious!

Unknown talents!

authentically psychedelicious

Just a Poke/Darkness to Light
Sweet Smoke
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

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Live

Crisalida

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ASIN: B00002DEXK
Release Date: 2000-02-18

Tracks:

Baby Night
Silly Sally
Just Another Empty Dream
I'd Rather Burn Than Disappear
Kundalini
Believe Me My Friends
Show Me The Way To The War
Darkness To Light

Album Description

German reissue of two 70s rock albums ' Just a Poke' and 'Darkness to Light' together on one disc. Originally released on Harvest. Digitally remastered. Standard jewel case. 2000 release.

Customer Reviews:

Just A Poke.......2007-05-12

I remember Just A Poke as a kid in Europe. This CD has this album on it, plus Darkness to Light which I had never heard. I recommend this album to anyone who likes jam bands, mellow music and music to smoke to.

Sweet Smoke - 'Just A Poke / Darkness To Light' (EMI).......2007-02-03

Vaguely even remember this '70's progressive / jazzy art rock band. A should-have 2-lp's-on-one CD reissue, that is if you're a fan of old progressive. Two albums from Sweet Smoke, 'Just A Poke' ('70) and 'Darkness To Light' ('73). Tracks I was somewhat most impressed with were the sixteen-minute "Baby Night", "Just Another Empty Dream" and the intricately played second lp title cut "Darkness To Light". Line-up: Marvin Kaminowitz-guitar&vocals, Michael Paris-sax,percussion&vocals, Steve Rosenstein-rhythm guitar, Andrew Dershin-bass and Jay Dorfman-drums. Might possibly appeal to fans of King Crimson, Floyd's 'Dark Side' era, The Move and Edgar Broughton.

Glorious!.......2005-06-12

I've cherished Sweet Smoke's music for years - in fact, to me the music on this cd is desert island stuff. It has always amazed me that this group is so little known - little can be found in pop encyclopedias, even the older ones. And why is this? These guys produce some stunning music, an amalgam of rock, jazz, songer-songwriter stuff, and, yes, lyrics & a visual style that with some reason can be called dated.

This cd consists of their first 2 albums. "Just a poke", with its stunning cover, features 2 songs only: superb jazz-rock workouts with stunning guitar, saxophone & drum solos. "Baby night" has lyrics which seem to be based on the Doors' "Soft parade". The album "Darkness to light" offers more: well-crafted shorter songs stand alongside the jazz-rock workouts "Kundalini" and the title song, which should in itself be enough reason to buy this cd: it has several great "movements" that follow each other smoothly, in another display of craftsmanship. A pity these guys didn't record more (apart from their live album, which is not as good as the two albums featured here).

Yes, the lyrics, the album covers, the beards, the oriental overtones and the outfits all are out of date. But don't be put off by that - there's glorious music in there!

Unknown talents!.......2005-01-14

I stumbled upon this cd for a very low price ($6) in the Netherlands, intrigued by the psychedelic cover. The cover matches its contents, with a major caveat: this is not just hippy music like the Dead (which I like) but resembles early Soft Machine in a way (jazzy rhythms, great musicianship, non-roc saxes)and even old King Crimson (circa Islands)and Krautrock (Amon Düül II or early Can as regards the mix of playfuleness, musicianship and seriousness.

From a strictly technical viewpoint they cannot be called great composers; the longer tracks consist of very different parts and even the shorter tracks contain elements that seem in no way related to other parts of the song. As a listening experience however this is a great and pleasant surprise. Recommended!

authentically psychedelicious.......2003-03-11

This post apocolyptic tour de force is a must for the 60's bohemian aural afficinado. This group of tuned in- turned on americans delivered a recording performance that defined, articulated, and authenticated the entire buhemian sensibility. Each note percolates off the vinyl like a LSD hallucination driving its way to the brains neural centers...Which goes to say, its not for everyone. Enter at your own risk.

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