Song Book

Track Listings

1. Girls, Girls, Girls (did he tell ya that?)

2. welcome to hollywood

3. dealin' with your ex

4. ya shoulda' been good to me

5. i can't stop my heart

6. phone sex

7. who is betty?

8. if lovin' you was drugs

9. it's jumpin' off

10. you're not givin' me child support

11. breakin' your neck

12. something to the table

13. great pretender

14. i can't trust you round my boyfriend

15. can i get a what?

16. i'm in love with Jesus

Song Book,Zuri

Song Book

Tracks:

Canon - Pachelbel
Eine Kleine Nachtmusik-Andante - Mozart
Fur Elise - Beethoven
String Quartet #1 - Tchaikovsky
Clair De Lune - Debussy
Idyl for Strings - Adagio - Janacek
Adagio in G Mnor - Albinoni
The Girl with the Flaxen Hair - Debussy
Air on a G String - Bach
Greensleeves - Vaughn Williams
Largo from Xerxes - Handel
Prelude in C - Bach
The Planets - Venus - Holst
Goldberg Variations - Aria - Bach
Adagio for Strings - Barber

Tracks:

Prelude to the Afternoon of a Faun - Debussy
Fur Elise - Beethoven
Holberg Suite - Sarabande - Grieg
Valse Triste - Sibelius
Concerto in F Minor - Largo - Bach
Serenade for String - Moderato - Dvorak
Liebestraume - Liszt
Ave Maria - Bach/Bounod
Etude in E Major - Chopin
String Quartet No 2 - Nocturne - Borodin
Arabesque - Debussy
Pavane for Dead Princess - Ravel
The Four Seasons - Largo - Vivaldi
Gymno0pedie 1 - Satie
Moonlight Sonata - Adagio - Beethoven
Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"

Customer Reviews:

the most relaxing classical music in the university.......2007-05-12

All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.

My brother visited me recently and noticed it right away. That will be another order for this fabulour music.

Relaxing Classical Music.......2007-01-08

I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.

Stress-freedom.......2006-03-14

Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.

Greatly enjoy!.......2006-02-23

I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.

the most relaxing classical music in the universe.......2005-09-21

it's the best next to the first one...

DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy

Average customer rating:

okay
A promise about to be fulfilled
Amazing collection - amazing voice.
Amazing recordings
First Rate Singing!

DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy
Nathan Gunn , and Kevin Murphy
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000IWW3
Release Date: 1999-05-18

Tracks:

Shenandoah
Brother Can You Spare A Dime?
Early In The Morning
The Lordly Hudson
At Howard Hawks' House
Holding Each Other
The Lass From The Low Countree
Recuerdo
Nocturne
Sure On This Shining Night
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Over The Piano
Black Max (As Told By The De Kooning Boys)
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At The River
Long Time Ago
Lean Away
American Anthem

Customer Reviews:

okay.......2007-01-05

I heard wonderful things about this recording... but was a little disappointed. It is good, but nothing spectacular.

A promise about to be fulfilled.......2006-12-17

Not all of EMI's Debut seeries make it to the U.S., but since this one features an American singer, it did (as did the one featuring rising pianist Jonathan Biss). Nathan gunn is certainly well kn0wn now, after high-profile Met appearances in The Magic Flute and Harbison's An American Tragedy. The past few years have seen him mature, even though his voice will never be heroic. Gunn is very well suited to songs, although he makes a moving (and physically handsome) Billy Budd.

Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.

Amazing collection - amazing voice........2006-02-22

Nathan Gunn has chosen a collection of mostly obscure songs and has applied his remarkable baritone voice to music not usually in the operatic repetoire. What results is a CD of depth, some humor, and extraordinary listenability. It's nice to see one of my favorite opera stars branch out. Bravo!

Amazing recordings.......2006-01-02

I first listened to this recording at the recommendation of a voice teacher and I am eternally grateful. I strongly recommend this album. Nathan Gunn is an extremely talented singer. As a singer myself (also a baritone like Nathan Gunn) I find much in his voice to model.

Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.

Highly recommended.

First Rate Singing!.......2005-12-20

I only recently discovered Mr. Gunn, but after hearing this recording, it makes me wonder why his name has eluded me for so long. Simply put, Nathan Gunn sings like a god! His voice is pure, and hypnotically beautiful to listen to. Turn on this CD and you will be wrapped in the most luxurious blanket of sound--his phrasing is impeccable, and his dynamics are wonderfully varied without being affected. His recording of Barber's "Nocturne" is haunting. "Brother, Can You Spare a Dime" shows he isn't afraid of low notes, and the ending has some of the most spectacular high notes I've ever heard from a baritone. The Copland songs are also well done, as are the two John Jacob Niles selections. I wasn't familiar with Gene Scheer's songs prior to this CD, but they are all quite remarkable, though most especially "Lean Away" and "American Anthem." This is the best addition to my CD collection in a long time. I'm only saddened by the fact he doesn't have more recordings available. Mr. Gunn, I know you're busy with your opera schedule, but for those of us who can't make it to New York to see you in person, please record another CD!

Average customer rating:

Baby loves this music!
Baby Galileo Review

Baby Galileo

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000A59Z1
Release Date: 2003-07-22

Tracks:

Orchestra Tune-Up
Symphony, No. 6, (Pastorale), Op. 68, 5th Movement
Clarinet Concerto in A, K. 662, 3rd Movement
Piano Concerto, No. 21 in C, K. 467, 2nd Movement
Symphony, No. 8, (Unfinished), D. 849, 1st Movement
Clarinet Concerto in A, K. 622, 1st Movement
Sleeping Beauty Waltz, Op. 66
Serenade, No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Serenade No. 13 in G, (Eine Kleine Nachtmusik), K. 525
Nocturne in Eb, No. 2, Op. 9
Symphony, No. 41, (Jupiter), K. 551
Twinkle, Twinkle
Piano Sonata, No. 14 in C#, (Moonlight), Op. 27, No. 2
Prelude No. 7 in A, (The Polish Dance), Op. 28
On the Beautiful Blue Danube, Op. 314
Variations On (Ah Vous Dirai-Je, Maman), K. 265-300e
Preludes Book II, (Clair de Lune)
Symphony, No. 9 in E (New World), 2nd Movement
Nocturne in F#, No. 2, Op. 15
Waltz, No. 15, (Lullaby)

Product Description

The Baby Galileo Concert for Little Ears music CD is an enchanting 20-track, 39:53-minute concert celebrating the wonder of your baby's day from the first light of dawn until bedtime with stars twinkling overhead. Engaging scores from classical composers like Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Dvorak and Brahms immerse you and your little one in playful musical portraits. The Baby Galileo Concert for Little Ears music CD features some of the classical scores heard in Baby Galileo Discovering the Sky video. Charming themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:The Day Sky Suite* Orchestra tune-up* Symphony No. 6, ?Ç£Pastorale?Ç¥, Op. 68, 5th Movement, Beethoven* Clarinet Concerto in A, K.622, 3rd Movement, Mozart* Piano Concerto No. 21 in C, K.467, 2nd Movement, Mozart* Symphony No. 8, ?Ç£Unfinished?Ç¥, D.849, 1st Movement, Schubert* Clarinet Concerto in A, K.622, 1st Movement, Mozart* Sleeping Beauty, Op. 66, Waltz, Tchaikovsky* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 1st Movement, Mozart* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 4th Movement, Mozart* Nocturne In Eb, Op. 9, No. 2, Chopin* Symphony No. 41, ?Ç£Jupiter?Ç¥, K.551, MozartThe Night Sky Suite* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Piano Sonata No. 14 in C#, ?Ç£Moonlight?Ç¥, Op. 27 No. 2, Beethoven* Prelude No. 7 in A, ?Ç£The Polish Dance?Ç¥, Op. 28, Chopin* On the Beautiful Blue Danube, Op. 314, Johann Strauss, Jr.* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Preludes Book II, ?Ç£Clair de Lune?Ç¥, DebussyAge: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2003)* iParenting Media Best Products for 2004 (2004)

Customer Reviews:

Baby loves this music!.......2007-02-17

Puts our 6-week old daughter to sleep... what more could you ask for!

Baby Galileo Review.......2006-03-18

I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing. I definitely recommend the CD's for the car.

Andrea Bocelli - Sacred Arias / Myung-Whun Chung

Average customer rating:

Beautiful music
Andrea Bocelli-Sacred Arias
An "experience" of sacred arias more than "listening" of sacred arias
amazing talent
Perfect arias for the perfect voice

Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Andrea Bocelli - The Opera Album ~ Aria

ASIN: B00002ND9N
Release Date: 1999-11-09

Tracks:

Caccini/Mercurio: Ave Maria
Mascagni: Sancta Maria
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Rossini: Cuius animam
Verdi: Ingemisco
Mozart: Ave verum
Wagner: Der Engel
Handel: Ombra mai fu
Niedermeyer: Pieta signore
Rossini: Dominus Deus
Schubert/Mercurio: Mille Cherubini in coro
Gruber/Mercurio: Silent Night
Wade: Adeste Fideles
Gloria a te, Cristo Ges

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

Customer Reviews:

Beautiful music.......2007-01-12

This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.

Andrea Bocelli-Sacred Arias.......2006-08-25

Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.

An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28

I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.

amazing talent.......2006-03-25

worth the price the songs are breathtaking and talent is indescribable

Perfect arias for the perfect voice.......2006-03-04

These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.

I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?

Average customer rating:

I hate to be rude, but . . .
Outstanding
Sacred Songs
My favorite of Fleming's CDs so far
Inspiring and beautiful

Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

Ave Maria
Jesu bleibet meine Freude
Dank sei dir, Herr
Ave Maria, D839
Laudamus te
Panis Angelicus
Air: "He shall feed his Flock"
Simple Song
Pie Jesu
Domine Deus
Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
Abends will ich schlafen gehn
L'Adieu des bergers
Mariiegenlied, Op.76/52
Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Average customer rating:

Hush ... you don't want to miss a single note!
Yo-Yo Ma and Bobby McFerrin
Yo-Yo keeps on experimental
This is no "Don't Worry, Be Happy"
Excellent CD!

Hush

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Mozart Sessions
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Beyond Words
Play

ASIN: B0000027VR
Release Date: 1992-01-28

Tracks:

Grace
Concerto In D Minor For 2 Mandolins: Andante
The Legend Of Tsar Saltan: Flight Of The Bumblebee
Stars
Hush Little Baby
Vocalise
Notebook For Anna Magdalena Bach: Musette
Coyote
Sonata For 2 Cellos: Allegro prestissimo
Ave Maria
Hoedown!
Orchestral Suite No. 3: Air
Good-Bye

Amazon.com

The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David Vernier

Customer Reviews:

Hush ... you don't want to miss a single note!.......2007-07-28

It is July 27, 2007 and Bobby McFerrin is performing solo here in Vancouver, Canada tonight. I almost went to see him, but decided against it at the last minute, owing to a lack of good seats that remained. I may regret it for a long, long time...

In my CD collection are good works by Yo-Yo Ma and very fine ones by Bobby McFerrin, separately. But it was a stroke of great luck that the local library had this incredible CD available when I dropped by tonight, in lieu of the concert, for having these two virtuosos perform together on the same recording is like photosynthesis, the bringing together of powerful forces to trigger a miracle. The miracle is life, the vitality of the artists and their uniquely creative musical expression. Every music lover and musician should give this CD a close listen!!! I can think of no better gauge of the carefree and wide-eyed youth that hopefully still thrives inside, whatever may be your biological age, than this soulfull expose.

Yo-Yo Ma and Bobby McFerrin.......2007-05-12

This CD is one of my favorites. I give it away and buy another. Playful and fun as well as great music. It never fails to make me laugh. A joy. If you aren't a little silly, don't bother. Kids love it, too.

Yo-Yo keeps on experimental.......2006-03-04

One of the best parts of a genius is to try out of his layers. In this case Yo-Yo tried to go out from the classic, and with a very good singer, in a easy say, as Bobby. They make a very special music between classic and jazz, with some elements of pop.
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.

This is no "Don't Worry, Be Happy".......2005-10-23

Have never been a big Bobby McFerrin fan, probably due to that god-awful, "Don't Worry, Be Happy." But I am a classical music junkie and one day listening to our local classical station I heard a selection that I thought was the most beautiful thing I had ever heard. What a shock when I learned that it was McFerrin and Yo-Yo Ma doing Vivaldi's Andante!

Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.

But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!

McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.

Listen to the samples of the classical pieces if you're a doubter...

Excellent CD!.......2005-09-22

While I admit to being a newbie in my connoisseurship of the classical music genre, not only do I think that this disc is a good collection of some of the best classical music ever written, it is actually FUN sometimes, with silly bits thrown in by Bobby and Yo-Yo Ma every now and then! These guys make great music and have a great time making it.

Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!

Average customer rating:

nice to remember
It is amazing!!!
The best Latin music I've heard
60's and the Latin Mass
Latinlover

Catholic Latin Classics

Manufacturer: Gia Publications
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Latin High Mass for Nostalgic Catholics
Salve Regina: Gregorian Chant
Treasured Hymns of the Church/ Catholic
Lost in Meditation: Meditative Gregorian Chants, Vol. 1
Gregorian Chants: The Best of the Benedictine Monks of St. Michael's

ASIN: B00004YRAW
Release Date: 2000-10-17

Tracks:

Ave Maria
O Salutaris Hostia
Panis Angelicus - John Eskola
Tantum Ergo
Ave Maria - Lorelei McDermott
O Sanctissima
O Bone Jesu
Ave Verum Corpus
Jubilate Deo
Confirma Hoc Deus
Adoro Te, O Panis
O Esca Viatorum
Veni, Jesu, Amor Mi
Emitte Spiritum Tuum
Adoremus In Aeternum - William Combs
Ave Maris Stella
Regina Caeli Laetare
Adoramus Te, Christe - The Cathedral Singers/Richard Proulx T
Tantum Ergo
Ecce Sacerdos Magnus

Customer Reviews:

nice to remember.......2007-01-04

Takes my husband & I back to the 60s........not a bad memory......

It is amazing!!!.......2006-11-10

I am very happy with my purchase. This item is better than what I was expecting. It was amazing how fast I received my order, I highly recommend it and hope that more people order it.

The best Latin music I've heard.......2006-04-18

The music in this CD is done beautifully! If features "Panis Angelicus", which if you like Charlotte Church singing it, you will like this- with a man's voice! There is no goofy revisions and modernization done to the music that I can tell. (I only say that in case some smart 15th century music history scholar comes around and disagrees!) It is very peaceful and will help anyone to calm down and give thanks to God. I think because the music is in Latin you will not grow tired of it as easily, and not to mention the fact that this music will continue to inspire you and put you in the presence of Christ better. OHHHHH!!!!!!!!!!! How I wish we were singing this sort of Latin music instead of "All our Welcome" and "Sing a new Church"! Let's keep the same Church Christ established thank you! And let's keep the Latin!!!!!!!

60's and the Latin Mass.......2006-03-15

I am one of those 60s people. We did not throw out the Latin mass. Why would we? We liked it. I served most of the high masses of the holidays. It was a small cabal of newly ordained priests and bishops in the Vatican II committees who threw it out. They wanted to be more like their Protestant bretheren; have the congregation face them instead of God. Read the book MISSING MARY while you are listening to this CD. They threw her out at the same time; no women in high places - their answer to the feminists of the 60s.

Latinlover.......2005-12-18

As a devoted lover of Catholic Latin hymns, I was disappointed at the enemic presentation of these beautiful hymns to God. I believe that the singers had the best of intentions but I would suggest to look for other versions of these wonderful songs to heaven.

Average customer rating:

awsome CD
Versatile Singer
il divo ancora music
Amazing...
His wrost CD

Encore
Russell Watson , and Leonard Bernstein
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Russell Watson · The Voice
Amore Musica
Reprise
The Voice: The Ultimate Collection
Russell Watson Live

ASIN: B00006JI9W
Release Date: 2002-10-01

Tracks:

Va, Pensiero (Verdi)
Volare
The Prayer
'O Sole Mio
Ave Maria
Mattinata (Leoncavallo)
You Are So Beautiful
Somewhere
Che Gelida Manina (Puccini)
E Lucevan Le Stelle (Puccini)
Magic Of Love
Catch The Tears
Is Nothing Sacred?
Bohemian Rhapsody
Celeste Aida (Verdi)
Where My Heart Will Take Me (from "Enterprise")

Amazon.com

Following up on the release of his debut CD, The Voice, Russell Watson is back with Encore, another mix of opera favorites and popular songs. By now Watson has become virtually a household name--he sells out large concert venues and remains on the top-seller charts. On Encore, we find Puccini and Verdi sharing the billing with Lulu and Lionel Ritchie on the CD's 16 tracks, which range from the much-loved Bach-Gounod "Ave Maria" to "Where My Heart Will Take Me," the theme for Enterprise (the latest Star Trek TV series). Indeed, a more fitting title might have been The Voices, since Watson explores opera, sacred works, film, television themes, and pop songs. The orchestral arrangements on tracks such as "Va, Pensiero" may not win him any fans from the opera contingency, but Watson reveals a captivating sound on pop ballads, including "You Are So Beautiful" and "Somewhere." If you enjoyed The Voice, you're certain to want an encore. --Rebecca Agnew

Customer Reviews:

awsome CD.......2007-06-09

This CD is overall a wonderful sellection of music. I bought it for the one song and have enjoyed all of the songs on the CD.

Versatile Singer.......2007-03-30

Russell Watson has an incredible voice range & a very versatile singer. He even made me appreciate opera!

il divo ancora music.......2006-11-10

The book is wonderful. I love playing their music, its so great. Worth the money, no doubt.

Amazing..........2006-05-05

Russell Watson is amazing. It is truly a delight to hear him sing both the pop and the arias, for he performs both equally well. His rendition of Volare is very fun, and when he sings Somewhere, it's simply breathtaking. His duet with Lionel Richie was also splendid. They really did sound fantastic together. The two low points for me were The Prayer, because I couldn't stand Russell's duet partner, Lulu, and Don't Know How I Got By, because the song just didn't seem to suit Russell's voice. However, the other tracks more than make up for those few inferior selections. Russell Watson truly is a talented man, and I highly recommend this album.

His wrost CD.......2005-01-12

I have all 4 of Russell's Cd's and this is by far his wrose.
The Classical stuff is great but The pop stuff is some of the wrose pop stuff he has even done.

Average customer rating:

FORGOTTEN (BY ME) BEAUTIES
MENDELSSOHN'S 48
Portraits at exhibition!
Second-tier Mendelssohn and Boringboim to boot
Excellent!

Mendelssohn: Songs Without Words, etc.

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Mendelssohn: Piano Concertos
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Mendelssohn: Sonata for Piano; Prelude & Fugue; Variations Sérieuses; Rondo Capriccioso
Songs Without Words
Schubert: The Piano Sonatas

ASIN: B000001GYC
Release Date: 1997-04-15

Tracks:

Lieder ohne Worte op. 19: No. 1 In E Major - Andante con moto
Lieder ohne Worte op. 19: No. 2 In A Minor - Andante espressivo
Lieder ohne Worte op. 19: No. 3 In A Major 'Hunting Song' - Molto allegro e vivace
Lieder ohne Worte op. 19: No. 4 in A Major - Moderato
Lieder ohne Worte op. 19: No. 5 In F Sharp Minor - Piano agitato
Lieder ohne Worte op. 19: No. 6 In G Minor 'Venetian Gondola Song' - Andante sostenuto
Lieder ohne Worte op. 30: No. 1 In E Flat Major - Andante espressivo
Lieder ohne Worte op. 30: No. 2 In B Flat Minor - Allegro di molto
Lieder ohne Worte op. 30: No. 3 In E Major - Adagio non troppo
Lieder ohne Worte op. 30: No. 4 In B Minor - Agitato e con fuoco
Lieder ohne Worte op. 30: No. 5 In D Major - Andante grazioso
Lieder ohne Worte op. 30: No. 6 In F Sharp Minor 'Venetian Gondola Song' - Allegretto tranquillo
Lieder ohne Worte op. 38: No. 1 In E Flat Major - Con moto
Lieder ohne Worte op. 38: No. 2 In C Minor - Allegro non troppo
Lieder ohne Worte op. 38: No. 3 In E Major - Presto e molto vivace
Lieder ohne Worte op. 38: No. 4 In A Major - Andante
Lieder ohne Worte op. 38: No. 5 In A Minor - Agitato
Lieder ohne Worte op. 38: No. 6 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 1 In A Flat Major - Andante con moto
Lieder ohne Worte op. 53: No. 2 In E Flat Major - Allegro non troppo
Lieder ohne Worte op. 53: No. 3 In G Minor - Presto agitato
Lieder ohne Worte op. 53: No. 4 In F Major - Adagio
Lieder ohne Worte op. 53: No. 5 In A Minor 'Folksong' - Allegro con fuoco
Lieder ohne Worte op. 53: No. 6 In A Major - Molto allegro, vivace

Tracks:

Lieder ohne Worte op. 62: No. 1 In G Major - Andante espressivo
Lieder ohne Worte op. 62: No. 2 In B Flat Major - Allegro con fuoco
Lieder ohne Worte op. 62: No. 3 In E Minor 'Funeral March' - Andante maestoso
Lieder ohne Worte op. 62: No. 4 In G Major - Allegro con anima
Lieder ohne Worte op. 62: No. 5 In A Minor 'Venetian Gondola Song' - Andante con moto
Lieder ohne Worte op. 62: No. 6 In A Major 'Spring Song' - Allegretto grazioso
Lieder ohne Worte op. 67: No. 1 in E Flat Major - Andante
Lieder ohne Worte op. 67: No. 2 In F Sharp Minor - Allegro leggiero
Lieder ohne Worte op. 67: No. 3 In B Flat Major - Andante tranquillo
Lieder ohne Worte op. 67: No. 4 In C Major 'Spinning Song' - Presto
Lieder ohne Worte op. 67: No. 5 In B Minor - Moderato
Lieder ohne Worte op. 67: No. 6 In E Major 'Wiegenlied' - Allegretto non troppo
Lieder ohne Worte op. 85: No. 1 In F Major - Andante espressivo
Lieder ohne Worte op. 85: No. 2 In A Minor - Allegro agitato
Lieder ohne Worte op. 85: No. 3 In E Flat Major - Presto
Lieder ohne Worte op. 85: No. 4 In D Major - Andante sostenuto
Lieder ohne Worte op. 85: No. 5 In A Major - Allegretto
Lieder ohne Worte op. 85: No. 6 In B Flat Major - Allegretto con moto
Lieder ohne Worte op. 102: No. 1 In E Minor - Andante, un poco agitato
Lieder ohne Worte op. 102: No. 2 In D Major - Adagio
Lieder ohne Worte op. 102: No. 3 In C Major - Presto
Lieder ohne Worte op. 102: No. 4 In G Minor - Un poco agitato, ma andante
Lieder ohne Worte op. 102: No. 5 In A Major - Allegro vivace
Lieder ohne Worte op. 102: No. 6 In C Major - Andante
Kinderstucke op. 72: Allegro non troppo
Kinderstucke op. 72: Andante sostenuto
Kinderstucke op. 72: Allegretto
Kinderstucke op. 72: Andante con moto
Kinderstucke op. 72: Allegro assai
Kinderstucke op. 72: Vivace
Gondellied: Allegretto non troppo
2 Klavierstucke: Andante cantabile
2 Klavierstucke: Presto agitato
Albumblatt op. 117: Allegro

Customer Reviews:

FORGOTTEN (BY ME) BEAUTIES.......2007-05-14

Until I purchased this bargain (two discs for the price of one), recording of Mendelssohn's "Songs without Words" that are played exquisitely by Daniel Barenboim, I, in the past, have listened mainly to Mendelssohn's chamber music, Concertos and/or Symphonies kind of forgetting about these most beautiful compositions, What a real pleasure this recording has been for me. I believe that Mendelssohn composed these" Songs without Words" (also included are Mendelssohn's "Kinderstucke", op 72, "Albumblatt", op. 117 and 2 short pieces) through out his short life. Daniel indeed plays all of the works including the "demanding" ones (there are surprisingly for me some very demanding ones) most beautifully never forgetting that the compositions are above all else "Songs". Daniel Barenboim always lets the melodies be heard above all else and there are some very beautiful melodies to hear.

This recording was made in the early 1970s; however, DGG has done a wonderful job of transferring them to the CD format--the sound is rich, lush and clear.

If you want to hear some beautiful compositions that are played most beautifully, buy this recording.

MENDELSSOHN'S 48.......2006-09-01

Bach's 48 preludes and fugues seem to me to be to some extent a diary of the composer's feelings, and I get much the same impression from Mendelssohn's Songs Without Words, which are also 48 in number. To me, they are beautiful and touching minor masterpieces and when I hear them I am not disturbed, or even visited, by the thought that they are not masterpieces to rank with Bach's. However I am not as exacting in evaluating a performance of them as I would be with Bach either, and when I willingly award this set 5 stars I know that I'm setting the bar lower. There are limits to what any interpreter, even the greatest, of the Songs Without Words can find in them, but for all that some interpreters are greater than others, and I happen to know even better accounts of some of these pieces than you will find on these two discs from Barenboim.

It was high time in any case that I had a complete set of these lovely works. My collection up to now had only stretched to 14 of them, but - I have to say it again - those 14 are enough to teach me the difference between fine performances and great ones. Barenboim's accounts should be easily good enough for most of us most of the time, and in addition to the Songs he throws in the Children's Pieces plus a few other short numbers that Mendelssohn, for reasons known principally to himself, chose not to publish. With one solitary exception, Barenboim's touch is affectionate, warm and beautiful, and is well served by the 1974 recording. Speeds adopted sound about right to me in general, and the interpretations offered are full of insight and loving care, and free from eccentricity or egotism. Barenboim can be powerful when he needs to be, but the requirement for power is very limited in what we have here, and the overall impression that the set leaves is rightly one of tact, sympathy and enthusiasm. My single regret concerns my own favourite of all the Songs - the Duetto op 38/6. Something goes quite unaccountably wrong here. I'd call the speed too fast in the first place, and I would have liked the pseudo-voices brought out more strongly against the arpeggio accompaniment, but the real affront to my sensibilities comes when the two voices sing forte in octaves, and Barenboim bangs out the melody in a bad-tempered and cacophonous way that reminds me of one of Kissin's off-days.

One botched effort out of 58 is not a bad ratio nevertheless. I can play the Duetto to my own satisfaction anyway, or I can listen to it on my old Turnabout LP played by Guiomar Novaes. Novaes seems to be all but forgotten these days, but she was a great player, recognised as such by no less than Debussy when she was a teenager. Her idea of the Duetto is slower than mine, indeed for an amateur like me the piece, which lies beautifully and naturally under the hands, seems practically to dictate its own speed. However it's not the tempo that makes the impression. In this piece as in many others starting with the very first of all the Songs, what transfixes me is the haughty and highlighted clarity of Novaes's melodic line and the magnificence of her left-hand tone. It also happens that in the disc that accompanies the biography of Serkin by Stephen Lehmann and Marion Faber there are two of the Songs in Novaes's selection - a solemn and gripping op 62/1 and a coruscating Spinning Song worthy of Horowitz or Cziffra for virtuosity. The point is simply this - there is an aura of greatness that surrounds the playing of Serkin and Novaes in practically anything they do. Admirable as he is, Barenboim is not quite in that league, although I don't consider the balance of advantage to be totally one-sided, and it may be that Barenboim actually makes a more appealing job of the Spring Song.

Nevertheless I have only 14 of the Songs from Novaes, and all of two from Serkin, in somewhat antiquated sound at that. Barenboim gives me all 48 plus some bonus extras, played with love and appreciation of the soul of this beautiful and affecting music. This is a set I am going to be returning to for solace and balm to the spirit, I can tell already. The recorded sound is not wondrous, but it's good 1974 quality. The liner note is from the distinguished pen of Joan Chissell, but I can't say it seems to me to amount to much. Moreover she nails her colours to the mast with the ringing challenge `No 19th-century composer exceeded Mendelssohn in respect for Classical tradition, and such ordered modes of expression as fugue...' I dispute this strenuously. Not only are Mendelssohn's fugues not his best or most professional work, as Tovey makes very clear, they are inferior in respect for classical precedent and thoroughness of workmanship to Schumann's, as the same sage also points out. Besides which Brahms was a musical scholar of minute and profound learning, particularly steeped in the great German musical tradition, to an extent that Mendelssohn never rivalled. What Mendelssohn can claim is to be sui generis, what he does best he does better than anyone, and some of his most intimate musical thoughts are to be found in the Songs Without Words. For the pleasure and comfort they bring me I thank Mendelssohn's shade and the loving and expert guidance of Barenboim.

Portraits at exhibition!.......2006-04-09

In contrast to many other musicians, Mendelssohn had an evident, fruitful and fortunate association with the visual arts. Keeping in mind his education was conceived as part of the Renascence man, so we should not ignore his classical-humanistic education, so that explains why his Symphonies maybe basically, considered such arresting visual landscapes: the Scottish, Italian and Reform would seem confirm it.

The Songs without words conform ostensibly, a great stylistic and conceptual unity. It could not be other way, noticing the fact John Field was essentially the grandfather of the nocturnes for piano and Chopin the most expressive and intimate explorer of the human soul, Mendelssohn had all those variables in mind and decided to create a portrait album. As other artists as Liszt and Goethe the exerted fascination after being in Venice would work out as febrile inspiration. Every little page of this kaleidoscopic reflects different state anima; they are structured and interweaved similarly respect Robert Schumann with his Carnival or Childhood scenes; with profound lyric and evocative accent, destined to recreate the tourist memory. He achieved then to make a voluminous album of feelings but without that marked introspective mood of Frederic Chopin, for instance.

Daniel Barenboim decided to record these ebb tide piano pieces with personal conviction and lyric imagination. The result was simply refulgent and deeply inspiring.

Second-tier Mendelssohn and Boringboim to boot.......2002-10-21

The majority of Mendelssohn's works consisted of fluff and flutter reminisent of Mozart on an off-day and these piano pieces certainly aren't among Mendelssohn's small number of masterworks.The fact that these compositions are no more than trifles is made worse by Barenboim's insistence in trying to infuse an element of profundity to them.The result is tedium and annoyance.I owned this 2 disk set for more than 2 years and didn't listen to it more than 7-8 times.Every time I would try and listen boredom would set in and within a few minutes listening became a matter of endurance.I finally traded it off and haven't missed it in the least.It may be a 2 for the price of 1 set but,as usual,such "bargains" are hardly a bargain.

Excellent!.......2002-02-18

This is one of my top 5 classical piano CDs. It has a relaxing, easy-to-listen-to sound that I never get tired of. Every song in this 2-cd set is great.

Average customer rating:

A Beautiful, Relaxing Project
It just cannot be the end for Charlotte's classical career! :(
Charlotte Church
Somewhat decent but still mediocre
R&B For Charlotte

Prelude: The Best of Charlotte Church
Charlotte Church
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Enchantment
Voice of an Angel
Charlotte Church
Tissues and Issues
Dream a Dream

ASIN: B00006LFGG
Release Date: 2002-11-26

Tracks:

Pie Jesu from Requiem
My Lagan Love
In Trutina (from Carmina Burana)
Panis Angelicus
Amazing Grace
Just Wave Hello
La Pastorella (The Little Shepherdess)
She Moved Through The Fair
Ave Maria
Dream A Dream (w/ Billy Gilman)
The Flower Duet
Haba
The Prayer (w/ Josh Groban)
All Love Can Be
It's The Heart That Matters Most
Tantum Ergo
Bridge Over Troubled Water
Sancta Maria

Amazon.com

Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulley

Customer Reviews:

A Beautiful, Relaxing Project.......2007-06-15

My only other experience with Charlotte Church was seeing part of a PBS special on her, where she sang songs like "Some Enchanted Evening". I actually enjoy her voice on this style of music.

I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".

If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.

It just cannot be the end for Charlotte's classical career! :(.......2006-08-20

I'm just shocked that Charlotte has decided to end her classical career with this mediocre assortment of her most loved pieces from her other albums! I wish that she had re-sung all of the pieces to make them sound better than ever with her mature voice! To me, it seems disgusting that anyone would want to end their career with a last album that sounds the way this album does!

Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!

La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.

Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!

Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!

The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!

The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!

All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.

It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!

Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!

I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!

Sorry Charlotte!

Charlotte Church.......2006-07-29

Love that voice!! This is a great CD and any one who had not heard this young lady sing should buy it and prepare for some musical enjoyment.

Somewhat decent but still mediocre.......2006-06-07

I am well aware of Charlotte's age. However, I am also aware of her amazing vocals and powerful range. But these things don't make you a good singer. Charlotte chose to stick to opera in most of her songs. And face it, not just anyone can do opera.

Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.

But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'

If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.

R&B For Charlotte .......2006-05-07

If a bird can be annoying as in a Rooster Crowing in the morning, some people will like it. A dog can bark in the nights we sleep, some People will like it. A human voice so light, so vibrated within their own dimensions, people will like it, but not I. I never really saw the beauty of opera, agitating to the ears, just like a Rooster calling on it's hens. With that said, Charlotte needs to turn to Blues Rock or R&B. Yes, Boogie style Blues Rock, she has the voice for it. No matter how many here perceive Opera or know what should sound good, no opera singer could ever sing Blues without a voice and a heart for it. Not One! So why should a girl with soulful music embedded in her, do the same? I say, "it's time to really Rock Charlotte!"

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