Live in Europe [Live]

Track Listings

1. Introduction

2. Ice 9

3. Back to the World

4. It's All Right/Amen

5. Gypsy Woman

6. Freddie's Dead

7. Pusherman

8. We Got to Have Peace

9. We've Only Just Begun

10. People Get Ready

11. Move on Up

12. (Don't Worry) If There's a Hell Below, We're All Going to Go

13. When Seasons Change

Live in Europe,Curtis Mayfield,Ichiban Old Indie,Blaxploitation,Funk,Psychedelic Soul,R&B,Soul

Tracks:

Respect
Can't Turn You Loose
I've Been Loving You Too Long (To Stop Now)
My Girl
Shake
Satisfaction
Fa-Fa-Fa-Fa-Fa (Sad Song)
These Arms Of Mine
Day Tripper
Try A Little Tenderness

Amazon.com essential recording

Otis Redding's studio recordings remain some of soul's greatest moments, yet it was primarily his live performances that made Redding's reputation so stunning in the years prior to his death. In fact, at the time of his death, Redding had recently stolen the show at 1967's legendary Monterey Pop Festival. This live document was released only a month after that California performance in July of '67--and it's an even better set than the one that made him famous here in the States. In fact, it's a tossup between this and In Person at the Whisky a Go Go (released posthumously), in regards to capturing the soul great onstage in all his glory. But as much as the California hippies seemed to love Redding at the Whisky and at Monterey Pop, the Europeans simply adored him. That may be what gives this performance the slight edge as Redding runs through a standard set, spotlighting both some of his biggest hits as well as covers of tunes made famous by the Beatles, the Stones, the Temptations, the Isley Brothers, and Sam Cooke. Critic Sid Griffin suggested that this "is simply one of the few albums to give James Brown's breathtaking Live at the Apollo a run for its money"--and, really, you can't do any better than that. --Bill Holdship

Customer Reviews:

Otis Redding Live in Europe.......2007-01-09

You can actually feel his soul listening to this CD.
Much better than the Whisky a Go Go recordings that I also bought , and they are good too .

Great performance, lousy mix.......2006-02-07

This is a good album. Otis gives a fine performance, and the crowd is way into it. Personally though, I feel the mixing of this recording borders on terrible. Otis' vocals take a back seat to the horn section, which is up far too loud. The drums are also a bummer, as they are practically inaudible. This is an album worth having, but not one worthy of being in the top 25 albums of all-time as Rolling Stone billed it.

Another Grreat Live Performance by Otis Redding.......2001-03-16

I would actually give this four and a half stars. One reason is the sound quality. There is alot of audience noise and sometimes the vocals seem distant. Other then that, Otis Redding Live in Europe is a great album. It is not quite as good as In Person At The Whisky A Go Go, but it is still really good. The setlist is great. Respect kicks the album off great with one of the best versions of the song ever. This recording of Can't Turn You Loose is not as good as the one on Whisky, but it is good. This is followed by a very inspired version of I've been Loving You Too Long. The cover here of My Girl is probably even better then the version on Otis Blue, which is saying alot. Shake is done great and a very good version of satisfaction, but nowhere near as good as the one on Whisky. Fa Fa Fa Fa Fa is one of the highlights of the album, with alot of audience participation, which could be considered good or bad. I think that it still sounds really good. These Arms of Mine is another highlight. It's followed by a good version of Day Tripper that is drastically different then the Beatles version. The album closes with Try A Little Tenderness, which is the best song on the album. Overall this is a great album, but I would reccomend buying In Person At The Whisky A Go Go over this album.

Not the best live Otis, but still wicked good.......2001-01-19

Otis is the man. His voice is powerful, his melodies stirring, and his energy onstage is unmatched. Unfortunately, it doesn't show as well on this album as on some of the others. On this cd, recorded (I think) in '67 in Europe, his backup band includes writing partner Steve Cropper as well as the rest of the members of Booker T & The MGs. Unfortunately, while the production and sound may be better on this album than on the other live Otis album, the songs come off somewhat sissified, less powerful, missing the vibrant energy heard (or felt!) on the other release, Otis Redding In Person at the Whiskey-A-Go-Go (released after his death). If you're looking for a reasonable introduction to Otis Redding, this is a good start - the songs are recognizable, the production is fairly clean, and it is enjoyable. Stand out tracks on this album include Daytripper (Beatles cover), Fa-Fa-Fa-Fa-Fa, Try a Little Tenderness, and Shake. Satisfaction is okay, but Respect and I Can't Turn You Loose sound tired and old. A good beginner record. If you're a hard-core R&B fan looking to groove, though, check out the Whiskey-A-Go-Go record. That will blow your socks off...

You gotta hear it to believe it!.......2000-07-15

"Live in Europe" by Otis Redding is one of the 4 or 5 greatest live albums that I have ever had the pleasure of listening to. I bought the CD last year, and have enjoyed it immensely ever since. Interesting that Redding covers both the Beatles and the Rolling Stones. All of the songs here are superb. The audience participation here contributes greatly to the mood and atmosphere, and Redding knows exactly how to interact with the audience. This is exactly what a live album should be. This disc comes highly recommended.

Average customer rating:

Almost as good
Rory's Finest Hour
Proof positive of the incredible musical genius of Rory Gallagher
Rory Gallagher: Live In Europe
in my home town don't mess with the kid

Live in Europe
Rory Gallagher
Manufacturer: Buddha
ProductGroup: Music
Binding: Audio CD

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Irish Tour
Tattoo
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Stage Struck
Calling Card

ASIN: B00002Z84Q
Release Date: 1999-11-23

Tracks:

Messin' With The Kid
Laundromat
I Could've Had Religion
Pistol Slapper Blues
Going To My Home Town
In Your Town
What In The World
Hoodoo Man
Bullfrog Blues

Customer Reviews:

Almost as good.......2007-07-05

I prefer the Irish Tour--if you love gallagher, you'll buy both. The trax are mixed differently, where the voice or guitar comes from, but great ol' rock & roll.

Rory's Finest Hour.......2006-07-29

I had never heard of Rory until a bandmate of mine turned me on to this album (thanks Ken Smith). We played it until it wore out and then bought another copy. The band ended up doing 5 songs of this particular LP and we went to see him play at the Colonial Tavern in Toronto, Canada. We went on a Monday night and were so impressed that we went back for the rest of the week. Each night, the buzz got bigger and the audience was at full capacity by Thursday night. He and the band were on fire and we were knocked out. I consider this album to be his best live work and is on par with other "better selling" live works (Humble Pie/Fillmore, Allmans/Fillmore, Muddy Waters/Newport and so on). I've been a fan of Rory's ever since that cold Monday in Toronto back in '75 and on a recent trip to Ireland, I stopped by his gravesite to pay homage and respect to a musician's musician. Live on Rory!

Proof positive of the incredible musical genius of Rory Gallagher.......2006-04-16

Of the many inanities on the Rolling Stone list of the 100 greatest guitarists that came out with great fanfare a few years ago, the most absurd is this: Rory Gallagher did not make the list. One can argue about where various guitarists should have been placed, but around 65 of the guitarists on the list truly belonged there. But 90 or 95 of the ones on the list must cringe with embarrassment that they were ranked above Rory Gallagher. There is simply no way that one can listen at any length to Rory play one scintillating solo after another and place him outside the top ten guitarists in the history of rock. Yeah, he was never terribly popular and even now is not especially well known to the public at large, but the fact is that he had utter mastery over his primary instrument. And unlike most guitarists, Gallagher was a multi instrumentalist. It is widely reported that when Mick Taylor left the Rolling Stones, the first choice to replace him was Gallagher. It is easy to see why. He was even more of a blues purist than any of the remaining Stones, was a better slide player than Keith Richards, Brian Jones, or Mick Taylor, would have provided far better back up vocals than anyone ever has for the band, would have brought some of the same multi-instrumental mastery that Brian Jones contributed in the sixties, and just generally would have forced everyone else in the band to get better just to keep up.

A lot of guitarists fake it in the studio. They get the benefit of multiple takes, double tracking, and various sound effects. Live albums show what you can really do, and luckily we have two great live albums from Gallagher, this one and IRISH TOUR. I actually prefer this one, however, because most of the cuts here did not appear on other albums. For the most part, he sticks with reworkings of classic blues songs. Unlike many bands, his versions never, ever sound like parodies of the originals (for instance, Led Zeppelin on all their blues covers except the truly haunting "When the Levee Breaks"). This album illustrates something that I think shows just how special Gallagher was: how superbly he managed to play while singing. The overwhelming majority of guitarists shift to a sort of back up or rhythm mode when they are singing, moving away from a kind of counterpoint until the singing stops and they can shift to lead guitar mode. Even a guitar god like Richard Thompson does this (though his "back up" mode is far better than most). What is eerie about Gallagher is how is intermixes his singing with lead playing. He often is effectively soloing or playing counterpoint to his singing, as if he able to devote separate parts of his brain to singing and playing. The only other guitarist that I know who does this as well as Gallagher is Jimi Hendrix. Anyone wanting to see what I'm talking about should just listen to this album carefully, noticing not just how he shifts from singing to playing, but how he is playing WHILE he is singing. This also comes across with the way he can play a guitar solo while also playing the harmonica. Whatever else this proves, it demonstrates his almost freakish musical gifts.

Every cut on the album is nothing short of amazing. Later in his career Gallagher would throttle back ever so slightly on his playing, adding more of a lyrical touch when he played. But here he is playing with almost reckless abandon, though never out of control. The only rock guitarist that I think was better on slide was Duane Allmann and on several cuts here Gallagher shines in his slide work. I utterly love, for instance, the way he shifts from regular playing to slide on "I Could Have Had Religion" while also moving from vocals to harmonica. And while he is equally as impressive on cuts like "Messin' with the Kid" and Laundromat" and "Bullfrog Blues," the icing on the cake is what he does with acoustic guitar on "Pistol Slapper Blues" and mandolin on "Going to My Home Town." The most astonishing thing about the number he performs on mandolin is how incredibly exciting it is. One wouldn't normally imagine this to be the case, but the proof is in the listening.

This is without question one of the great live albums ever released and vivid proof of how great Gallagher was. It also stands a rebuke to whatever morons were in charge of that silly Rolling Stone list.

Rory Gallagher: Live In Europe.......2006-01-17

Everyone knows that Live In Europe and Irish Tour '74 are Rory's best CDs, but how do they compare? For my money, this CD (Live In Europe) is a lot better than Irish Tour. Irish Tour is all electric, played fast and loud, which gets monotonous; also, it consists almost entirely of Rory's own songs. Live In Europe varies the tempo much better, and it even includes a lot of old blues standards mixed in with his originals, especially in the bonus tracks. Irish Tour is more AC/DC blues-rock, while Live In Europe is more just electric versions of Delta Blues songs, and in the end I guess it's just a matter of taste. But with all that said, both discs are amazing and you really need to get both!

in my home town don't mess with the kid .......2006-01-07

rory gallagher the legend blues guitarist whom passin' was not a shock too the rock world as he was a heavy drinker and he got an infection after get a new liver...but anyway i'm here too talk about gallagher live..in europe..
9 classic tracks rory was always the guy too keep puttin' out new tracks live and so that what he played never got stale i'm not sayin' gallagher's work is stale and borin' i'm just sayin' he wanted too keep his legion of fans happy with the new dimensions he added too his live perfomances whether it's a nice acoustic ditty "pistol slapper blues" or the fast paced rifftastic "laundromat" rory certainly knew how to play them six strings and make the mouths of his fans open with amazement
man i wish i had seen him live oh well at least i've got the 3 disc dvd collection
most lives albums are usually recorded badly but this was recorded perfectly and the remastered sounds crisp and clear to the ear of the listener
gallagher's vocals are superb and he sounds like he's really enjoying himself and with every ounce he played the guitar like his life depended on it and if he stop..he would fail never rory
a classic live cd nicely remastered with two bonus tracks in the shape of "what in the world" and "hoodoo man"

Ronnie Earl and The Broadcasters: Blues Guitar Virtuoso Live in Europe

Average customer rating:

Live Electric Blues at its best.
Does Get Much Better
Jaw dropping
Guitar Superstar!
Blues Guitar for Blues Guitarists (and you too!)

Ronnie Earl and The Broadcasters: Blues Guitar Virtuoso Live in Europe
Ronnie Earl & the Broadcasters
Manufacturer: Bullseye Blues
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000004AX
Release Date: 1995-03-21

Tracks:

San-ho-zay
Robert Nighthawk Stomp
Thank You Mr. T-bone
Akos
Contrition
Moanin'
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Blues For Henry
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Customer Reviews:

Live Electric Blues at its best........2007-06-27

WOW,, I know this is an older recording but I love it. If you like live electric blues you won't be disappointed..

Does Get Much Better.......2006-02-26

I recently bought this for $5.00 used. I am afraid I feel like I stole something from the shop steward. This disc is amazing from start to finish. A mix of blues, stunning solos, jazzy tunes. It's crisp, clean and Ronnie Earl at his very best. No one who has reviewed this has come away with anything but glowing kudos; 12 sensational offerings, one better than the next. How could this end up for $5.00? It's worth four times that much.

Jaw dropping.......2006-02-22

This record is stunning. Inspired and inspiring. Among my all time favorite modern blues recordings. Just awesome.

Guitar Superstar!.......2005-05-16

Ronnie Earl really sizzles on this album, and if you didn't know who was playing when you first heard this (as I did not) you would think he's about the best axeman since guys like T-Bone, Buddy or Magic Sam came along as I do). It is actually more fun to just kick back and listen to his acrobatic playing than it is to even hear somebody try to sing and play the blues at the same time. Derek Trucks is my man, and definitely an emerging force in modern blues but I don't think he or even Buddy let alone anyone else can play guitar like what you're getting here.

Blues Guitar for Blues Guitarists (and you too!).......2005-01-20

This cat just burns. His solos are not just copies of someone he heard back in the day, but real, feeling-laden creations that make you sweat. On "Thank you Mr. T-Bone", he emulates the single-string runs and pumping chords of The Man Himself, T-Bone Walker. No one has ever come close to this kind of mastery, not even Eric, Stevie Ray or Jimi.

Buy this CD. Buy it again! Buy it still again!!

Average customer rating:

the master at war
Very good live Dylan
Underrated Dylan Live CD
Real Live Rocks
Real Bad

Real Live [In Europe, 1984]
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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At Budokan [Live In Japan, February, 1978]
Hard Rain
Down in the Groove
Knocked Out Loaded
Under the Red Sky

ASIN: B00000263F
Release Date: 1990-10-25

Tracks:

Highway 61 Revisited
Maggie's Farm
I And I
License To Kill
It Ain't Me, Babe
Tangled Up In Blue
Masters Of War
Ballad Of A Thin Man
Girl From The North Country
Tombstone Blues

Customer Reviews:

the master at war.......2007-07-10

This album is worth buying for the Rendition of Masters of war & a totally brilliant "Garage" Rock version of Highway 61. Tangled up in blue with new lyrics is cool as well

Very good live Dylan.......2006-03-23

Real Live is an album that seems to get a bad rap, that is, if people even know about it at all. But this reputation (or lack thereof) is unwarranted, as this is an extremely enjoyable album. There are two types of songs here: the acoustic numbers and the loud upbeat rockers.

The acoustic songs (It Ain't Me, Babe, Tangled Up in Blue, and Girl From the North Country) are for the most part very good. It Ain't Me Babe has the crowd singing along heartily, which is nice to hear. And Tangled Up in Blue, with alternate lyrics, is just amazing. I loved this tune when I heard the original but I just can't get enough of this one. Great. Girl From the North Country isn't quite as good, as Dylan's voice seems more strained.

As for the rockin' tunes (the rest of the album), they're almost all at a faster tempo than the album originals, and all feature great guitar work from Mick Taylor (formerly of the Rolling Stones); in fact, the band as a whole is very tight and Dylan is into it.

So while this album is hard to find and may be not as historically significant or (quite) as high quality as the Bootleg Series albums, it is nonetheless a good listen and I would recommend it to any Dylan fan.

Underrated Dylan Live CD.......2006-03-02

Dylan started with "Before the Flood" - an excellent document of his 1974 tour. The he released "Hard Rain" , which was only so-so (get Live 1975 the bootleg series instead). The he released the Budokan set, which was rock- bottom. That set was so bad that expectations were modest for this live set.
Surprise- this is good! He's got a good backing band led by Mick Taylor of Rolling Stones fame and he does a good 10 song set here. Maybe not his best live work but better than much of the other live LPs of the period.

Real Live Rocks.......2003-10-01

My dad says he was blown away when he first heard this record. Mick Taylor had just left the Stones, was now playing with Mr. D, and his smoking guitar work supercharges this record. Sometimes Dad and I disagree, but not about this record. I do wish though, that they would have made it a double CD and released the whole show, cuz this CD just plain rocks. Oh well, maybe if we're lucky, they'll release one of the shows from this tour as a future legal bootleg in the Bootleg Series. Until then we'll have to be satisfied with "Real Live." Five stars for this one.

Reviewed by Stephanie Sane

Real Bad.......2003-01-06

This is not a very good live album. The sound quality is not too good and performance is not too exciting except for some nice guitar solos. It has 10 songs ranging from 4 to 6 minutes long. The total lenght of the CD is 52 minutes.

The sound quality is not very good. It is loud and noisy. The audience chatter is way too high in many spots. You can actually pick out some talking in the back ground.

This is one of Dylan's lesser performances. His singing is particularly annoying. He vocals are very affected. He sounds like one of those comedians who do a bad imitation of Dylan with the over exaggerated accent.

The back up band is not very good and renditions of the songs are not anything new or special.

The only thing that makes this CD worthwhile are some amazing guitar solos on 4 of the tracks. And no wonder...the guitarist is Mick Taylor, of Rolling Stones and Gong fame. But, the guitar playing is not enough to recommend this CD.

Tracks:

Bad Boys
Slide It In
Slow An' Easy
Love Ain't No Strange
Judgement Day
Is This Love
Blues For Mylene
Snake Dance
Crying In The Rain
AinT No Love In The Heart Of The City
Fool For Your Loving
Here I Go Again
Still Of The Night
Burn - Stormbringer - Burn
Give Me All Your Love Tonight
Walking In The Shadow Of The Blues
Deeper The Love
Ready An' Willing
Don't Break My Heart Again
Take Me With You
Ready To Rock (New Studio Recording)
If You Want Me ILl Come Running) (New Studio Recording)
All I Want Is You (New Studio Recording)
Dog (New Studio Recording)
Cryin' In The Rain (Extended Version)

Album Description

Limited edition digipak pressing featuring one bonus track: 'Crying In The Rain' (with extended drum solo). Double live album recorded on the band's 2005-06 world tour plus four new studio tracks, their first new recordings in nearly a decade: 'Ready To Rock', 'If You Want Me', 'All I Want Is You' and 'Dog'. This two CD set features David Coverdale and his new gang of slithery 'snakes rockin' their way through the band's deep catalog including 'Slide It In', 'Ain't No Love In The Heart Of The City', 'Is This Love', 'Still Of The Night' and 'Here I Go Again'. 24 tracks total. SPV. 2006.

Album Details

The 2006 Return of Whitesnake (Featuring Former Deep Purple Frontman David Coverdale) Comes Courtesy of the Spv Label, their New Home. "Live...in The Shadow of the Blues" featuring all their Greatest In-concert Songs as They Should Be Heard: Raw, Powerful and Loud, Recorded on their 2005-2006 World Tours. The CD also features the Added Bonus of Four Brand New Studio Recorded Songs, the First Recordings from the Band this Century: "Ready to Rock", "if You Want Me", "All I Want is You" and "Dog", Written by David Coverdale and Guitarist Doug Aldrich. This Limited Edition Digipak Edition Includes a Bonus Track: "Crying in the Rain (Extended Version with Tommy's Drum Solo)".

Customer Reviews:

Exellent!!!.......2007-07-29

It's an exellent live album and the new songs are pretty good but the style it's a little bit diferent as otherwhitesnake albums.

The Best.......2007-03-31

Live albums don't get much better. If you like Whitesnake, this will be the only one you will want to listen to. Live in the still of the night is just as good, but not as long.

Straight forward rock..........2007-03-26

Anyone's who's a Whitesnake fan or a fan of good, straight forward rock will love this cd...The four new songs are classic Whitesnake...hopefully a new album is in the works.

The rock scene today is in shambles and its nice to hear classic Whitesnake singing these songs along with the four new additions...Coverdale's voice is strong and in fine form.

This cd is better then most of today's rock cd's that's for sure!

A most welcomed come back!.......2007-03-25

If it's great for all the fans of Whitesnake seeing and hearing their latest performance, it's even greater to listen new material.

This is a "must" for everybody who loves Whitesnake regarding the different eras and musicians that join their talent with David Coverdale. If you like the Deep Purple, the Moody/Mardsen or the Sykes/Vandemberg/Vai recordings you'll have plenty of great material in this CD.

There's also the plus of the new material, that mixes the good old voice of Mr Coverdale (including it's famous "ouh ouh ouh" of "Kittens got claws") with great riffs performed by Aldrich and Reb "The lord of the strings" Beach. Although you can't categorize the new songs as "cutting edge" rock (thinking of Dream Theater)you will find power and comitment in each note.

The snake is rockin' hard again: "If you want me" remembers me that we need the good old voices return and redeem its place in the music business. Thank you Mr. Coverdale!

Awesome Cd!.......2007-03-10

I gave this cd 4 stars because the sound quality is not that good. The sound for Live:In The Still Of The Night dvd is better. This cd has lot more songs and are incredible.

Bottom line. This is a great cd which any fan of rock and roll would like.

Stick with What You Know: Live in Europe

Average customer rating:

Stick with What You Know: Live in Europe
Pat Travers
Manufacturer: Provogue
ProductGroup: Music
Binding: Audio CD

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Boom Boom (Out Go the Lights)
Hooked on Music

ASIN: B000RNC8GE
Release Date: 2007-07-30

Tracks:

Life In London
Crash And Burn
I Dont Care
Heat In The Street
Elijah
Red House
If I Had Possession Over Judgement Day
Oh Pretty Woman
Pt Nutz Aka Linus And Lucy
Snortin Whiskey
Boom Boom (Out Go The Lights)
Pts Solo Time
Born Under A Bad Sign

Album Description

2007 album from the revered Blues/Rock guitarist Pat Travers, a truly brilliant live performance. Hard rocking Blues in the signature Pat Travers style: in your face and full of great fretwork. The songs include "Crash and Burn", "Heat in the Street" and "If I Had Possession over Judgment Day" amongst others. The sound is very live and very powerful and a fantastic addition to his already-impressive catalog. Provogue.

Album Details

On this Release, Revered Blues/Rock Guitarist Pat Travers, Delivers a Truly Brilliant Live Performance. Hard Rocking Blues in the Signature Pat Travers Style: In Your Face and Full of Great Guitars. The Songs Include "Crash and Burn", "Heat in the Street" and "if I Had Possesion Over Judgement Day" Amongst Others.

The Road to You: Recorded Live in Europe

Average customer rating:

Nice, Elegant Restatement of their repertoire...
EUROPIAN VACATION
AweSome!
Five Stars does not do this art justice.
Exhilarating!!!

The Road to You: Recorded Live in Europe
Pat Metheny Group
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Metheny / Mehldau
Pat Metheny Group - The Way Up - Live [Region 2]

ASIN: B000CZ0Q7A
Release Date: 2006-02-07

Tracks:

Have You Heard
First Circle
The Road To You
Half Life Of Absolution
Last Train Home
Better Days Ahead
Naked Moon
Beat 70
Letter From Home
Third Wind
Solo From 'More Travels'

Customer Reviews:

Nice, Elegant Restatement of their repertoire..........2007-05-02

This is a very nice recording with one really impressive piect that finally has been recorded after hearing it performed in concert for quite a few years, that being "The Half Life of Absolution". That piece alone, for me, is worth the price of the CD. Expansive, edgy, ambient and improvisational. It features the group in a different mode considering that the recordings that immediately preceded it ("Letter From Home", "Still Life (Talking)" and "First Circle") Those recording were more based in world-beat music forms that were mostly latin-based while this, this was something spacey, ambient, edgy, plaintive, improvisational and vital.

The recording starts out with one of the essential Metheny/Mays pieces, "Have You Heard?". The solos and passages are faithful to the original but really no real surprises except for a slightly different feel due to the live environ.

"First Circle" is one of their masterpieces and an album highlight. Again done very true to form. Just beautiful and this one should be left alone because this piece is unique in it's scope, vision and beauty. Lyle takes his solo in excellent form.

"Last Train Home" was actually better than the studio version that was done in "Still Life (Talking)". That feel, that attracted you to this piece in the first place is much more urgent here. Aznar provides a subtle vocal embellishment and you feel the plaintive, wistfulness of the piece. Steve Rodby's bass is essential to this.

"Better Days Ahead" - This version is much better than in "Letter From Home". Paul Wertico's backbeat, Lyle's piano solo and Pat's guitar solos are more expressive and frankly better than in the original. I find myself skipping the original version in "Letter From Home" but listing to this one with much more interest

"Third Wind" - done very nicely with a bit of a different feel since Pedro is a different kind of vocalist than Ledford and Blamires. His tones rounder and so the vocal sections not quite with that edge when he hits that loooonnnnnggggggg note. The group interplay is excellent coming off the break. They really cook.

Very nice live recording.

EUROPIAN VACATION.......2006-11-08

Some years ago, I was working at my job in surgery when a friendly female nurse asked what that great jazz I was listening to. I told her it was Pat Metheny. She asked was there more like that. I replied--not thinking as I was busy--"Yeah, I think you would like about anything he does. Just give it a try." What I didn't remember was Pat had just put out the SONGS X album with Ornette Coleman and (wouldn't you know it) that was the album she bought. The two days later she threw the tape in my face and yelled "you can just have this c**p!". She never spoke to me again. It kinda upset me because she was every bit of alright.

Since that time, one has to pick Metheny's albums carefully. There seems to be drive, which one guesses is an occupational hazard among popular jazz musicians, to prove to your contemporaries that you indeed are "artistic" and a deadly serious creative type. After all, no one wants to be regarded as another Kenny G. What comes out is this earnest, edgy stuff appreciated by aficionados of "deep jazz"--otherwise known as "pure music". Whatever the effect these immersions have on peer respectability, they sell very few records. They also have the lethal effect of persuading the general public that jazz is not for them.

Fortunately, THE ROAD TO YOU has none of impulses to bow to the jazz elite. This is an excellent record full of the most loved pieces in the Metheny catalogue. The live performances and the mixing are about all you could ask for given the recording art of the time. THE ROAD TO YOU is also absent any traces of one of Metheny's favorite guitar-synth sounds I lovingly call "the raging elephant". There have been several great Metheny albums since this recording and he continues to draw an ever larger fan base. But you could do much worse than starting here. It any so bad for us long time fans either.

Other superb Metheny albums to explore:

As Falls Wichita, So Falls Wichita Falls
Letter from Home
Offramp
First Circle
80/81
Travels
Speaking of Now
The Way Up

AweSome!.......2006-08-07

I agree with David........ BUY IT FOR THIRD-WIND. I've heard a couple of versions of that track but the one on this CD is AWESOME!

I've been listening to Pat for about 20 years now.....I'm 40 so thats half of my life....... I've seen him in several concerts and also had the pleasure of meeting him in NY at J&R Music World where I got his Autograph! I wish that I weren't nervous because I would have hugged him..... I did shake his though.

He's the only musician the I can say I LOVE. His music reaches my soul like no other.....period.

Five Stars does not do this art justice........2006-05-20

From where Metheny and his group members,
(of a common soul, I'd almost swear,
playing different tools from the same heart
with different fingers) take me and took
European audiences on this album,
I would have titled it "Levitation."

Music, well composed and performed, built
and played with care, love, creativity
and talent, takes me places that approach
ecstatic.

With this work on the audiograph I am
transported places VERY few other musicians
have ever taken me close to, in any genre.

I can only compare it to feeling lifted up
and floating, being held aloft--levitated--
by Pat's group, working together so tightly
while flowing, like liquid, over and through
the songs' melodies, arrangements, rhythms.

Listening, right now, to this CD's version of
the Metheny-Mays standard "First Circle."
Am in the clouds! Think it's just my opinion?
Listen to the crowd! Damn!
Those big, blocky Mays chords.

Buy the album. Put it in a car's player.
Turn it up!!! You will thank me.
You will thank those 6 guys.
You won't want to get where you're going.

Lee

Exhilarating!!!.......2006-05-09

I have little time or I could go on and on about this recording, but - "Third Wind" on this album is the best version of that tremendous, wild, track; "Letter from Home" is poignant, to the point that I've seen it bring people to tears; Fabulous version of "Last Train Home"; "Half Life of Absolution" may take some time to get into, but once there, one can feel the urgency of the track - tremendous. All in all, a terrific album and if you're on the fence about buying it, take the plunge for "Third Wind" alone. Note that the excerpt of this song from Amazon is at one of the weakest parts of the track (still a good part but not as strong as other parts) - they should add something from Metheny's rip-roaring guitar-synth solo towards the end of the track.

Average customer rating:

like night and day...
Ritchie Phones It In
Another objective review for you...
....disapointment
Historic Recording

Live in Europe
Deep Purple
Manufacturer: Sony / Bmg Import
ProductGroup: Music
Binding: Audio CD

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Rapture of the Deep Special Edition
Live in Munich 1977
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Live at Montreux, 1996
Live in California 74

ASIN: B000CDYDRQ
Release Date: 2006-02-13

Tracks:

Highway Star
Black Night
Talk About Love
Twist in the Tale
Perfect Strangers
Mule
Beethoven's Ninth
Knocking at Your Back Door
Anyone's Daughter
Child in Time
Anya

Tracks:

Battle Rages On
Lazy
In the Hall of the Mountain King
Space Truckin'
Woman from Tokyo
Paint It Black
Speed King
Hush
Smoke on the Water

Tracks:

Highway Star
Black Night
Talk About Love
Twist in the Tale
Perfect Strangers
Beethoven
Jon's Keyboard Solo
Knocking at Your Back Door
Anyone's Daughter

Tracks:

Child in Time
Anya
Battle Rages On
Lazy & Drum Solo
Space Truckin'
Woman from Tokyo
Paint It Black
Hush [*]
Smoke on the Water [*]

Album Description

Deep Purple Live In Europe 1993 is 4 CD set featuring a collection of live tracks recorded at the Birmingham NEC & in Stuttgart during the 1993 'Mark II' line-up 25th Anniversary Tour which due to tensions led to the tour being dissolved before they even made it out of Europe! Includes the song's 'Knockin' At Your Back Door', 'Talk About Love' and 'Smoke On The Water'. BMG. 2005.

Album Details

The Classic Mkii Line Up on their 25th Anniversary Tour. Includes Two Full Concerts from Birmingham and Stuttgart. (Ian Gillan - Vocals, Richie Blackmore - Guitar, Roger Glover - Bass, Jon Lord - Keyboards, Ian Paice - Drums) Regrouped for the First Time Since the Early 90's (And the Last Time Ever) .

Customer Reviews:

like night and day..........2006-08-30

That's what I thought of this set. The NEC show is definitely not up to standards, mostly because of Ritchie. He sounds uninterested and occasionally just stops playing in parts of songs. Doesn't even start playing until his Highway Star solo. Parts are pretty good, particulary Knocking at Your Back Door and Perfect Strangers, but overall the show suffers from Ritchie's lack of interest.

But then there's the Stuttgart show. Something must have gotten into everybody for this one, because it just rocks. Even Gillan's screaming on Child in Time is pretty decent, considering that this is 1993, not 1973. The soloing is fantastic from everyone, especially Ritchie, and the crowd is more into it for the Stuttgart show. Funny side note: during Speed King, Ritchie starts to fool around with the Burn riff, and he and Jon go into a neat 30 second jam that gets a good reaction from the crowd, but probably not Gillan. Another funny side note: Jon does something really weird and discordant (intentional?) during the second verse of Smoke on the Water that prompts Gillan to sing "...funky Claude was running in an'--that was pretty awful!..." before going back into the rest of the verse.

The NEC show is worth a listen or two, but Stuttgart is what really makes the set worth owning.

Ritchie Phones It In.......2006-08-21

These shows, recorded on the last tour Ritchie Blackmore did before leaving Deep Purple, are a testament to just how uninterested Richie was in participating in the band. As in most shows from this tour, The Man In Black could barely be bothered to play most of "Highway Star." This CD collection is for die-hard Purple fans only. The highlight of the collection is the short preview of "Hall of the Mountain King" Ritchie plays. This song will end up on the Rainbow album, "Stranger In Us All." For all sane Purple fans, "Come Hell or High Water" is the definitive live CD from this tour.

Another objective review for you..........2006-08-19

Two shows with the same setlist: One in England and one in Germany. The Germany one is better because Ritchie was busy throwing water on a camera man at the start of the English concert and doesn't start playing guitar until the solo of "highway star" (no kidding!) But what can you say? The media is like cops, they're never around when you need them and like parasites all around you when you don't. Also, Gillan misses a few of his lines at the England show, like coming out of the rhythm section of "Perfect Strangers". The whole band sounds pretty good and the production levels are pretty top-notch. Ritchie plays above average throughout on the Stuttgart show, but I find he must be using different pickups on his stratacaster now. It sounds close to the old DiMarzzio pickup he used to have but it's more like a Seymour Duncan, which doesn't offer the same "grating", squealing effect that he used to have. It's still Ritchie, but the soloing on "Lazy" and in other songs is missing a bit. Gillan is in his forties on here, so his vocals are not a "ten". More like a 7.5. If you want a good DP show on CD that includes the original line-up and has songs from the "Perfect Strangers" CD, arguably their best work, then this is the one for you.

....disapointment.......2006-08-17

However there are some sparks in the show like Anya.
They play proffecionally but all the time I have a felling that something is wrong in the band. Blackmore plays great but like only for himself, like he is only on the stage.
GILLAN SOUNDS THE WORST I HAVE EVER HEARD HIM...
Now I understand why Ritchie was so angry!
Lord's organ sounds far back for Ritchie favor...
In 1993 there were much more better show in Scandinavia.
Why they taped those?
...wasting of money...

Historic Recording.......2006-08-10

This CD does not show anything different from 'Come Hell and High Water` - the only difference is Ritchie Blackmore's participation which is better. On Come Hell... we feel his lack of enthusiasm and here on 'Live in Europe` he is still on the mood for playing with Deep Purple.
The songs are great and it is a must have for any hard core fan.

Average customer rating:

Still the greatest diva. Buy it.
Live & incredible.
Breaks Every Rule!
Tina defines "LIVE"!
"Live" and Loving it

Tina Live in Europe
Tina Turner
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Foreign Affair
Wildest Dreams
Break Every Rule
Private Dancer: Centenary
Tina Turner - Rio '88

ASIN: B00000DB4E
Release Date: 1990-10-25

Tracks:

What You Get Is What You See
Break Every Rule
I Can't Stand The Rain
Two People
Girls
Typical Male
Back Where You Started
Better Be Good To Me
Addicted To Love
Private Dancer
We Don't Need Another Hero (Thunderdome)
What's Love Got To Do With It
Let's Stay Together
Show Some Respect

Tracks:

Land Of 1,000 Dances
In The Midnight Hour
634-5789
A Change Is Gonna Come
River Deep, Mountain High
Tearing Us Apart - Eric Clapton
Proud Mary
Help
Tonight - David Bowie
Let's Dance - David Bowie
Overnight Sensation
It's Only Love - Bryan Adams
Nutbush City Limits
Paradise Is Here

Album Details

Australian Re-Issue. Double CD Set featuring 28 Tracks.

Customer Reviews:

Still the greatest diva. Buy it........2006-09-06

'Tina Live' (in Europe)was recorded just a year or two after I saw her perform almost exactly the same material (without the very famous duet partners, Eric Clapton, David Bowie, Robert Cray, and Bryon Adams). And even though the performance I saw was at a very ordinary venue (Allentown PA fairgrounds), Miss Tina gave every bit as good a performance as she does on this album recorded in London.

And this should be no big surprise, as Tina Turner has been making a big impression on the stange for decades. I can still remember the reviews of the 1970 Rolling Stones tour where it was said that their leadin act, the Ike and Tina Turner Revue almost stole the show from 'The Greatest Rock and Roll Band in the World'.

It's even ironic that when we saw Tina at the end of her biopic, 'What's Love Got to Do With It', we thought that this was a rare case where the subject of a film biography literally outshone the actor (Angela Basset) who played the part on the screen.

I also happen to be writing this as I listen to a Barbra Streisand concert album, and in spite of my being a Streisand fan from the release of her very first album, I find that Miss Tina puts on a show which simply blows Babs off the map. To be fair, Streisand puts a whole lot more nuance into her interpretations, but for stage presence, Tina carries the day.

So, if you want to relive your own live Tina experience, here is where you can come to see the original.

Live & incredible........2003-04-20

I'm a big fan of Tina Turner and besides having her cd's I also have some of her live videos. And if you haven't seen Tina on stage, I have to tell you that you're missing an electrifying experience.

After touring for 4 years with sold out shows. Tina released this production in 1988 after the impact of "Private dancer" and her 1986 hit album "Break every rule".
"Tina live in Europe" cointains her biggest hits live as a solo singer (without Ike) and it also contains duets with: David Bowie, Eric Clapton, Bryan Adams and Robert Gray. There's a section on cd2 where Tina sings old classics such as "A change is gonna come" and "Midnight hour".
Tina delivers her best in songs like: "Help", "Let's stay together", "Two people", "A change is gonna come" and other ballads. But she also rocks with songs like: "Show some respect", "Proud Mary", "Typical male", "Addicted to love" (a classic on Tina's concerts) and "Better be good to me".

Tina's tour was worldwide but besides her incredible success of "Private dancer". In 1986 and 1987 Tina had an amazing hit in Europe with her "Break every rule" album and because of that an her early solo years. Tina felt that Europe was always there for her and this cd was a gift for her European fans.

This album won a Grammy in 1989 and sold millions in Europe and Asia, but in the U.S it only reached #88 in the Hot 200.
Part of this tour was her Guiness Records record of 1988 when she sang in Rio in front of 182,000 people at the Maracana stadium.

Breaks Every Rule!.......2002-04-21

I hate to think what most performers today would sound like on a live album. Ugh! Fortunatley, we have Tina Turner here to show us how a live album should be done. As you listen to this set, you can almost see yourself at the various shows recorded here, with such amazing sound and precision. No matter if some songs are obviously from more than just her Break Every Rule Tour. They all rock. This woman personifies rock-and-roll more than any other female rock singer. The sound is great, obviously much attention was paid to the sound recording of this album, and it certainly paid off! This set stands as tribute to the incredible courage, determination, and pure talent of this unique lady. Just sit back, slip one of the two discs in your CD player, and enjoy!

Tina defines "LIVE"!.......2001-03-26

Tina's 1988 European performance is spectacular, with a 2 CD set. (Though I believe some of the songs were performed a few years earier.) CD 1, approx. 66: 53, is a collection of her hits from the beginning to the present date. Her strong voice sizzles from beginning with "What you get is what you see," and wrapping it up with her rock n' roll anthem "Show some respect." CD 2, approx 60:33, continues with great duets with Robert Cray (In the midnight hour," "634-5789," Guitar solo on "A change is gonna come"), Eric Clapton (Tearing us apart"), David Bowie ("Tonight," "Let's Dance"), and Bryan Adams (It's only love"). Then closing with the destiny sound of "Paridise is here." Inside is a booklet is a letter about the trip and concerts by Tina, as well as beautiful pictures. I know that I've seen some of these performances on her "Break every rule" video-which is great. I guess my Mom was right on 1 thing that's great about Tina, that she don't hold nothing back, she performs, she gives it all she's got. And this collection proves that. Bravo!

"Live" and Loving it.......2001-02-18

I'm not a big fan of "live" albums,but TINA:Live in Europe, is one that changes my opinion. It's a must for any Tina fan.

Average customer rating:

Rhythm guitar ?
Yeah, it's not their best, but...
This collection rocks
Dreadful!
THE FAKE LIVE RECORDING!

Live in Europe
Creedence Clearwater Revival
Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

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The Concert
Mardi Gras
Cosmo's Factory
Bayou Country
Green River

ASIN: B000000XCT
Release Date: 1990-10-25

Tracks:

Born On The Bayou
Green River / Suzie Q
It Came Out Of The Sky
Travelin' Band
Fortunate Son
Commotion
Lodi
Bad Moon Rising
Proud Mary
Up Around The Bend
Hey Tonight
Keep on Chooglin'

Customer Reviews:

Rhythm guitar ?.......2006-10-05

I read a couple of the reviews that accuse Fantasy of "faking" the live aspect of this album by dubbing in the audience. I've never noticed that, and I've had this album since 1973, when it was first released on vinyl.
Granted, the Cd version does short change the listener by leaving off a couple of songs, but that is easily remedied by purchasing the vinyl copy
if you can find one. The thing I want to say about the album and the tour from which it came is, why couldn't Creedence replace Tom and his rhythm guitar for at leat the duration of the tour? Creedence always had an uncomplicated sound to begin with, and the absence of a second guitar does reveal the simplicity of their sound so why not pull in a player for the tour.
But, I am speaking of 1971, and not 2006 where it is considered the norm for artists to drag along seven extras to replicate their sound on stage.
Witness the Eagles and their recent tours, to understand my meaning.
Perhaps J.F. wanted to keep Creedence simple, and, perhaps, keep more of the profits. Who knows? All I'm saying is CCR would have benefited from an extra guitar on stage after Tom's departure. It could also have afforded John the opportunity to perform some of CCR's more recent keyboard oriented songs. Oh well, it's a good album and probably done "really" live.
It's a good album and a fine documentary of CCR's final days as a working band.

Yeah, it's not their best, but..........2006-05-02

this is a great testament of the energy that CCR had on stage until the very end. Unfortunately, the concert starts out with a rather routine performance of Born on the Bayou, which may dampen listener enthusiasm initially. After that the band starts to really roll, starting with Green River/Suzie Q, peaking with Traveling Band and Fortunate Son, and very enjoyable versions of Lodi, Bad Moon Rising and Proud Mary. I really appreciate that the three players seem to be enjoying the performance. The sound is slightly muddled, which gives the disk a "garage-band sound"...it sounds a little bit like you are listening from just off-stage at the show.

Others have commented that this may include crowd sounds edited in. I don't know about that, but the crowd certaining seems realistic and the performance is no doubt from the tour.

Definately worth 5-10 bucks for the great songs and energetic showmanship.

This collection rocks.......2005-06-13

This recording is an example of classic rock at its absolute best. There are many songs I enjoy. Examples include "Playing in a Traveling Band," and "Up Around the Bend." There are other songs that might have fit this collection including "Looking Out My Back Door," "Down on the Corner," and "Who'll Stop the Rain." However, I would still recommend this recording to anyone who likes CCR.

Dreadful!.......2005-01-17

Released a year after the disbanding of CCR, this "album" is hardly worth anything other than a historical record of the band's only "live" recordings as a trio. (Tom Fogerty had bailed in early 1971 for a solo "career.")

A blatant attempt to cash in on their now-defunct cash cow, Fantasy kept on repacking the hits in various forms - including this live album from the 1971 European tour. Rumors say that this is actually a rehearsal tape with audience applause dubbed in - and if you listen closely with headphones, it does seem that way. You can almost see the hand on the fader turning up the volume of the "audience" at the end of Bad Moon Rising - and other songs have equally egregious mixing. Not since 1966's "Got Live If You Want It" by The Rolling Stones has there been such a phony live album.

Originally released as a 2-LP set (with Keep On Chooglin' as an entire side!!?!), the CD re-release had lopped off Sweet Hitchhiker (the band's last top-ten hit) and its flip, Door To Door (no great loss, as the in-concert version is no better or worse than its studio counterpart), these two tunes have been restored as part of the six-CD box CCR set.

The music? Without the competent rhythm guitar of departed brother Tom, the sound is obviously thinner than previous tours (listen to "The Concert" for proof) and the song selection had to be geared towards a trio (meaning no Down On The Corner or Lookin' Out My Back Door).

Bottom line - totally unnecessary, unless you're a CCR fanatic. Otherwise, stick with the first six studio albums.

THE FAKE LIVE RECORDING!.......2005-01-13

If you ever listen closly to this "live" recording, you can hear the same applause after each song. There are some dead giveaways here, such as a distant banging sound, followed by some feedback and each time you can hear it with the same yelling and applause. Just bad stuff Fantasy!

I've heard that the rehersal tapes (for that very tour of Europe) were used, then some crowd noise was added to the mix. As rehersals go, they aren't bad performances, but the mix is muddy.

I've long since sold my copy.

A better live album to buy from this time period is, MADE IN JAPAN by Deep Purple. No overdubs, no fake crowd, just good live music!

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