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Product Description
20 track Aussie compilation featuring tracks selected by Miss Ross herself, featuring a different track-list than the European version, includes, 'I'm Still Waiting', 'Your Love' and 'Let's Make Every Moment Count' but omits 'Stop! In The Name Of Love' (with The Supremes), 'Missing You' and a single remix of 'Someday We'll Be Together' (with The Supremes). 1993 release. Standard jewel case.
Trio Music,Chick Corea,Miroslav Vitous,Roy Haynes,ECM,Post-Bop,R&B/Soul,Soul/R & B,Soul/Reggae/Rhythm & Blues
Trio Music [Import]
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Grand National
John Butler Trio Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N3ST4S Release Date: 2007-03-27 |
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Album Description
The pigeonholes that exist have long been a bad fit for John Butler anyway. Roots band, protest band, jam band, groove band . . . these labels may or may not have applied in the past, but the John Butler Trio of 2007 has come too far and seen too much to sit in anybody else's niche. "GRAND NATIONAL" is more about love than injustice, more about ass-shaking than finger-pointing, and more about maintaining the funk than any particular hairstyle. It's an album of sharp focus and wide variety that matches and surpasses monumental expectations.Customer Reviews:
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liquid weight that brings to mind Ethan Iverson of the icon-bashing Bad Plus, as markedly different as they are stylistically. Beyond that, it's the remarkable shift-shaping qualities of Gustavsen's trio that make Being There so compelling. Gustavsen has talked about being influenced artistically by "the psychology of relationships." The psychology of the relationship among him, bassist Harald Johnsen, and drummer Jarle Vespestad is made compelling not only by standard interactive effects, but also by the unique shape-shifting that occurs through continual shifts in how much voice each player has in relation to the others, how much lightness or darkness, how much intensity. A notable advance over the trio's first two albums, on which being deliberate sometimes translated into dull, Being There rarely loses its grip. There are stories being told here, with endings that change with each spin. --Lloyd Sachs
Album Description
Proving that sensual, spiritual jazz can come from even icy Norway, the Tord Gustavsen Trio stormed onto the jazz scene in 2003 with their debut recording, Changing Places. 2005's The Ground took the band one step further and even topped the pop charts in Norway, an unprecedented achievement. The restraint of Gustavsen's approach and the allure of his simply drawn melodies has spoken to an audience that does not normally concern itself with improvisation.
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rlight Comes Through Again
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aying to the song and the saxophone, not to out-do the other bassists and drummers. Larry Grenadier and Ali Jackson play on most of the songs. Lastly, the songs are kept relatively short, so it isn't too long before a new melody or tempo is introduced.
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e presence of an attentive and appreciative audience does seem to inspire them. The sounds made by that audience are not the least bit obtrusive, but their applause helps to create a pleasant atmosphere of immediacy, as does the immaculate sound achieved by engineer Joel Moss. The disc is also nicely programmed, though there are fewer rarities than one might expect given Charlap's extensive knowledge of the American songbook and his penchant for reintroducing overlooked but worthy material.
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The Inspirational Sounds of Muslimgauze [Import]
Cimarosa, Piazzolla, Sarasate, et al
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john butler trio grand n
Le Grand Livre des cactées
Authors: Miles Anderson
Catalog: Book
Media: Cartonné
Release Date: 31 July, 1999
Publisher: Manise
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ASIN: B000QEIM7S
Release Date: 2007-06-26
The Bay of Gigs.......2007-08-05
Trio Of Delight.......2007-07-18
Glad to hear it finally make it from the vault.......2007-07-12
unrealized potential (and other thoughts).......2007-07-11
Trio of Doom vs Havana Jam 1/2.......2007-07-07
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Try! John Mayer Trio Live in Concert
John Mayer Trio , John Mayer , Steve Jordan , and Pino Palladino
Manufacturer: Sony
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ASIN: B000BJS4SU
Release Date: 2005-11-22
An introduction to Italian sculpture (en anglais)
Authors: J. Pope Hennesy
Catalog: Book
Media: Relié
Release Date: 29 July, 1999
Publisher: Phaidon Press
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Excellent et instructif
C'est le genre de livre qui donne envie de retourner en Italie, et surtout, avec la connaissance de l'art acquise, de mieux observer les details des sculptures.
takes more than a listen to................2007-06-29
Dreamlike Adagio.......2007-06-12
Nonetheless, this is not to say that their music is lackluster. The trio displayed in their previous albums Changing Places and the Ground, their abilities to compose such beautiful yet not abstract jazz in a discipline which Gustavsen puts, "inspired by a love of spaces". In jazz, sometimes playing a riff in between notes might be easy, but leaving it blank takes up imagination. Tord Gustavsen Trio definitely has this imagination.
Releasing their third album in five years, Being There, as part of a trilogy, the trio has taken their restraint way of utterance to a new territory. When you start listening to the album, the sense of déjà vu will dominate you even if you have never heard of their previous albums. Yet as the music goes on, it will be clear to even long-time listeners that you are not in a familiar place at all. Tunes like Blessed Feet (a Jarrett-like funky tune) and Where We Went (an up-tempo Spanish dance) sing a more assertive but not aggressive kind of lyrics, while the music is still kept as simple and uncanny as it possibly can. The way trio instruments are approached, especially by drummer Jarle Vespestrad, whose plays are being felt rather than heard for most of the time, meshes delicate whispers altogether in modest tempi and continuous rubato. This un-trio-like instrumental integration makes the music feel like dream flows in a constantly changing vista, which finally resolves back to the same place where it started when the album ends with the peaceful tune Wide Open.
All About Jazz reviewer John Kelman put the trio's distinctive character beautifully: "As silence can sometimes speak as loudly as thunder, and insofar as careful elaboration of melody can be just as compelling as more vivid expansion, Gustavsen's trio makes a clear case for the elusive power of restraint." Gustavsen phrases it romantically, that his music is "about loving every note". It is this very tendency of playing what you like, rather than what you ought to play between passages, together with the elaborated yet elegant lyrics of the tunes, that creates this unique aesthetic and the kind of feeling you will not have very often in reality, but in dreams.
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Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child
Manufacturer: Philips
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California Aerospace Museum, Frank Gehry (en anglais)
Authors: James Steele
Catalog: Book
Media: Broché
Release Date: 28 July, 1999
Publisher: Phaidon
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The Jazz Collector Edition: Les Paul Trio
Les Paul Trio
Manufacturer: Delta
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ASIN: B000008JBE
Release Date: 1991-06-06
Great collection.......2007-07-12
Something Great From The Man Who "Invented" The Electric Guitar.......2007-05-14
What a pity to have all but forgotten him, so. If Les Paul (or Mary Ford) is still alive (I realise they would be a little old if they still were) I wish they could know that I and my wife haven't forgotten them and now that I have this excellent re recording, we never will.
Treasure trove of scintillating miniatures.......2005-11-17
Within each of these 2-3 minute masterpieces Les manages to impress as a solo guitar master as well as a tasteful, expressive musician and an ensemble player of the first order. There's no electronic trickery on these recordings from 1947--simply a level of artistry and flawless execution that's all the more striking because of the limited space given each player to say his piece. The tempos include a couple of ballads and medium tempos along with the predominantly up-tempo tunes.
No less impressive than the solos is the inventiveness of the compositions and the glittering tightness of the ensemble playing. Much of the time Les is heard playing blazingly fast melodic lines in harmony with a nameless piano virtuoso who is on the same level as Les if not even more fluent and imaginative. In fact, the single downside of this collection is the absence of dates, musicians' names, and all other potentially useful information about the recordings (some research suggests that the pianist is Paul Smith).
Admittedly, Les frequently resorts to "canned licks" rather than risking extemporaneous improvisation on the chords (the pianist is usually given the more adventurous role). Nevertheless, this is challenging, exhilarating music, full of surprises and played to perfection.
Laserlight Comes Through Again.......2005-08-02
This collection concentrates on Les Paul's early carrer and as the title implies, it is his trio of guitar, bass and piano. The recordings were made in the 1940's and are mono, but the sound is crisp and clear.
Definitely a great buy at the price. Larry's review pretty much sums it up.
MORE of Les!.......2003-02-25
The 21 cuts are circa 1947, which means the recordings are pre-Gibson Les Paul model guitar. Since he's playing a jazz box, his tone is really warm and smooth, compared to the brighter tone of his later solid body work,(1950's - 60's) but his sense of humor and wicked licks are here nonetheless.
In fact, the CD is an excellent, equally mixed collection of slow sultry tunes, medium paced bops, and flat-out, high-speed ripping. The significance is that many of Les' CD's are not specifically aimed at appreciating his mastery of the instrument, but instead are fixated in content either on his association with Mary Ford, or his inventive marvels like multi-tracking and echo. As a result, much of Les' pure technique winds-up being buried and taking a back seat to either Mary's vocals, or his own signal processing.
Even worse, some manufacturers are releasing discs entitled "Guitar Wizard" for example, that are cleverly using the title as a marketing gimmick only, and with no intent to include tracks that showcase Les' incredible fretting agility and monster technique.
Pathetic.
Not the case here though.
Don't get me wrong, I really like the other stuff he has done, but there is just so damn much of it, and hardly any CD's exist to the contrary that prove "Les is More" - without the multi-tracking or signal processing.
I do know that he is known for his "new sound", and it is a wonderful part of music history, but by fixating ONLY on that, record companies have shorted us the pleasure of enjoying Les as the phenomenal guitarist that he truly is, in his purest form. Personally I believe that a collection CD featuring Les' best guitar work is not only badly needed, but actually OWED to him, considering what he has done for the electric guitar specifically, and the music industry in general.
Whether or not you like his music, one fact remains...
This is the man that "discovered electricity" for guitar players, and multi-track
A child is born. (en anglais)
Authors: Mary Cassatt, Phaidon Press
Catalog: Book
Media: Broché
Release Date: 28 July, 1999
Publisher: Phaidon
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Joshua Redman starts off with an old warhorse, "Surrey With The Fringe On Top" and freshens it up a little by chopping up the rhythm. Most of the rest of the songs have an Asian reference in their title, and to a lesser extent in their music. I'm not sure how "I'm An Old Cowhand" and "Wagon Wheels" fit in with the theme, since they're western songs . At any rate, the standards are nicely played, and the new compositions are also good. It's simply a top-notch album, and is highly recommended. This will be one of the better CD's of 2007. The last song doesn't have Joshua on it, but has Dewey Redman playing for his granddaughter. It's interestingly free-jazzy, and perhaps a suitable capstone to Dewey's long and interesting career.
Always Open Ears For Josh - Always Time For Dewey.......2007-06-03
It's impossible to write this review and not drop the name Sonny Rollins, since a full third of the tracks here are tunes that Newk explored within the very same trio constraints back in the late 50's, and you know that Josh loves his Newk. He doesn't try to sound like Rollins here - he just invokes Sonny's powerful visage. The name and the sound, both invoked and actually present, which "Back East" *is* suffused with is that of Joshua's late father, Dewey Redman. My first exposure to the music of Dewey Redman came in the mid 70's when he was part of Keith Jarrett's incendiary American combo that made recordings for Impulse!, but I have to confess that most of it went way over my head at the time. What really made me pay attention to Dewey was his significant contribution to Pat Metheny's ECM double-album 80/81, right there next to Jack DeJohnette, Charlie Haden (also a vet of that Jarrett unit), Metheny, and the late Michael Brecker. What a free-emotive ear-opening revelation Dewey was on those tunes! Next came my awareness of the outfit known as "Old And New Dreams" with Don Cherry, Ed Blackwell, and Haden again, which really convinced me that it was Miles Davis who was "all messed up inside" and not Ornette Coleman. And in the midst of all this great music came a Dewey Redman album for the ages - 1983's "The Struggle Continues" on ECM. Search hard in used vinyl shops for it - or even harder for a CD copy.
So what does any of this have to do with Joshua Redman's new self-produced title on Nonesuch? The answer is: everything. Josh has some of the biggest ears on this planet - don't go thinking for a minute that any of this stuff from the late 70's and 80's was lost on him, even if he tells you that he had to "come back" for some of it (he grew up apart from his dad with his mother in the Bay Area). Once Josh made the commitment to music over law school, *all* the great tenors who came before him contributed something to his jurisprudence of jazz degree. And with this latest offering, Redman (the younger) continues to show off his very sponge-like abilities even further. If there were just a few more tracks like the Josh original "Indonesia" (which isn't exactly gamelan, but sure ain't no 12-bar blues either) or the Coltrane gem "India" (performed in 4tet with father Dewey), or the Shorter jewel "Indian Song" (4tet with Joe Lovano, tune lifted from Wayne's o.o.p. 1965 album "Etcetera") this review would be attached to a 5-star rating. But 4 stars is still pretty darned good, and "Back East" is worth extra spins just to reflect on the incredible musical legacy left to us by Dewey Redman, who not so incidentally gets the last dance all to himself (in a trio) for the set closer. Salaam, Dewey. Great album, Josh.
Impressive!.......2007-05-24
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All for You: A Dedication to the Nat King Cole Trio
Diana Krall
Manufacturer: Grp Records
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Binding: Audio CD
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ASIN: B000003N89
Release Date: 1996-03-12
Chinoiseries (en anglais)
Authors: Dawn Jacobson
Catalog: Book
Media: Broché
Release Date: 28 July, 1999
Publisher: Phaidon
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ASIN: B0000058HX
Release Date: 1996-08-20
Great for the road.......2007-05-11
Beethoven 25 Favorites.......2006-11-21
25 Beethoven Favorites.......2006-11-05
bEtHoVeN mAnIaC.......2005-11-03
Great Price...Not so good itself.......2005-05-19
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Live at the Village Vanguard
The Bill Charlap Trio
Manufacturer: Blue Note Records
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ASIN: B000PC6FP2
Release Date: 2007-05-22
Der Ring des Nebelungen
Authors: Richard Wagner
Catalog: Book
Media: Broché
Release Date: 28 July, 1999
Publisher: Phaidon
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Subjects - Entertainment - Music - General
Subjects - Entertainment - Music - History & Criticism
Subjects - Entertainment - Music - Musical Genres - Classical - Composers - Wagner, Richard
In all, this is a most welcome document of an exceptional group in action. It is also long overdue, so let's hope that volume two will follow in short order!